Showing posts with label Columbia Museum of Art. Show all posts
Showing posts with label Columbia Museum of Art. Show all posts

06/08/25

Keith Haring: Radiant Vision @ CMA - Columbia Museum of Art

Keith Haring: Radiant Vision
Columbia Museum of Art
September 27, 2025 - February 15, 2026

Keith Haring Portrait Photograph
Keith Haring at work in studio 
Photograph © 1982 Allan Tannenbaum / sohoblues.com

The Columbia Museum of Art (CMA) presents major exhibition Keith Haring: Radiant Vision. Most recently on view at the Pop Art Museum, Seattle, this internationally touring exhibition celebrates the life and work of iconic artist Keith Haring.
“Keith Haring’s art was a pop-culture spark ¬— fast, fearless, and drawn from the concrete heartbeat of New York,” says CMA Executive Director Della Watkins. “With Radiant Vision, the Columbia Museum of Art offers audiences a powerful and playful tribute to Haring’s enduring belief that art belongs to everyone.”
Born in Reading, Pennsylvania, KEITH HARING (1958–1990) emerged as a shooting star of the legendary New York art scene in the 1980s. His signature images include dancing figures, a “radiant baby,” a barking dog, a flying saucer, hearts, and figures with televisions for heads. He became friends with fellow artists Kenny Scharf and Jean-Michel Basquiat and grew interested in the color graffiti art of the city’s streets. Haring met Andy Warhol at a gallery exhibition in 1983, and Warhol became Haring’s mentor, friend, and the theme of several of his pieces, including “Andy Mouse.”

In the early ’80s, Keith Haring found a highly effective medium that allowed him to communicate his work with a wider audience — he created chalk drawings on the unused advertising panels in New York City subway stations. These drawings represented a unique conflation of studio practice and public art, cartoons, and graffiti. They became familiar to commuters, who would often stop to engage with the artist. He also attracted the attention of city authorities, who arrested him for vandalism on numerous occasions.

Keith Haring was openly gay and socially conscious, and his murals often reflected his position on social issues. He sought to raise awareness of AIDS, fought against the proliferation of drugs, and advocated for the end of Apartheid. Haring’s oeuvre, from street art to gallery shows, the Pop Shop, and commercial work, is deeply rooted in and reflective of the concept of “art for the people.”

His simply drawn figures were soon to be found on watches and cars, T-shirts and shopping bags, turning Keith Haring into one of the best-known artists of his generation. Radiant Vision is a collection that features over 250 original works including drawings on paper, lithographs, silkscreens, posters, and other items that illustrate the entire span of Haring’s heartbreakingly short but incredibly prolific career.

The exhibition also includes the work of LAII (Angel Ortiz, b. 1967), an artist known for his collaborations with Keith Haring. LAII’s career took off in 1980 when Haring, fresh from the Pennsylvania suburbs, encountered his “Little Angel” tag on a New York street and sought him out.

The regional debut of Keith Haring: Radiant Vision will be celebrated with an early evening preview party on Friday, September 26, as well as a playful daytime program on Saturday, September 27.

Single Source Traveling Exhibition provided by PAN Art Connections.

COLUMBIA MUSEUM OF ART - CMA
1515 Main Street, Columbia, SC 29201

23/04/19

Black Is Beautiful: The Photography of Kwame Brathwaite @ Skirball, Los Angeles - MoAD, San Francisco - Columbia Museum of Art

Black Is Beautiful: The Photography of Kwame Brathwaite
Skirball Cultural Center, Los Angeles
Through September 1, 2019
Museum of the African Diaspora, San Francisco
December 4, 2019 – March 1, 2020
Columbia Museum of Art, Columbia, South Carolina
June 26 – September 6, 2020

The Skirball Cultural Center presents Black Is Beautiful: The Photography of Kwame Brathwaite, the first exhibition to focus on this key—and until now under-recognized—figure of the second Harlem Renaissance. Through more than forty iconic images, Black Is Beautiful illuminates how in the late 1950s and 1960s, Kwame Brathwaite (b. 1938) used his art to popularize “Black Is Beautiful,” now considered one of the most influential cultural movements of that era. Organized by Aperture Foundation, the exhibition makes its national debut at the Skirball.

Inspired by the writings of famed activist and black nationalist Marcus Garvey, Kwame Brathwaite harnessed the power of art, music, and fashion to effect social change. Along with his brother Elombe Brath (1936–2014), he founded two organizations that were instrumental in realizing his vision: the African Jazz-Art Society & Studios (AJASS), a collective of artists, playwrights, designers, and dancers, in 1956; and Grandassa Models, a modeling group for black women, in 1962. Kwame Brathwaite organized fashion shows showcasing clothes designed by the models themselves, created stunning portraits of jazz luminaries, and captured behind-the-scenes photographs of the black arts community, including Max Roach, Abbey Lincoln, and Miles Davis.

During an era when segregation prevailed across the United States, Kwame Brathwaite’s body of work is remarkable for challenging mainstream beauty standards that excluded people of color. His photographs of African American women and men with natural hair and clothes that reclaimed and honored their African roots instilled a sense of pride throughout the community. In addition to Kwame Brathwaite’s photographs, the exhibition displays several garments worn during the fashion shows, as well as a selection of ephemeral materials.

Kwame Brathwaite’s son, Kwame S. Brathwaite—who co-curated the exhibition with Aperture Foundation’s Michael Famighetti and Skirball managing curator Bethany Montagano—remarked, “My father preserved the legacy of the ‘Black Is Beautiful’ movement, which is not merely a slogan, but a template for the way that art and activism can propel us toward equity and inclusion.”

“Black Is Beautiful demonstrates how Kwame Brathwaite’s photographs disrupted cultural norms and helped to broaden our definition of what is beautiful and who gets to decide,” added Montagano. “In keeping with the Skirball’s mission to affirm the dignity of every cultural identity, we are honored to highlight an artist whose body of work and guiding principles call upon us to work toward a more just and inclusive society.”

Born in Brooklyn in 1938 and raised in the Bronx, New York, Kwame Brathwaite spent most of his adult life in and around New York City. In the late 1950s,Kwame Brathwaite and his brother Elombe Brath became active in the African Nationalist Pioneer Movement led by Carlos Cooks. At the same time, the brothers regularly produced and promoted concerts and art shows at venues such as Club 845 in the Bronx and Small’s Paradise in Harlem, while Brathwaite photographed the events.

Throughout the 1960s, Kwame Brathwaite contributed photography to leading black publications such as the Amsterdam News, City Sun, and Daily Challenge. By the 1970s, Kwame Brathwaite was a leading concert photographer, helping to shape the images of major celebrities, including Stevie Wonder, Bob Marley, James Brown, and Muhammad Ali. Kwame Brathwaite wrote about and photographed such landmark events as the Motown Revue at the Apollo in 1963, WattStax 1972, the Jackson 5’s first trip to Africa in 1974, and the Festival in Zaire in 1974.

Today Kwame Brathwaite resides in New York City and is represented by Philip Martin Gallery in Culver City, California. He is married to Sikolo Brathwaite, a former Grandassa model whom he met through their work together. She continues to advocate for the empowerment of black women today. Their son, Kwame S. Brathwaite, is currently the director of the Kwame Brathwaite Archive in Pasadena, California.

Following the Skirball presentation of Black Is Beautiful: The Photography of Kwame Brathwaite, the exhibition will go on national tour, traveling to Museum of the African Diaspora, San Francisco (December 4, 2019 – March 1, 2020) and the Columbia Museum of Art in South Carolina (June 26 – September 6, 2020), among other venues to be announced.

The exhibition at the Skirball coincides with the publication of the first-ever monograph dedicated to Kwame Brathwaite. Featuring in-depth essays by Tanisha C. Ford and Deborah Willis and more than eighty images, Kwame Brathwaite: Black Is Beautiful (Aperture, May 2019) offer a long overdue exploration of Kwame Brathwaite’s life and work.

Kwame Brathwaite: Black Is Beautifu, Aperture, 2019
Kwame Brathwaite: Black Is Beautiful, Aperture, 2019
Photographs and introduction by Kwame Brathwaite
Essays by Tanisha C. Ford and Deborah Willis
8 ½ x 10 ½ in. / 21.6 x 27 cm
144 pages, 91 black-and-white and four-color images
Hardcover with jacket / 978-1-59711-443-1 / May 2019

SKIRBALL CULTURAL CENTER
2701 N. Sepulveda Blvd., Los Angeles, CA 90049
www.skirball.org