Showing posts with label Sara Ahli. Show all posts
Showing posts with label Sara Ahli. Show all posts

07/02/25

Aisha Alabbar Gallery @ Art Dubai 2025 with artists Faris Abdulla Alshafar, Sara Al Haddad, Sara Aref Ahli - "The Rhythm of Existence" Exhibition

Aisha Alabbar Gallery at Art Dubai 2025 
Faris Abdulla Alshafar, Sara Al Haddad, Sara Aref Ahli
The Rhythm of Existence
Madinat Jumeirah, Dubai
18 - 20 April, 2025

SARA AHLI 
Bone Marrow – Flesh, 2024 - Installation
Courtesy of Aisha Alabbar Gallery

Aisha Alabbar Gallery announces its participation in Art Dubai 2025 with The Rhythm of Existence, an exhibition featuring works by prominent Emirati artists Faris Abdulla Alshafar, Sara Al Haddad, and Sara Aref Ahli. The collection explores themes of time, memory, and transformation, inviting viewers to reflect on the metaphysical connections between past and present, self and space.

Through diverse practices in painting, fiber art, sculpture, and glass, the exhibition showcases how personal histories, cultural narratives, and emotional landscapes are translated into compelling visual languages. This presentation positions Aisha Alabbar Gallery as a vital platform for Emirati talent on the global stage.

Through its exhibitions, innovative programs, and bespoke publications, Aisha Alabbar Gallery enriches the dynamic tapestry of the arts in the UAE, leaving a lasting mark on the cultural landscape.

FARIS ABDULLA ALSHAFAR

Faris Abdulla Alshafar’s paintings embody the rhythm of music, using layered colorfields and mark-making to explore interconnectedness and the passage of time. His works delve into the balance between form and formlessness, creating visual symphonies of emotion and thought.

“Throughout the years, there’s been an anchoring pendulum of form and formlessness that dictates specificity in my works. I put together pieces from different years, mediums, and formats to evoke the volatile experience of music that informs the core of my practice. Narratives are fragile seams in my work—I invite viewers to unthread them, project their own experiences, and build inner worlds through my pieces,” said Abdulla Alshafar.

Faris Abdulla Alshafar (b. 1995, Dubai) lives and works between Dubai and New York City. Deeply influenced by the temporal nature of music, his work offers a meditative exploration of determinism, interconnectedness, and the ephemeral nature of sensory experiences.

SARA AL HADDAD

Sara Al Haddad’s fiber-based installations transform materials like yarn into vessels of emotional expression. Using techniques such as crocheting and stitching, she creates tactile forms that resonate with memory and vulnerability.

“My art allows me to process emotions with curiosity, examining situations and memories before transforming them into tangible, commemorative objects. Each piece is an opportunity to connect with the intricacies of human emotions, inviting viewers to step into these intimate spaces,” said Sara Al Haddad.

Sara Al Haddad (b. 1988, Dubai) is a Fulbright Scholar with an MFA in Sculpture from the Maryland Institute College of Art. Her works have been exhibited at renowned institutions, including the Los Angeles County Museum of Art (LACMA) and the UAE National Pavilion at the Venice Biennale.

SARA AREF AHLI

Sara Aref Ahli’s interdisciplinary practice spans sculpture, installation, and glass, exploring themes of body, memory, and resilience. By shaping glass, she examines the fragility and strength of human experience.

“Using glass as a metaphor, I reveal the tension between strength and vulnerability, absence and presence. My work explores the body as a vessel of memory, bringing this inquiry to Art Dubai,” shared Ahli.

Sara Aref Ahli (b. 1993, Alabama) works between Dubai and Providence, Rhode Island. Her practice examines the body and memory through materiality, using glass to create dreamlike spaces that blend the real, imagined, and forgotten.

AISHA ALABBAR GALLERY

Established in 2018, Aisha Alabbar Gallery stands as a pillar of contemporary and modern art in Dubai, UAE. Guided by a commitment to showcasing both emerging and established talents, the gallery elevates the voices and visions of artists from the UAE, the region, and beyond.

As a pioneering women-led Emirati gallery, Aisha Alabbar Gallery takes pride in being among the first in the region to celebrate the brilliance of local and regional artists. Through meticulous curation and collaborations with esteemed curators and organizations, the gallery invests significant resources to spotlight these artists on the global stage.

AISHA ALABBAR GALLERY
Warehouse C-19, Alserkal Avenue 17th Street, 
Al Quoz Industrial Area 1 - Dubai, UAE

28/01/22

Alia Hussain Lootah, Majd Alloush, Sara Ahli, Zeina Al Kattan @ Aisha Alabbar Gallery, Dubai - The Quest - Curated by Nasser Abdullah

The Quest: Alia Hussain Lootah, Majd Alloush, Sara Ahli, Zeina Al Kattan - Curated by Nasser Abdullah
Aisha Alabbar Gallery, Dubai
12 January - 26 February 2022

Aisha Alabbar Gallery presents The Quest, a group exhibition curated by Nasser Abdullah that features four UAE-based artists: Alia Hussain Lootah, Majd Alloush, Sara Ahli, and Zeina Al Kattan.

Taking inspiration from Amin Maalouf’s 2004 novel Origins, the exhibition explores life experiences that set forth an artist’s path. While these experiences are met on the search for answers about the meaning of life and its purpose, those who create through the lens of these accumulated experiences are the ones we call “artists.”

The quest to understand the purpose of this life varies across people and interests. Art appears to be an attempt to understand the contexts of the ever-changing reality in which we live, forcing the artist to experience several adventures, and follow history, news and anecdotes to obtain answers and come to realisations that would allow them to start a new artistic experience. This leads them to deeper, more profound questions, once again prompting a never-ending journey of reflection.

Considering the world’s change in the past two years, Alia Hussain Lootah chose to show the personal side of human experience during the pandemic. Using pen and paper, the artist’s drawings show chaotic paths but reflect the shape of disturbances that we experienced during that period at the personal and societal levels. These paths were turned into mini sculptures that embodied the turbulent lines. However, these lines are now at peace. Experiences become diverse and turn glossy black to reflect the effect of the darkness left by the pandemic.

Majd Alloush draws his geography by tracing the changes faced by cities worldwide due to wars and displacement. His creative practice challenges the notion of boundaries in concept, content, and medium by exploring psychology, geopolitics, society and environment to paint a more realistic picture of a world undergoing fast and radical changes. In Untitled Landmarks (2018), a silkscreen print series and Con-figuring (2020), a collection of 100 cubes of raw material experimentation such as cement – remnants of destruction – Majd unveils the reality of several global cities that suffered great devastation because of war.

Sara Ahli’s plaster-filled balloons recollect feelings of pain and suffering due to the various forms of continued pressure applied to them. Sara tests the balloon’s endurance and fragile rubbery structure by exerting forms of tension using pliers, stones, and building blocks. She reveals the limits of this structure in standing force and the changes it experiences until it reaches its final shape becoming attuned to its surroundings. The artist likens her process to how human experiences mark people as they become part of their physical, intellectual, and psychological formation, arguing that success in moving forward can be attained by achieving stability amid circumstances we were unable to resist.

Zeina Al Kattan went on a life-changing journey as she settled in the UAE after leaving her home country, Syria – a land witnessing fluctuation as transmitted to us through blurred images from unreliable media sources. She draws dark and ironic scenarios of the intertwined conditions of life. She assembles pictures of stories and from events that vaguely affected her. Her unique touch within her practice is how she uses advanced realistic drawing technologies, abstraction and symbolism to create a scenario that combines an alternate reality from dislocated feelings and memories.

The Quest presents a collection of young artistic experiences. Each artist chose their path in the local art scene and sheds light on the various aspects of life to reach their quest- to leave a mark on the artistic and human experience.

About the artists

Alia Hussain Lootah (Dubai, 1987) is an Emirati artist, a mother of four, and the co-founder of Medaf Studio in Dubai. Alia Hussain Lootah’s current work focuses on bodies of art with the theme of understanding the interpersonal relationship between mother and child in today’s modern world. Uncertainty stems from both external and internal factors of unrest.

Alia Hussain Lootah started her art career in 2011, participating in her first exhibition at Dubai-based ARA gallery. She has participated in Metamorphoses, Tashkeel, Dubai (2013); Mawtini, Tashkeel, Dubai (2013); and Sikka Art Fair (2011, 2012, and 2013). Alia participated as one of the first artists in the Salama bint Hamdan Emerging Artist Fellowship Program (SEAF), graduating in 2014. Her SEAF thesis focused on exploring motherhood through different forms of sculptures. In 2017, Alia Hussain Lootah co-founded the Medaf Studio in Dubai, an art centre aimed at introducing children and adults to art as a form of self-expression and creativity.

Majd Alloush (b. Dubai, 1996) is a Syrian artist based in Dubai. He works with printmaking, moving images, sculpture, photography and installation to radically re-think his outlook on various subjects. His documentation style of art complements his vision towards the subjects he adopts, while politics, self-exploration and psychology drive him. The human psyche against nature, politics against conscience, and time against space are contradictions that Majd sees as central to human existence through art.

Majd Alloush is currently pursuing an MFA in Art and Media at NYUAD. He graduated from the University of Sharjah in 2018, majoring in Fine Arts. His work has been a part of several exhibitions both in the UAE and internationally, including Pressure, Beit Al Mamzar, Dubai (2021); Made in the Emirates, Sotheby’s, Dubai (2021); the Sharjah Islamic Arts Festival, Sharjah Art Museum (2021), Intimaa: Belonging, curated by UAE Unlimited at NYUAD Art Gallery, Abu Dhabi (2020); Sharjah Calligraphy Biennial (2020); Vantage Point Sharjah (2018 and 2019); the 35th Emirates Fine Arts Society Annual Exhibition, Sharjah Art Museum, Sharjah (2018); Kunst im Dialogue, Landshut, Germany (2018); and Rent’s Due, Unit 5 Gallery, London, UK. In addition, his works are found in prominent public and private collections in the UAE, including Abu Dhabi Executive Office in Abu Dhabi; and the collection of Mr. Abdulmonem Alserkal, the owner of Alserkal Avenue in Dubai.

Sara Ahli (b. Alabama, 1993) is an artist and fashion designer living and working in Dubai, UAE. Having led personal projects in fashion, Sara has transitioned to sculpture as a new branch of her artistic practice. Her sculptural work explores themes of discomfort and pressure while incorporating a sense of play. Sara Ahli stages situations of tension, testing the limitations of materials in reference to the body.

Sara Ahli held her first solo exhibition, A Placeless Place, in 2021 at The Foundry, Dubai, UAE. Additionally, her work has been exhibited locally at Made in the Emirates, Sotheby’s, Dubai (2021) and Community & Critique, Warehouse 421, Abu Dhabi (2020). In 2020, she completed the Salama bint Hamdan Emerging Artists Fellowship (SEAF) in partnership with the Rhode Island School of Design (RISD). Sara Ahli holds a BFA from the California College of the Arts, San Francisco. Her works are in private collections.

Zeina Al Kattan (b. Damascus, 1994) studies human conditions in her work. She is interested in specific behaviours triggered by various circumstances, whereby memory and society’s impact on one’s growing up play central roles. In her most recent work, Zeina Al Kattan examines her memories in the form of flashbacks and emotions to formulate an understanding of these conditions. Through collaging images, she creates scenarios and atmospheres overshadowed by dark sarcasm that speaks to issues faced in daily life, whether because of gender, nationality, or even beliefs that are not commonly celebrated. Zeina Al Kattan’s works are held in numerous private collections.

Zeina Al Kattan’s work has been featured in several group exhibitions in the UAE and internationally, including Community & Critique, Warehouse 421, Abu Dhabi (2019); Corrective Connection, NOISE project, Bloomington, IN (2018); Vantage Point Sharjah 6, Sharjah Art Foundation, Sharjah (2018); Exit 13 Extension, Maraya Art Centre, Sharjah (2018), Exit 13, University of Sharjah, Sharjah (2018) and the 35th Annual Exhibition, Emirates Fine Art Society, Sharjah Art Museum, Sharjah (2017). In addition, she completed a residency at The Salama bint Hamdan Emerging Artists Fellowship (SEAF) in partnership with the Rhode Island School of Design (RISD), Cohort 6 (2019). She is presently working at Sharjah Art Foundation as a Curatorial Assistant. Zeina graduated with a bachelor’s degree in Fine Arts at the University of Sharjah (2018). Her works are in private collections.

About the curator

Nasser Abdullah is an Emirati curator and UAE arts researcher who aims to increase awareness of fine art in the UAE, enriching the art scene and helping develop the abilities of young artists. He has curated several exhibitions, including an Intima’a an Exhibition by UAE Unlimited in NYU Abu Dhabi, Abu Dhabi, UAE (2020), From Barcelona to Abu Dhabi” an exhibition by ADMAF, and the Barcelona Museum of Contemporary Art in Manarat Al Saadiyat, Abu Dhabi, UAE (2018), and the 25th and the 35th Emirates Fine Art Society’s annual exhibition at the Sharjah Art Museum, Sharjah, UAE (2006 and 2018). Nasser is a former Chairman of the Board of the Emirates Fine Art Society, a position he held from 2014 to 2018. He has also contributed, significantly, to several publications focusing on the pioneers of the Emirati Arts movement, besides being the Chief Editor of AlTashkeel Magazine.

AISHA ALABBAR GALLERY
S1 Mag Warehouse 101, Al Quoz 2, Dubai
____________