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Showing posts with label icon. Show all posts

12/03/25

Andy Warhol @ Taglialatella Galleries, NYC + Toronto - "Andy Warhol: Factory Made" Exhibition

Andy Warhol: Factory Made
Taglialatella Galleries, New York
March 6 – 20, 2025
Taglialatella Galleries, Toronto
April 10  May 1, 2025

Taglialatella Galleries presents Andy Warhol: Factory Made, in New York and Toronto, an exhibition of artwork representing three decades of iconic artwork from America’s most bought and sold artist in history, Andy Warhol.

Perhaps no formal introduction is needed for Andy Warhol, known by most for his pop art style and his ability to transform numerous everyday objects and recognizable faces into his muses. His subjects ranged from household products like Brillo boxes and Campbell’s Soup cans to musicians, athletes, politicians, and other influential pop culture and historical figures. In a studio he called “The Factory”, Andy Warhol mastered the ability to walk this fine line between artistic creation and manufactured aesthetics with a commercial and business-like attitude toward the works he produced.

Between 1963 and his untimely death in 1987, Andy Warhol moved his physical studio space several times, but The Factory continued to pump out a body of work unparalleled both then and since. It is estimated that Warhol created over 10,000 paintings, and his catalog raisonné of prints cites 413 published works in varying sized limited editions, totaling six figures of artwork produced in that 25-year span. In retrospect, this unprecedented style of creation is even more impressive since Warhol’s work was made before digital printing and computer-generation existed. As Warhol curated exhibitions and collaborated with fashion designers throughout the 80’s, he also produced countless hours of artistic films and shot hundreds of thousands of photographs.

With Andy Warhol: Factory Made, Taglialatella features the most iconic and sought-after of Warhol’s editions from The Factory’s three decades. Guests have the opportunity to view and purchase some of his most commercially traded and valuable works from this legendary period. For those more interested in the man himself, visitors can also view relics of Warhol’s eccentric style, including his iconic silver wig and a pair of his sunglasses.

TAGLIATELLA GALLERIES, NEW YORK
229 Tenth Avenue, New York, NY 10011

TAGLIATELLA GALLERIES, TORONTO
99 Yorkville Avenue, Toronto, ON M5R 1C1

11/03/25

Franz Kafka - Exhibition @ Morgan Library & Museum, New York

Franz Kafka
Morgan Library & Museum, New York
Through April 13, 2025

Frank Kafka Photography
Franz Kafka, ca. 1906
Unknown photographer
MS. Kafka 55, fol. 4r
© The Bodleian Library, University of Oxford

Franz Kafka Photograph
Franz Kafka, Altstädter Ring, Prague
 
© Archiv Klaus Wagenbach 

Franz Kafka Drawing
Franz Kafka
Postcard to Ottla Kafka, Schelesen (Želízy), December 1918
MS. Kafka 49, fol. 79r
Jointly owned by the Bodleian Library and the
Deutsches Literaturarchiv Marbach
© The Bodleian Library, University of Oxford

The Morgan Library & Museum presents Franz Kafka, on view through April 13, 2025, marking the 100th anniversary of the author’s death. The exhibition celebrates Kafka’s achievements, creativity, and continued influence on new literary, theatrical, and artistic creations around the world. Franz Kafka is presented in collaboration with the Bodleian Libraries at the University of Oxford, whose extraordinary Kafka holdings appear in the United States for the first time. The items on view include literary manuscripts, correspondence, diaries, and photographs, including the original manuscript of his novella The Metamorphosis.

When Franz Kafka died of tuberculosis at the age of forty, in 1924, few could have predicted the influence his relatively small body of work would have on every realm of thought and creative endeavor over the course of the twentieth century and into the twenty-first. Kafka’s novels and short stories have had an immense influence on literature, art, and culture in the United States in particular, and visitors to the Morgan can experience important items from the Bodleian’s Kafka archive in the place where his work has made an outsize impact. The exhibition not only sets Kafka in the context of his times but also shows how his own experiences nourished his imagination, taking visitors on a journey through his life and influences—from his relationship with his family and the people closest to him to the places where he lived and worked, through to his last years of illness and his death.

Highlights from the exhibition include the manuscripts of Kafka’s novels Amerika and The Castle; manuscripts of his major stories “A Hunger Artist” and “Josephine the Singer;” letters and postcards addressed to his favorite sister, Ottla; his personal diaries, in which he also composed fiction, including his literary breakthrough, the 1912 story “The Judgment”; and unique items such as his drawings, the notebooks he used when studying Hebrew, and family photographs. Drawing on institutional holdings and private collections in the United States and Europe, the Morgan will show a selection of key works, among them Andy Warhol’s portrait of Kafka, part of his 1980 series Ten Portraits of Jews of the Twentieth Century, and Vladimir Nabokov’s copy of The Metamorphosis.

Kafka’s best-known work, The Metamorphosis, is a central focus of the exhibition. Alongside the original manuscript of the novella, the exhibition includes entomological illustrations that explore the possibilities of what the creature that used to be Gregor Samsa might have looked like, as well as modern reinterpretations of the story.

Elisabeth Siefer Artwork
Franz Kafka, Der Heizer (The Stoker)
Illustrated by Elisabeth Siefer 
Mexico City, 1985
Private Collection 
Photography by Carmen González Fraile
courtesy of The Morgan Library & Museum

Rebecca Green Illustration
Larissa Theule, Kafka and the Doll
Illustrated by Rebecca Green (b. 1986)
New York: Viking, 2021
Bodleian Libraries
Penguin Random House LLC; 
Artwork © Rebecca Green

Rebecca Green Artwork
Rebecca Green (b. 1986)
Original artwork from Kafka and the Doll, 2019
Watercolor and pen and ink
© Rebecca Green, Courtesy the artist 

Rebecca Green Artwork
Rebecca Green (b. 1986)
Original artwork from Kafka and the Doll, 2019
Private Collection
Photography by Carmen González Fraile,
courtesy of The Morgan Library & Museum 
© Rebecca Green

The exhibition also examines how the afterlives of Kafka’s work have continued to reach across the world, and their particularly deep resonance in the United States. His influence and impact on the literary world and beyond is well-represented by Andy Warhol’s iconic painting Franz Kafka (1980). The exhibition showcases how the author’s work were created into numerous languages and artistic responses in a variety of formats, with a particular focus on Asia and the modern-day interest in Kafka in Korea and Japan. Kafka’s influence on American arts and culture is represented by an annotated galley proof of Philip Roth’s essay “‘I Always Wanted You to Admire My Fasting’; or, Looking at Kafka” from the Morgan’s collection.

To complete the picture of Kafka’s world, the exhibition dives into the author’s travels, both real and imaginary. We see in his notebooks and journals how his travels in Western Europe enabled him to practice descriptive writing, while his readings of travel narratives and poetry in translation strengthened his fascination with remote spaces and informed his subtle fictional critiques of European colonialism.

This exhibition is organized by the Bodleian Libraries, University of Oxford, in collaboration with the Morgan Library & Museum, New York. Franz Kafka at the Morgan is organized by Sal Robinson, Lucy Ricciardi Assistant Curator of Literary and Historical Manuscripts.

MORGAN LIBRARY & MUSEUM
225 Madison Avenue, New York City

Franz Kafka @ Morgan Library & Museum
November 22, 2024 -  April 13, 2025

01/10/06

Emily Carr New Perspectives on a Canadian Icon at Vancouver Art Gallery - A Retrospective Exhibition

Emily Carr
New Perspectives on a Canadian Icon
Vancouver Art Gallery
October 7, 2006 — January 7, 2007

The Vancouver Art Gallery presents a fresh look at the life and art of EMILY CARR (1871-1945) in the first national touring retrospective exhibition of the artist’s work in more than thirty year. Emily Carr: New Perspectives on a Canadian Icon examines the painter through the lens of her exhibition history and extraordinary life to reveal a complex woman of extreme talent and conviction. Beginning with a partial recreation of the first exhibition of Carr’s work on the national stage, the exhibition also examines the artist as a modernist painter and explores how her persona and her work have been portrayed and interpreted over time. Jointly organized by the Vancouver Art Gallery and the National Gallery of Canada, the exhibition features nearly 200 objects by Emily Carr and others, including paintings, drawings, watercolours, caricatures, ceramics, sculpture, hooked rugs, books, maps and photographs. Nearly 150 works of art from the National Gallery, the Vancouver Art Gallery and other major institutions are included, along with works from private collections.
“Emily Carr is a vital part of Canadian and British Columbian history, and we are proud to pay homage to her with this sweeping exhibition during the Gallery’s 75th anniversary year,” said Kathleen Bartels, director of the Vancouver Art Gallery. “As the holder of the world’s most significant collection of Carr’s work, the Gallery has a long tradition of exhibiting her art and contributing to the scholarship surrounding it. With this touring exhibition and the accompanying book, our visitors have the opportunity to better know the woman behind the stunning canvases.”
Emily Carr began serious study of art in her late teens after leaving home in Victoria, British Columbia to attend the California School of Design in San Francisco. Returning for a brief time, Emily Carr soon left Victoria again to attend the Westminster School of Art and study in the studios of a number of British artists. But, it was her year in France between 1910 and 1911 studying Post-Impressionist art that Emily Carr found most inspiring. In 1911, she returned to Vancouver with a commitment to document the First Nations cultures of British Columbia, a project she began in 1907, and produced a great number of watercolours and corresponding canvases in her new French style. These works met with mixed reception until 1927, when her paintings were included in the National Gallery’s Exhibition of Canadian West Coast Art Native and Modern, where they were embraced by members of the famed Canadian painters, the Group of Seven. She returned to British Columbia to begin the most productive period of her career, venturing out into remote parts of coastal British Columbia and creating the inspired, powerful canvases for which she is best known.

Emily Carr: New Perspectives on a Canadian Icon begins with a reconstruction of the seminal Exhibition of Canadian West Coast Art Native and Modern, which introduced Carr’s work to the Canadian art establishment. This remounting of the landmark exhibition is presented in its original spirit, with contemporary works of the time mixed with historical objects of First Nations heritage. Carr’s early paintings intermingle with Haida, Tsimshian and Kwakwaka’wakw masks, house posts, carvings and textiles, as well as a selection of works by artists Anne Savage, Paul Kane, Langdon Kihn, and Group of Seven members Edwin Holgate and A.Y. Jackson.

The next section of the exhibition considers Carr as a modernist painter, drawing inspiration from the 1945 Emily Carr Memorial Exhibition presented the year of her death at the Art Gallery of Toronto. Gathering a selection of Carr’s finest works dating from 1910 to 1942, this section illustrates the artist’s skillful use of colour and form, inviting viewers to explore her unique and expressive style. Abandoning her attempts to create straightforward portrayals of First Nations life and art, the exhibition reveals Carr’s exquisite endeavour to describe the fundamental nature of her subject. It is here that Carr’s interests in primitivism and spirituality shine through in her paintings of First Nations sculpture and the dramatic landscape of coastal British Columbia.

The final section of Emily Carr: New Perspectives on a Canadian Icon provides a unique perspective on the artist from a postmodern viewpoint. It introduces the many voices that have been brought to bear on Carr and her work, and examines Carr’s self-construction through her caricatures, self-portraits and writings. This section also evaluates her relationship to the landscape and considers her role in the development of cultural tourism on the northwest coast.

Emily Carr: New Perspectives on a Canadian Icon was on display at the National Gallery until September 4, 2006. After showing in Vancouver, the exhibition will travel to Toronto's Art Gallery of Ontario from February 24 to May 20, 2007, the Montreal Museum of Fine Arts from June 21 to September 23, 2007 and Calgary's Glenbow Museum from October 25, 2007 to January 26, 2008.

The exhibition is curated by Vancouver Art Gallery senior curator, Ian Thom, National Gallery curator of Canadian art Charles Hill, and Johanne Lamoureux of the Université de Montréal. 

The exhibition is accompanied by a major full-colour book, including essays by all three curators and several notable historians and critics, published with Douglas & McIntyre.

VANCOUVER ART GALLERY
750 Hornby Street, Vancouver, British Columbia, V6Z 2H7

Related Post:

Carr, O’Keeffe and Kahlo: Places of Their Own, Vancouver Art Gallery, June 15 - September 15, 2002