Showing posts with label Berenice Abbott. Show all posts
Showing posts with label Berenice Abbott. Show all posts

20/05/23

This Is New York: 100 Years of the City in Art and Pop Culture @ MCNY - Museum of the City of New York

This Is New York 
100 Years of the City in Art and Pop Culture
Museum of the City of New York
Opens to the public Friday, May 26, 2023

Richard Estes
Richard Estes 
M Train on Route to Manhattan Approaches the Williamsburg Bridge. 1995 
Copyright Richard Estes, Courtesy of Louis K. Meisel Gallery

Berenice Abbott
Berenice Abbott 
Tempo of the City I. 1938
Museum of the City of New York 
Museum Purchase with funds from the 
Mrs. Elon Hooker Acquisition Fund, 1940. 40.140.249

Beautiful or menacing…opulent or awful…lively or lonely…fun or frightening…inspiring or irritating…New York City has been a muse for myriad artists over the last 100 years. In celebration of its Centennial, the Museum of the City of New York presents This Is New York: 100 Years of the City in Art and Pop Culture, an interactive and sweeping exhibition examining what NYC has meant to people, including artists, writers, and other creators who have been inspired by the city. The exhibition features more than 400 objects across visual art, television and film, music, theater, literature, and fashion; a digital bookshelf interactive voiced by celebrities such as Matthew Broderick, Rosario Dawson, Lea DeLaria, Tessa Thompson, and more; as well as a must-see immersive film experience highlighting the sights, sounds, and significance of the city in cinema. 

“Around the world, billions of people have an idea of what New York City is because they have learned about the city through movies, television, music, literature, photography, and more. The city is an object of perpetual fascination that is interpreted and reinterpreted and continues to inspire creators across different genres,” says Sarah M. Henry, the Robert A. and Elizabeth Rohn Jeffe Chief Curator and Interim Director of the Museum of the City of New York. “In honor of the Museum of the City of New York’s centennial – and to underscore our role as NYC’s storyteller—we’re thrilled to present This Is New York, an exciting new exhibition celebrating the city's vibrant art and pop culture scene over the past century and showcasing works from artists, musicians, and other creators who have helped define the city's cultural identity.”

The exhibition, which takes over MCNY’s entire third floor, features several key sections:

• TEMPO OF THE CITY, which looks at how artists have captured various aspects of joy and struggles evident on the streets of NYC. Some key objects and elements in this section include:

o Berenice Abbott’s Tempo of the City, a black and white photograph from 1938 capturing New Yorkers as they rush around, utterly absorbed in their own daily lives;

o Jimi Hendrix’s handwritten notebook, which includes lyrics for the legendary guitarist’s song, Electric Ladyland (courtesy of the Museum of Pop Culture);

o Homage to the People of the Bronx: Double Dutch at Kelly Street—La Freeda, Jevette, Towana, Staice, a relief sculpture by John Ahearn and Rigoberto Torres that expresses the joy and expertise of Double Dutch jump rope (on loan from The Broad Art Foundation);

o Taxi Driver storyboards, hand-drawn by the classic film’s director, Martin Scorsese, on loan from the Academy Award-winner’s private collection; 

o Martin Wong’s Desire – a series of paintings in gilded frames, depicting brick walls – the artist’s interpretations of his “blighted” East Village neighborhood of the 1980s (from the collection of KAWS); and

o Carrie Bradshaw’s tutu ensemble from the pilot of Sex and the City, designed by Patricia Field, underscoring the idea of the city as a playground and runway (on loan from North Center Productions).

o Also in this section, Songs of NY, a specially created interactive map featuring music inspired by the city’s streets and subways, with songs representing all five boroughs. Visitors will step into the installation to learn the history of and hear snippets from more than 100 songs, from the 1920s to the 2020s, including Jennifer Lopez’s Jenny from the Block (Bronx) and The Mills Brothers’ Coney Island Washboard (Brooklyn) to The Ramones’ Rockaway Beach (Queens), Wu-Tang Clan’s C.R.E.A.M. (Staten Island) and Ella Fitzgerald’s Drop Me Off in Harlem (Manhattan).

Salman Toor
Salman Toor 
Bar Boy, 2019 
© Salman Toor; Courtesy of the artist and Luhring Augustine, New York 
Photo: Farzad Owrang. Courtesy of The Whitney Museum of Art

• DESTINATION NYC highlights how artists have represented the places where New Yorkers spend their free time: from iconic, commercial entertainment districts like Times Square and the city’s countless drinking, dining, and dancing spots, to the thousands of public parks, beaches, and private corners where New Yorkers find refuge. Key objects and images featured include:

o Edward Hopper’s New York Movie revealing the grand interior of a midtown movie house -- and a female usher in a pensive moment (on loan from The Museum of Modern Art);

o Faith Ringgold’s Tar Beach story quilt, which imagines a Harlem rooftop as a sociable gathering place and spot for flights of the imagination (on loan from Solomon R. Guggenheim Foundation);

o Romare Bearden‘s joyous mixed media collage, Jammin' at the Savoy, offering a dialogue between painting and music, and a tribute to the iconic Savoy Ballroom (on loan from The Studio Museum);

o Salman Toor’s painting, Bar Boy, depicting a young man at a queer bar in New York, engrossed by his cell phone as a crowd of late-night revelers flows around him (on loan from the Whitney Museum of American Art);

o An exquisite hand-beaded NY skyline cape by Zang Toi, created as a tribute to the designer’s “beloved adopted home, New York City.”

Elinor Carucci
Elinor Carucci
 
Emma in Her Room, Shelter-in-Place Time, Corona Days. 2020
© Elinor Carucci. Courtesy Edwynn Houk Gallery 

• AT HOME IN NEW YORK offers a cozy enclave to explore depictions of home in NYC – with both its comforts and challenges. Original artwork, photographs, manuscripts, and other unique objects are presented alongside an interactive digital bookshelf with iconic TV shows such as The Honeymooners, The Jeffersons, and Living Single as well as 20-plus books, brought to life by boldface names including Matthew Broderick, Ronnie Chieng, Rosario Dawson, Lea DeLaria, Peter Hermann, Diane Lane, Sonia Manzano, Joe Pantoliano, Alison Stewart, Tessa Thompson, and Qian Julie Wang.

• YOU ARE HERE is a one-of-a-kind immersive film experience, created in partnership with the awardwinning production company, RadicalMedia. Featuring footage from 400-plus film scenes made in and about New York City, it was curated with the assistance of a committee of film scholars, programmers and experts. (List below.) The experience incorporates movies from every decade and borough - including An Affair to Remember (1957), Black Swan (2010), Breakfast at Tiffany’s (1961), Coming to America (1988), Do the Right Thing (1989), Fame (1980), The French Connection (1971), Ghostbusters (1984), Killer’s Kiss (1955), King Kong (1933), Love Story (1970), Manhandled (1924), Midnight Cowboy (1969), Naked City (1948), Paris Is Burning (1990), Rear Window (1954), Saturday Night Fever (1977), Shaft (1971), Speedy (1928), Summer of Soul (2021), Taxi Driver (1976), The Muppets Take Manhattan (1984), The Naked City (1948), The Royal Tenenbaums (2001), The Warriors (1979), Uncut Gems (2019), Wild Style (1982), Working Girl (1988), and many more. And, just outside the screening room is Scenes from the City, a selection of behind-the-scenes shots curated by noted architect, author, and filmmaker James Sanders, featuring productions that have been filmed on location in NYC.

This Is New York is the tentpole exhibition of a year-long centennial celebration marking the Museum’s anniversary and its role in connecting the past, present, and future of the city.

Dr. Henry adds, "We are excited to celebrate our Centennial by offering a diverse range of exhibitions and events that showcase the rich cultural heritage of New York City. Through these offerings, we hope to inspire our visitors to engage with the city's past, present, and future and to deepen their understanding of what makes New York the most dynamic and influential city in the world."

The other exhibitions and events tied to MCNY’s 100th year include:

EXHIBITIONS:

New York Now: Home – a new photography triennial, which launched in March, showcases the works of 33 emerging and established photographers exploring the concept of "home" in the context of New York City. The exhibition is on view through August 2023.

MCNY Collections exhibition celebrating the Museum’s founding and highlighting the city's history will feature objects from the Museum's costume, decorative arts, painting, toy, and theater collections -- many of which have not been displayed in decades. On view starting October 2023.

Manny Vega, a retrospective exhibition honoring the work of the New York City-based artist Manny Vega --known for his colorful murals and mosaics that capture the spirit of the city's Latino culture-- will open in December 2023.

PROGRAMMING:

• Film Forum presents a four-week festival from May 12 - June 8th called The City: Real and Imagined. Inspired by MCNY’s centennial exhibition, the festival will present 60+ NYC-related films including The Sweet Smell of Success, The Naked City, The Taking of Pelham 1-2-3, Klute, The Landlord, and more. The full line-up can be found on the Film Forum website.

• On Wednesday, May 24th, the Museum’s centennial gala will honor former New York City Mayor Michael Bloomberg with the Gotham Icon Award in recognition of his steadfast dedication to NYC and his commitment to paving the way for countless generations of New Yorkers.

• In June 2023, MCNY will launch New York on Film: Decade by Decade, a monthly film and speaker series featuring studio, independent, and documentary films reflecting what was going on in NYC at the time they were made. Curated by film programmer Jessica Green, the series offers a journey through New York City, decade by decade, over the last century.

• On June 5th, Brooklyn-born actor and director John Turturro will sit down with journalist and WNYC radio host Alison Stewart for an intimate conversation about what it means to be an artist in New York City. Part of the annual Robert A. and Elizabeth R. Jeffe Distinguished Lecture in Urban History series.

This Is New York: 100 Years of the City in Art and Pop Culture was curated by Sarah M. Henry, Monxo López, Frances A. Rosenfeld, and Lilly Tuttle, with the support of Centennial Research Fellow Naomi Fischer.

Studio Joseph designed the exhibition with graphic design by Marissa Martonyi and Olivia de Salve Villedieu; DOME Collective created the interactive installations including the title motion graphic, Songs of New York, and the digital bookshelf; RadicalMedia produced the You Are Here immersive film; and James Sanders, FAIA curated the Scenes from the City installation, inspired by his book of the same name.

The Centennial Honorary Committee includes Charlie Ahearn; Alec Baldwin; Matthew Broderick; Tituss Burgess; Ric Burns; Sewell Chan; Ronny Chieng; Justin Davidson; Rosario Dawson; Lea DeLaria; Jane Dickson; Dan Doctoroff; Kimberly Drew; Douglas Durst; Michael Eaves; Jennifer Egan; Grandmaster Flash; Mariska Hargitay; Peter Herman; Chamique Holdsclaw; Rich Kleiman; Diane Lane; Min Jin Lee; Joe Lhota; Nancy Lieberman; Sonia Manzano; Darryl McDaniels; Audra McDonald; Jay McInerney; Luis A. Miranda, Jr.; Regina Myer; Joe Namath; Lynn Nottage; Mimi Plange; Zachary Quinto; Eni Popoola; Anthony Ramos; Willis Reed; Emmy Rossum; Russ & Daughters; Amy Sedaris; John Schaefer; Amy Scherber; Annabelle Selldorf; Lucas Sin; Ben Sinclair; Alison Stewart; Ellen Hart Sturm; Hank Willis Thomas; Suzanne Vega; Qian Julie Wang; and Pam Weekes.

The New York Century Exhibition Advisors include Agnes Berecz (Adjunct Associate Professor of History of Art and Design at Pratt); Garnette Cadogan (Tunney Lee Distinguished Lecturer in Urbanism of the School of Planning and Architecture at the Massachusetts Institute of Technology); Roz Chast (cartoonist, author, and contributor to The New Yorker); Ken Chen (Assistant Professor and the Associate Director of Creative Writing at Barnard College); Vinson Cunningham (writer, The New Yorker); Thomas Dyja (author and novelist); Jiayang Fan (journalist and staff writer at The New Yorker); Julia Foulkes (Professor of History at The New School for Public Engagement); Richard Koszarski (Professor Emeritus of English and Film at Rutgers); Jeff “Chairman” Mao (author, music journalist, DJ, and curator); Leonard Marcus (children’s book scholar, historian, author and critic); Elena Martínez (Co-Artistic Director of the Bronx Music Heritage Center and a Folklorist at City Lore); Ed Morales (lecturer at Columbia University’s Center for the Study of Ethnicity and Race and CUNY Graduate School of Journalism); James Sanders (architect, author, and filmmaker); and Lucy Sante (Visiting Professor of Writing and Photography at Bard College).

The You Are Here curatorial committee includes Bruce Goldstein (film programmer, Film Forum); Jessica Green (film programmer and curator); Carlos V. Gutierrez (film and television director); Richard Koszarski (Professor Emeritus of English and Film at Rutgers); Melissa Lyde (founder of Alfreda's Cinema); Lucy Jane Mukerjee (Senior Programmer at the Tribeca Film Festival); Frances Negrón-Muntaner (filmmaker, writer, curator, scholar, and professor at Columbia University); Jake Perlin (Creative Director of Cinema Conservancy and was the founding Artistic Director and Director of Programming for Metrograph); and JT Takagi (independent filmmaker and sound recordist).

MUSEUM OF THE CITY OF NEW YORK
1220 Fifth Avenue, New York, NY

28/09/16

Berenice Abbott, Paris Portraits 1925-1930

Berenice Abbott
Paris Portraits 1925-1930 

Steidl / Commerce Graphics 


Berenice Abbott
Paris Portraits 1925-1930
Steidl / Commerce Graphics, 2016
368 pages - 24 x 30 cm / 9.4 x 11.8 in.
Clothbound - € 68.00
ISBN 978-3-86930-314-7

This is one in a series of books to be published by Steidl that will explore Berenice Abbott’s exceptional body of work. Abbott began her photographic career in 1925, taking portraits in Paris of some of the most celebrated artists and writers of the day including Marie Laurencin, Jean Cocteau, Peggy Guggenheim and James Joyce. Within a year her pictures were exhibited and acclaimed. Paris Portraits 1925–1930 features the clear, honest results of Abbott’s earliest photographic endeavor, which illustrates the philosophy that shaped all of her subsequent work. For this landmark book, 115 portraits of 83 subjects have been scanned from the original glass negatives, which have been printed in full.
Co-published with Commerce Graphics, New York

BERENICE ABBOT: Short Biography
Berenice Abbott, born in Springfield, Ohio in 1898, was a dominant figure in twentieth-century American photography. Abbott moved to Paris from New York in 1921 and in 1923 was hired by her friend Man Ray, who was looking for an assistant who knew nothing about photography and whom he could teach. Abbott learned quickly and within a year was taking her own photographs. Over the next 65 years Abbott mastered a wide range of subjects, executing the monumental project Changing New York, photographing rural America and scientific and natural phenomena, establishing the reputation of Eugène Atget, and founding the first university photography program in the United States. Steidl published the two-volume retrospective Berenice Abbott (2008), Documenting Science (2011) and The Unknown Abbott (2013).

PARIS PORTRAITS 1925-1930 by BERENICE ABBOT published by Steidl: www.steidl.de

18/10/98

Berenice Abbott: Changing New York, NMWA, Washington DC - National Museum of Woman in the Arts

Berenice Abbott: Changing New York 
National Museum of Woman in the Arts, Washington DC
October 22, 1998 - January 19, 1999

To put it mildly, I have and have had a fantastic passion
for New York, photographically speaking.
Berenice Abbott

Changing New York is photographer Berenice Abbott’s extraordinary documentation of New York from 1935 to 1939, when the city lost its 19th-century trappings to skyscrapers that would transform the skyline. From Oct. 22, 1998 through Jan. 19, 1999, the National Museum of Women in the Arts (NMWA) exhibits 126 of the 305 unique vintage prints produced by Berenice Abbott for the project, many on display for the first time.

Berenice Abbott (1898-1991) arrived in New York as an aspiring sculptor from her native Ohio in 1918, then joined the expatriate exodus of artists to Paris in 1921. She began work in photographer Man Ray’s studio, beginning as a darkroom assistant and building a reputation as a portraitist of the cultural elite that rivaled his. Berenice Abbott found her aesthetic muse in Eugene Atget, and rescued his photographs documenting the streets of Paris. When she returned to New York in January 1929 to locate a publisher for a book of Eugene Atget’s photographs, Berenice Abbott was inspired by the change: "The new things that had cropped up in eight years, the sights of the city, the human gesture here sent me mad with joy and I decided to come back to America for good."

In 1935, with the patronage of the Museum of the City of New York, Berenice Abbott received funding from the Federal Arts Project that allowed her to work for the next four years creating her masterpiece, Changing New York. She concentrated not only on new skyscrapers and mass transit but also on subjects that were disappearing because of these changes. Although people are represented, architecture is the principal subject. Berenice Abbott and an assistant transported 60 pounds of camera equipment through the city streets of New York, including a large view camera with negatives measuring 8-by-10 inches, the same size as the prints.

As the project progressed, Berenice Abbott developed a more daring, experimental style, and she returned to some sites, such as the Flatiron Building, with new compositional ideas. She exposed the last negative for Changing New York in November 1938; due to financial and bureaucratic difficulties she never finished her master plan. Because of its support of Berenice Abbott’s work, the Museum of the City of New York received a unique set of mounted prints, as well as the project’s negatives, proofs, and research files.

The prints selected for this exhibition are arranged in eight geographical sections, mirroring Berenice Abbott’s approach to her subject: Wall Street, Lower East Side, Greenwich Village, Lower West Side, Middle West Side, Middle East Side, North of 59th Street, and Outer Boroughs. More than half of the project depicts sites in lower Manhattan, more due to historical importance than artistic preference.

Berenice Abbott’s Changing New York, 1935-1939 was organized by the Museum of the City of New York. It is curated by Bonnie Yochelson, consulting curator at MCNY, who will lecture at NMWA on Nov. 3 at 7 p.m. Yochelson is also the author of Berenice Abbott: Changing New York, the Complete WPA Project (The New Press), the first comprehensive catalogue of MCNY’s Abbott collection, available in NMWA’s museum shop in hardcover ($60). 

Funding for the exhibition and the accompanying book has been provided by the National Endowment for the Arts, the Furthermore Division of the J.M. Kaplan Fund, and Commerce Graphics, Ltd, Inc. Presentation at NMWA is generously supported by the Women’s Committee and the Members’ Exhibition Fund.

The exhibition will travel to der Kunstverein für die Rheinlande und Westfalen in Düsseldorf, March 26—June 24, 1999; Musée Carnavalet in Paris, Oct. 11, 1999—Jan. 16, 2000; and the Stockholms Stadsmuseum, Feb.—May 2000.

NATIONAL MUSEUM OF WOMEN IN THE ARTS
1250 New York Avenue, NW, Washington DC
www.nmwa.org

Updated 05.07.2019