The Worlds of Georgette Chen: Docudrama on Singapore’s pioneer artist - Commissioned by the National Gallery Singapore

The Worlds of Georgette Chen
The first-ever docudrama on Singapore’s pioneer artist

National Gallery Singapore presents a three-part docudrama on GEORGETTE CHEN (1906 - 1993), one of Singapore’s most loved artists. Commissioned by the Gallery in the run up to its opening, the docudrama will give the dramatic worlds of Georgette Chen a contemporary relevance. Produced by Channel NewsAsia, the series will feature MediaCorp’s top actress, Rui En, as the iconic artist.

Shot on location in Europe, China and Southeast Asia, the docudrama is set in three periods: the French period from 1927 to 1933; the Chinese/Hong Kong period from 1934 to 1948; and the Penang/Singapore period from 1950 to 1980. Set against the tumultuous years of the Second World War, the storyline mirrors Georgette Chen’s artistic oeuvre. Born in 1906, Georgette Chen received her art education in Paris, New York as well as in Shanghai. Immensely inspired by her surroundings, she produced still lifes, portraits and landscapes from each phase. Her portraits of her first husband and more importantly, of herself, are painterly windows to her cinematic life.

Georgette Chen eventually found her home in Singapore and taught at the Nanyang Academy of Fine Arts until her retirement in 1981. Regarded as an important artist who contributed immensely to the burgeoning Nanyang school of painting and to Singapore’s art movement for over four decades, Georgette Chen was awarded the Cultural Medallion in 1982.

“Given the important position that Georgette Chen occupies in Singapore’s art history, which is a key focus of the National Gallery, the enactments in the form of drama will allow us to further the appreciation and understanding of Singapore’s art historical development among a new generation,” says CEO of National Gallery Singapore, Ms Chong Siak Ching. “And we will continue to explore new avenues of marketing, including digital and social media, to communicate the Gallery’s offerings to a wide audience.”

Managing Director of Channel NewsAsia, Debra Soon, adds, “There are many significant moments and people in Singapore’s history that are not sufficiently made known. For Channel NewsAsia, we want to help tell these stories for audiences as part of the record of Asia’s artistic history. We are delighted to work with the National Gallery in this ambitious project. We want to be able to bring the story of Georgette Chen to life, not to just capture her story, but to make it one that resonates with all viewers, in Singapore and beyond.”

Actress Rui En sees portraying Georgette Chen as a rare and once-in-a-lifetime opportunity. “The more I read about her, the more I realise how important the role is. In her day, it was rare for women to paint professionally. She was a pioneer on many fronts and her quiet strength and love for life will certainly inspire women today.”

The docudrama, produced by Channel NewsAsia’s English Current Affairs team, will telecast in April 2015 on Channel NewsAsia and MediaCorp Channel 5. The series will also be adapted into Chinese for telecast on Channel 8. Artworks by Georgette Chen will be on display in the DBS Singapore Gallery when the National Gallery Singapore opens in 2015.

NATIONAL GALLERY SINGAPORE
www.nationalgallery.sg

MoMA: ContemporAsian Film Series 2009

MoMA Presents: ContemporAsian

Highlighting the Richness and Diversity of Asian Cinema, One Contemporary Asian Film Is Featured Each Month in a Weeklong Engagement September 11–17, 2009 October 14–19, 2009 November 20–27, 2009 December 10–16, 2009 The Roy and Niuta Titus Theaters

MoMA showcases one contemporary Asian film per month with a weeklong engagement, allowing audiences the rare chance to enjoy films not in wide distribution and to experience the diversity and richness of Asian cinema in its many forms. ContemporAsian is organized by Jytte Jensen, Curator, Department of Film, The Museum of Modern Art, and William Phuan, independent curator. In the monthly exhibition ContemporAsian, MoMA showcases films that get little exposure outside of their home countries or on the international festival circuit, but which engage the various styles, histories, and changes in Asian cinema. The films in the series include recent independent films and little-seen classics. From September’s opening feature, a stylistically flamboyant series of surreal urban vignettes of social and racial strife offset by characters who break into song Stevie Wonder—style (Blind Pig Who Wants to Fly, 2008, Indonesia), to October’s intimate portrait of a resilient octogenarian, featuring venerated actress Anita Linda in a tour de force performance (Adela, 2008, Philippines), the films showcased encompass a variety of styles and themes. In November, a South Korean film explores the aftermath of a romantic breakup, in which a sticky financial situation gives rise to a revealing roadtrip (My Dear Enemy, 2009), while in December, a Taiwanese film depicts the struggles of two illegal migrant workers trying to build a relationship in a culture alien to both of them, even as they live in fear of deportation (Sincerely Yours, 2009.) September 11–17, 2009 Dajang Soembi, perempoean jang dikawini andjing (Dajang Soembi, the Woman Who Was Married to a Dog) 2004 Indonesia Directed by Edwin Following the examples of silent cinema, Indonesian filmmaker Edwin uses expressionistic sets reminiscent of The Cabinet of Dr. Caligari and plot overtones of Oedipus Rex to retell an Indonesian folk tale about a beautiful but dull-witted princess who marries a dog. 7 min. Babi buta yang ingin terbang (Blind Pig Who Wants to Fly) 2008 Indonesia Directed by Edwin With Ladya Cheryl, Pong Harjatmo, Carlo Genta In a departure from the short films for which he is celebrated, Edwin brings his prodigious talent for episodic, kaleidoscopic storytelling to this compelling feature film. In a series of minimal, slightly surreal tales, characters loosely linked by their minority status as Chinese-Indonesians are set within a contemporary urban Indonesia beset by social and racial tension. Past and present are jumbled, and events are vaguely symbolic and doubtlessly—albeit obscurely—connected to the violent political events playing out on TV. In this expertly crafted universe, the one constant, bizarrely enough, is Stevie Wonder’s “I Just Called to Say I Love You”—sung by each of the characters at different points in the film. In Indonesian; English subtitles. 77 min. Screening Schedule: Friday, September 11, 7:00; Saturday, September 12, 1:30 ; Sunday, September 13, 5:00; Monday, September 14, 7:00; Wednesday, September 16, 8:00; Thursday, September 17, 7:00 October 14–19, 2009 Adela 2008 The Philippines Directed and co-written by Adolfo Alix Jr. With Anita Linda, Jason Abalos, Joem Bascon To celebrate her 80th birthday, Adela wants nothing more than a meal with her children and family. Yet as the widow goes about her day preparing and shopping, often stopping to help out her fellow slum-dwellers, the wait for the celebration is long and futile. In a stylistic break from the energetic, fast-moving contemporary cinema we have come to expect from the Philippines, Alix trains his camera on veteran Filipino actress Anita Linda throughout the film, to great effect and with moving results. Adela is as much a tribute to the quiet dignity and indomitable spirit of the titular character as it is to the actress whose compelling, poignant performance inflects every scene. In Tagalog; English subtitles. 88 min. Screening Schedule: Wednesday, October 14, 7:00; Thursday, October 15, 4:00; Friday, October 16, 7:00; Saturday, October 17, 7:30; Sunday, October 18, 5:00; Monday October 19, 4:30 November 20–27, 2009 Meitjin haru (My Dear Enemy) 2009 South Korea Directed and co-written by Lee Yoon-ki With Jeon Do-yeon and Ha Jeong-woo Heui-Su shows up unexpectedly at the betting haunt of her former boyfriend and demands that he pay up the 3.5 million won (about $2,600) that he owes her from more than a year ago. This beautifully crafted film teases out the intricacies of modern relationships as it follows the ex-lovers on an unlikely road trip to borrow money from his contacts to pay her back. The natural chemistry between the two leads makes credible a partnership that is by turns prickly and inscrutable, yet surprisingly tender. In Korean; English subtitles. 123 min. Screening Schedule: Friday, November 20, 4:30; Saturday, November 21, 1:30; Sunday, November 22, 12:30; Monday, November 23, 7:00; Wednesday, November 25, 4:00; Friday, November 27, 8:15. December 10–16, 2009 Qilu tiantang (Sincerely Yours) 2009 Taiwan Directed by Rich Lee With Lola Amaria, Banlop Lomnoi, May Kuei-Mei Yang Setia and Supayong are both illegal workers in Taiwan. Setia works as domestic help to support her child and family in Indonesia, while Supayong, from Thailand, takes on odd jobs to scrape together a living. Even as they develop a tentative love affair while forging a new life, the constant fear of deportation threatens to overwhelm them. Lee's finely tuned first film acutely captures the precarious plight of migrant workers who are often nameless and invisible in big cities; in spite of their halting Mandarin, the characters’ yearning for connection and for a better life is as unmistakable as the contradictions that divide the city. In Mandarin; English subtitles. 96 min. Screening Schedule: Thursday, December 10, 7:00; Friday, December 11, 4:00; Saturday, December 12, 8:00; Sunday, December 13, 5:30; Monday, December 14, 4:00; Wednesday, December 16, 7:00 The Museum of Modern Art 11 West 53rd Street New York, NY 10019 Hours: Films are screened Wednesday-Monday. For screening schedules, please visit www.moma.org. Film Admission: $10 adults; $8 seniors, 65 years and over with I.D. $6 full-time students with current I.D. (For admittance to film programs only.) The price of a film ticket may be applied toward the price of a Museum admission ticket when a film ticket stub is presented at the Lobby Information Desk within 30 days of the date on the stub (does not apply during Target Free Friday Nights, 4:00–8:00 p.m.). Admission is free for Museum members and for Museum ticketholders.