Showing posts with label ARKEN Museum. Show all posts
Showing posts with label ARKEN Museum. Show all posts

28/08/25

Marguerite Humeau @ ARKEN Museum of Contemporary Art, Ishøj - "Torches" Exhibition

Marguerite Humeau: Torches
ARKEN Museum of Contemporary Art, Ishøj
Through 19 October 2025

Photo de Margurite Humeau
Marguerite Humeau
, 2024 
Photography by Eoin Greally 
Image courtesy of the artist

Marguerite Humeau
Marguerite Humeau 
‘Torches’ at ARKEN Museum, 2025 
© Marguerite Humeau 
Photography by Mathilde Agius
Courtesy of the artist

Marguerite Humeau
Marguerite Humeau 
‘Torches’ at ARKEN Museum, 2025 
© Marguerite Humeau 
Photography by Mathilde Agius
Courtesy of the artist

In the immersive exhibition Torches, French artist Marguerite Humeau creates a richly affective opera that spans across time and space, asking questions about our shared origins and alternative futures. Sound and light bring Humeau’s sculptures and installations to life, weaving a complex and evocative narrative. Her works incorporate many unconventional materials, including beeswax, wasp venom, yeast and cyanobacteria, also known as blue-green algae.

In the exhibition Torches, the internationally acclaimed French artist MARGUERITE HUMEAU (b. 1986) invites us to rethink our past, present and future here on Earth – and guides us through the darkness with her art. Conceived as an opera, the exhibition presents the artworks in an array of interlinked acts, using sound and light as mainstays of the other-worldly narratives that have won Marguerite Humeau international acclaim. She is also known for incorporating unusual materials in her art, with examples including hand-blown glass, waxed felt, laser-cut steel, silk, and even yeast. The exhibition at ARKEN also presents a work featuring an ecosystem of cyanobacteria that will continue to multiply during the exhibition run. 
Curator Sarah Fredholm explains the exhibition title, Torches, by pointing out that ‘the works, embodying characters, are like torches in the dark. They point towards new connections between all living things across time and place and show us the way ahead,’ she says and continues: 

‘Even though the point of departure of Marguerite Humeau’s work is our crisis-stricken planet, there is still hope to be found. Her art shows us that we can still find fresh starts and new beginnings; all we need to do is to imagine other ways of existing, ways that are more closely attuned to the rich variety of the rest of life on Earth.’
Marguerite Humeau
Marguerite Humeau 
‘Torches’ at ARKEN Museum, 2025 
© Marguerite Humeau 
Photography by Mathilde Agius
Courtesy of the artist

Marguerite Humeau
Marguerite Humeau 
‘Torches’ at ARKEN Museum, 2025 
© Marguerite Humeau 
Photography by Mathilde Agius
Courtesy of the artist

Marguerite Humeau
Marguerite Humeau 
‘Torches’ at ARKEN Museum, 2025 
© Marguerite Humeau 
Photography by Mathilde Agius
Courtesy of the artist

Marguerite Humeau’s works ask thought-provoking questions: What if elephants had become the dominant species on Earth? What would the world look like if we co-operated like ants or bees? Or if life could only be sustained high up in the atmosphere? Torches shows us new perspectives to marvel at and possibly learn from. 
Says curator Sarah Fredholm: ‘With her art, Marguerite Humeau offers up alternative narratives about possible ways of co-existing here on Earth; ways where humankind does not take centre stage and where the boundaries between lifeforms, time and place are fluid and open to renegotiation.’   
For the first time ever, Torches brings together all-new and earlier works by Marguerite Humeau. It is also the artist’s first solo show in Scandinavia. Furthermore, Torches constitutes the third and final part of ARKEN’s exhibition series NATURE FUTURE, in which prominent figures on the international art scene focus on humanity’s relationship with art, nature and technology. The previous instalments in the series were Refik Anadol’s Nature Dreams (2023) and Julian Charrière’s Solarstalgia (2024–25).

Marguerite Humeau was born in 1986 in Cholet, France, and lives and works in London. She holds an MA (2011) from The Royal College of Art, London. Her past exhibitions include solo shows at ICA Miami (2024), Lafayette Anticipations, Paris (2021), Kunstverein Hamburg (2019), Museion, Bolzano (2019), New Museum, New York (2018), Tate Britain, London (2017), and Palais de Tokyo, Paris (2016). 

The exhibition Torches is presented in co-operation with the Helsinki Art Museum (HAM), where it will subsequently be shown. 

ARKEN Museum of Contemporary Art
Skovvej 100, 2635 Ishøj

Marguerite Humeau: Torches
ARKEN Museum of Contemporary Art, 22 May - 19 October 2025

27/12/24

Ursula Reuter Christiansen @ ARKEN Museum of Contemporary Art, Ishoj - "I Am Fire and Water" Exhibition

Ursula Reuter Christiansen
I Am Fire and Water
ARKEN Museum of Contemporary Art, Ishoj
22 August 2024 - 5 january 2025

Ursula Reuter Christiansen 
Jeg er ild og vand, Installation photo
ARKEN Museum of Contemporary Art 
Photo Anders Sune Berg

Jeg er ild og vand Ursula Reuter Christiansen 
Photo Kavian Borhani

Jeg er ild og vand Ursula Reuter Christiansen 
Photo Kavian Borhani

Ursula Reuter Christiansen 
Vred brud (angry bride), 1971
Museum Jorn

The exhibition I Am Fire and Water offers a unique opportunity to explore new works by Ursula Reuter Christiansen and reflect on how we humans navigate a world filled with both hope and despair.

How can we retain our essential humanity in a world where hope and courage are constantly beset by cruelty and despair? What do we do when children are robbed of their lives in war? And how do we say goodbye to this world, poised between love and the abyss?

These are some of the weighty and highly topical questions raised by Ursula Reuter Christiansen – one of Denmark’s most significant living artists – in her installations and paintings in the exhibition I Am Fire and Water.
Says curator Dorthe Juul Rugaard: ‘Ursula Reuter Christiansen is one of Denmark’s greatest contemporary artists. She is a keen observer of the times in which we live, and she uses her art to say important and poignantly relevant things about the world we share while world history is being written before our eyes.’
Over the course of more than six decades, Ursula Reuter Christiansen (b.1943 in Trier, Germany) has enriched the art world with works in which beauty wrestles with the demonic and light meets darkness. Her narrative, expressive, and poetic works reflect the human condition while also speaking directly to the political and climatic crises unfolding in the world right now.
‘Ursula Reuter Christiansen is in a league of her own, and the rest of Europe is beginning to see that too. Her prominence as an artist is matched by her feminist credentials; for example, she was a leading activist of the Redstockings movement in Denmark. As an artist, she has upheld a feminist point of view in her criticism and her outlook on the world,’ continues Dorthe Juul Rugaard.

‘Having said that, Ursula Reuter Christiansen has also expanded her scope and reach beyond the gender debate and is now more concerned with humanity as such: in her art, she embraces our existential conditions on this globe, a world in a state of crisis – not only as regards the climate, but also in relation to atrocities such as the war in Gaza, where the children are the main victims.’
Ursula Reuter Christiansen 
Flüchte, Flige, Entrinne, 2024
Installation photo. 
ARKEN Museum of Contemporary Art
Photo Anders Sune Berg

Ursula Reuter Christiansen
Courage, 2023
ARKEN Museum of Contemporary Art
Photo Anders Sune Berg 

The exhibition I am Fire and Water is an impressive feat on the part of Ursula Reuter Christiansen, a tour de force that presents installations and paintings from the earliest years of her career in the 1960s to the present day. Brand new works were created especially for the exhibition at ARKEN.

Ursula Reuter Christiansen invites audiences on a journey through seven installations that reflect various facets of life. The exhibition ranges from the colossal installation Rotten Eggs Against Bombs to Washed Out Faces, the latter consisting of white sheets with faces painted onto them: here, trauma and pain have been scrubbed and washed out and the demons hung out to dry. Among the new installations is Es Ist Zu Spät (It Is Too Late), which invites visitors along on the artist’s personal journey through the fog – perhaps ending in a farewell to the world.

ARKEN MUSEUM OF CONTEMPORARY ART
Skovvej 100, 2635 Ishøj

25/05/21

Gold and Magic @ ARKEN Museum of Modern Art

Gold and Magic 
ARKEN Museum of Modern Art,  Ishøj 
Through 8 August 2021 

Sylvie Fleury
SYLVIE FLEURY 
Serie ELA 75K (Won't Smudge Off), 2000
© Sylvie Fleury. Photo David Stjernholm

Thomas J. Price
THOMAS J. PRICE 
Untitled (Icon 1), 2017
Courtesy the artist

ARKEN Museum of Modern Art presents the special exhibition Gold and Magic in which golden treasures from The National Museum of Denmark enter into dialogue with works by some of the greatest contemporary artists. The exhibition takes visitors on a journey through many millennia to explore the power of gold and magic.

Gold has fascinated humankind since ancient times. We express ourselves through gold, and the way of using gold mirrors who we are: from the sacrificial offerings of antiquity and the golden altars of the Middle Ages to contemporary art, which uses gold as a vehicle for pointing out the connection between value and identity. In this spring’s major special exhibition, a range of historical artefacts and precious national treasures from the National Museum of Denmark is exhibited at ARKEN, creating an exciting encounter between cultural history and art. A meeting that offers new perspectives on our thousand-year history with gold.

Golden traces in contemporary art

All over the world, artists are currently turning to gold as a means of expression. They use it to tell stories about humanity and our society – and to question issues such as nationalism and conspicuous consumption. In Gold and Magic, international artists like Damien Hirst, Sylvie Fleury, Lorna Simpson, Thomas J. Price, Bill Viola and Ugo Rondinone show how wealth, identity and the exercise of power are closely interwoven, using gold to highlight our eternal pursuit of happiness and beauty. Some artists are particularly preoccupied with the magic and religious aspects of gold, while others use the precious material to address the global colonial history so inextricably linked with gold. By entering into a dialogue with contemporary art at ARKEN, these historical objects take on new significance and a new identity.

Ugo Rondinone
UGO RONDINONE
the sun at 12 am, 2019 
Studio Rondinone 
Photo  Courtesy Studio Rondinone and kamel mennour, Paris - London

Lorna Simpson
LORNA SIMPSON 
Momentum, 2011 
© Courtesy the artist and Hauser & Wirth

Ai Weiwei
AI WEIWEI
Circle of Animals - Zodiac Heads (detail), 2010 
ARKEN Museum of Modern Art
Long term loan from the Frahm Collection 
Photo Torben Petersen

Across continents

Gold and Magic takes visitors on a tour around the world. There are golden objects from Colombia, Thailand and Japan, from Danish kings and ordinary Danes. The National Museum of Denmark’s collection demonstrates how gold has travelled with people across continents ever since antiquity – as well as how riches often accumulate in very few hands and in national treasuries. Gold and Magic is the result of an innovative collaboration with the National Museum of Denmark.

The special exhibition presents works by El Anatsui, James Lee Byars, Chris Burden, Eva Steen Christensen, Zhang Ding, Sylvie Fleury, Subodh Gupta, Louis Henderson, Damien Hirst, Alicja Kwade, Runo Lagomarsino, Mercedes Lara, Klara Lilja, Grayson Perry, Thomas J. Price, Ugo Rondinone, Lorna Simpson, Alexander Tovborg, Bill Viola and Ai Weiwei.

ARKEN MUSEUM OF MODERN ART
Skovvej 100, 2635 Ishøj