Showing posts with label Phoenix Art Museum. Show all posts
Showing posts with label Phoenix Art Museum. Show all posts

20/09/25

2025 Arizona Artist Awards winners announced by Phoenix Art Museum: Alice Leora Briggs, Shaunté Glover, Chris Ignacio, Jan Talmadge Davids

2025 Arizona Artist Awards winners 
Phoenix Art Museum
Upcoming Exhibition(s)

Alice Leora Briggs Artwork
Alice Leora Briggs 
STYX, in progress 
Sgraffito drawing on 18 wood panels prepared 
with kaolin clay, acrylic medium binder, India ink
six acrylic on wood panels 
Courtesy of the artist

Phoenix Art Museum (PhxArt) has announced the recipients of the 2025 Arizona Artist Awards. Alice Leora Briggs was named the recipient of the 2025 Scult Family Artist Award and Chris Ignacio and Jan Talmadge Davids were named the recipients of the 2025 Sally and Richard Lehmann Emerging Artist Awards (Lehmann Emerging Artist Awards). New this year is the Sette/Cohn Artist Award, established in 2024 to expand the Arizona Artist Awards program and deepen PhxArt’s support of local artists. Shaunté Glover was named the inaugural recipient. As part of the awards, each artist receives a lifetime Membership to Phoenix Art Museum as well as funds to support their artistic practice. Briggs, Ignacio, and Talmadge Davids will also have the opportunity to exhibit their work in solo and group exhibitions at the Museum premiering in summer 2026.
“We are thrilled to announce this year’s Scult, Lehmann, and Sette/Cohn Artist Awards recipients, in recognition of their artistic contributions to our state’s robust arts and culture landscape,” said Jeremy Mikolajczak, the Museum’s Sybil Harrington Director and CEO. “Each of these artists has built a dynamic, thoughtful practice that speaks to their own lived experiences, communities, and perspectives on identity, connection, and the larger human condition. We are honored to support their work as part of our ongoing commitment to amplifying the voices of Arizona-based artists through our annual Artist Awards program, and we are grateful to the Scult family, the Lehmann family, the Cohn family, Lisa Sette, and Artlink for their generosity and partnership in strengthening those efforts.” 

“I offer my heartfelt congratulations to Alice, Chris, Jan, and Shaunté as our newest cohort of Arizona Artist Awards recipients,” said Christian Ramírez, Cohn Assistant Curator of Contemporary Art and Director of Engagement at Phoenix Art Museum. “These artists have all built multifaceted practices, and their work stands as a testament to the strength of the artistic community here in Arizona. I look forward to working with Alice, Chris, and Jan as we begin planning for their forthcoming exhibitions, which will be designed to engage our community with their evocative works and wide-ranging perspectives, and I look forward to seeing how Shaunté utilizes this award opportunity to support her artistic growth.” 
Alice Leora Briggs: Scult Family Artist Award

Each year, Phoenix Art Museum recognizes a mid-career Arizona-based artist with the Scult Family Artist Award. Eligible candidates must have resided in Arizona for a minimum of four consecutive years and are nominated by a group of curators, museum directors, and other arts professionals from across the state. Their candidacy is evaluated based on their demonstration of artistic excellence, active creation and exhibition of new work, and career-spanning evolution. Following a robust review process, a jury of curators, art scholars, artists, and other experts and professionals in the field from across the country selects the recipient. The Scult Family Artist Award includes monetary support of $20,000 and an invitation to present a solo exhibition of new and past work at the Museum. The 2025 Scult Artist Award jury included Lana Meador, Associate Curator of Modern and Contemporary Art, San Antonio Museum of Art; Olivia Miller, Executive Director, Jordan Schnitzer Museum of Art at the University of Oregon; Ann Morton, 2019 Scult Family Artist Award recipient; Christian Ramírez, Cohn Assistant Curator of Contemporary Art and Director of Engagement, Phoenix Art Museum; and Jeff Scult.

Alice Leora Briggs Photo
Alice Leora Briggs 
Photo by the artist

The 2025 Arlene and Morton Scult Artist Award recipient is Alice Leora Briggs. Born in an oil boomtown in West Texas, Briggs grew up in Idaho’s Snake River Valley and is now based in Tucson, Arizona. Through her practice, she investigates human frailties through drawings, woodcuts, letterpress broadsides, site-specific installations, and books. Her work has been featured in more than 50 solo exhibitions and is represented in more than 35 public collections, including those of Phoenix Art Museum; Crystal Bridges Museum of American Art; Fine Arts Museums of San Francisco; Museum of Fine Arts Houston; Library of Congress; Oxford’s Bodleian Library; and Yale’s Beinecke Rare Book and Manuscript Library.  Her publications include Dreamland: The Way Out of Juárez (2010); an illuminated manuscript-police blotter created with writer Charles Bowden; Abecedario de Juárez: An Illustrated Lexicon (2022) produced with photojournalist Julián Cardona; and The Room, a portfolio of woodcuts created with U.S. poet laureate Mark Strand. Briggs was a Fulbright Scholar at the Academy of Fine Arts and Design in Bratislava, Slovakia, and received a Guggenheim Fellowship in 2020. She received her MFA from the University of Iowa and is represented by Evoke Contemporary in Santa Fe, New Mexico, and Etherton Gallery in Tucson, Arizona.  

Chris Ignacio and Jan Talmadge Davids: Lehmann Emerging Artist Awards

The Lehmann Emerging Artist Awards foster the creative practices and careers of emerging Arizona-based artists. Candidates must have resided in Arizona for a minimum of one year and are invited to apply through an annual open call hosted by Artlink, a non-profit organization that has supported and amplified Arizona artists and community-based art events and initiatives for more than 30 years. Recipients receive $10,000 in monetary support and the opportunity to present a joint exhibition at the Museum with fellow Lehmann awardees. The 2025 Lehmann Emerging Artist Awards jury was also assembled by Ramírez and included Ramírez; Lana Meador, Associate Curator of Modern and Contemporary Art, San Antonio Museum of Art; Olivia Miller, Executive Director, Jordan Schnitzer Museum of Art at the University of Oregon; Ann Morton, 2019 Scult Family Artist Award recipient; and Sally Lehmann. 

Chris-Ignacio Photo
Chris Ignacio
Photo by Sequoyah Wildwyn Dechter

The Museum has named Chris Ignacio and Jan Talmadge Davids as the recipients of the 2025 Lehmann Emerging Artist Awards. Based in Phoenix, Chris Ignacio is a Filipino-American puppeteer, producer, educator, and interdisciplinary artist whose work explores the intersection of voice, technology, and identity. He began his puppetry career in New York in 2012, training with experimental artists at La MaMa and working across theater, community arts, and livestream media. In 2023, he made his debut at the Metropolitan Opera as a puppeteer in Florencia en el Amazonas, directed by Mary Zimmerman. He has also premiered original puppetry works at New York theaters including La MaMa, The Tank, and The Brick, and has toured both nationally and abroad. In Phoenix, Ignacio has served as a media designer for major institutions such as Ballet Arizona, Arizona Broadway Theater, Arizona Opera, and Childsplay. His original projects, including those featured in exhibitions at Vision Gallery and Mesa Arts Center, center community collaboration, particularly with young people or people with limited arts exposure. He holds an MFA in Theatre/Interdisciplinary Digital Media from Arizona State University (ASU), where he now teaches motion capture and 3D animation. Ignacio also serves as creative producer for the T. Denny Sanford Harmony Institute at ASU. 

Jan Talmadge Davids Photo
Jan Talmadge Davids
Photo courtesy of the artist

Jan Talmadge Davids works in clay and mixed media to explore landscapes of her childhood and their local  ecologies and to articulate ideas of place-making. Through installation and material sensitivities, she invites the viewer to engage in the ideas of fragility and vulnerability. Talmadge Davids was born in Tucson, Arizona, spending her youth in the southeastern part of the state. She attended the University of Arizona, California State University at Long Beach, and then came from Los Angeles to pursue her MFA at the Herberger School of Art and Design, where she found the opportunity to reconcile her past with her present, which is embedded in the desert landscape. Her work has been shown at the Los Angeles Municipal Art Gallery; The Carolyn Campanga Klefeeld Contemporary Art Museum in Long Beach, CA; Tempe Center for the Arts; eye lounge; The Tucson Museum of Art; and Art d’Core Gala.

Shaunté Glover: Sette/Cohn Artist Award

Established in 2024, the Sette/Cohn Artist Award was created to expand PhxArt’s Arizona Artist Awards program.  The new $5,000 prize is awarded to an emerging Arizona artist selected from the Lehmann Emerging Artist Award application pool as part of a five-year initiative dedicated to supporting arts engagement and strengthening community partnerships. It is named in honor of Lisa Sette, who has supported and represented Arizona-based artists, both through her gallery and personally, for more than 40 years, and Lee and Mike Cohn, longtime Museum supporters who in 2023 provided the seed funding to launch the Phoenix Art Museum Education and Engagement Excellence Fund and have extended their generosity to support Arizona-based artists. The award’s recipient is selected by Christian Ramírez, Cohn Assistant Curator of Contemporary Art and Director of Engagement, Phoenix Art Museum; Olga Viso, Selig Family Chief Curator and Director of Curatorial Affairs, Phoenix Art Museum; Lee and Mike Cohn; and Lisa Sette. 

Shaunté Glover Photo
Shaunté Glover
Photo courtesy of the artist

The inaugural 2025 Sette/Cohn Artist Award recipient is Shaunté Glover. Glover is a multidisciplinary artist based in Phoenix, Arizona. Her creative journey spans photography, film, printmaking, and sculpture, exploring identity and representation to use art as a catalyst to increase visibility, strengthen community engagement, and amplify the voices of marginalized communities, particularly those of Black women. Rooted in her upbringing in South Phoenix, Glover’s work draws from memories of childhood, basketball, family, and everyday neighborhood life. She combines these influences into layered visual narratives that reflect lived experience and cultural nuance. 

PHOENIX ART MUSEUM
1625 North Central Avenue, Phoenix, AZ 85004 

11/12/17

Phoenix Art Museum, The Logic of the Copy: Four Decades of Photography in Print - Photomechanical Printmaking from the Center for Creative Photography

The Logic of the Copy: Four Decades of Photography in Print
Photomechanical Printmaking from the Center for Creative Photography

Phoenix Art Museum

Through April 22, 2018


Andy Warhol
Andy Warhol
Sunset, 1972 
Screenprint
Collection Center for Creative Photography
© The Andy Warhol Foundation for the Visual Arts, Inc.

Phoenix Art Museum presents an exploration of the photographic revolution that began during the second half of the 20th century. The Logic of the Copy: Four Decades of Photography in Print spans the period from 1960 through the early 2000s and highlights the influence of artists as diverse as Robert Heinecken, Andy Warhol, Robert Rauschenberg, James Turrell, and Tacita Dean who began to integrate photography with text and the graphic arts. This explosion of photographic printing was a crucial factor in the transformation that took place in the art world during this time, from the democratization of the artistic economy to the conceptual shift toward cross-disciplinary forms of art. The exhibition is organized by Phoenix Art Museum in collaboration with its longtime partner, the University of Arizona’s Center for Creative Photography.

“We are delighted to continue the collaboration between the Museum and the Center for Creative Photography through this exhibition,” said Amada Cruz, the Sybil Harrington Director and CEO of Phoenix Art Museum. “It is a privilege to showcase the Center’s world-class collection in The Logic of the Copy, and we look forward to sharing these exciting, mixed-media works with our community.”


William Henry Jackson
William Henry Jackson
Utah. The Giant’s Club and Kettle, Green River, 1898
Photo-chromolithograph
Collection Center for Creative Photography.


Betty Hahn
Betty Hahn
Untitled (The Lone Ranger), 1976
Screenprint
Collection Center for Creative Photography
© Betty Hahn.

The hybrid process of photomechanical printmaking was an essential vehicle for change in the art world. Artists working during this period began turning away from Modernism and its emphasis on the essential qualities of and boundaries between different media, and toward the exploration of new forms across artistic disciplines. The explosive popularity of photomechanical printing among artists led to a wide range of multi-faceted, mixed-media works, exemplified by the selections featured in The Logic of the Copy: artist’s books and portfolios by artists hoping to expand their economic possibilities beyond the gallery system; large-scale prints by painters who were experimenting with photographs alongside more traditional media; and small works derived from commercial objects, from postcards and tarot cards to politically-charged images overlaid on magazines.

“The printmaking and photography booms are an especially crucial period of study, as the same concerns that motivated these artists are relevant in today’s digital environment,” said Andrew Kensett, curatorial assistant and the acting assistant curator at the Center for Creative Photography. “The practices of sharing images widely, using art as a medium for social and political engagement, and promoting the general democratization of art were at the forefront for artists working in print during this period, and their history is inextricably tied to our present moment.”


Joan Lyons
Joan Lyons
Untitled from the series Presences, 1980
Offset lithograph
Collection Center for Creative Photography
© Joan Lyons.


John Wood
John Wood
Untitled, 1980
Offset lithograph
Collection Center for Creative Photography
© John Wood.

Taking its title from a line in “Photography’s Expanded Field,” George Baker’s 2005 essay investigating the overlap between photography and related media, The Logic of the Copy brings together a wide range of artists who worked with photographs in print. In addition to the artists mentioned above, the exhibition will include examples of pioneering artist’s books by makers including John Baldessari, Susan King, Bruce Nauman, Ed Ruscha, Keith Smith, and Clarissa Sligh, and prints by Thomas Barrow, James Casebere, Jim Dine and Lee Friedlander, Betty Hahn, Mark Klett, Sherrie Levine, Sigmar Polke, and others.


Mark Klett
Mark Klett
Desert Citizens #45, 1989-90
Photogravure
Collection Center for Creative Photography
© Mark Klett.


Thomas Barrow
Thomas Barrow
Untitled from the series Studio Notes, 1992
Lithograph
Collection Center for Creative Photography
© Thomas Barrow.

This exhibition is organized by Phoenix Art Museum and made possible through the generosity of INFOCUS, the photography support group of Phoenix Art Museum.

PHOENIX ART MUSEUM
Norton Photography Gallery
www.phxart.org