Showing posts with label Virginia Museum of Fine Arts. Show all posts
Showing posts with label Virginia Museum of Fine Arts. Show all posts

20/08/24

American, born Hungary: Kertész, Capa, and the Hungarian American Photographic Legacy @ Virginia Museum of Fine Arts, Richmond

American, born Hungary: Kertész, Capa, and the Hungarian American Photographic Legacy
Virginia Museum of Fine Arts, Richmond
October 5, 2024 – January 26, 2025

André Kertész
André Kertész (Kertész Andor) 
(American, born Hungary, 1894–1985)
Martinique, 1970, printed 1972 
Gelatin silver print, 16 5/8 x 20 5/8 x 1 1/2 in. 
Virginia Museum of Fine Arts, 
Arthur and Margaret Glasgow Endowment, 2018.206 

André de Dienes
André de Dienes
(American, born Hungary, 1913–1985)
Marilyn Monroe, ca. 1949
Gelatin silver print, 30 5/8 x 24 5/8 in.
Virginia Museum of Fine Arts, 
Adolph D. Wilkins C. Williams Fund, 2021.598,
Photograph © Andre De Dienes/MUUS Collection 

László Kondor
László Kondor 
(American, born Hungary, 1940) 
Boys with U.S. Flag, Midway Park, Chicago, 1968, printed 1995 
Gelatin silver print, 13 x 19 in. 
Virginia Museum of Fine Arts, 
Kathleen Boone Samuels Memorial Fund, 2021.83 
© 2024 Estate of Laszlo Kondor 

The Virginia Museum of Fine Arts (VMFA) announces its upcoming exhibition, American, born Hungary: Kertész, Capa, and the Hungarian American Photographic Legacy. The exhibition fills a missing chapter in art history and is slated to be the most comprehensive exhibition to examine the geographical reach and extensive influence that Hungarian American photographers have had on 20th-century photography.

American, born Hungary: Kertész, Capa, and the Hungarian American Photographic Legacy is organized for VMFA and curated by the museum’s Director and CEO Alex Nyerges. The exhibition, which is co-curated by Károly Kincses, founding director of the Hungarian Museum of Photography, debuted at the Museum of Fine Arts, Budapest, Hungary.

American, born Hungary features more than 170 works and related ephemera from 33 photographers. “The photography of Americans born in Hungary is an important, but very under-told, story,” Nyerges said. “As one of the country’s top 10 comprehensive art museums, the Virginia Museum of Fine Arts is positioned, and even called upon, to help lead the way in telling it.”

Hungarian American artists transformed modern photography in the U.S. Some introduced radical, experimental photographic techniques while others brought with them innovative approaches to photojournalism, advertising and fashion photography. Their encounters with different facets of American life further shaped their approaches to the medium, ultimately leading them to contribute in robust ways to modern photography.

The wealth of intellectual and artistic talent that departed Hungary between the end of World War I and the Hungarian Revolution in 1956 is almost unprecedented in size and effect. This historic emigration included legendary symphony conductors George Szell and Eugene Ormandy, composer Béla Bartók, award-winning film directors Michael Curtiz and Alexander Korda and world-renowned architects and designers Marcel Breuer and László Moholy-Nagy, who is also a featured photographer in the exhibition.

Included in American, born Hungary are works by notable photographers such as André Kertész (Kertész Andor), Martin Munkácsi (Mermelstein Márton), Nickolas Muray (Mandl Miklós) and György Kepes, along with less familiar names whose photos are instantly recognizable. Robert Capa (Freidmann Endre Ernö), for example, was a pioneer of modern photojournalism whose photos of Omaha Beach on D-Day are among the most renowned images of World War II.

The exhibition examines Hungarian photographers working during the period of political turmoil in their home country during the early 20th century, before the photographers began their emigration to European capitals such as Paris, where surrealism evolved in the 1930s; Berlin, where modernism flourished; and in Dessau, Germany, where the utopian Bauhaus art school was a haven for the post-World War I avant-garde.

The focus of American, born Hungary, however, is the impact of Hungarian-born artists on photography in the United States, especially in urban centers such as New York, Chicago and Los Angeles. Through stunning images, the exhibition shows the profound impact of this group of photographers who explored their new country with sensitivity, rigor and insight.

Paula Wright
Paula Wright (Paula Weisz) 
(American, born Hungary, 1930–2015)
Central Park, New York, Winter Reflections, ca. 1960
Gelatin silver print, 20 5/8 x 16 5/8 x 1 1/2 in.
Virginia Museum of Fine Arts,
Kathleen Boone Samuels Memorial Fund, 2020.133

André Kertész
André Kertész (Kertész Andor) 
(American, born Hungary, 1894–1985)
Lexington Avenue at 44th Street, New York, 1937, printed later
Gelatin silver print, 20 5/8 x 16 5/8 x 1 1/2 in. 
Virginia Museum of Fine Arts, 
Gift of Judy Haselton, 2018.472

André Kertész
André Kertész (Kertész Andor) 
(American, born Hungary, 1894–1985)
Fire Escape, New York, 1949
Gelatin silver print, 24 5/8 x 20 5/8 x 1 1/2 in. 
Virginia Museum of Fine Arts,
Adolph D. and Wilkins C. Williams Fund, 2014.174

Highlights include works by tailor and photographer John Albok (Albók János), whose scenes of leisure in Central Park and the 1939–40 New York World’s Fair received critical acclaim; Moholy-Nagy, whose “New Bauhaus” sought to establish the Windy City as a design incubator; André de Dienes, whose portraits of cinema’s icons, including Marilyn Monroe, helped fuel Hollywood’s Golden Age; and photojournalists, such as László Kondor, who documented the Vietnam War and social injustice in America.

Featured Photographers
Photographic works by these artists are featured in the exhibition American, born Hungary: Kertész, Capa, and the Hungarian American Photographic Legacy: Lucien Aigner (Aigner László), John Albok (Albók János), Anna Barna, Ferenc Berko, Cornell Capa (Freidmann Kornell), Robert Capa (Freidmann Endre Ernö), Helene Deutch, Stephen Deutch, André de Dienes, Orshi Drozdik, Arnold Eagle, Jolán Gross-Bettelheim, Francis Haar (Haár Ferenc), Nicholas Ház, Béla Kalman, György Kepes, André Kertész (Kertész Andor), Ylla (Camilla Koffler), László Kondor, Balthazar Korab, György Lőrinczy, László Moholy-Nagy, Martin Munkácsi (Mermelstein Márton), Nickolas Muray (Mandl Miklós), Marion Palfi, Sylvia Plachy, Emeri P. Révész-Biró (Révész Imre, Biró Irma), Michael Simon (Simon Mihály, Cornel Somogy, Marcel Sternberger, Max Thorek (Torok Maximilian), László Josef Willinger and Paula Wright (Weisz Paula).

Traveling Exhibition
Organized by VMFA and curated by the museum’s Director and CEO Alex Nyerges, and by founding Director of the Hungarian Museum of Photography Károly Kincses American, born Hungary: Kertész, Capa, and the Hungarian American Photographic Legacy first appeared at the Museum of Fine Arts, Budapest, Hungary, from April 5 to August 29, 2024. From Oct. 5, 2024, to Jan. 26, 2025, the exhibition will be on view at the Virginia Museum of Fine Arts. Following its run at VMFA, the exhibition will travel to the George Eastman Museum in Rochester, New York, where it will be on view from Sept. 26, 2025, to March 1, 2026.

Exhibition Catalogue
The exhibition catalogue, American, born Hungary: Kertész, Capa, and the Hungarian American Photographic Legacy, is published by the Virginia Museum of Fine Arts and distributed by Yale University Press. The 360-page catalogue features more than 170 photographic images and includes essays by Alex Nyerges and Karoly Kincses, as well as as an introduction by Robert Gurbo, trustee, Estate of André Kertész and president of The André and Elizabeth Kertész Foundation. American, born Hungary will be available to purchase in the VMFA Shop and online from Yale University Press.

VMFA - VIRGINIA MUSEUM OF FINE ARTS
200 N. Arthur Ashe Blvd., Richmond, VA 23220

25/05/19

Carl Chiarenza @ Virginia Museum of Fine Arts, Richmond

Carl Chiarenza
Virginia Museum of Fine Arts, Richmond
Through November 12, 2019

Carl Chiarenza
CARL CHIARENZA (American, born 1935)
Burnham Brothers, Essex, MA, 1962, printed later
Gelatin silver print
Virginia Museum of Fine Arts
Gift of Carl Chiarenza, 2016.516
© Carl Chiarenza, Courtesy of the VMFA

The Virginia Museum of Fine Arts (VMFA) presents an exhibition of works by photographer CARL CHIARENZA, on view in the Photography Gallery. Born to Italian immigrant parents and raised in Rochester, New York, Carl Chiarenza’s interest in photography developed early in his childhood. From 1953 to 1957, Carl Chiarenza studied at the Rochester Institute of Technology under the direction of Minor White and Ralph Hattersley. Since the late 1960s, Carl Chiarenza has been a leading figure in a movement that seeks to expand the conceptual boundaries of photography.

Carl Chiarenza’s photographs have been included in more than 80 solo and 250 group exhibitions since 1957. His black and white photographs, which often contain elements of collage, have continued to challenge notions of landscape, abstraction, visitor perspective, and the very medium of photography itself. This free exhibition is curated by Virginia Museum of Fine Arts Executive Director and CEO Alex Nyerges.

“The Virginia Museum of Fine Arts is incredibly grateful to Carl Chiarenza for his generous gift of works to the museum,” says Alex Nyerges. “I am honored to curate the first Chiarenza exhibition at VMFA, and hope that these twenty-two phenomenal works will offer museum members and visitors an opportunity for a deeper understanding and fresh perspective of the limitless world of photography.”

Carl Chiarenza
CARL CHIARENZA (American, born 1935)
Sulfite White Figure with Spears, 1962, printed later
Gelatin silver print
Virginia Museum of Fine Arts
Gift of Carl Chiarenza, 2016.517
© Carl Chiarenza, Courtesy of the VMFA

Carl Chiarenza is inspired by both the beauty and human connections to landscapes, but has been continuously dissatisfied with traditional outdoor nature photographs. In acknowledging that depictions of landscapes in paintings are constructed, he began to approach his photographs as abstract and emotional constructions that allow us to examine nature in relation to the self.

The key characteristic that came to dominate Carl Chiarenza’s style was nyctophilia, or a preference for and comfort in darkness. His photographs do not offer familiar faces or landscapes; there is no evident cultural or psychological framework for the viewer to build their response. Rather, the lack of specificity and sense of timelessness reminds us that all photographs are constructions of reality that produce various interpretations relative to each viewer. Carl Chiarenza’s work invites individual reflection by forcing us to examine the subliminal workings of the mind. In these photographs, nothing is absolute, leaving all realities subject to each observer. 

VIRGINIA MUSEUM OF FINE ARTS - VMFA
200 N. Arthur Ashe Blvd., Richmond,  VA 23220
www.vmfa.museum