03/03/25

Sport and Spectator @ The McNay, San Antonio

Sport and Spectator
The McNay, San Antonio
March 1 — July 27, 2025

Hank Willis Thomas, Perseverance, 2017
Hank Willis Thomas
Perseverance, 2017 
Fiberglass, chameleon auto, paint finish
Courtesy of the artist and Jack Shainman Gallery, New York 
© Hank Willis Thomas

Brandon J. Donahue-Shipp, Basketball Bloom
Brandon J. Donahue-Shipp
Basketball Bloom (USA Outdoor), 2024 
Basketballs and shoestrings 
Courtesy of the artist and Pentimenti, Philadelphia 
© Brandon J. Donahue-Shipp

Brian Jungen, Nike Mask
Brian Jungen 
Horse Mask (Cher), 2016 
Nike Air Jordans 
Courtesy of the artist and Casey Kaplan, New York 
© Brian Jungen

Betsy Odom
Betsy Odom
Softball Glove, 2008
Tooled leather, and shearling
Courtesy of the artist
© Betsy Odom

Basketballs, footballs, tennis rackets, hockey sticks, jerseys, punching bags and other sports gear and paraphernalia become art in “Sport and Spectator,” on view at the McNay Art Museum. The exhibition celebrates American sports culture and confronts its complex intersection with race, gender and class. “Sport and Spectator” includes approximately 40 sculptures, textiles, screenprints and sports-themed installations by contemporary artists Brandon J. Donahue-Shipp, Jeffrey Gibson, Raul Rene Gonzalez, Sophie Inard, Brian Jungen, Justin Korver, Esmaa Mohamoud, Betsy Odom, Hank Willis Thomas, and Tyrrell Winston. Each work offers a recognizable element of sports while inviting viewers to consider athletics’ role in shaping society.

Brandon J. Donahue-Shipp, Basketball Bloom
Brandon J. Donahue-Shipp
Basketball Bloom (Breakaway Outdoor), 2024
Basketballs and shoestrings 
Courtesy of the artist and Pentimenti, Philadelphia. 
© Brandon J. Donahue-Shipp

Brandon Donahue-Shipp, who aspired to a career in professional basketball, uses his artistic practice to explore social and cultural realities in Black and Brown communities. Deflated basketballs and footballs become sculptural floral arrangements that symbolize the unfulfilled dreams of Black and Brown boys who also dreamed of careers in professional sports. “Coach’s Playbook,” is a screenprint that juxtaposes a basketball diagram with the floorplans of a courtroom. Strategic plays marked in red and blue cover the image and comment on the relationship between Black and Brown communities and the American legal system.

Hank Willis Thomas
Hank Willis Thomas
Changeup, 2019 
Mirrored stainless steel
Courtesy of the artist and Jack Shainman Gallery, New York 
© Hank Willis Thomas

Multiple works by Hank Willis Thomas highlight the potential for sports to both uplift Black communities and exploit the bodies of Black athletes. Resembling abstract modern sculpture, the metallic shapes in “Perseverance” depict an athlete’s bent limbs in dynamic motion. Presenting an anonymous player in the form of a public monument, Thomas’ sculpture acknowledges the power of sports to both unite and divide. The artist finishes the sculpture with shiny auto paint to comment on the sport’s reliance on international players, many who are of African descent.

Esmaa Mohamoud transforms jerseys to bodices to address gender in sports in her “One of the Boys” series. By pairing each jersey with a floor-length skirt made of silk and velvet, the artist presents a sports-themed ballgown that challenges the propensity for male athletes to be hyper-masculine while women remain underrepresented in sports. Growing up as the only girl with four brothers, she was a self-described tomboy. When her mom insisted that she wear a dress, she once wore a jersey over it.

Sophie Inard
Sophie Inard 
First base en rose, 2023 
Vintage hockey helmet with cotton yarn
Courtesy of the artist 
© Sophie Inard

Sophie Inard blankets common sports equipment with intricate patterns, bringing together the fast-paced, harsh sports world and the slower, delicate, calculated practice of crochet. She uses the “granny square” pattern reminiscent of a time that preceded modern-day technology to cover golf clubs, baseball bats, motorcycle helmets, rugby balls, boxing gloves, skateboards and other equipment. Wrapping sports equipment in soft yarn communicates the idea that opposites can coexist.

Jeffrey Gibson adorns Everlast punching bags with glass beads to pay homage to traditional Native American craft traditions while offering social and political commentary. His works also include references to artists and musicians through titles and words that appear on the works such as “The Love You Give Is the Love You Get,” inspired by lyrics from The Beatles’ “The End.” “Sharecropper” honors his grandparents, who persevered through poverty. Each work also celebrates boxing’s power to release tension and stress.
“‘Sport and Spectator’ explores the artistic alchemy of manipulating the materiality and meaning of sports paraphernalia,” said exhibition co-curator René Paul Barilleaux. “The contemporary artists featured are committed to incorporating sports equipment into their artistic practice, and this exhibition is unique in that numerous exhibitions have been organized around the theme of sports culture, but seemingly not specific to sports equipment and gear,” added co-curator Lauren Thompson.
“Sport and Spectator” is organized for the McNay Art Museum by René Paul Barilleaux, head of curatorial affairs, and Lauren Thompson, curator of exhibitions. 

McNay Art Museum
Tobin Exhibition Galleries
6000 N New Braunfels Avenue, San Antonio, TX 78209