Showing posts with label Haegue Yang. Show all posts
Showing posts with label Haegue Yang. Show all posts

22/11/23

Haegue Yang @ HAM Helsinki Art Museum - "Continuous Reenactments" Exhibition

Haegue Yang: Continuous Reenactments
HAM Helsinki Art Museum
24 November 2023 – 7 April 2024

Haegue Yang
Haegue Yang
Sonic Female Natives, 2023 (detail) 
© Courtesy of the artist, Photo: Studio Haegue Yang

HAM Helsinki Art Museum presents  internationally renowned artist Haegue Yang’s first solo exhibition in Finland. Known for her artistic practice that combines a variety of materials and methods, Yang references diverse sources ranging from socio-political narratives, scientific phenomena, and art histories to anthropological perspectives. Her formally rigorous composition of industrially manufactured objects often requires labour-intensive production for many of her sculptures and installations. All of these form recurring pairings of seemingly oppositional concepts, such as abstraction and figuration as well as the ready-made and craftsmanship. 

Haegue Yang’s solo exhibition at HAM presents two major monumental sculptural ensembles, Handles (2019) and Warrior Believer Lover – Version Sonic (2023), in the main exhibition halls. Consisting of six sculptures that premiered at MoMA in New York in 2019, Handles not only physically occupies the floor of the exhibition space but also incorporates the wall and the air with their sound components, thus appearing as hybrid bodies, part-abstract, part-object. Warrior Believer Lover – Version Sonic is a re-enactment of Warrior Believer Lover from 2011. A multipart sculptural installation of 33 anthropomorphic light sculptures, Warrior Believer Lover was first presented at Kunsthaus Bregenz. The primary material of both sculptural ensembles are metallic bells, which are regarded today as one of the artist’s signature materials and release rattling sounds when activated. 

HAEGUE YANG - Biography

Haegue Yang (b. 1971, Seoul) is undoubtedly regarded as one of the most celebrated artists of our time yet remains elusive due to the diversity and complexity of her interests and methods of abstraction. Responding to the exhibition as a place, her works incorporate the architectural and contextual aspects of the exhibition space and various materials collected locally. Her sophisticated and nuanced treatment of materiality, combined with an elegant sense of space and atmosphere, contribute to her engaging and resonant installations. 

Haegue Yang was the winner of the Wolfgang Hahn Prize from Gesellschaft für Moderne Kunst at the Ludwig Museum in Cologne in 2018 and the 13th Benesse Prize at the Singapore Biennale in 2022. Her work has been featured in solo exhibitions at the following institutions: Pinacoteca de São Paulo (2023); SMK – National Gallery of Denmark, Copenhagen (2022); Tate St Ives (2020); MMCA, Seoul (2020); MoMA, New York (2019); The Bass, Miami Beach (2019); Museum Ludwig, Cologne (2018); Centre Pompidou, Paris (2016); Leeum Museum of Art, Seoul (2015); Kunsthaus Bregenz (2011); and the South Korea Pavilion, 53rd Venice Biennale (2009); among others. 

The exhibition is realised in partnership between S.M.A.K. Stedelijk Museum voor Actuele Kunst (Ghent, Belgium) and HAM Helsinki Art Museum (Helsinki, Finland). 

The exhibition has been curated by HAM’s Head of Exhibitions Kati Kivinen and Curator Sanna Tuulikangas.

HAM - HELSINKI ART MUSEUM
Eteläinen Rautatiekatu 8, 00100 Helsinki

17/06/22

Haegue Yang @ SMK - National Gallery of Denmark, Copenhagen - Double Soul

Haegue Yang: Double Soul
SMK - National Gallery of Denmark, Copenhagen
Through 24 July 2022

Haegue Yang
Haegue Yang
Photograph by Cheongjin Keem

SMK (The National Gallery of Denmark) presents the first-ever solo presentation in Denmark of the internationally acclaimed South Korean artist Haegue Yang. Her distinctive and pluralistic worlds, expressed in works that engage all the senses, often engage with notions of movement and trajectories. The exhibition Haegue Yang: Double Soul presents a range of Yang’s original and multi-faceted works, including a sixteen-metre high suspended kinetic piece made of blinds, creature-like sculptures covered in bells, sound and text pieces, drying racks embellished with electric light bulbs and much more.

An extensive selection of works from 1994 to 2020 are on view in this show  alongside new pieces commissioned by SMK, such as a sculpture duo, Sonic Intermediates – Double Soul, inspired by the work and life of two pioneering artists in the SMK collection, Pia Arke (1958–2007) and Sonja Ferlov Mancoba (1911–1984), who, each in their own way, resonate with Yang’s artistic explorations and subjective mapping of modernities.

Preoccupied with countering reductive categorisations, Yang focuses on the entangled relations between folklore and contemporary culture, industrial manufacturing and craft, the factual and the imaginary, the quotidian and the exceptional as well as vulnerability and confidence among other seemingly oppositional and disparate ideas.

SMK - NATIONAL GALLERY OF DENMARK
Sølvgade 48-50, 1307 Copenhagen K