Showing posts with label Jessica Jackson Hutchins. Show all posts
Showing posts with label Jessica Jackson Hutchins. Show all posts

09/06/13

J. J. Hutchins, M. E. Smith, R. O’Connell, S. Uoo, G. H. Longly at Laura Bartlett Gallery, London

Jessica Jackson Hutchins, Michael E. Smith, Ruairiadh O’Connell, Stewart Uoo, George Henry Longly: Prodigal in Blue
Laura Bartlett Gallery, London
Through 21 Jul 2013

Laura Bartlett Gallery presents an exhibition of works by JESSICA JACKSON HUTCHINS, MICHAEL E. SMITH, GEORGE HENRY LONGLY, RUAIRIADH O'CONNELL and STEWART UOO.

Prodigal in Blue presents a group of artists whose work reflects on corporeal presence, an acute relationship between sensation and thought. A shared interest in the balance and conflicts between the natural and the synthetic is evident: with technology secondary to human intervention, any dystopian tendency is countered by the savour of closeness and touch. Process is visible and the hand can be detected in lingering marks and imprints, whilst bodily shapes and substances are cited, incorporating objects that would be otherwise cast off as detritus. Humour, sexuality and intimacy prevail; yet references to vanity and material wealth educe a contemporary state of longing. The human as a homogenous being is rejected. Rather imperfections are celebrated, echoed in seemingly bruised, unfinished surfaces.

The works of MICHAEL E. SMITH are imbued with an acute physicality weighted by the relationship his materials once had to the human body. Deflated fabric is suggestive of movement whilst rough, jagged textures appear to bear injury. Recollective of lost limbs or organic relics, the works appear as fragments of a whole. With an almost archaeological approach to medium and matter, Detroit-born Smith employs discarded materials such as used car upholstery or wax which lends these objects a presence that speaks of a sensitivity in an age of decline and insecurity of self. Society is mirrored in the disturbing potential of things.

MICHAEL E. SMITH (b. 1977, Detroit) lives and works in New Hampshire. Smith is represented by Clifton Benevento, New York and KOW, Berlin. Current and upcoming exhibitions include: Ludwig Forum, Aachen; CACP musée d’art contemporain de Bordeaux; Painting from the Zabludowicz Collection Part II, Zabludowicz Collection London; Realization is Better than Anticipation, MOCA Cleveland.

New York based artist STEWART UOO, questions the social, technological, and cultural forces in relation to the contemporary “self.” Uoo’s sculptures explore the collision of sensual imagery with the notion of the commodity. Displayed in sequence, the shopping bag becomes a relic of our age, as Abercrombie & Fitch’s model assumes a status of a Greek Adonis, obscured yet transfigured by layers of epoxy resin, pigment, human and synthetic hair, maggot cocoons, flies and dust. The male idyll is humanized as the image is used as a means of expression for the individual in an age of often overbearing homogeny.

STEWART UOO (1985, California) lives and works in New York. Stewart Uoo is represented by 47 Canal, New York where he had his first solo exhibition “Life Is Juicy” in 2012. He attended Städelschule from 2010 - 2012. Current and upcoming exhibitions include Outside Inside Sensibility, The Whitney Museum of American Art, New York. His work appeared in group exhibitions at William, New York, Kunsthall Oslo, Norway; Elaine MGK, Switzerland and White Columns, New York.

In the work Five, JESSICA JACKSON HUTCHINS locates the ‘absent’ human in the ceramic and plaster forms atop a plaster-cast of a sofa. Meanwhile the fragmented human body is prominent in her strewn acid-washed jeans and the collaged surface of the sculpture. Shapes at once appear to engulf one another whilst being moulded in harmony, a romantic tenderness is presented between the two objects as they survey the scene from the living room couch. For Hutchins the persistence of the personal is a means of resisting commercialism: her absurd take on everyday rituals refuse straightforward signification.

JESSICA JACKSON HUTCHINS (b. 1971, Chicago) lives and works in Berlin. Jessica Jackson Hutchins is represented by Laurel Gitlen, New York and Timothy Taylor Gallery, London. Current and upcoming exhibitions include: The Hepworth Wakefield, West Yorkshire, (solo) CentrePasquArt, Biel, Switzerland, (solo) and The Encyclopedic Palace, curated by Massimiliano Gioni, The 55th Venice Biennale, Venice.

Held in a precarious balance, the corporeal and the psychological are central to the work of RUAIRIADH O'CONNELL. Silkscreening images of carpets in Las Vegas casinos onto molten wax, O’ Connell is interested in the strategies of design intended to continue the buzz of gambling, despite physical tiredness. When the pigment coloured wax is still pliable he applies a massage technique to the surface, rupturing the overall pattern and creating a bridge between painting and sculpture. Originally shot from a gamblers’ perspective, imagery is stimulated by the artist’s choice of colour and manual distortion of form and medium, expressing a kind of psychedelic bodily nostalgia: the feeling of being there, without necessarily being ‘present’.

RUAIRIADH O'CONNELL (1983, Aberdeen) lives and works in London. O’Connell studied at Staedelschule and graduated in 2011. He has currently a solo show at Project Native Informant, London.

GEORGE HENRY LONGLY’s body casts function as the most ‘present’ human form in the exhibition. Fluorescent pigment activates the muscular torso and thigh, historical readings transcended by their physical immediacy within the space. Glass, neon and references to popular culture reflect a buoyant enthusiasm to a medley of styles through form and medium. Yet residual wadding leftover from the casting process is suggestive of comfort and care, whilst the mirror further grounds the work in the realm of humanism through implicating the viewer. Favouring fragility over frivolity, Longly’s use of ephemeral materials gives way to questions of fleeting identity.

GEORGE HENRY LONGLY (1978, Taunton, Somerset) lives and works in London. Current and upcoming exhibitions include Laure Genillard, Hanway Place, London; Park Nights, Serpentine Gallery, London and David Zwirner, London. His work appeared in group exhibitions at Cell, Project Space, London; David Roberts Art Foundation, London and Kunsthalle Mainz.

Laura Bartlett inaugurated this year her new gallery space in London with an exhibition of Los Angeles artist Alex Olson.

LAURA BARTLETT GALLERY
4 Herald Street, Bethnal Green, London E2 6JT, UK
www.laurabartlettgallery.com

13/03/13

New York Lower East Side Art in China - Exhibition at James Cohan Gallery Shanghai - Joshua Abelow, David Adamo, Michael Bauer, David Brooks, Erica Baum, Hilary Harnischfeger, Jessica Jackson Hutchins, Anicka Yi

Downtown: A View of New York's Lower East Side
James Cohan Gallery, Shanghai 
March 8 - May 5, 2013

Downtown: A View of New York's Lower East Side (LES) is a group exhibition presented by James Cohan Gallery in Shanghai with artworks by Joshua Abelow, David Adamo, Michael Bauer, David Brooks, Erica Baum, Hilary Harnischfeger, Jessica Jackson Hutchins, Anicka Yi, whose work exemplifies the alternative scene in New York City’s burgeoning Lower East Side art district. For the artists included, this exhibition marks the first time their work will be shown in China. The exhibition was developed in collaboration with the LES galleries who represent the artists presented in the exhibition. It was curated by Jessica Lin Cox and William Pym of James Cohan Gallery, New York. A bi-lingual catalog of the exhibition accompanies the exhibition. 

Anicka Yi
ANICKA YI 
阿尼卡•伊  
Debt to Pleasure, 2011
欢乐之债, 2011 
Digital c-print 数码打印 - 30 x 45 inches; 76 x 114 cm 
Courtesy the artist and 47 Canal, New York

ANICKA YI was born in 1971 in Seoul, South Korea. The artist lives and works in New York, USA

David Brooks
DAVID BROOKS 
大卫•布鲁克斯 
Imbroglios (a phylogenetic tree, from Homo Sapiens to Megalops Atlanticus), 2012
《纠葛(系谱 树,从智人到大西洋大眼蟹)》, 2012 
Fiberglass, gelcoat, MDF, pencil, hardware 
玻璃钢、凝胶图层、中密度纤维板、铅笔、硬件 
21 x 12 x 5 ft; 6.4 x 3.65 x 1.5 m
Courtesy the artist and American Contemporary, New York

DAVID BROOKS was born in 1975 in Brazil, Indiana, USA. The artist lives and works in New York, USA.

Jessica Jackson Hutchins
JESSICA JACKSON HUTCHINS 
杰西卡•杰克逊•哈钦斯 
Dinner Theater, 2012
晚宴剧场, 2012 
Collage on canvas, glazed ceramic, chair 
布面拼贴、上釉陶瓷、椅子 
85 1/2 x 72 1/2 x 21 inches; 217 x 184 x 53 cm 
Courtesy the artist and Laurel Gitlen, New York

JESSICA JACKSON HUTCHINS was born in 1971 in Chicago, IL USA. The artist lives and works in Berlin, Portland, OR USA.

In assembling this exhibition, DOWNTOWN provides a snapshot of what is on view in eight prominent LES galleries. As the oldest neighborhood in New York City, the LES has been home to waves of immigrants from Eastern European Jews, Poles and Ukrainians to what is today the heart of New York’s Chinatown. Throughout the neighborhood, galleries can be found tucked into small storefronts, up narrow staircases, and more recently in newly-built white box spaces. Progressive gallery models are thriving; they are incubators of the most exciting emerging artwork being made today. The close-knit community of artists and art dealers attracts well-heeled crowds to this former working class neighborhood, shifting the associations of the old world to the new. In the spirit of cultural exchange, this exhibition brings the best of the LES scene to audiences in Shanghai. 

Michael Bauer
MICHAEL BAUER 
迈克尔•鲍尔 
Thon - H.S.O.P. – 42, 2012
鲔鱼 - H.S.O.P–42, 2012 
Oil on canvas 布面油画 - 72 x 60 inches; 182.9 x 152.4 cm
Courtesy the artist and Lisa Cooley, New York

MICHAEL BAUER was born in 1973 in Erkelenz, Germany. The artist lives and works in New York, USA

Joshua Abelow
JOSHUA ABELOW 
乔舒亚•阿贝娄 
Dumb & Easy, 2007-2008
愚蠢与简单, 2007–2008 
Oil on linen 亚麻布面油画 
56 panels, each 18 x 18 inches; 45.7 x 45.7 cm  
共 56块,每块 18 x 18英寸(45.7 x 45.7 厘米) 
Courtesy the artist and James Fuentes LLC, New York

JOSHUA ABELOW was born in 1976 in Frederick, Maryland, USA. The artist lives and works in Brooklyn, New York, USA

The accompanying publication traces the evolution of the idea of 'downtown' as an attitude as much as a place. An essay by the curators charts the history of the downtown art scene in New York and the parallel social and cultural contexts from the late 1960s to the present. Interspersed throughout are first-person narratives from the artists and gallerists in the show who talk about what the LES means to them. The effect for the reader is as if overhearing snippets of life lived by artists and art professionals on the scene. In keeping with the show’s theme, the publication has been designed by Project Projects, an internationally celebrated design firm as well as a grassroots member of the LES community.

James Cohan Gallery Shanghai
1F, Building 1, Lane 170 Yue Yang Road, by Yong Jia Road, Shanghai
www.jamescohan.com