Showing posts with label Albert Oehlen. Show all posts
Showing posts with label Albert Oehlen. Show all posts

10/10/25

Albert Oehlen @ Gagosian Gallery, Paris - 'Endless Summer'

Albert Oehlen: Endless Summer
Gagosian, Paris
October 20 – December 20, 2025

Texte en français ci-dessous


Albert Oehlen
Albert Oehlen
Endless Summer, 2021
Oil on canvas
35 1/2 x 27 5/8 inches (90 x 70 cm)
© Albert Oehlen
Photo: Simon Vogel
Courtesy the artist and Gagosian

Albert Oehlen
Albert Oehlen
Untitled, 2021
Oil on canvas
35 1/2 x 27 5/8 inches (90 x 70 cm)
© Albert Oehlen
Photo: Stefan Rohner
Courtesy the artist and Gagosian

Albert Oehlen
Albert Oehlen
Untitled, 2022
Acrylic, oil and lacquer on canvas
62 7/8 x 72 1/4 inches (159.5 x 183.5 cm)
© Albert Oehlen
Photo: Simon Vogel
Courtesy the artist and Gagosian

Gagosian will present Endless Summer, an exhibition of new paintings by Albert Oehlen in Paris. The paintings explore the theme of the bather, a motif deeply embedded in French art history that captivated such artists as Pierre Bonnard, Paul Cézanne, Edouard Manet, and Pablo Picasso.

The bather has maintained a significant and diverse presence throughout the history of art, and in Endless Summer, Albert Oehlen contributes to the tradition in characteristically expressive style. Presenting variations on a dark-haired female nude, he sometimes approaches, sometimes retreats from his ostensible subject, using it as a template for unbounded experimentation. While the woman’s shape is clearly legible in some paintings, in others it dissolves into pure gesture, shifting Oehlen’s project continually between representation and abstraction.

Neither directly observed nor wholly improvised, Oehlen’s recurring figure originates in Tramonto Spaventoso (Terrifying Sunset, 1940–49) by the Russian-born American modernist painter John Graham, whose work Albert Oehlen discovered in the 1990s. Embellishing, reworking, and recontextualizing Graham’s image, the artist combines graphic gestures and “painterly” drips with surprising color combinations and textural obfuscations. The density of the compositions also varies—some are packed with formal incident, while others appear relatively sparse.

In Endless Summer, Albert Oehlen again tests the limits of coherence, reinventing a long-established motif while rejecting the quest for stable form and meaning.

Endless Summer is presented in the Paris gallerie of Gagosian and Galerie Max Hetzler, and is accompanied by a copublished catalogue featuring an essay by Jean-Pierre Criqui and an interview with Max Dax about Albert Oehlen’s filmmaking.


Texte en français

Gagosian va présenter Endless Summer, une exposition de nouvelles peintures d’Albert Oehlen qui explorent le thème de la baigneuse, un motif profondément ancré dans l’histoire de l’art français qui a captivé des artistes tels que Pierre Bonnard, Paul Cézanne, Edouard Manet et Pablo Picasso. 

La baigneuse a maintenu une présence significative et variée tout au long de l’histoire de l’art, et dans Endless Summer, Albert Oehlen s’incrit dans cette tradition avec un style expressif caractéristique de son travail. Présentant des variations sur un nu féminin aux cheveux noirs, il s’approche de son sujet et parfois s’en éloigne, l’utilisant comme modèle pour une expérimentation sans limite. Si la forme de la femme est clairement lisible dans certaines peintures, dans d’autres elle se dissout dans un geste pur, faisant continuellement osciller le projet d’Oehlen entre représentation et abstraction.

Ni directement observée ni totalement improvisée, la figure récurrente d’Albert Oehlen trouve son origine dans Tramonto Spaventoso (Coucher de soleil terrifiant, 1940–49) du peintre moderniste américain d’origine russe John Graham, qu’Albert Oehlen a découvert dans les années 1990. En embellissant, retravaillant et recontextualisant l’image de John Graham, l’artiste mêle des gestes graphiques, des drips « picturaux », des combinaisons de couleurs surprenantes et des obstructions texturales. La densité des compositions varie également : certaines foisonnent d’incidents formels, tandis que d’autres paraissent relativement éparses.

Albert Oehlen
Albert Oehlen
Untitled, 2024
Oil on canvas
74 7/8 x 50 3/8 inches (190 x 128 cm)
© Albert Oehlen
Photo: Simon Vogel
Courtesy the artist and Gagosian

Albert Oehlen
Albert Oehlen
Untitled, 2024
Oil on canvas
74 7/8 x 63 inches (190 x 160 cm)
© Albert Oehlen
Photo: Simon Vogel
Courtesy the artist and Gagosian

Albert Oehlen
Albert Oehlen
Untitled, 2024
Oil on canvas
11 7/8 x 9 1/2 inches (30 x 24 cm)
© Albert Oehlen
Photo: Simon Vogel
Courtesy the artist and Gagosian

Albert Oehlen
Albert Oehlen
Untitled, 2025
Acrylic, oil and lacquer on canvas
108 x 90 inches (274.3 x 228.6 cm)
© Albert Oehlen
Photo: Simon Vogel
Courtesy the artist and Gagosian

Dans Endless Summer, Albert Oehlen teste à nouveau les limites de la cohérence, réinventant un motif établi de longue date tout en rejetant toute quête de forme et de signification stable.

Endless Summer est présentée dans la galerie Gagosian et la galerie Max Hetzler à Paris, et est accompagnée d’un catalogue coédité comprenant un essai de Jean-Pierre Criqui ainsi qu’un entretien avec Max Dax au sujet du travail cinématographique d’Albert Oehlen.

GAGOSIAN PARIS
4 rue de Ponthieu, 75008 Paris

01/02/25

Albert Oehlen & Kim Gordon @ Corbett vs. Dempsey, Chicago

Albert Oehlen & Kim Gordon
Corbett vs. Dempsey, Chicago
January 24 - March 1, 2025

Corbett vs. Dempsey presents Albert Oehlen & Kim Gordon, an exhibition of new paintings and multi-media works. This is Oehlen’s fifth show with the gallery and Gordon’s first exhibition in Chicago.

In this exhibition, German-born artist Albert Oehlen presents three monumental pieces on shaped aluminum. With enamel paint marks applied directly to the raw substates, which are cut into “omega” shapes similar to those of some newer Oehlen works, these 12-foot-tall, 15-foot-wide metal paintings come equipped with sonic transducers on each of their four adjacent panels. When amplified, the paintings act as de facto speakers and project sound vibrations into the room. Oehlen invited Kim Gordon to make soundtracks for the works. She developed these sound recordings in direct material relationship with the paintings, using the transduced metal plates as amplifiers for her electric guitar. Rather than simply making these sounds for the paintings, she made the sounds on them. Gordon’s bracing improvisations, lasting around 8-minutes each, explore a wide range of colors, from chords, drone, and feedback to electrical noises made with the unplugged guitar cord. The works play intermittently, erupting energetically, then relaxing into silence, their metal forms and the gestural lines inscribed on them supercharged by Gordon’s music. In addition to these three works made collaboratively by the two artists, the exhibition presents a new canvas by Albert Oehlen and a group of small, vibrant paintings by Kim Gordon.

Based between Switzerland, Berlin, Spain, and Los Angeles, Albert Oehlen (b. 1954) is one of the most widely-celebrated contemporary artists. His work has adopted and invented numerous approaches to painting and more recently sculpture. In the last few years, Albert Oehlen has also been writing and directing full-length feature films, including Painter, Bad Painter (featuring Kim Gordon in an acting role), and Yellow. His work has been exhibited in institutions around the world, including recent solo shows at Kunsthalle Hamburg, Germany (2024), Espace Louis Vuitton Beijing, China (2024), Friedrichs Foundation, Weidingen, Germany (2023), and Serpentine Galleries, London, UK (2019).

Kim Gordon (b. 1953) is a musician and visual artist based in Los Angeles. Her latest record, The Collective (2024), was met with widespread critical acclaim and received two Grammy nominations. She has been the subject of a recent solo exhibition at 303 Gallery, New York, and is currently in shows at gnration, Braga, Portugal and Efraín López, New York. Gordon is half of Body/Head and was a founding member of the band Sonic Youth.

CORBETT VS. DEMPSEY
2156 West Fulton Street, Chicago, IL 60612