Showing posts with label JR. Show all posts
Showing posts with label JR. Show all posts

23/05/23

Artist JR Exhibition @ Pace Gallery, Geneva - Women

JR: Women
Pace Gallery, Geneva
25 May – 18 July, 2023

JR
JR 
28 Millimètres, Women Are Heroes
Action dans la Favela Morro da Providência,
 Escalier, close-up, Rio de Janeiro, Brésil, 2008
Color print, mounted on dibond, mat plexiglas, 
flushed wooden black frame, 188 × 124.5 × 7.6 cm 
© JR

Pace Gallery presents JR: Women, a solo exhibition of work by the internationally renowned French artist. Marking the artist’s first show in Switzerland since 2008, JR presents a suite of artworks from his Women Are Heroes project. This exhibition follows the release of his latest encyclopaedic book, Artist Until I Find a Real Job, published in April 2023.

Known for his large-scale, outdoor photographic installations, JR’s practice is rooted in an exploration of identity, community, and social justice. His work is typified by monumental installations that transform urban settings and tackle cultural and socio-political issues. Through his portraits, JR brings individual experiences and stories to the broadest possible audience.

JR: Women showcases the Women Are Heroes project that the artist began in 2008 in Sierra Leone, before taking the project to Liberia, Kenya, Cambodia, India, Brazil, and France. Travelling through zones of conflict, JR found that women are commonly the primary victims of war, brutality, and political or religious fanaticism. In 28 Millimètres, Women are Heroes, Rispah Atemba, Sierra Leone (2008), JR intimately captures the image of a smiling woman resting her head on her hands. Her disposition is jubilant and full of energy despite the political upheavals in Sierra Leone, which was in a state of recovery following the end of a civil war. JR displayed her portrait, and those of other women, on the side of trucks, buildings, and temporary structures as an act of resistance and hope. In placing the lives of local women on centre stage, JR’s work provides a space for them to freely express themselves however they chose.

In other works, such as 28 Millimètres, Women are Heroes, Action Dans La Favela Morro da Providência, Escalier, Close-Up, Rio de Janeiro, Bresil (2008) or 28 Millimètres, Women Are Heroes, Exhibition In Paris, Femme Allongée - Delivery In Paris, Under The Sun, France (2010), JR pastes his portraits of women in public spaces, bringing their individual stories into the public arena. In doing so, JR removes the boundary between everyday life and art galleries, bringing his work directly to the communities featured in the work. In Brazil, he pasted the image onto a stairway in the favela of Morro da Providência, to be seen from street level. Widely considered to be the first favela community in Brazil, JR connects this woman – as well as the others in the series – with her local community, demonstrating their abiding strength.

JR’s practice underlines the crucial role that women play in society and highlights their dignity. Through an expressive and hopeful lens, the artworks celebrate the women’s heroism living through hardship. With an egalitarian approach to artmaking and an emphasis on collaboration, JR was often assisted by people from the neighbourhoods in installing and pasting the photographs. Stressing the collaborative nature of his work, at the end of each project, a book was made and distributed to those who participated. Despite differing countries and stories, the women in the portraits shown in JR: Women are displayed in conversation with one another, united in their fortitude.

JR’s (b. 1983, Paris) communal and collaborative practice promotes civic discourse across the globe through large-scale photographic interventions and digitally collaged murals. JR uses photographs, murals, films, videos, and other multimedia works to address socio-economic and political issues. His work—which he refers to as “infiltrating art,” a term descriptive of its ubiquity and ability to reach an audience beyond those who visit museums—has been installed across the globe, from the streets of Paris to the favelas of Brazil and the border between the United States and Mexico.

Begun in 2011, his Inside Out project has allowed over 260,000 people worldwide to obtain photographic portraits that JR’s team prints as large black-and-white posters. He encourages participants to paste them up in common spaces, adding their images to the public sphere. JR has directed short films including Les Bosquets (2015) and ELLIS (2015), as well as the feature documentary Faces Places (2017), co-directed with Agnès Varda and nominated for an Academy Award. In 2018, JR collaborated with TIME magazine on The Gun Chronicles: A Story of America, creating a magazine cover, video mural, and interactive website which included an exhibition at Pace Gallery in October of 2018. In 2022, JR and TIME magazine worked together again to create the Resilience of Ukraine cover, which captured the unfurling of a 148ft photograph in Lviv, Ukraine of Valeriia, a five-year-old Ukrainian refugee who has become a symbol of hope during the war. 

PACE GALLERY GENEVA
Quai des Bergues, 15-17, Geneva

14/05/21

JR @ Pace Gallery, London & New York - Eye to the World & Tehachapi

JR: Eye to the World 
Pace Gallery, London 
June 4 – July 3, 2021 

JR: Tehachapi
Pace Gallery, New York 
June 4 – August 21, 2021 

JR
JR 
The Chronicles of New York City, Domino Park, USA, 2020 
© JR, courtesy Pace Gallery

JR
JR
Tehachapi, Daytime, Triptych, U.S.A., 2019 
© JR, courtesy Pace Gallery

Pace presents two exhibitions of leading contemporary artist, JR—JR: Eye to the World in London, and JR: Tehachapi in New York. JR’s practice is rooted in his deep commitment to collaborating with individuals and communities alike. His work is characterised by large-scale photographic interventions in urban environments that address cultural and political issues, often with an emphasis on social justice. Each portrait holds a multitude of stories as JR expertly balances the macroscopic with the microscopic, the individual experience with the universal.

Bringing together artworks from several significant bodies of work, JR: Eye to the World explores JR’s unique view of humanity as he transcends borders, politics, and cultural identity through the camera lens. This exhibition coincides with the artist’s largest solo museum show to date, JR: Chronicles, opening this June at Saatchi Gallery, London. Saatchi Gallery will feature JR’s most iconic works from the last fifteen years, expanding from the recent showcase in Brooklyn Museum, New York.

JR’s ongoing global project, The Wrinkles of the City, shines a spotlight on the overlooked, be it a crumbling building or an elderly person. His interest is in the marks left behind by lived experience. In The Wrinkles of the City, Istanbul, Ali Kamil & Sukran Kadakal, Pasted palimpsest, Turkey (2015), JR captures an intimate portrait of an elderly fisherman and his wife embracing with their eyes closed, aged hands reaching for one another: a testament to the city’s history and the citizens who built it. The title of this piece reveals that the portrait is in fact a palimpsest, a ghostly imprint, beneath which an unknown, hidden image exists, inviting viewer’s imagination and hinting at the secrets of a city. In other works, such as The Wrinkles of the City, Action in Shanghai, Wu Zheng Zhu, Chine (2010) and The Wrinkles of the City, La Havana, Mercedes Décalo Rodríguez, (artwork by JR, project by JR & José Parlá) Cuba (2012), JR pasted the portraits onto dilapidated walls in Shanghai and Havana, actively connecting the citizens with their surroundings, a comment on the enduring strength of both people and architecture in the face of rapid change. Presented in dialogue with one another, the portraits that make up The Wrinkles of the City, despite disparate countries and stories, pay tribute to the communities that shape their cities.

JR’s photographic work gives voice and visibility to forgotten or erased communities. His interest in the relationship between public and private spaces informs his ideas surrounding walls and borders, examining their impact on access and control. The ongoing migrant crisis has been a driving influence for JR. Migrants, Coeur, Quadrichromie, Jordanie (2018), captures an aerial image of Syrian refugee children gathered in a loose heart shaped formation in a camp in Jordan: a poetic reminder of the humanity of individuals no matter how far away.

The use of everyday papier-mâché materials and techniques borrowed from commercial billboard practices is emblematic of JR’s egalitarian approach to art making. In 2019, JR and 400 volunteers descended upon the Louvre’s courtyard to create JR au Louvre et le Secret de la Grande Pyramide. Made of 2000 strips of paper at 10 meters each, this major work created the illusion of an underground cave beneath the iconic glass pyramid built by IM Pei. Over the ensuing days and weeks, the fragile paper shredded under foot and took on new meaning. In the accompanying video, JR comments ‘At this point, people are not sure what’s the work, what’s not the work, where the picture is, if it’s beautiful or not. That’s what art is about, it’s when you question.’ Provoking ingrained expectations is paramount to JR’s practice, as he states, ‘You come to the Louvre expecting a work of art to be hanging on a wall and it’s not, it’s on the ground and it blows away.’

In parallel with the exhibition in London, Pace in New York will also display work from JR’s recent project in Tehachapi, California. An installation from JR’s Tehachapi series including photographic works, a wall pasting, and a video will be presented in the Library at 540 West 25th Street. In 2019 JR began a series of projects with inmates at the maximum-security prison in the Californian mountains. One aspect of the project included JR photographing the inmates, recording their stories, and collaborating with them to paste their portraits in the prison yard, which resulted in the triptych Tehachapi, Daytime, Triptych, U.S.A. (2019), on view in New York. In 2020 he returned to the prison to enlist the inmates in a new project: to wheat paste a black and white photograph of the bottom half of the Tehachapi Mountains on the inside of the prison’s high walls. In Tehachapi, Mountain, February 7, 2020, 6.48p.m., U.S.A. (2020), on view in London, JR captures where the mountain top perfectly aligns with the pasted image in a fleeting moment of calm as the sun sets behind the mountains and a prisoner runs across a deserted basketball court. Here, JR’s signature anamorphosis technique explores the interplay of reality and illusion, expansion and confinement.

JR (b. 1983, France) exhibits freely in the streets of the world, catching the attention of people who are not typical museum visitors. He creates “Pervasive Art” that spreads uninvited on the buildings of Paris, the favelas in Rio, the separation wall in the Middle-East or the border between the US and Mexico. JR received the TED Prize in 2011, after which he launched his Inside Out project, an international participatory art project that allows people worldwide to get their picture taken and paste it in public spaces to support an idea and share their experience. In 2013, JR presented his first museum retrospective in the Watari Museum of Contemporary Art, Tokyo and the Contemporary Arts Center of Cincinnati, followed by Museum Frieder Burda in Baden-Baden in 2014 and the HOCA Foundation in Hong-Kong in 2015. In 2016, he was invited by the Louvre to create a site-specific artwork where he made the famous Louvre pyramid disappear through a surprising anamorphosis. He has additionally directed short movies including Les Bosquets, 2014 and ELLIS, 2015 starring Robert De Niro as well as feature documentaries including Faces, Places, 2017 co-directed with the French filmmaker Agnès Varda and nominated for the Academy Awards in 2018. In fall 2018, JR partnered with TIME to photograph and film 245 Americans in an effort to capture the full scope of the nation’s gun debate in one mural. In 2018, JR held his first major solo exhibition in a French institution at Maison Européenne de la Photographie in Paris, France. A landmark survey exhibition, JR: Chronicles was held at the Brooklyn Museum, New York in 2019-2020, which will now open in London’s Saatchi Gallery on 4 June – 3 October, 2021. 

PACE GALLERY
6 Burlington Gardens, London
540 West 25th Street, New York