Showing posts with label Kohei Nawa. Show all posts
Showing posts with label Kohei Nawa. Show all posts

11/12/23

Kohei Nawa @ Pace Gallery, Seoul – "Cosmic Sensibility" Exhibition

Kohei Nawa: Cosmic Sensibility
Pace Gallery, Seoul
November 22, 2023 – January 6, 2024

Kohei Nawa
KOHEI NAWA
Spark#6 (detail), 2023 
© Kohei Nawa

Pace presents an exhibition of new works by KOHEI NAWA at its Seoul gallery.  The presentation, titled Cosmic Sensibility, marks the artist’s first solo show at Pace’s gallery in the Korean capital. Bringing together paintings and sculptures from five bodies of work—including the new Spark series—this exhibition showcases Kohei Nawa’s deep and enduring interest in the perceptual, sensorial, and phenomenological possibilities of art.

Kohei Nawa often examines scientific and digital subjects through his multidisciplinary practice. Making use of various traditional and unconventional materials—and drawing out their unique properties—for his work across painting, sculpture, and installation, the artist explores the nuanced relationships between physical and virtual spaces; synthetic and natural forces; and the individual and the collective. Visual distortions and transformations cut across Kohei Nawa’s works, encouraging viewers to consider the ways that digital technologies impact their relationship to and experience of the physical world.

The five bodies of works the artist shows in his exhibition speak to his longstanding interest in visual distortions and paradoxes. With Cosmic Sensibility, Kohei Nawa invites viewers to immerse in the wonders and mysteries of the vast universe. The exhibition's central concept—the ways that our individual lives are entwined in the fabric of the cosmos—pays homage to artist Hitoshi Nomura, who died in October 2023 and is known for his deeply experimental, process-based work. A teacher and mentor of Kohei Nawa, Hitoshi Nomura remains an enduring and profound influence on the artist’s work across mediums.

Kohei Nawa’s show begins on the ground floor of the gallery, where the visitors encounter a new sculpture from his iconic PixCell series along with the mixed-media installation Biomatrix (W) (2023), which traces the generation and flow of cellular forms within a canvas of flowing silicone oil, and works from the artist’s Ether sculpture series, based on 3D modeling of a highly viscous liquid in various stages of descent. Exhibited in conversation with one another, these artworks reflect the abstract, textural qualities of individual and aggregated cells.

On the gallery's second floor, the exhibition transports viewers into a world of proliferating cells, spotlighting a group of new sculptures from the PixCell series. These sculptures feature transparent spheres, or cells, covering their surfaces. The cells transform and distort viewers' perceptions of the forms beneath—a visual phenomenon that speaks to the impact of digital technologies on individuals' relationships to the world around them. The new PixCell sculptures that Nawa exhibit in "Cosmic Sensibility" feature strange combinations of antique furniture and other miscellaneous objects.

While referencing the international history of Surrealism, these works also engage with issues of the present moment— particularly the ways that innovations in virtual reality and artificial intelligence blur the boundary between the physical and virtual worlds.

Other highlights in the exhibition include bold, enigmatic sculptures from the artist's new, never-before-exhibited Spark series, which are finished entirely in solid black. With these works—each composed of velvet, and a carbon fiber rod— Kohei Nawa meditates on a rift in the fabric of reality caused by the energy of agitated cells. The presentation also spotlights his Rhythm series, which features combinations of variously sized shapes covered in velvet and situated atop two- dimensional planes. Reflecting the aesthetic concerns of his PixCell sculptures, Kohei Nawa's mesmeric Rhythm works explore the cyclical, energetic complexities of the natural world.

KOHEI NAWA (b. 1975, Osaka, Japan) is a multidisciplinary sculptor whose diverse practice explores the perception of virtual and physical space and probes the borders between nature and artificiality. He examines relationships between the individual and the whole, illustrating how parts aggregate together, like cells, to create complex and dynamic structures. His work spans painting, drawing, sculpture, and installation, as well as various facets of design and collaborative projects through his Kyoto-based studio, Sandwich. Kohei Nawa’s use of synthetic compounds underscores a recurring theme wherein materials such as polyurethane foam, translucent beads, ink, paint, glue, and silicone oil become devices that prompt an awareness of our mediated environment. 

PACE SEOUL
267 Itaewon-ro, Seoul

24/04/20

Animals in Art @ Arken Museum of Modern Art, Ishoj

Animals in Art 
ARKEN Museum of Modern Art, Ishøj
March 21 – August 9, 2020 UPCOMING: Arken following the recommendations from the Danish authorities regarding the Coronavirus. The museum is therefore closed until further notice.

Daniel Firman
DANIEL FIRMAN
Nasutamanus, 2012 
Courtesy the artist & Perrotin

Camels and kittens, elephants and rats, feathered creatures and cute pets. ARKEN invites visitors to enter the animal kingdom of art, a realm filled with beautiful, strange and incredible creatures. The exhibition Animals in Art presents works by thirty-four international artists who explore our relationship with animals – and do so with humour, wit and bite.

In recent years, the relationship between humans and animals is widely explored in contemporary art. The exhibition Animals in Art delves into various aspects of this huge field, which includes critical takes on human manipulation of animals as well as cheerful celebrations of animals as wonderful creatures.

Lisa Strombeck
LISA STROMBECK
Uniform I, 2008-9
Photo (c) Lisa Strömbeck

Animals in Art explores how we humans use, look at, talk about and anthropomorphise animals. We are regularly seduced by adorable animals on the shelves of toy stores and on the internet; we love our pets and look for the human in them – or for the animal in ourselves. Animals are everywhere in our fables, adventures and mythologies, where we attribute human language and behaviour to them. We are fascinated by wild animals when visiting them at the zoo or in museums, and we tamper with the natural development of species, with the environment and with biodiversity when we produce animals industrially and fiddle with DNA, the building blocks of life. The exhibition offers many different takes on how we see and understand ourselves through other animal species. For example, it explores ‘cuteness’ as a pervasive phenomenon in our consumer and entertainment culture, influencing how we put animals into categories and assess their value.

WILLIAM WEGMAN
Looking Right, 2015 
Photo (c) William Wegman

CANDIDA HOFER
Zoologischer Garten Paris II 1997 
Photo (c) Candida Höfer

Featuring sculpture, installation, paintings, video and photography by thirty-four international artists, Animals in Art forms a sensuous, thought-provoking and engaging menagerie. For example, you can come face to face with a life-sized floating elephant, watch YouTube cats playing atonal piano pieces by Arnold Schönberg and take a fresh look at the artificial environments created by zoos.

KOHEI NAWA
PixCell-Deer #44, 2016 
Photo: Omer Tiroche Gallery

DAVID SHRIGLEY
Untitled (Lay An Egg), 2019  
Courtesy the artist and Galleri Nicolai Wallner

Inside ARKEN’s 150-metre long exhibition space known as the Art Axis, the museum presents fifteen feathered polar bears created by Italian-born artist Paola Pivi. For this presentation, called We are the Alaskan tourists, Paola Pivi has replaced the polar bears’ familiar thick, white fur with light, brightly coloured summery feathers, directing our thoughts away from the harsh climate of Alaska towards southern skies and the carnivals of Brazil. The polar bear is known as The King of the Arctic; a powerful and majestic beast. Today, however, the polar bear has also become a symbol of a dystopian future. It leads an uncertain existence in territories now threatened by climate change. Perhaps this flock of tourists have sought refuge at ARKEN. Adapting to the current climate of our planet, they have replaced their warm fur with frothy feathers.

PAOLA PIVI
It’s not fair, 2013 
Photo: Guillaume Ziccarelli 
Courtesy the artist & Perrotin

PETER HOLST HENCKEL
World of Butterflies, 1992-2002 (detail)
Courtesy the artist

The exhibition Animals in Art presents works by Cory Arcangel, John Baldessari, Richard Barnes, Pascal Bernier, Sophie Calle, Mircea Cantor, Maurizio Cattelan, Mark Dion, Nathalie Djurberg & Hans Berg, Martin Eder, Michael Elmgreen & Ingar Dragset, Annika Eriksson, Daniel Firman, Laura Ford, Douglas Gordon, Damien Hirst, Peter Holst Henckel, Camille Henrot, Candida Höfer, Carsten Höller, Bharti Kher, Paul McCarthy, Kohei Nawa, Rivane Neuenschwander & Sérgio Neuenschwander, Tim Noble & Sue Webster, Patricia Piccinini, Paola Pivi, David Shrigley, Lisa Strömbeck and William Wegman.

ARKEN MUSEUM OF MODERN ART
Skovvej 100, 2635 Ishøj
arken.dk