Showing posts with label Serlachius Manor. Show all posts
Showing posts with label Serlachius Manor. Show all posts

24/06/25

Master I.S. – The Enigmatic Contemporary of Rembrandt @ Serlachius Museum, Mänttä

Master I.S. – The Enigmatic Contemporary of Rembrandt
Serlachius Museum, Mänttä 
Through 17 August 2025

Master I.S.
Master I.S.
Portrait of an Old Woman, 1651
Oil on panel, 41 x 33 cm
Kunsthistorisches Museum Wienna
Photo: © KHMMuseumsverband

Master I.S.
Master I.S.
Young Scholar Half-naked, 1638
Oil on panel, 54 x 40 cm 
Private collection 
Photo: David Bassenge

Master I.S.
Master I.S.
Old Woman Reading a Letter, 1658
Oil on panel, 50 x 35 cm 
Nationalmuseum Stockholm
Photo: Nationalmuseum, Anna Danielsson

Who was the mysterious artist who signed their works in the 17th century with the monogram I.S.? The research project and exion, hibition by Serlachius and the Dutch Museum De Lakenhal present, for the first time, the works of this contemporary of Rembrandt. 

The artist who signed their works with the monogram I.S. is believed to have resided in the city of Leiden in the Netherlands during the 1620s and 1630s. Their works show significant influences from renowned Dutch artists Jan Lievens and Rembrandt, who lived and worked in the city c. 1625–1630/31.

Jan Lievens
Jan Lievens 
Old Man, c. 1625/1626 
Oil on panel, 53,5 x 47,2 cm
Kunsthistorisches Museum Wienna 
Photo: © KHMMuseumsverband

Gerrit Dou
Gerrit Dou
Self-portrait of the Painter in His Studio, c. 1632 
Oil on panel, 60,5 x 44 cm 
Museum De Lakenhal, Leiden, 
Purchased with the support of the 
Vereniging van Belangstellenden in Museum De Lakenhal, 
support from the Vereniging Rembrandt 
and a private donation 
Photo: Museum De Lakenhal

The new research project has explored the artist’s works and identity more extensively than ever before. The research began with the Serlachius Seminar held in spring 2022, the topics of which included the Fine Arts Foundation’s old European art.

With the international research project, c. 25 paintings have been identified that are known or believed to be created by Master I.S. Some of the works have disappeared and are known only from black-and-white photographs. The exhibition is the first in which a significant part of the artist’s work has been gathered in one place. After Serlachius, the exhibition will continue in October at Museum De Lakenhal in Leiden.

The Serlachius exhibition includes eighteen paintings from various collections across Europe and from Canada. Fourteen of these are attributed to Master I.S. Additionally, the exhibition features four other paintings that provide a basis for comparison of the works. These works are by Jan Lievens, Gerrit Dou, and David Bailly.

The exhibition is curated by Tomi Moisio, Curator at Serlachius Museums. The Leiden exhibition is curated by Janneke van Asperen, Curator of Old Masters at Museum De Lakenhal.

Master I.S.
Master I.S.
 
Old Man with a Fur Hat, 1640s 
Oil on canvas, 42 x 35,5 cm 
Gösta Serlachius Fine Arts Foundation. 
Photo: The Finnish National Gallery, Yehia Eweis

Master I.S.
Master I.S.
Old Woman in Three-Quarter Profile, 1640–1645 
Oil on panel, 47 x 38 cm
Private collection 
Photo: Eva Steentjes

The artist’s identity remains a mystery

The Serlachius collection includes a work purchased from London in 1937, Old Man in a Fur Hat (1640s), previously attributed to Jan Lievens (1607–1674). The research project has strengthened the notion that the creator might be Master I.S.

The artist often depicts elderly people in great detail and without embellishment. The models are characterised by a melancholic, sideways gaze. Their works feature costumes, details, and interiors that suggest Eastern European or Scandinavian origins.

“Perhaps they are from that region and came to study in Leiden, for example. Alternatively, they may have travelled in Eastern or Northern Europe”, says Tomi Moisio.

So far, the identity of the artist who signed their works with the pseudonym I.S. has not been discovered. Research continues, and the interest of international art historians has brought new information about their works. At the same time, their value has increased.

The exhibition is accompanied by a publication in which experts in the field explore the mystery of Master I.S. and make comparative research on artist-contemporaries. The articles in the book have been written by curators Tomi Moisio and Janneke van Asperen, as well as the distinguished specialists on old Dutch and Flemish art, professors Volker Manuth and Marieke de Winkel. 

The research group has also included David de Witt, the Chief Curator at Rembrandthuis in Amsterdam. The book is published in English, as it is expected to be of great interest to the international academic community.

SERLACHIUS MUSEUM
Serlachius Manor, Joenniementie 47, Mäntä

Master I.S. – The Enigmatic Contemporary of Rembrandt
Serlachius Museum, Mänttä, Finland, 12 April - 17 August 2025

21/06/25

Keith Tyson: Universal Symphony @ Serlachius Museum, Mäntä

Keith Tyson: Universal Symphony
Serlachius Museum, Mäntä
Through 26 October 2025

Keith Tyson
KEITH TYSON
Installation view from the exhibition
Universal Symphony
Photograph: Serlachius, Sampo Linkoneva

Keith Tyson
KEITH TYSON
Installation view from the exhibition
Universal Symphony
Photograph: Serlachius, Sampo Linkoneva

Keith Tyson
KEITH TYSON
Installation view from the exhibition
Universal Symphony
Photograph: Serlachius, Sampo Linkoneva

In the art of British artist Keith Tyson, everything is surprisingly interconnected and without hierarchy. This is also indicated by the name of his exhibition, Universal Symphony.

Defining KEITH TYSON (b. 1969) as an artist is challenging, as he is not interested in recognisable style or self-expression. He has always been fascinated by the interstices between art, science and technology, how things are connected and how one thing leads to another. 

In his works, Tyson examines the different forces, relationships and processes we use to understand the world and through which things and phenomena gain meaning. These include, for example, various physical and chemical chains of events, language models and algorithms used by artificial intelligence, and the latest achievements in quantum physics, but also poetry and mythology.

Keith Tysen
KEITH TYSON
Installation view from the exhibition
Universal Symphony
Photograph: Serlachius, Sampo Linkoneva

Keith Tysen
KEITH TYSON
16m3 of Ocean (Atlantic), 2024
Courtesy the artist
Photograph: Serlachius, Sampo Linkoneva

Keith Tysen
KEITH TYSON
16m3 of Ocean (Atlantic), 2024 (detail)
Courtesy the artist
Photograph: Serlachius, Sampo Linkoneva

According to the exhibition’s curator, Timo Valjakka, Keith Tyson sees art as an attempt to express what cannot be conveyed in other ways. His works are based on knowledge and emotion as well as on the viewer’s experience in front of them. One example of this is the monumental 16m3 of Ocean (Atlantic), 2024. The bronze sculpture is an accurate representation not only of the surface of the ocean, but also of its mass.

Majority of the works in the exhibition are new and on display for the first time. They are placed in context by a number of earlier works. Four of them were implemented with the help of the Art Machine, developed by Keith Tyson in the 1990s, and challenge us to consider the relationship between humans and machines. 

Art Machine is a set of algorithms programmed into a computer. When the Art Machine processes the material fed to it according to the given conditions, it produces a set of instructions for Tyson to implement the artwork. The instructions include the subject of the work, dimensions, materials and other parameters required at any given time. 

Keith Tyson
KEITH TYSON
Installation view from the exhibition
Universal Symphony
Photograph: Serlachius, Sampo Linkoneva

Keith Tysen
KEITH TYSON
Nature Painting (Deep Impact), 2010
Courtesy of the artist
Photograph: Serlachius, Sampo Linkoneva

The large-scale Nature Painting (Deep Impact), 2010, on the other hand, was created as a result of the combined effects of gravity, fluid dynamics and chemical reactions. In doing so, Keith Tyson relinquished almost all control of the process and let the chemicals carve out their own paths. He calls the work a nature painting because it is not an image of nature, but a manifestation of the forces that shape nature.

Keith Tysen
KEITH TYSON
Scholar's Stonei, 2023
Patined bronze
Courtesy of the artist
Photograph: Serlachius, Sampo Linkoneva

Keith Tysen
KEITH TYSON
Dark Sundial, 2024
Bronze, stainless steel, electronic guidance,
motor, stone plinth
Courtesy of the artist
Photograph: Serlachius, Sampo Linkoneva

On display in the Serlachius Manor’s Park is the kinetic sculpture Dark Sundial (2024), where Keith Tyson has replaced the traditional worldview represented by a sundial with an incomparably larger one. The long index finger of the stylised human figure shows us at every moment where the massive black hole Sagittarius A* is in the centre of the Milky Way. It is 27,000 light-years from Mänttä.

ARTIST KEITH TYSON

After his early studies in engineering, Keith Tyson pursued art at Carlisle College of Art in 1989 and at the University of Brighton from 1990 to 1993. He held his first solo exhibitions in London and New York in 1996.

Keith Tyson has held numerous solo exhibitions and participated in group shows in museums and galleries across various countries in Europe, Asia, Australia, North and South America, and South Africa. He has also taken part in the Berlin and Venice Biennale in 2001 and the São Paulo Biennale in 2002. In 2002, he was awarded the prestigious Turner Prize. He was named an Honorary Doctor of the University of Brighton in 2005.

Curator of the exhibition: Timo Valjakka

SERLACHIUS MUSEUM
Serlachius Manor, Joenniementie 47, Mäntä

Keith Tyson: Universal Symphony 
Serlachius Museum, Mäntä, 24 May – 26 October 2025