Jimmie Durham, Cildo Meireles, Pedro Cabrita Reis @ Galeria Luisa Strina, Sao Paulo

Jimmie Durham, Cildo Meireles, Pedro Cabrita Reis
Galeria Luisa Strina, São Paulo
April 3 - May 25, 2019

Galeria Luisa Strina presents a group show including works by Jimmie Durham, Cildo Meireles, and Pedro Cabrita Reis. The exhibition features works by the three internationally renowned conceptual artists who have in common to work on simple materials and everyday life items reassembled in order to gain a suggestive power of association.

The show is organized in collaboration with Sprovieri Gallery, London, where it was presented from October 2nd to November 23, 2018.

Pedro Cabrita Reis presents three new works realized specifically for the show. His complex practice is characterized by an idiosyncratic philosophical and poetical discourse embracing a great variety of means: painting, photography, drawing, and sculptures composed of industrial and found materials alongside with manufactured objects. Focused on questions relative to space and memory, the equilibrium between light and matter is expressed in the balance between architecture and image and “creates a reality in its own right, instead of reproducing it”. (Pedro Cabrita Reis)

In Jimmie Durham’s sculptures and assemblages appears a mix of organic and artificial found items (including bones, plastic pieces, car parts and pipes), often re-composed questioning the fragile balance between nature and industry. The various elements co-exist among them in a visual clash at the same time poetic, funky, and decadent building up ambiguous and potentially endless layers of meaning. “We are in search of structures of signification: underneath a picture there is always another picture”. (Jimmie Durham)

Each piece in the show opens to new interpretations of the world and subverts its rules. Paradigmatic is Cildo Meireles’s work, where often the viewer’s perception, or even imagination, has an active role capable to alter it. In the lightbox Atlas (1995-2006), instead, the artist portrays himself – not without irony – as an opposite version of the myth of Atlas. Smiling, Meireles is standing upside down on Piero Manzoni’s famous pedestal of the world, Base del Mondo. In the words of the artist: “I am interested in the paradoxical relationship between objects”. (Cildo Meireles)

GALERIA LUISA STRINA
Rua Padre João Manuel 755
Cerqueira César 01411-001
São Paulo SP Brazil
www.galerialuisastrina.com.br

Cildo Meireles, Miami Art Museum

Cildo Meireles
Miami Art Museum
July 18 - October 26, 2003

Miami Art Museum (MAM) presents an exhibition by Brazilian artist CILDO MEIRELES. For MAM's New Work series, Cildo Meireles is installing Strictu, a room-size environment being shown for the first time in the United States. Curated by MAM Associate Curator, Cheryl Hartup, Cildo Meirele's project explores relationships of power, control and other aspects of authoritarianism, an ongoing theme in the artist's work. The installation occupies the entire gallery, creating a walk-through space formed by chains on the floor, ending at a brightly lit table with two chairs.

"Cildo Meireles is one of the most original artists at work today. Even though he is internationally known, his installations are rarely seen in the United States. We are delighted to present his work to a wider audience in Miami," said MAM Director, Suzanne Delehanty.

Born in Rio de Janeiro in 1948, Cildo Meireles is one of Brazil's most significant living artists. Cildo Meireles embarked on his career in the 1960's and became part of an avant-garde that set a new agenda for Brazilian art. Cildo Meireles is known for dramatic, multi-sensory environments that intimately involve the viewer. The idea for Strictu, came to Cildo Meireles while visiting New York City in 1999. In his hotel room, Cildo Meireles turned on the television and saw a program about racial conflicts in the United States during the 1960s. He watched as a Grand Wizard of the Ku Klux Klan said, "We want to steal their time. We want to steal their space. We want to steal their minds." This statement of intent left a deep impression on the artist and became the impetus for Strictu. The words of the Grand Wizard are displayed on the wooden table in the exhibition at MAM.

During the 1960s and 70s Cildo Meireles responded to Brazil's repressive military regime and to the brutal authoritarianism of the time by challenging established ideas about art. Like the work of his predecessors, two of Brazil's most famous artists -- Hélio Oiticica and Lygia Clark -- Cildo Meireles often makes his work participatory, addressing socio-political and cultural concerns. The suggestion of danger and denial of freedom are recurring motifs Cildo Meireles' projects.

In one of Cildo Meireles' installation, shown in the late 80s, visitors had to cross a floor covered with broken glass in order to navigate a labyrinth of barriers. In 1994, he created an installation consisting of a dark, L-shaped room with a foot of talcum powder on the floor and a single lit candle around its turn, the smell of gas permeating the space. Cildo Meireles uses surprise and contradiction to perplex the viewer by playing with expectations and common understandings.

For nearly 40 years, Cildo Meireles has created drawings, paintings, objects, performances and installations that explore the real, the symbolic, and the imaginary. He is known for working with mundane materials like money, bones, chalk, charcoal, clocks and rulers. With these humble materials, he creates seductive environments that convey powerful socio-political statements and ideas about perception, time, and space.

Cildo Meireles' work has been seen at Miami Art Museum in three previous group exhibitions: Dream Collection Gifts and just a few Hidden Desires in 1997, Global Conceptualism: Points of Origin, 1950s-1980s in 2000 and Re/Aligning Vision: Alternative Currents in South American Drawing in 1998. Cildo Meireles has participated in biennials in São Paulo, Brazil, Johannesburg, South Africa, Sidney, Australia, Venice, Italy, and Kwangju, South Korea, in addition to the international art exhibition Documenta IX (1992) and XI (2002) in Kassel, Germany.

MIAMI ART MUSEUM
101 West Flagler Street, Miami, FL 33130
www.miamiartmuseum.org