Showing posts with label Netherlands. Show all posts
Showing posts with label Netherlands. Show all posts

06/03/25

Saul Leiter @ Foam, Amsterdam - Retrospective Exhibition "An Unfinished World"

Saul Leiter
An Unfinished World
Foam, Amsterdam
Until 20 April 2025

Saul Leiter, Harlem, 1960
SAUL LEITER
Harlem, 1960
© Saul Leiter / Saul Leiter Foundation
“Photographs are often treated as important moments, but really they are fragments and souvenirs of an unfinished world.”  – Saul Leiter  
Foam presents a major retrospective exhibition of the celebrated American artist SAUL LEITER (1923–2013). Saul Leiter is seen as one of the most important photographers of the 1950’s in the United States, and a pioneer of colour photography. This exhibition brings together over 200 works, consisting of photography, both black-and-white and colour, as well as his abstract paintings. His eclectic oeuvre reveals a practice using shadow, light, and reflections to craft layered compositions.

For nearly sixty years, Saul Leiter photographed daily, capturing everyday moments of New York City life. With various techniques and mediums, and the use of telephoto lenses, Saul Leiter would enhance the painterly quality of his images and transform seemingly mundane street scenes into visual poetry. New York, a symbol of modernity in the 1950s, became the backdrop for Leiter’s aesthetic discoveries. 

By shooting in the rain and snow, and using windows and other reflective surfaces, he created abstract images. A red umbrella, a green traffic light, or the yellow flash of a passing taxi add an unexpected play of colour to his photographs. In the 1940s and 1950s, Saul Leiter was virtually the only non-commercial photographer to work in colour. The use of aged or damaged film allowed him to include surprising compositions with shifts in light and colour. Once lost to obscurity, his work was rediscovered in the mid 2010s for its ground-breaking role in the emergence of colour photography. 

Saul Leiter was a self-taught photographer whose strong sense of curiosity made him a lifelong student. He maintained his experimental and spontaneous approach throughout his career, which is evident in both his street photography and fashion work. 

Upon his death in 2013, Saul Leiter left behind a remarkable collection of approximately 15,000 black-and-white prints, at least 40,000 colour slides, a similar number of black-and-white negatives and over 4000 paintings, only a handful of which have been seen publicly. The exhibition An Unfinished World offers visitors the chance to admire the endless poetry of Saul Leiter’s artistic practice through his paintings, photography and unique view on the world around him. 

SAUL LEITER (1923–2013) began painting and photographing in his teenage years, gaining an early recognition for his paintings. After moving to New York in 1946, he turned to photography as a profession while continuing to paint. His abstract forms and groundbreaking compositions possess a painterly quality that distinguishes them from the works of other photographers of that era. His work significantly contributed to the emergence of what is now known as the New York School of photography. 

In 1957, he began working for major publications like Esquire and Harper’s Bazaar, balancing his commercial success with his personal passion for street photography in his Manhattan neighborhood. Saul Leiter's groundbreaking work in colour photography gained widespread acclaim with the release of his first book, Early Color (2006). By the time of his death in 2013, Saul Leiter had achieved international recognition, with his work featured in numerous museum exhibitions and publications worldwide. 

The exhibition is organised in collaboration with Les Rencontres d'Arles and diChroma photography and curated by Anne Morin.

FOAM - AMSTERDAM
Keizersgracht 609, 1017 DS Amsterdam

Saul Leiter: An Unfinished World
FOAM, Amsterdam
24 January 2025 – 20 April 2025

23/02/25

melanie bonajo, When the body says Yes @ Museum Boijmans Van Beuningen Collection

Museum Boijmans Van Beuningen acquires melanie bonajo’s When the body says Yes

melanie bonajo
, When the body says Yes
© melanie bonajo / Museum Boijmans Van Beuningen

Museum Boijmans Van Beuningen receives When the body says Yes in its museum collection. The installation, created by Dutch artist melanie bonajo,  was exhibited during the summer of 2024 during the much talked about event Craving for Boijmans. There it functioned as a sensory end piece for a special art route through the closed museum building. In 2022, When the body says Yes was the Dutch entry for the 59th Venice Biennale.

When the body says Yes
This art piece by melanie bonajo is an installation consisting of a video artwork that is 43 minutes in length, framed by an organically-shaped scenography created in collaboration with fellow artist Théo Demans. When the body says Yes takes the viewer through and around the body, addressing the role of sexuality, body positivity, gender and consent within our society. There’s a very diverse group of people featured in the film, which challenges the viewer with a multitude of questions: on sexuality, the body and a personal vision on gender beyond the stereotypical patterns.

Craving for Boijmans
When the body says Yes was a prime attraction during Craving for Boijmans. It became an inspiring challenge and collaboration between the museum, the artists and the gallery to land the piece at the majestic Bodonzaal. It injected a humanity into what was an abandoned building. Not just thanks to the expressive, inclusive design, but most of all the topics that were addressed. When the body says Yes builds a bridge between the human who experiences it and the individuals who appear inside of it. Visitors have reacted in a positive way – often surprised or provoked – which speaks to the continuous social relevance of the subjects melanie bonajo addresses in their work.

melanie bonajo is an artist, filmmaker, sexological bodyworker, somatic sex coach and educator, cuddle workshop leader and activist. Through videos, performances, photographs and installations, bonajo explores current issues arising from living together in a capitalist system. melanie bonajo is represented by AKINCI.

MUSEUM BOIJMANS VAN BEUNINGEN
Museumpark 18-20, 3015 CX Rotterdam

08/02/25

Happy Birthday Amsterdam Exhibition @ H’ART Museum, Amsterdam - As part of the Amsterdam 750 anniversary celebrations

Happy Birthday Amsterdam
H’ART Museum, Amsterdam
Through 16 March 2025


Eva Besnyö
Sumatrakade, 1933-39. 
Collection City Archives Amsterdam 
© Eva Besnyö/MAI

Violette Cornelius
Youths on Amstelveld, 1962
Collection City Archives Amsterdam
© Violette Cornelius /
National Museum of Photography

Armando Cairo
School Playground, 1970-79
Collection Cultural Heritage Agency of the Netherland

Willem Witsen
The Stock Exchange Gate from Rokin, 1880-1923 
Collection Cultural Heritage Agency of the Netherlands 
Photo by Margareta Svensson

Erwin Olaf
Drag disco/costume party La Night aux Folles 
in discotheek Flora Palace, 1983 
Collection City Archives Amsterdam 
© Erwin Olaf

As part of the Amsterdam 750 anniversary celebrations, H’ART Museum presents a unique exhibition focusing on 75 highly diverse artists who have contributed to the colourful image of the city in the past and present. Subjects range from Johan Cruyff seen through the eyes of Marlene Dumas (b. 1953) to 1990s Amsterdam viewed through the lens of Erwin Olaf (1959-2023). Happy Birthday Amsterdam presents a colourful and richly varied parade of images celebrating Amsterdam as a city of art. The museum has chosen an unusually free arrangement, without any chronology and art historical categories, to reflect the unconventional nature of the city. Each of the 75 prominent artists featured in the exhibition has made a distinctive contribution to the artistic and public image of the city today. The selection of works on show constitutes the museum’s tribute to the city, its people, its various neighbourhoods, and the artists who have lived, worked or spent time there over the past few centuries.

Herman Gordijn
Lida with Spotted Tram, 1975
Collection Joseph Kessels

Aldo van Nieuwelaar
Amsterdammer KR 237, 1978-79
Collection Cultural Heritage Agency of the Netherlands

Paul Huf
Cleaning the streets on Prinseneiland,1962 
Collection City Archives Amsterdam 
© Paul Huf/MAI

Jan Sierhuis 
Amstelkade, Amsterdam, 1951
Collection Cultural Heritage Agency of the Netherlands

George Hendrik Breitner
Dam 2, 1896-97 
Collection City Archives Amsterdam

The exhibition is the result of a close partnership between H’ART Museum and the Rijksdienst voor het Cultureel Erfgoed (English: Cultural Heritage Agency of the Netherlands) or RCE, its main source of loan items for Happy Birthday Amsterdam. The more than 100,000 objects in the stewardship of the RCE form one of the largest art collections in the Netherlands. The vast majority of this ‘national collection’ are kept at the CollectieCentrum Nederland (CCNL), together with the collections of the Nederlands Openluchtmuseum, Paleis Het Loo, and the Rijksmuseum. CCNL houses over half a million objects and is sometimes called the ‘physical memory’ of the Netherlands.  

Willem Witsen
Peat Ships on the IJ, 1880-1923
Collection Cultural Heritage Agency of the Netherlands

Willem Witsen
The Montelbaans Tower, unfinished, 1880-1920
Collection Cultural Heritage Agency of the Netherlands

Marja Samsom
Sardine-Box 1, 1973-76
Collection Cultural Heritage Agency of the Netherlands

Guillaume Lo A Njoe 
The liberation of the mushroom, 1975-81
Collection Cultural Heritage Agency of the Netherlands 
Photo by Magareta Svensson

C.A. Wertheim 
Self-Portrait (after a 1629 self-portrait by Rembrandt), 1989 
Collection Cultural Heritage Agency of the Netherlands 
Photo by Wendy Oakes

Jennifer Tee
Tampan Womb of Time, 2016 
Leiden University Medical Centre 
(LUMC) Art Collection
Photo by Gert Jan van Rooij

Happy Birthday Amsterdam is the first exhibition to include over 50 RCE loans relating to the city of Amsterdam. So many locally relevant items from the national collection have rarely been exhibited together in the Dutch capital. They are supplemented by outstanding works from other sources, such as the Amsterdam City Archives, the ABN AMRO Art Collection, De Nieuwe Kerk Amsterdam, and private collections.  

Natasja Kensmil
Anton de Kom memorial plaque, 2021
De Nieuwe Kerk Amsterdam.
© Natasja Kensmil

Marlene Dumas
Johan Cruijff (double portrait), 1997 
Lithograph (edition 7/50) 
ABN AMRO Collection. 
Photo by Tom Haartsen, Ouderkerk aan de Amstel

Barbara Broekman
The Golden Thread, 2023
Courtesy of the artist
Photo by Gert Jan van Rooy

Leo Gestel
Untitled, 1937
Collection Cultural Heritage Agency of the Netherlands

The works on show are typical of Amsterdam: colourful, diverse and forthright. They are both surprising and familiar to art lovers and fans of the city. The public is treated to works by a multitude of big names from the world of art: from Ferdinand Bol (1616-1680), Jacob Olie (1834-1905), Willem Witsen (1860-1923), Piet Mondriaan (1872-1944), Karel Appel (1921-2006) and Paul Huf (1924-2002) to Ed van der Elsken (1925-1990), Herman Gordijn (1932-2017), Jeroen Henneman (b. 1942), Marina Abramović (b. 1946) and Natasja Kensmil (b. 1973). The selection ranges from paintings and photographs to sound works, sculptures, and iconic examples of street scenes, textiles and Amsterdam design. 

H'ART MUSEUM, AMSTERDAM
Amstel 51, 1018EJ Amsterdam

Happy Birthday Amsterdam - H’ART Museum 
4 December 2024 - 16 March 2025

04/12/24

Swimming - Exhibition Curated by Rusell Tovey @ Grimm Gallery, Amsterdam

Swimming 
Exhibition Curated by Rusell Tovey 
Grimm Gallery, Amsterdam 
28 November 2024 – 11 January 2025

Summer 2023 was an informative and transformative season.
Shifting and adjusting, water played a big role, protecting and guiding through many conflicted decisions and choices.
Water held.
I swam and I understood.
A lonely wet choreographed figure, dancing with the deep.
The big brilliant blue bore witness.
Cold, threatening, all consuming, yet calming and wise, lifted up into buoyancy.
To swim is to let go, weightless and free, small and insignificant in the knowledge that this is a motion older than time.
I like the idea that water has always and will always be there.
We return to water and we come from it.
Almost every cup we drink has at one moment almost definitely passed through a dinosaur.
Water is poetry and prose.
Water is old.

For millennia, artists have been guided by water, inspired, revealing itself in unending infinite possibilities.
Whether it be the physical act of cleansing, the sad shower, the long lingering bath, the party jacuzzi.
The refreshing lake jump, river crossing, plunge pool, pond and stream.
The wild Atlantic, The Pacific, The Indian, all converging, all inviting, open to our presence.

Wet trunks.
Hose pipe bans.
Taps, fountains, sprinklers.
Puddles. Swamps.
Hazy, foggy, steam.

Water is the quiet friend that makes a lot of noise.

Russell Tovey, 2024

GRIMM presents Swimming, a group exhibition curated by Russell Tovey, on view at the gallery’s Amsterdam location. The exhibition brings together a selection of works by Alvaro Barrington and Dorus Tossijn, Andrew Cranston, Carroll Dunham, Jake Grewal, Brook Hsu, Derek Jarman, Cheyenne Julien, Anne Rothenstein, Wolfgang Tillmans, Caroline Walker, Shaqúelle Whyte and Xie Lei. 

The curator Russell Tovey is an award-winning actor and podcaster. His podcast Talk Art has had over 10 million downloads and his first book, Talk Art: everything you wanted to know about contemporary art but were afraid to ask, co-written with his podcast partner Rob Diament, became a Sunday Times Bestseller. Their second book, Talk Art: The Interviews, was released in 2023. He has curated multiple exhibitions in and around the UK, Paris (FR) and New York, NY (US) and he is a patron, benefactor and ambassador for many institutions and museums.

Born in Venezuela to Grenadian and Haitian migrant workers, Alvaro Barrington (b. 1983, Caracas, VE) was raised between the Caribbean and Brooklyn, New York, by a network of relatives. An unwavering commitment to community informs his wideranging practice. His series Garvey examines the cultural exchanges of early 20th century London and the Harlem Renaissance – both sites of large-scale migration from the Caribbean at the height of Modernism – and their ongoing influence on artistic output and notions of self-hood, sexuality, the soul, identity, nurture, nationality, punishment and death. Considering himself primarily a painter, Barrington’s multimedia approach to image-making employs burlap, textiles, postcards and clothing, exploring how materials themselves can function as visual tools while referencing their personal, political and commercial histories. The work for this exhibition was made with long-term collaborator Dorus Tossijn (b. 1984, Amsterdam, NL). Tossijn is a London-based artist working in multiple media with a main focus on painting and drawing. In often small-scale works he explores the quick-paced current image-making culture through a slow painting process, questioning what we consider good and beautiful.

Andrew Cranston (b. 1969, Hawick, UK) is a painter-storyteller, a way of working that is enhanced by his often painting on the linen bound covers of old books. His stories coalesce in the process of making - the paintings emerging gradually through the manipulation of his materials: layering, lacquering, bleaching, collaging and constantly re- working his way into images that seem to shift backwards and forwards in time. He has described one of his works as ‘a painting that came out of my brush one day’, a statement that sums up his approach. They are resolutely contemporary in spirit and yet connected by a strong thread to painters of the past, especially perhaps to the intimism of Vuillard and Bonnard, or to Matisse or Munch.

Since the 1970s, Carroll Dunham (b. 1949, New Haven, CT, US) has developed a unique pictorial language in a significant oeuvre encompassing painting, drawing, print and sculpture. Employing a stylization of the human figure, Dunham’s work playfully and crudely examines painting tropes and traditions. With thick black outlines and simple imagery – a blue sky, green trees, and pink flesh – he employs cartoonish semblances of nature and sexually grotesque imagery as a foil for experimenting with color and line. Dunham’s take on painting is opposed to an authorial identity, and rather offers a complex integration of formal crafting and philosophical thought.

Jake Grewal (b. 1994, London, UK) transforms personal experiences into dreamlike scenes in natural landscapes in his paintings. Drawing on a Romanticism, Grewal portrays nude male figures through a queer gaze. Often employing a color palette of subdued greens and browns, the artist uses nature as a metaphor for his own internal landscape and personal musings.

Brook Hsu (b. 1987, Washington, DC, US) deploys and weaves the autobiographical and the mythopoetic into paintings using an array of materials, including ink, oil paint, industrial carpets, and off-cuts of ready-made lumber. The sources for Hsu’s imagery come from her own observations, sometimes arising from art history, film and literature. Working across painting, drawing, sculpture and writing, her works aim to question how we define representation today, producing abstract and figurative works that employ a host of signs and motifs, recounting stories of love, pain and humor.

Derek Jarman (1942-1994, Northwood, UK) was a leading avant-garde British filmmaker whose visually opulent and stylistically adventurous body of work stands defied the established literary and theatrical traditions of his national cinema. With influences ranging from the eccentric writing-directing team Michael Powell and Emeric Pressburger to seminal gay aesthetes Jean Cocteau and Kenneth Anger, Derek Jarman advocated a personal cinema more dedicated to striking imagery and evocative sounds than to the imperatives of narrative and characterization.

Cheyenne Julien's (b. 1994, Bronx, NY, US) work delves into cultural and collective histories as seen through her personal experiences. Frequently rooted in memory, her paintings and drawings capture intimate subjects drawn from her closest relationships and life in New York. Through portraits, landscapes, and still lifes, she emphasizes the interconnectedness of people and their environments, paying particular attention to the architectural backdrops and everyday objects that shape daily life. While grounded in the more challenging aspects of reality, Cheyenne Julien's work also carries a humorous touch, illuminating how built environments can influence racial perceptions.

In Xie Lei’s (b. 1983, Huainan, CN) paintings, animals and plants are personified, while human characters are intimately incorporated in their surroundings. While these environments are depicted by conventional signs, Xie Lei often eschews delineating ground from sky, and foreground from background, disseminating a sense of ethereality into paintings that look no more like windows into a new world but as symbolist talismans facing the viewer. Xie Lei's canvases are like infernos, foreign substances that ceaselessly consume themselves and deliver themselves entirely to us. Each representation is a culmination, a moment chosen because it is the most intense.

Anne Rothenstein’s (b. 1949, Essex, UK) enigmatic paintings are frequently characterised by a dreamlike quality. Mysterious figures often populate her flattened landscapes and interiors.The artist draws inspiration from found imagery, personal experience and memory, working instinctively to communicate atmosphere and psychological tension. Rothenstein’s scenes are rendered with sinuous lines and a distinctive palette built up of thin washes of oil. Often painting directly on wood panel, the artist allows grain to blend with figure and landscape.

Wolfgang Tillmans (b. 1968, Remscheid, DE) is an influential contemporary German photographer whose work is in dialogue with artists such as Andreas Gursky and Gerhard Richter. Emerging in the 1990s with his snapshots of teenagers, clubs, and LGBTQ culture, Tillmans' practice has expanded to include diaristic photography, large-scale abstraction, and commissioned magazine work. Capturing landscapes from an airplane window, still lifes of crustaceans, or straightforward portraits, his work conveys the profundity of an encyclopedic archive.

Caroline Walker’s (b. 1982, Dunfermline, UK) large canvases and intimate panels depict anonymous women in settings that blur the boundaries between public and private. Walker’s paintings are a lens for the everyday lives of women, and her portraits of diverse subjects tell their story through the spaces they inhabit. In her recent artworks, Caroline Walker turns her focus to her immediate surroundings. She explores the boundary between being an observer – that is preserving the “objective” eye of an outsider – and magnifying the experience of a place which has become part of the fabric of her life. They are conceived as a reflection on community and how the anonymous people we encounter become characters in our own stories.

Shaqúelle Whyte (b. 2000, Wolverhampton, UK) imagines fictional environments in his paintings, creating an enigmatic atmosphere that contributes to his psychoanalytic approach. The painted medium is paramount for the artist whose broad, loosely rendered brushstrokes are mirrored in his expansive compositions, in which time and space expand and contract across the canvas. Although non-linear, narrative plays a central role in Whyte’s work, which sees him carry certain motifs over from one painting to the next. These recurring details contribute to the sense of theatre that pervades his work; Whyte directs his subjects as though they are actors and his canvas a stage.

GRIMM AMSTERDAM
Keizersgracht 241, 1016EA Amsterdam

Anselm Kiefer - Exhibitions in Amsterdam @ Van Gogh Museum and Stedelijk Museum Amsterdam: "Sag mir wo die Blumen sind"

Anselm Kiefer - Sag mir wo die Blumen sind
Van Gogh Museum and Stedelijk Museum Amsterdam
7 March  9 June 2025

Anselm Kiefer
, Sag mir wo die Blumen sind (2024), 
installation view at studio, Croissy, France.
Emulsion, oil, acrylic, shellac, gold leaf, sediment of electrolysis, 
clay, dried flowers, straw, fabric, steel, charcoal and 
collage of canvas on canvas.
Copyright: Anselm Kiefer. Photo: Nina Slavcheva

Anselm Kiefer
, De sterrennacht (2019)
470 x 840 cm, emulsion, oil, acrylic, shellac, straw, gold leaf,
wood, wire, sediment of an electrolysis on canvas
Copyright: Anselm Kiefer. Photo: Georges Poncet

A major new immersive painting installation by Anselm Kiefer will form the centerpiece of a landmark exhibition of the artist’s work in Amsterdam. For the first time in their history, the Van Gogh Museum and the Stedelijk Museum Amsterdam are joining forces to stage the exhibition Anselm Kiefer - Sag mir wo die Blumen sind.

The exhibition brings together twenty-five works by Anselm Kiefer, including paintings, installations, film and works on paper, across the two museums. The presentation at the Van Gogh Museum will demonstrate the enduring influence of Vincent van Gogh on Kiefer’s work. In 1963, Kiefer won a travel scholarship and chose to follow the route taken by Van Gogh, from the Netherlands to Belgium and France. Van Gogh and his work have remained a vital source of inspiration for him.  

Vincent van Gogh
, Wheatfield with Crows, (1890)
50.5 cm x 103 cm, oil on canvas
Van Gogh Museum (Vincent van Gogh Foundation)

The exhibition presents seven key works by Vincent Van Gogh, alongside previously unseen paintings and thirteen early drawings by Kiefer. Paintings, such as Van Gogh’s Wheatfeld With Crows (1890) will be juxtaposed in the same space as Kiefer’s monumental works of the same theme. 
Emilie Gordenker, Director, Van Gogh Museum, said: “Anselm Kiefer has been engaged with Van Gogh’s work from his early years. Sometimes the inspiration is almost literal, as in the use of sunflowers and the composition of his landscapes. Kiefer’s recent work – displayed here for the first time – shows how Van Gogh continues to make his mark on his work today.” 
Anselm Kiefer
, Innenraum (1981)
287.5 x 311 cm, oil, acrylic and paper on canvas
Stedelijk Museum Amsterdam

Anselm Kiefer
, Voyage au bout de la nuit (1990)
239 x 750 x 750 cm, lead, glass, mixed media
and Untitled (1989)
340 x 501 x 100 cm, lead, lime, chalk and salt on wood.
Stedelijk Museum Amsterdam

The presentation at the Stedelijk Museum focuses on Anselm Kiefer’s close ties to the Netherlands, particularly the artist’s connection with the museum, which has been pivotal to his career. The Stedelijk acquired Innenraum (1981) and Märkischer Sand (1982) early in the artist’s practice and staged an acclaimed solo exhibition of his work in 1986. This exhibition is not only an unprecedented opportunity to see all the works in the Stedelijk’s collection together, but also a chance to see Anselm Kiefer’s more recent paintings and especially two new spatial installations. The titular work Sag mir wo die Blumen sind is an immersive painting installation of more than 24 meters long, which the artist is currently completing to fill the space around the historic staircase of the museum. The second installation Steigend, steigend, sinke nieder is made from photographs and lead, an important material that recurs throughout Anselm Kiefer’s work, alluding to the heavy weight of human history. The exhibition will also feature films by and about Anselm Kiefer, including the unknown film Noch ist Polen nicht verloren (1989), which he made in Warsaw shortly before the fall of the Iron Curtain.
Rein Wolfs, Director, Stedelijk Museum Amsterdam, said: “The Stedelijk has a long relationship with Anselm Kiefer and has played an important role in the acceptance of the artist’s work. That connection will be expressed in the two special spatial installations he will show in our building, and which will be an immersive experience. It will be truly remarkable to see these installations amid several of his iconic works from the 1980s. In this way, Kiefer looks back at the past and towards the future.” 
SAG MIR WO DIE BLUMEN SIND
The title of the exhibition Sag mir wo die Blumen sind is taken from the 1955 protest song Where have all the flowers gone by American folk singer and activist Pete Seeger, which became famous when Marlene Dietrich performed the song in 1962. Anselm Kiefer’s expansive new installation for the Stedelijk Museum Sag mir wo die Blumen sind combines paint and clay with uniforms, dried rose petals and gold, symbolising the cycle of life and death with the human condition and fate of mankind playing a central motif. The flowers of the title are also a reference to the Sunflowers (1889) by Vincent van Gogh and to recent landscapes by Anselm Kiefer, which will be seen for the first time in the exhibition.

Portrait of Anselm Kiefer
Photo by Summer Taylor

From left to right: Edwin Becker and Emilie Gordenker
(respectively Curator and Director, Van Gogh Museum),
Anselm Kiefer, Rein Wolfs and Leontine Coelewij
(respectively Director and Curator, Stedelijk Museum
Amsterdam), April 2024. Photo: Tomek Dersu Aaron

ANSELM KIEFER (b. 1945, Donaueschingen, Germany) was born in the closing months of World War II, and as a boy he played in the debris of post-war Germany. In the late 1960s, Anselm Kiefer was one of the first German artists to address the country’s fraught history in monumental, acerbic works for which he sustained intense criticism in his homeland. In the Netherlands, his work first gained recognition among collectors and museums like the Stedelijk. Later, Kiefer would be hailed for breaking the silence surrounding Germany’s past. His work reflects on themes such as history, mythology, philosophy, literature, alchemy, and landscape. 

Van Gogh Museum 
Museumplein 6, 1071 DJ Amsterdam

Stedelijk Museum Amsterdam 
Museumplein 10, 1071 DJ Amsterdam

03/12/24

Michelangelo & Men - Exhibition @ Teylers Museum, Haarlem

Michelangelo & Men
Teylers Museum, Haarlem
15 October 2025 - 25 January 2026

Michelangelo Buonarotti
(1475-1564) 
Study for an ignudo in the Sistine Chapel, c. 1511
Collection Teylers Museum
Image courtesy Teylers Museum

Five hundred and fifty years after his birth, Teylers Museum is paying homage to one of the most celebrated artists in history. The exhibition Michelangelo & Men zooms in on the glorious leading role the male body played in both the life and art of Michelangelo Buonarroti (1475-1564). An international first: never before has an exhibition been entirely dedicated to this theme. Michelangelo & Men sheds new light on Michelangelo’s thoughts and actions, while also drawing parallels to the present day.

Michelangelo: Naked and muscular

Michelangelo was fascinated by the male body. Featuring in nearly all his artworks, he often portrayed it naked, muscular, and in provocative and expressive poses. The most important piazza in Florence formed the backdrop for Michelangelo’s five-metre-tall marble statue of a nude man: David. And in the Sistine Chapel in Rome — right in the heart of the Vatican, the centre of the Roman-Catholic church — he painted a ceiling teeming with male nudes. Both David and The Creation of Adam are artworks that are so deeply embedded in our collective memory that we often take them for granted. In Michelangelo's own time, however, these works were revolutionary, and over the course of history they were frequently considered controversial.

Michelangelo: Multiple perspectives

Michelangelo & Men examines the male body in Michelangelo’s work and life from all angles: from the outside influences of his predecessors and classical antiquity, to his own extensive anatomic knowledge and use of male models. Also highlighted is the theoretical and religious significance of the male body to Michelangelo, as well as his presumed personal predilection for me. In the exhibition a number of contemporary voices furthermore reflect on how Michelangelo represented the male figure: from queer to Roman Catholic, and from feminist to fitfluencer. In this way the exhibition also addresses timeless themes like gender, sexuality, and beauty ideals.

Michelangelo: Drawings, sculptures, and letters

In 1790, the then recently opened Teylers Museum acquired a large collection of Italian drawings in Rome, including 22 drawings by Michelangelo. Counted among the most beautiful drawings he ever made, these works form the backbone of the exhibition. This world-class collection belonging to the oldest museum in the Netherlands is supplemented with over twenty international loans.As well as drawings, these also include sculptures, a letter, and a fragment from a poem written by Michelangelo. Also shown are a book and a number of drawings and prints by friends, students, and followers of the artist. The works were loaned from organizations like The Royal Collection at Windsor Castle, The British Museum in London, the Uffizi in Florence, and the Louvre in Paris. Art-historical highlights that have never been shown in the Netherlands before will be brought to Haarlem, including The Dream from The Courtauld Gallery in London, and Study for the Libyan Sibyl from The Metropolitan Museum of Art in New York. As drawings are vulnerable to light they are rarely exhibited. Seeing all these phenomenal artworks by Michelangelo together —in the Netherlands — is therefore a once in a lifetime opportunity.

TEYLERS MUSEUM
Spaarne 16, 2011 CH Haarlem

Yalla Yalla! See You in Egypt - Exhibition @ Teylers Museum, Haarlem

Yalla Yalla! See You in Egypt
Teylers Museum, Haarlem
19 October 2024 - 9 February 2025

Willem de Famars Testas
(1834-1896) 
Streetscape with coffee house in Cairo, ca 1860-1872.
Teylers Museum collection
Image courtesy Teylers Museum

At the exhibition 'Yalla Yalla! See You in Egypt', Teylers Museum puts the work of the nineteenth-century artist Willem de Famars Testas centre stage in a whole new way. The oldest museum in the Netherlands has plotted a journey in the exhibition, in collaboration with Dutch-Egyptian actor and theatre-maker Sabri Saad El-Hamus, prizewinning podcaster Tjitske Mussche and internationally known scenographer and maker Theun Mosk of studio Ruimtetijd. With Testas’s work as its guide, they take visitors along on a journey across the boundaries of time, space and cultures.

Willem de Famars Testas

In 1858, the young and as yet unknown artist Willem de Famars Testas (1834-1896) embarked on a long, life-changing journey to Egypt. The scents, colours, sounds, mosques, the povery, the climate – everything was different, as the diary he kept and the letters he sent also reveal: ‘The hustle and bustle of this place is quite strange: everywhere one meets camels, donkeys and horses, laden with all kinds of things, and also swarms of donkeys, which one sees everywhere with their boys.’ The scenery of this new world inspired him to make paintings, watercolours, sketches and drawings. Many of them are held in the collections of the Rijksmuseum, the Bibliothèque Nationale de France and Teylers Museum.

Terry van Druten and Sabri Saad El-Hamus 
at a burial chamber in Koerna, Thebe, February 2024
Photography: Tjitske Mussche

Journey to Egypt 2024

Scenes of distant countries were a popular feature of European art in the nineteenth century, but they also convey a certain stereotypical image. How relevant is Testas’s image of Egypt today, and what do we make of his descriptions now?

Curator Terry van Druten – a huge fan of Testas’s work for fifteen years – Sabri Saad El-Hamus and Tjitske Mussche travelled to Egypt in Testas’s footsteps last February. They visited places where Testas made drawings and looked to see how those places had changed. They spoke with Egyptians and with each other about Egypt then and now. Mussche processed their adventures into an audio travelogue focusing on multiple perspectives. Not only Testas’s view of Egypt, but also, for example, El-Hamus’s view of the Netherlands, foreign to him when he first arrived here as a ‘bearer of good fortune’ at the age of 21. Sabri Saad El-Hamus: 'When I read the travel diary, I was surprised by his view of the Egyptians. Sometimes he seems utterly out of touch, or plainly racist. Still, he also says things about Egypt that are true, even today. I also recognized something in him: I, too, had those feelings of alienation and homesickness when I came to the Netherlands as a young man in a completely new world.’

Exhibition

In Theun Mosk’s exciting space – with paintings, drawings, film footage and photographs – visitors to Teylers Museum can listen to dialogues between Van Druten and El-Hamus, and fragments from Testas’s diary, read out by actor Florian Myjer. The music was composed especially for this exhibition by the young composer Youssra El Hawary of Cairo. Testas’s work challenges visitors to make a voyage of discovery in Egypt and encounter ‘the other’ and themselves.

TEYLERS MUSEUM
Spaarne 16, 2011 CH Haarlem

03/11/22

Anthony Cudahy @ GRIMM Gallery, Amsterdam - a pearl caught between my teeth

Anthony Cudahy
a pearl caught between my teeth
GRIMM Gallery, Amsterdam
29 October - 22 December 2022

Anthony Cudahy
ANTHONY CUDAHY
Eveningdawn (Reverse Pareidoliac Figure), 2022
© Anthony Cudahy, courtesy GRIMM

Anthony Cudahy
ANTHONY CUDAHY
loop (twilight), 2022
© Anthony Cudahy, courtesy GRIMM

GRIMM presents a pearl caught between my teeth, an exhibition of new paintings and works on paper by ANTHONY CUDAHY, on view at its Amsterdam gallery. This is Cudahy’s first solo exhibition with GRIMM since the gallery announced representation of the artist earlier this year.

Within his latest body of work, on view in a pearl caught between my teeth, Anthony Cudahy reflects on the enmeshed categories of humanity and nature through their borderless relationship with each other. A new series of paintings stems from a tradition of seventeenth century Flemish landscape painting, where trees, flowers, shrubs, and rolling hills form anthropomorphic optical illusions of faces inscribed in the Earth. Anthony Cudahy translates this subject matter into the contemporary, mapping his figures into an excess of natural elements through varied painting techniques. Snakes become legs, flowers become abdomens - these works navigate the becoming of landscape for the subjects intimately depicted. The architecture of their surroundings performs a reflection, literally and figuratively, of the many ways we personify, engage with, indulge in, and stand at odds with our environments. 

The exhibition takes its title from a line in a poem by Paul Legault, titled Flowers, Duh. In these works, Anthony Cudahy questions whether nature is ambivalent or even antagonistic to humanity, while insisting on its personified poetics. Boundaries between subjects dissolve as they move into the landscape themselves, caught between realms of animation as seen in works such as loop (twilight), 2022 and Eveningdawn (Reverse Pareidoliac Figure), 2022. In the latter, Paul Legault himself is depicted with his husband, their bent and reclining bodies entangled with the excess of a sun’s light and shadow.

A series of drawings which accompany the new body of work act as iconographic iterations of the narrative elements which anchor the paintings. Each explores a subject that plays out an entanglement later in the collected narrative of the exhibition allowing moments of focus to surface briefly between the splendor and overbearance of the natural world.

ANTHONY CUDAHY

Anthony Cudahy (b. 1989 Ft. Meyers, FL, US) completed an MFA at Hunter College, New York, NY (US) in 2020. He has had solo exhibitions with Hales Gallery, New York, NY (US) in 2021; Semiose Gallery, Paris (FR) in 2021 and 1969 Gallery, New York, NY (US) in 2018. He has been shown in various international group exhibitions and was included in GRIMM’s Equal Affections exhibition in Amsterdam (NL) in 2021. 

His work can be found in collections of The Hort Family Collection, New York, NY (US), Institute of Contemporary Art, Miami, FL (US), Xiao Museum of Contemporary Art, Rizhao (CN), and Les Arts au Mur Arthothèque de Pessac, Pessac (FR).

A book with a new essay by Ricardo Montez was published on the occasion of the exhibition.

GRIMM
Keizersgracht 241 - 1016 EA, Amsterdam

09/11/10

Monumentalism History and national identity in contemporary art at Stedelijk Museum, Amsterdam

Monumentalism History and National Identity in Contemporary Art Proposal for Municipal Art Acquisitions 2010
Stedelijk Museum, Amsterdam
Through 9 January 2011

Monumentalism— History and National Identity in Contemporary Art: Proposal for Municipal Art Acquisitions 2010, is presented as part of The Temporary Stedelijk and occupy one half of the ground floor galleries. The 2010 presentation of this highly anticipated annual exhibition of works by artists living and/or working in the Netherlands will address the concepts of history and national identity. The exceptionally large number of diverse submissions this year—359 in all— demonstrates the particular significance and relevance of the theme. Organized by the Stedelijk Museum Amsterdam, the exhibition is curated by Jelle Bouwhuis, head of Stedelijk Museum Bureau Amsterdam, and features the work of 19 artists selected by this year’s Municipal Art Acquisitions jury.

History seems to be an increasingly important factor in how we identify ourselves, our cultures and our norms and values. In the Netherlands alone, the recent establishment of a national history canon and the initiative to found a Museum of National History provide tangible evidence of the trend. In the 19th century, a similar upsurge in historical awareness led to the production of large history paintings and monuments commemorating national heroes and historic events. Contemporary art increasingly reflects on the past in myriad ways. However, unlike these earlier precedents, today‘s art is seldom made specifically for the glorification of a nation; rather, it deals with the broadened scope of issues related to social developments such as globalization and transnationalism, which challenge a clear comprehension of what constitutes ―the national.

This idea forms the scope of this year‘s municipal art acquisitions exhibition, which shows a wide range of possible responses and takes the subjects of national identity and history beyond nostalgia for a mythical past. Instead, the works yield an inherent fragmentation. Demonstrating a keen awareness that documentary images in photography or film are never straightforward representations of historical reality, the artists address those representations through all kinds of media—painting, drawing, sculpture, photography, video, sound and installation—while offering various insights and perspectives on cultural artifacts, language, politics, labor and capitalism through their individual explorations of questions surrounding national identity. Many of the exhibited works are being presented to the public for the first time.

The 2010 Municipal Art Acquisitions jury has selected the following artists:

Yael Bartana (1970, Kfar Yehezkel, Israel)
Lonnie van Brummelen (1969, Soest, NL) / Siebren de Haan (1966, Dordrecht, NL)
Ruth Buchanan (1980, New Plymouth, New Zealand)
Hala Elkoussy (1974, Cairo, Egypt)
Marianne Flotron (1970, Meiringen, Switzerland)
Zachary Formwalt (1979, Albany GA, USA)
Melissa Gordon (1981, Boston MA, USA)
Nicoline van Harskamp (1975, Hazerswoude, NL)
David Jablonowski (1982, Bochum, Germany)
Rob Johannesma (1970, Geleen, NL)
Iris Kensmil (1970, Amsterdam, NL)
Gert Jan Kocken (1971, Ravestein, NL)
Job Koelewijn (1962, Spakenburg, NL)
Rachel Koolen (1979, Rotterdam, NL)
Renzo Martens (1973, Sluiskil, NL)
Lucia Nimcova (1977, Humenne, Slovakia)
Wendelien van Oldenborgh (1962, Rotterdam, NL)
Barbara Visser (1966, Haarlem, NL)
Mieke Van de Voort (1972, Nijmegen, the NL)

The members of the Municipal Art Acquisitions jury 2010 are: Jelle Bouwhuis (chairman of the jury and curator of the exhibition), Valentijn Byvanck (director of the Museum of National History), Binna Choi (director of Casco, Utrecht), Roy Villevoye (artist) and Krist Gruijthuijsen (co-director Kunstverein and freelance curator).

The Municipal Art Acquisitions exhibition offers an important overview of the current state of the visual arts, photography, design and the applied arts in the Netherlands. Organized annually by the Stedelijk Museum and curated by an invited guest curator, this event focuses on one particular discipline or theme. With each edition of the exhibition, works are selected by the Stedelijk Museum‘s director for acquisition for the collection of the Stedelijk Museum.

Monumentalism is accompanied by a CATALOGUE co-edited by Bouwhuis and Margriet Schavemaker, Head of Research and Collections, Stedelijk Museum, with contributions by the editors, Jennifer Allen (art critic), Hendrik Folkerts (art historian) and Joep Leerssen (historian). The book also include information on the artists in the exhibition and a reprint of an article titled ―The Goodness of Nations‖ by anthropologist/political scientist Benedict Anderson. The bilingual (Dutch and English) volume is co-published by the Stedelijk Museum and NAi Publishers. Suggested retail price: EUR 19.50.

The exhibition is partially funded by the City of Amsterdam.

STEDELIJK MUSEUM
Paulus Potterstraat 13, Amsterdam
28 August 2010 - 9 January 2011

29/01/10

IFFR Tiger Awards Short Films Competition 2010

International Film Festival Rotterdam

 

INTERNATIONAL

FILM FESTIVAL

ROTTERDAM

2010

 

Thirty-one titles have been selected for the Tiger Awards Competition for Short Films. The lineup includes films by Greg Smith (South Africa), Mark Lewis (UK), Rosa Barba (Italy), Anna Abrahams (Netherlands), Mihai Grecu (France), Phil Collins (UK), Mati Diop (Senegal), Ying Liang (China), Cameron Jamie (USA) and Merve Kayan (Turkey).

The ‘Spectrum: Shorts’-section of nearly 200 short films runs within the festival from January 28 till February 1. See full Competition line up below.

 

Competition and Jury

To raise the profile of short films as a highly influential form of art but also a the realm in which cinema has been both democratized and popularized by the online and digital developments, the International Film Festival Rotterdam founded its Competition for short films in 2005. This edition, thirty-one films of up to sixty minutes in length will be presented to the international jury consisting of Jeremy Rigsby (programmer of Media City Festival in Ottawa, Canada), Shai Heredia (director of Filter India Festival, Mumbai, India) and Albert Wulffers (filmmaker, writer, visual artist and teacher, The Netherlands). The winners of the three equal Tiger Awards for Short Films, with prize money of 3.000 euro each, will be announced on Monday February 1.

 

Spectrum: Shorts

From the overwhelming worldwide production, the IFFR has selected 210 short films, including thirteen ‘short features’ with durations between forty and sixty minutes, for its dedicated section ‘Spectrum: Shorts’. All films are screened during a five-day event in festival location Lantaren/Venster. Here festival audiences, filmmakers and industry professionals gather to watch the films, introduce their works and meet for getting the lowdown on the latest developments. The films are grouped by four or five titles in screening slots of 80 minutes that allow introductions and Q&A sessions. The Shorts Marathon, a usually sold out program of repeat screenings, takes place on Saturday February 6.

Spectrum: Shorts 2010 presents six programs of narrative works including premieres of medium lengths films by Geetu Mohan Das (India), José Luis Torres Leiva (Chili), Terril Calder (Canada) and Julia Kozyreva (Russia/Estonia).

Furthermore, Spectrum: Shorts comprises a wide range of essayistic, abstract and experimental short filmmaking by, among many others, Jem Cohen (USA), John Price (Canada), Liu Wei (China), Kleber Mendonca Filho (Brazil) and prolific US filmmaker Kevin Jerome Everson who presents four films in IFFR 2010: his short films Company Line and The Citizens as well as his feature film Erie in Spectrum and the commissioned short film BZV in the Africa focus program.

The program committee that selects films for Spectrum: Shorts consists of IFFR programmers Peter van Hoof, Juliette Jansen, Erwin van 't Hart, Sacha Bronwasser, Peter Taylor and Theus Zwakhals.

 

Focus on Jim Jennings, homage to Frank Cole

As part of Spectrum: Shorts, NYC-based filmmaker Jim Jennings will present eight of his recent 16 mm works, all filmed on location in his home town. Mostly edited in the camera Jennings' films are tributes to the NYC landscape and urban architecture. Jim Jennings will attend the festival to introduce his films.

Within its Regained section, the festival presents a tribute to Canadian filmmaker Frank Cole (1954-2000), who entered the Guinness Book of World Records as the first man to cross the Sahara on foot. His murder in Mali left us with a legacy of two features, a pair of award-winning short films and a mystery that may never be solved. IFFR 2010 presents his short documentaries A Documentary (1979), The Mountenays (1981) and A Life (1986) as well as The Man Who Crossed the Sahara, Korbett Matthews recent documentary about Frank Cole. The program was curated and will be introduced by Canadian filmmaker Mike Hoolboom. In the Spectrum section, Hoolboom presents his documentary Mark, an elegiac portrait of his friend and long time editor Mark Karbusicky.

 

Tiger Awards Competition for Short Films 2010

 

Backstory, Mark Lewis, Canada, 39’, European premiere

Oops Wrong Planet, Anouk de Clerq, Belgium, 8’, European premiere

Gaarud (The Spell), Umesh Vinayak Kulkami, India, 10’

Bruits de fond, Jean-Claude Ruggirello, France, 17’, world premiere

Hoe vertel ik het mijn ouders #1 (How to Explain My Parents #1), Lemert Engelberts, Netherlands, 9’, world premiere

Rendez-vous à Stella Plage, (Rendez-vous at Stella Beach), Shalimar Preuss, France, 18’, world premiere

Drömmar fran skogen (Dreams from the Woods), Johannes Nyholm, Sweden, 9’

La trilogie chrysalides (The Chrysalides Trilogy), Patrick Bernatchez, Canada, 17’

White Shoe Station, Sara Preibsch, UK/Germany, 15’, world premiere

Travelling Fields, Inger Lise Hansen, Norway, 9’, international premiere

For Cultural Purposes Only, Sarah Wood, UK, 9’

Oxigen (Oxygen), Adina Pintilie, Romania, 40’, world premiere

Wednesday Morning Two A.M., Lewis Klahr, USA, 6’, European premiere

Underexposed, Greg Smith, France, 23’, world premiere

Centipede Sun, Mihai Grecu, France, 10’, world premiere

Soy mi madre, Phil Collins, USA, 28’

Monuments, Redmond Entwistle, UK, 30’, European premiere

Mudanza (Removal), Pere Portabella, Spain, 20’

Sex Is Sentimental, Erik van Lieshout, Netherlands, 21’

Empirical Effect, Rosa Barba, Italy, 27’, world premiere

Atlantiques, Mati Diop, France/Senegal, 27’

Heliocentric, Semiconductor, UK, 15’, world premiere

Wei wen (Condolences), Ying Liang, China, 19’, international premiere

M, Félix Dufour-Laperrière, Canada, 8’, international premiere

Out of Love, Brigitte Staermose, Denmark, 29’, international premiere

Dissonant, Manon de Boer, Belgium, 11’, world premiere

Desert 79°: 3 Journeys Beyond the Known World, Anna Abrahams, Netherlands, 18’, world premiere

Palmele (Palm Lines), George Chiper, Romania, 17’

Bu sahilde (On the Coast), Merve Kayan, Turkey, 21’, world premiere

Over the Bones, Charlotte Ginsborg, UK, 30’

Massage the History, Cameron Jamie, USA, 10’, world premiere

 

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Rotterdam Lab welcomes 67 producers for tenth anniversary edition

67 Producers at Rotterdam Lab 2010

International Film Festival Rotterdam 2010

 

INTERNATIONAL

FILM FESTIVAL

ROTTERDAM

2010

 

Rotterdam Lab welcomes 67 producers for tenth anniversary edition

The International Film Festival Rotterdam welcomes sixty-seven young producers taking part in the tenth anniversary edition of Rotterdam Lab. CineMart’s highly successful event for emerging producers has expanded steadily over the past decade. The participants have been nominated by the twenty-one Rotterdam Lab partner organizations. Rotterdam Lab, part of CineMart, takes place January 30 – February 3. (See full list of participants and partner organizations below)

Rotterdam Lab Coordinator Jacobine van der Vloed: “Finding your way in a large international festival and market can be daunting for an emerging producer. Buyers, sellers and funders are not easy to track down. The Rotterdam Lab creates a somewhat safer and easier environment for these producers to present their companies and projects, test the grounds, receive feedback on how to proceed and expand their network in an effective way. The Rotterdam Lab fits very well in Rotterdam’s spirit of nurturing emerging talent. Moreover, the Rotterdam Lab has developed into a valuable tool to strengthen CineMart's international network of independent producers.”

Over the past years, the Rotterdam Lab has expanded steadily, with more producers from more regions participating every year. The Lab has already resulted in many producers returning to CineMart, and films by producers who have attended the Lab have been screened in the official Festival Programme. By bringing together a mix of producers from around Europe and the rest of the world, the Rotterdam Lab has also generated many alluring international co-productions.

The participants of the Rotterdam Lab are starting producers, who are ‘nominated’ by the international training bodies and funding agencies with which the CineMart has partnerships. Traditionally, panel discussions are organized on different topics such as production, sales, financing, distribution, press & promotion and television. These panels take place in an informal setting and are organized to illustrate the process by which a project in need of financing is completed and brought to its audience. In these panels, experts from the industry give the producers tools on how to present their project and how to build up an international network.

Complimentary to the panels, participants take part in “speed-dating” sessions, during which they have time to meet personally with industry delegates and receive advice on their own projects.

CineMart has always had a focus on producers who are in the beginning of their careers. Several years ago, the CineMart staff realized that many new producers lack the knowledge on how to operate in an international film festival or market setting. Therefore, in 2001, based on the belief that these skills are vital for any producer, and to provide young professionals the means to develop an international network, CineMart organized the first CineMart International Trainee Project, later renamed the Rotterdam Lab.

In addition to the organized Rotterdam Lab programme, it is important that the producers take the chance to participate in all other CineMart events, such as networking lunches, cocktails and other panels. They are encouraged to take advantage of their time in Rotterdam as much as possible by strengthening their network.

 

Rotterdam Lab Participants 2010


Amanda De Luis, Alta Realitat, Spain, ACE / Ateliers du Cinéma Européen
Gabor Sipos, Laokoon Filmgroup, Hungary, ACE / Ateliers du Cinéma Européen
Josefine Tengblad, Yellow Bird Productions, Sweden, EAVE
Jennifer Sabbah, Boa Films, France, EAVE
Darija Kulenovic Gudan, Studio dim d.o.o., Croatia, EAVE
Ewa Borowski, eastart pictures, Germany, Filmstiftung NRW
Nicole Ringhut, Maranto Films GmbH, Germany, Filmstiftung NRW
Xavier Rombaut, Emerald Films, Belgium, Flanders Image/VAF
Emily Wanja, Visual Asili, Kenya, IFFR - Africa
Alberto Botelho, Novos Sonhos Audiovisuais, Angola, IFFR - Africa
Paul Lwanga Jr, Vilole Images Productions, Zambia, IFFR - Africa
Thomas Woodrow, Furnace Films, LLC, USA, IFP
Jason Orans, Gigantic Pictures, USA, IFP
Rhea Stephenson, Independent Producer, Australia, Indigenous Branch/Screen Australia
Wayne Denning, Carbon media Pty Ltd, Australia, Indigenous Branch/Screen Australia
John Wallace, Black Sheep, Productions, Ireland, Irish Film Board
Heidi Madsen, Paper Dreams Limited, Ireland, Irish Film Board
Michael Rozenbaum, Transfax Film Productions ltd., Israel, Israel Film Fund
Yochanan Kredo, July August Productions, Israel, Israel Film Fund
Aurit Zamir, Gum Films, Israel, Israel Film Fund
Mayumi Sanda, Elephante Inc., Japan, J-Pitch/UNIJAPAN
Kousuke Ono, WA Entertainment Inc., Japan, J-Pitch/UNIJAPAN
Yuki Toyoyama, Esprit Inc., Japan, J-Pitch/UNIJAPAN
Cho Yoon-Jung, BlueMoonPark, South Korea, KOFIC
Always-Han, InOK Films, South Korea, KOFIC
Jang Su-Young, Swimming Pictures, South Korea, KOFIC
Jang Sung-Young, Film Factory nu:n, South Korea, KOFIC
Choi Nak-kwon, CHOICEcut Pictures, South Korea, KOFIC
Sanjay Suri, Anticlock Films, India, NFDC
Ben Rekhi, Ben Rekhi Productions, USA, NFDC
Sandeep A. Varma, ICOMO Advertising India Pvt. Ltd., India, NFCD
Pierre Walfisz, Trompe Le Monde, France, NFDC
Gertjan Langeland, LEV Pictures, The Netherlands, Netherlands Film Fund
Eva Eisenloeffel, Lemming Film, The Netherlands, Netherlands Film Fund
Keren Cogan, Phanta Vision, The Netherlands, Netherlands Film Fund
Natasja Mohrs, Column Film, The Netherlands, Netherlands Film Fund
Ellen Havenith, Column Film, The Netherlands, Netherlands Film Fund
Kristian Eek, Independent Producer, New Zealand, New Zealand Film Commission
Maile Daugherty, Independent Producer, New Zealand, New Zealand Film Commission
Tom Hern, Six String Pictures Ltd, New Zealand, New Zealand Film Commission
Dijana Olcay-Hot, Revolver Media Productions, The Netherlands, Rotterdam Film Fund
Sophie Slabbekoorn, seriousFilm, The Netherlands, Rotterdam Film Fund
Jesse de Jong, JesseFilms, The Netherlands, Rotterdam Film Fund
Kat Hebden, Blindside Productions, UK, Scottisch Screen
Carolynne Sinclair Kidd, Hopscotch Films Ltd., UK Scottisch Screen
Ciara Barry, Digicult Ltd, UK, Scottisch Screen
Sylvia Wilcynski, Lemur Films Pty Ltd, Australia, Screen Australia
Angie Fielder, Aquarius Films, Australia, Screen Australia
Kristina Ceyton, Independent Producer, Australia, Screen Australia
James Leong, Lianain Films, Singapore, Singapore Film Commission
Fran Borgia, Akanga Film Asia, Singapore, Singapore Film Commission
Rajvinder Uppal, Mama-oo Pictures ltd, Canada, Telefilm Canada
Bev Bliss, Moving Films Inc, Canada, Telefilm, Canada
Nicolas Comeau, 1976 Productions, Canada, Telefilm Canada
Ingrid Veninger, pUNK Films, Inc. Canada, Telefilm Canada
Pablo Lamar, Sapukai Cine, Paraguay, Typa
Rodrigo Marin, Propagandacine, Chile, Typa
Fernando A. P. Ruiz, Fábrica de Cine S.R.L, Argentina, Typa
Fabiola Ramos, Independent Producer, Mexico, Typa
Ruben Sierra Salles, Peliculas Prescindibles, Venezuela, Typa
Tom Wood, Wellington Films, UK, UK Film Council
Rachel Dargavel, Steel Mill Pictures, UK, UK Film Council
Rhodri Thomas, Independent Producer, UK, UK Film Council
David Boaretto, Revolution Films, GBR, UK Film Council
Megan S. Wallace, Blirt Ltd / Incendiary Pictures, UK, UK Film Council
Samantha Price, Sparkler Productions, UK, UK Film Council
Julien Sigalas, Stempel, Belgium, Wallonie Bruxelles Images

 

International partners participating in Rotterdam Lab


Ateliers du Cinéma Européen (ACE), France
European Audiovisual Entrepreneurs (EAvE), Luxembourg
Filmstiftung Nordrhein-Westfalen, Germany
Fundación TyPA, Argentina
Independent Feature Project (IFP), USA
Indigenous Branch – Screen Australia
Irish Film Board
Israel Film Fund
J-Pitch - UNIJAPAN
Korean Film Council (KOFIC)
National Film Development Corporation India
Netherlands Film Fund
New Zealand Film Commission
Rotterdam Media Fund, the Netherlands
Scottish Screen, United Kingdom
Screen Australia
Singapore Film Commission
Telefilm Canada
UK Film Council
Vlaams Audiovisueel Fonds, Belgium
Wallonie Bruxelles Images, Belgium

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