Showing posts with label hightlights. Show all posts
Showing posts with label hightlights. Show all posts

25/04/25

Photo London 2025 - Tenth Anniversary Edition @ Somerset House, London - Art Fair Overview

PHOTO LONDON 2025
TENTH ANNIVERSARY EDITION
Somerset House, London 
15 - 18 May 2025

Idris Khan Photography
Idris Khan
Tower Bridge, London, 2012
© Idris Khan, Courtesy the artist and Victoria Miro 

Lucia Pizzani  Photography
Lucia Pizzani 
Acorazada Guerrera, 2020 
© Lucia Pizzani, Courtesy Victoria Law

Chrystel Lebas Photography
Chrystel Lebas
Plant Portraits or Weeds & Aliens Studies Sisymbrium 
irio L.- London Rocket 130 Yellow 130 Magenta 0 Cyan 25s, April 2017 
Courtesy Chrystel Lebas

Photo London marks its 10th anniversary in May with a special edition celebrating London and its rich traditions of photography. The Fair returns to Somerset House, from 15-18 May 2025 with previews on 14 May.
Photo London Founders Michael Benson and Fariba Farshad, said: “We are excited to be welcoming such a strong group of international galleries for our landmark tenth edition at Somerset House, including several that have participated in every Fair since the very beginning, and others returning after an absence especially to celebrate this landmark moment with us. We are set to host our largest ever number of collectors and acquisition groups from across the world, attracted by our special anniversary programme including a major exhibition celebrating London and its rich traditions of photography that platforms the city itself this year’s Master of Photography. This exhibition is a testament to all that Photo London has achieved in its first decade during which we have worked closely with the photography community to establish London as an important global hub for the medium. We also celebrate the important role of the book in the photography ecosystem through the creation of a weekend book market for independent publishers, and further expand our long tradition of support for emerging artists through the launch of the new Positions section of the Fair providing a platform for unrepresented artists supported by collectors.”
PHOTO LONDON 2025 EXHIBITORS

Photo London 2025 has confirmed a strong list of international participants featuring several galleries that have exhibited at every edition of the Fair since 2015 including: Robert Hershkowitz Ltd (Lindfield) bringing a selection of historic images of London; Purdy Hicks Gallery (London) presenting a booth dedicated to women artists; CAMERA WORK (Berlin) showing a curated selection of classic and contemporary masterpieces ranging from Irving Penn’s legendary work ‘Mouth’ to Chris Levine’s portrait of Queen Elizabeth II; and Bildhalle (Zurich) exhibiting a curated booth including rare vintage prints from the 1949 London series by avant-garde Swiss photographer René Groebli.

Several galleries are presenting solo booths, including: ROSEGALLERY (Santa Monica) returning with Tania Franco Klein, the recipient of the Photo London Emerging Photographer award in 2018; Galerie Bacqueville (Lille) showing a selection of previously unseen works by David de Beyter from his series ‘The Skeptics’; Guerin Projects (London) bringing abstract works on the theme of love by British-American Robin Hunter Blake; Polka Galerie (Paris) presenting Platinum palladium prints by Photo London’s inaugural Master of Photography Sebastião Salgado; and UP Gallery (Taiwan) graduating from Discovery to the main gallery section with a solo presentation of unique works by Taipei-based Mia Liu.

Amongst the galleries celebrating the tenth edition of Photo London with a highlights presentation of greatest hits from the last ten years is Peter Fetterman Gallery (Santa Monica), whilst Amar Gallery (London) presents work by Dora Maar, the Surrealist photographer immortalised as Pablo Picasso's ‘Weeping Woman’ and the official photographer to the Black Panther Party, Stephen Shames. The Music Photo Gallery dedicate their booth to classic images of musicians including Bob Dylan and John Lennon and Podbielski Contemporary (Milan) return with a focus on the Middle East including works by Shadi Ghadirian (Tehran), Rania Matar (Lebanon), Steve Sabella (Palestine) and Yuval Yairi (Israel) creating a dialogue between cultures, faith and current realities.

A strong Latin and South American focus is present at the fair with Bendana-Pinel (Paris) and ROLF (Buenos Aires) showcasing contemporary artists from the region while David Hill Gallery (London) will bring vintage photographs by Graciela Iturbide. Another Discovery section graduate EUQINOM Gallery (San Francisco) bring a curated booth of women artists using alternative photographic techniques including cyanotypes by Adama Delphine Fawundu and photograms by Klea McKenna, whilst first-time exhibitors Close Gallery (Somerset) showcase work by Canadian artist Carali McCall who will also do a live performance at the Fair.

2025 sees the return of the special partnership with TurkishBank UK that brings exciting galleries from the region to London including Vision Art Platform, Kairos and Simbart Projects (all Istanbul) who will bring a solo booth of Begüm Mütevellioğlu including unseen work using a gum bichromate photography technique that will allow her to merge photographic print with painting. Belmond returns to Photo London with the second instalment of its acclaimed ‘Belmond Legends’ series, which commissions evocative travel photography "As Seen By" world-renowned artists. For 2025,

Belmond presents an exclusive solo exhibition by renowned American photographer Colin Dodgson. This original collection chronicles extraordinary journeys aboard two of Belmond’s iconic sleeper trains: the Andean Explorer, which winds through the majestic high Andes of Peru, and the Eastern & Oriental Express, which meanders through the lush Malaysian jungle. The Peru series is hand-printed by the artist and an accompanying collectible art book of Colin Dodgson's Andean Explorer series, along with previously unseen images, will be published by the esteemed Parisian art house RVB Books. The book will be available through RVB Books' global distribution network, including select bookstores, galleries, and online platforms.
Photo London Director, Sophie Parker, said: “While we are a photography specific fair, the works exhibited go far beyond images hung on walls. Photography can include sculpture, painting, performance, fabric, moving image, and even sound, and at Photo London we celebrate photography as an art object in all its forms. For our tenth anniversary edition I’m incredibly excited to see such a strong group of presentations by galleries from all over the world and I look forward to welcoming a mix of old friends and new faces to Somerset House.”
PHOTO LONDON 2025: DISCOVERY

Photo London’s Discovery section is widely regarded as one of the world’s leading platforms for emerging photographers and galleries. Curated by the critic and author Charlotte Jansen, Discovery once again promises to be a highlight of the Fair featuring around 20 galleries including exciting newcomers such as Mortal Machine Gallery (New Orleans) showcasing Bee Gats, a photographer developing a reputation for his gritty, raw and unfiltered portraits of Miami's underground. Other highlights include Victoria Law (London) bringing Venezuelan-born Lucia Pizzani whose photo-based works and sculptures tells stories about colonialism and nature through her use of charged materials such as pre-Hispanic tree bark paper, Contour Gallery (Amsterdam) showcasing late career artist Margriet Smulders who creates beautiful, large-scale tableau with flowers riffing on Dutch traditions in painting, and Roman Road (London) presenting Polina Piech, who graduates from the RCA this year, and is interested in capturing the movement of natural environments, working like a painter ‘en plein air’.
Photo London Discovery section Curator, Charlotte Jansen, said: “The Discovery section at Photo London has always been, for me, the most exciting area of the Fair. As the name implies, it’s where you might find things that you’ve never seen before, which is quite a rarity these days, given our image-saturated culture. I am excited to see a sharp shift away from portraiture towards semi-abstraction and abstraction across many booths this year and to witness the ways contemporary artists are using the camera in a painterly way, like a brush, with captivating results.”
PHOTO LONDON 2025: POSITIONS

Photo London’s Positions is a unique initiative that aims to extend Photo London’s role as a champion of emerging talent. Curated by arts patron and founder of the ISelf Collection, Maria Sukkar, Positions is a distinct section within the Fair that constitutes a significant platform for unrepresented photographic artists. Positions offers a truly unique opportunity for a group of collectors and patrons of the arts to play an invaluable role to support unrepresented artists to show their work side-by-side with galleries in a traditional art fair format. Positions features an exciting group of artists including Adam Rouhana, Giulia Mangione, Tim Rudman, Roberto Conde, Bibi Setareh Manavi, Kalpesh Lathigra and Aikaterini Gegisian.
Photo London Positions Curator, Maria Sukkar, said: “I’m incredibly excited about Positions – it’s such a bold and forward-thinking initiative that feels especially needed right now. Photography, as a medium, is still burgeoning in terms of the market, and galleries are often hesitant to take on photographers until much later stages in their careers. This section fills that gap by providing a vital platform for unrepresented talent, offering them the recognition and opportunities they might not otherwise have. Ultimately, my hope is that Positions not only elevates these voices but also reshapes how collectors and curators engage with emerging photographers, solidifying its place as a catalyst for innovation within the art fair model.”
PHOTO LONDON 2025: SPECIAL EXHIBITION ‘LONDON LIVES’

Presented in both the Embankment East & West Galleries at Somerset House, the special exhibition ‘London Lives’ curated by critic and author Francis Hodgson features a dazzling array of creative responses to the City by around 30 of its leading image makers including David Bailey, James Barnor, Antony Cairns, Jamie Hawkesworth, Hannah Starkey, Joy Gregory, Nadav Kander, Idris Khan, Rut Blees Luxemburg, Christian Marclay, Mary McCartney, Simon Roberts, Mitra Tabrizian and Nick Turpin. The exhibition also includes new commissions from Heather Agyepong, Jermaine Francis and Hannah Hughes, whose work will also be published exclusively in the FT Magazine as part of Photo London’s longstanding partnership with FT Weekend. This ambitious and wide-ranging exhibition is both an ode to London and the photography it has inspired.
Curator of ‘London Lives’, Francis Hodgson, said: “For a few days in the spring of every year, Photo London has ruled over London from its great palace on the Thames. As we celebrate its tenth anniversary, we remember that is just the point. Photo London is not a virtual fair, anywhere. Its participants – photographers, publishers, galleries and the rest – come from all over the world and have turned their eyes on every part of it and all its goings-on. But it remains a London fair, anchored in its host city. So we thought for the anniversary we’d celebrate London and what people get up to there. London, like all the really great cities in the world, has something of everything, and people from everywhere. Call it a melting-pot if you want; but we simply call it ‘London Lives’. The more the merrier.”
PHOTO LONDON 2025: BOOK MARKET

For the 2025 edition of Photo London, Ben Goulder curates the Fair’s first weekend Book Market (15-17 May) championing the vibrant and diverse communities of independent publishers and showcasing their artistry and vision on a global stage. London is a hub for independent arts publishing, and this new space features a broad selection of photography and arts publishing – from larger publications to zines, pamphlets, and other ephemera—with the aim of bringing diversity and innovation to the Photo London audience.

Highlights include 'Terminating Martin' Parr by Tom Pope, a conceptual debut publication from Folium Publishing that documents a 7-hour performance where Tom Pope destroyed 17 photographs by Martin Parr, Gareth McConnell’s 'Details of Sectarian Murals' published by Sorika that turns Northern Ireland’s strident political murals into mesmerising abstractions, and 'State of Emergency' by Max Pinckers that is the result of a decade-long collaboration with Mau Mau freedom fighters and survivors of colonial violence in Kenya.
Photo London Book Market Curator, Ben Goulder, said: “This initiative aims to bring together the best in photography publishing. From experimental approaches to photo book publishing, queer zines, risography, and artist monographs, the market highlights publishers who are pushing the medium forward. It is a celebration of print as a dynamic, time-based artform that bridges disciplines and fosters connections, while also emphasising the importance of small presses and DIY approaches to making publications.”
PHOTO LONDON 2025 AWARDS

Since its inception Photo London has run an annual award for an outstanding artist. In many cases the winner of the award has gone on to achieve significant international recognition such as the 2021 winner Heather Agyepong. For each of the past five editions the award has been presented in partnership with Nikon. 

In 2025 the Photo London x Nikon Emerging Photographer of the Year Award again highlights outstanding emerging photographers with shortlisted work presented in a special display at the Nikon Gallery at the Fair.

The Photo London x Hahnemühle Student Award returns to the Fair for the third time. Working with UK universities offering photography degrees, the award highlights the most exciting early-career talent within the industry, bringing their portfolios to international attention. The shortlisted students are granted the opportunity to print 5-10 artworks on their preferred Hahnemühle papers and present them in a dedicated exhibition at Photo London 2025. The winner is further awarded with a trip to the Hahnemühle mill in Germany to produce a new body of photographic work.

PHOTO LONDON 

19/04/25

Expo Chicago 2025 Hightlights

EXPO CHICAGO 2025 
Navy Pier’s Festival Hall
April 24 – 27, 2025

Featuring over 170 leading galleries from 36 countries and 93 cities, this year’s fair debuts CONTRAST, a new section curated by Lauren Haynes, and showcases a special collaboration with the Galleries Association of Korea (GaoK), alongside standout presentations across the core Galleries section, EXPOSURE and PROFILE. 
“It is a privilege to welcome such a remarkable lineup of artists and galleries to EXPO CHICAGO 2025,” said Tony Karman, President and Director of EXPO CHICAGO. “As part of the Frieze network of fairs, EXPO CHICAGO showcases dynamic presentations that amplify Chicago’s standing as a premier cultural destination. Our sincere gratitude goes to Northern Trust, whose support allows us to continue our commitment to fostering meaningful dialogue through both contemporary and modern art.”
EXPO CHICAGO 2025: CONTRAST

Curated by Lauren Haynes, Head Curator, Governors Island Arts and Vice President for Arts and Culture at the Trust for Governors Island, CONTRAST brings together eight contemporary galleries each presenting artists whose work explores contrasts in culture, identity, and experience.
“CONTRAST will include a vibrant selection of galleries featuring work by artists, including Devan Shimoyama, Esther Mahlangu, Wangari Mathenge, Fahamu Pecou and Chico da Silva, whose work highlights diverse perspectives through visual storytelling” said Lauren Haynes. “This special section seeks to explore contrasts in culture, identity, and experience, with each artist contributing their unique voice to the dialogue. CONTRAST is designed to spark conversation around the artists and artworks on view.”
The full lineup of presentations includes:

- A special presentation by Gray titled So Be It! Asé! Photographic Echoes of FESTAC '77 featuring photographs by members of Chicago’s Black Arts Movement Roy Lewis, Bob Crawford, and K. Kofi Moyo. The presentation is curated by Chicago-based art historian Romi Crawford and unveils documentation of the U.S. delegation to FESTAC '77, the Second World Black and African Festival of Arts and Culture, held in Lagos, Nigeria.

- A presentation by Jenkins Johnson Gallery of paintings & painted sculptural objects by multidisciplinary artist and cultural ambassador Dr. Esther Mahlangu, who draws from the abstract geometric mural tradition of the Ndebele people of South Africa; pseudoabstract, organic fibers sculptures by Nnenna Okore; expressionistic representational paintings by Enrico Riley; gestural abstract paintings by Patrick Alston; and poetic, traditional black and white photographs by Andre D. Wagner.

- A solo presentation of new paintings by Chicago-based, Kenyan artist Wangari Mathenge presented by Pippy Houldsworth Gallery. The new body of work titled ReMembering delves into an expansive study of Kenyan, specifically Kikuyu, culture, history and language within a social and political context impacted by the legacy of colonialism.

- Work by Brazilian Indigenous artist Chico da Silva, known for his vibrant portrayals of Amazonian creatures, mythological figures, and personal visions, presented by Galeria MaPa.

- A dual-artist presentation featuring Mexican sculptor Paula Cortazar and French textile artist Isabelle D presented by Gallery Nosco.

- A presentation by De Buck Gallery of several newer works from Devan Shimoyama’s Barbershop and Tarot Series as well as a selection of brand new works by Gommaar Gilliams.

- A group presentation featuring artists Fahamu Pecou, Cosmo Whyte, and Thornton Dial presented by Johnson Lowe.

- A group presentation by Melrose Gallery featuring Pascal Konan, Papytsho Mafolo, Mederic Turay and Clint Strydom.

EXPO CHICAGO 2025: EXPOSURE

Curated for the second year by Rosario Güiraldes, Curator of Visual Arts at the Walker Art Center in Minneapolis, EXPOSURE spotlights solo and two-artist presentations from galleries ten years and younger. This year’s focus includes galleries from Latin America, particularly Argentina and Brazil, alongside emerging Chicago-based galleries.

Highlights include:

- New paintings by abstract contemporary artist Richard Tinkler, presented by 56 Henry.

- A dual-artist booth featuring Los Angeles based sculptors Maddy Inez and Josh Cloud that engages with elemental materials sourced from the earth in Southern California, presented by Megan Mulrooney.

- A dual-artist presentation of Jimmy Beauquesne and Tyler Christopher Brown presented by Fragment.

- A solo presentation with Chicago-based artist Soo Shin featuring a large-scale installation alongside sculptures and canvases, presented by PATRON.

- A dual-artist exhibition of Kwaku Osei Owusu Achim and Tariq Oliver, two emerging artists with a shared reflection on language, meaning, and memory, presented by Omenai Gallery.

- A solo-booth of Gabriel Martinez. who had an exhibition at the Leather Archives & Museum in Chicago this year, presented by Bill Arning.

- A solo presentation of renowned Brazilian artist Denise Milan, by Zielinsky.

- A solo booth of Jamaican artist Simon Benjamin presented by Swivel Gallery exploring the ocean as a framework for investigating trade, ocean travel, importdominant consumerism, among other neo-colonial relationships.

- A dual-artist presentation by Rivalry Projects of midwestern artists Jen Everett and Ryan Patrick Krueger considering knowledge in queer and Black communities.

EXPO CHICAGO 2025: ACROSS THE FAIR

Notable solo and dual-artist presentations include:

- A selection of iconic early photographs by Rashid Johnson alongside works by Ebony G. Patterson, presented by moniquemeloche.

- A selection of works by Sergio Sister and Thiago Barbalho presented by Nara Roesler. The booth features works produced by Sergio Sister between 1967 and 1971, created during his confinement as a political prisoner during Brazil's military dictatorship.

- An installation by acclaimed interdisciplinary artist Deborah Oropallo presented by Catharine Clark Gallery.

- A solo presentation by ACA Galleries of multimedia Afro-Caribbean American portrait artist, Kandy G Lopez, in her first exhibition in Chicago.

- A solo presentation of renowned artist Juanita Guccione by Weinstein Gallery.

- A solo booth of new sculptures and prints by Vietnam born artist Vy Trinh who lives and works in Philadelphia, presented by Galerie Quynh.

Highlights of group or thematic presentations from notable galleries include: 

- A thematic presentation of artists Melanie Flood, Amanda Ross-Ho, and Evan La Londe by ILY2 considering the prop as a tool of destabilization.

- Michael Rosenfeld Gallery will present the work of Romare Bearden, Bob Thompson, Betye Saar, and Beauford Delaney.

- A presentation by Rhona Hoffman of politically engaged artists centered around three themes: Nature & the Environment with Spencer Finch, Julia Fish, Jacob Hashimoto, Judy Ledgerwood, and Martha Tuttle; Mass Media & Identity with Derrick Adams and Amanda Williams; and War, Violence & Inequality with Gordon Parks, Bassim AlShaker, and Brian Maguire.

- Prints by esteemed contemporary artists Katherine Bernhardt, Elizabeth Peyton, Tschabalala Self, Cecily Brown, and Mel Bochner, presented by Two Palms.

- Works by color-field artists Helen Frankenthaler, Morris Louis, and Kenneth Noland presented by Yares Art.

- A presentation of work by historic 20th century artists Agnes Pelton, Louise Nevelson, and Raymond Johnson, focusing on desert transcendentalism, presented by Addison Rowe Gallery.

- A presentation of historic Afro-Brazilian artists Agnaldo Manuel dos Santos, Mestre Didi, Heitor dos Prazeres, and Rubem Valentim alongside contemporary artists Lídia Lisboa, Maxwell Alexandre, No Martins, and Sidney Amaral, considering ancestral power of the Black community in Brazil, presented by Millan and Almeida & Dale.

- A selection of works by prominent Australian First Nations artists Emily Kam Kngwarray, Warlimpirrnga Tjapaltjarri, Rover Thomas Joolama, Barbara Weir and Naata Nungurrayi paired with legendary Dutch artists Karel Appel and Marcel Pinas, presented by SmithDavidson.

- A reimagination of the 1946 art brut installation at Galerie Rene Drouin, inspecting Jean Dubuffet’s relationship to Chicago and Chicago’s relationship to ‘outsider’ art, presented by The Gallery of Everything.

EXPO CHICAGO 2025: HIGHLIGHTS FROM KOREA

In a significant new partnership, EXPO CHICAGO introduces a collaboration with the Galleries Association of Korea (GaoK), to present a selection of 20 leading Korean galleries within the fair’s core Galleries section. This initiative, supported by the Ministry of Culture, Sports and Tourism and Korea Arts Management Service, builds on the successful synergy between Kiaf SEOUL and Frieze. 

A selection of highlights includes:

- Digital prints by YOON Hyangro that transform pop culture imagery into abstraction by erasing characters and text presented by ONE & J. Gallery.

- PYO Gallery will present The Stillness of Water: Tschang-Yeul Kim’s Final Reflections on the Flow of Life, prominently featuring the artist’s images of water droplets and the contemplations on the concept of water itself.

- A group exhibition From Blindness to Awareness presented by Lee & Bae featuring mixed media works by atelierJAK, Hyojin Park, Lee Sangmin, Jinwook Yeom, and Janghee Jang that explore transformation and perception, including Yeom’s laborintensive embroidery-like paintings.

- Works by Korean artists Jimok Choi, Suzanne Song, and Lee Jaeseok, Kim Doki, Belgian artist Koen Van Den Broek, and Japanese artist Yuichi Hirako, presented by Gallery Baton.

- Abstract paintings by Kwak Hoon and Lee Jung-ji that explore human affairs through layered textures and expressive forms presented by Sun Gallery.

- Masterpieces of six Korean masters Park Seobo, Lee Ufan, and Yun Hyongkeun, presented by WELLSIDE Gallery.

- The works of Yoo Geun-young, a mid-career artist from Daejeon who captures Korea's turbulent history through unfamiliar shapes, vivid colors, and contrasting textures, presented by Gana Art.

- Oil and mixed media impasto paintings by Lee Jaehyun that use thick layers of matiere to evoke personal memories and emotional landscapes presented by GalleryJoeun.

- Hyper-realistic oil and sand paintings on board by Kangyong Kim that simulate photographic realism while questioning perception and illusion presented by The Columns Gallery.

EXPO CHICAGO 2025: PROFILE

PROFILE presents solo booths and focused projects by established international galleries. Showcasing ambitious installations and tightly focused thematic exhibitions, this section features major projects by a single artist or collective.

Presentation highlights include:

- Corbett vs. Dempsey will present a solo booth featuring a selection of historical prints by Diane Simpson. Created over a period from the mid 1970s to the early 1980s, most of these extraordinary works on paper have never been exhibited. Deploying various techniques including collagraphy and collage, the works' images consist of some of the same types of forms Simpson would explore over the subsequent five decades: architectural shapes and ideas drawn from women's clothing. The earliest prints are uncommonly vivid, later ones more subdued, in browns, blue, and grey tones. Made in tiny editions, some in fact unique, these printworks allude directly to the artist's work in three dimensions; one of them was designed to be cut out and folded into a kind of origami sculpture. Diane Simpson (b. 1935) is one of the great artists to emerge from the Imagist period of Chicago art, however, although she studied with Ray Yoshida and was dear friends with Barbara Rossi and Christina Ramberg, she was not herself an Imagist. Her earliest shows were at the legendary Phyllis Kind Gallery, and she has continued to make all her work in her studio in Wilmette. Simpson will be the subject of a major retrospective starting in 2026 at the Sara Hildén Museum in Tempere, Finland, traveling to Mumok in Vienna, Austria in 2027. In October of this year, on its Bluhm Terrace, the Art Institute of Chicago will present Simpson's first ever exhibition of outdoor sculpture.

- A solo presentation of new paintings by Sam Jablon presented by The Pit loosely rooted in themes of lightness and frivolity with mantras such as “No Bad Days” and “Don’t Panic” adding both humor and levity to the work.

- A solo presentation by Charlie James of new paintings and drawings by Manuel López informedf elements found around his environment: from his home, his neighborhood, and studio.

- New work by Los Angeles-based artist Ben Crase presented by PIERMARQ*. Born in the midwest, Crase invents whimsical scenes inspired by his hometown of Butte, Montana and his subjects are living testaments to the eccentricities of the isolated area.

- A solo-booth of Chicago-born Caitlin Cherry by The Hole.

- A large scale installative booth of work by Sami Tsang featuring a free-standing ceramic work and wall drawing by Claire Oliver Gallery.

- New sculptures made with hair-bonding glue by Trinidadian-American artist Allana Clarke, presented by Library Street Collective.

- A solo display of geometric works by Italian artist Esther Stocker presented by Alberta Pane.

Expo Chicago 2025
EXPO CHICAGO 2025

26/05/24

Best of German & Pop Art Auction @ Ketterer Kunst, Munich - 70th Anniversary Auction

Best of German & Pop Art 
Ketterer Kunst, Munich 
Anniversary Auction June 7/8, 2024 

The seventieth anniversary of KETTERER KUNST is celebrated with a sensational array of works. The highest estimate price tag in the house’s history has been put on Alexej Jawlensky’s marvelously elegiac "Spanische Tänzerin" in a blazing red dress, called up in the Evening Sale on June 7. Made in 1909, the pivotal work from the formative years of German Expressionism, in private hands for over ninety years, had only been known from a black-and-white photograph. Estimated at 7 to 10 million euros, it is particularly convincing for the fact that it is new to the market, as well as for the highly stylized Murnau landscape study it boasts on its reverse. A second market sensation is Ernst Ludwig Kirchner's "Tanz im Varieté" from 1911, a time when the artist group "Brücke" set out to revolutionize the art world from its new base in Berlin. With unknown whereabouts for a long time, its existence was only documented by a black-and-white photo. Family-owned for eighty years, it is now up for sale at an estimate of 2 to 3 million euros.

Traditionally, German Expressionism is among Ketterer Kunst's core fields of expertise. Accordingly, the strong range of works in both our Evening Sale and Day Sale (June 8) featuring key works of Erich Heckel, Karl Schmidt-Rottluff, Max Pechstein, Heinrich Campendonk and Gabriele Münter, most of which are priced in five- to six-figure realms. In addition, the auction also includes works on paper from the legendary Hermann Gerlinger Collection, which Ketterer Kunst has sold over the past three years.

Savvy collectors and informed investors alike will find plenty of reasons to make a purchase in this anniversary auction, reflecting on the singularity of an artwork even in challenging times and duly assessing its quality, provenance and novelty on the market. And eventually seize the opportunity. Needless to say this is also true for works of post-war and contemporary art, works like those of Ernst Wilhelm Nay from the 1960s as well as Konrad Klapheck's machine paintings (an artist for whom Ketterer Kunst set a new price record in the last auction). There is still more, for example, a large-scale "Finger Painting" by Georg Baselitz from 1972 and a portrait that Gerhard Richter made of his artist friend Günter Uecker in a grayish sfumato in 1964.

In addition to a number of Kirchner objects, a remarkable private collection compiled with intellectual focus and curiosity, includes a series of Henry Moore sculptures. In the course of a lengthy relationship with the artist, Dr. Theo Maier-Mohr has acquired 'Sheep Pieces' that include maquettes and large outdoor sculptures, as well as prime pieces of Moore's 'Family Groups', hence covering and honoring the central themes that drove the great sculptor.

This time around, we also put a strong focus on American Pop Art, however, rather in terms of quality than quantity. The key piece in this array is a monumental, ironically provocative motif by James Rosenquist ("Playmate", 1966), while Andy Warhol's complete series of ten color silkscreens "Flowers" from 1970 and an impressive wall sculpture by the late Pop veteran Frank Stella follow suit. Robert Rauschenberg, a decidedly flexible maverick among the pop art rebels, quickly found his own path. The evidence we provide in our auction is the bicycle ("Bicycloid VII", 1992) with colored neon tubes, which is now doing its rounds in an auction for the very first time. 

Highlights Contemporary Art

James Rosenquist
James Rosenquist 
Playmate, 1966 
Oil on canvas in four parts, wood, metal wire 
Estimate price: € 1,000,000 - 1,500,000
Photo courtesy of Ketterer Kunst

Rare on the auction market: Striking eroticism in an over-sized format from the heyday of American Pop Art. The work "Playmate" (1966) by James Rosenquist - the protagonist of American Pop Art with a great sense of humor – was part of the legendary "Playboy" magazine campaign "Playmate as Fine Art" in 1967. Other contributing artist were, among others, Andy Warhol, Tom Wesselmann and George Segal.

Andy Warhol
Andy Warhol 
Flowers (10 sheets), 1970 
10 color silkscreens 
Estimate price: € 800,000 - 1,200,000
Photo courtesy of Ketterer Kunst

Andy Warhol's ten-part series "Flowers" is another icon of American Pop Art and rarely comes to the market as matching set. 

Georg Baselitz
Georg Baselitz  
Finger Painting - Birch, 1972 
Oil on canvas.
Estimate price: € 800,000 - 1,200,000
Photo courtesy of Ketterer Kunst

Georg Baselitz's "Finger Painting - Birch" from 1972 is one of his early works with the characteristic "upside down" motif. Works from this pioneering creative phase are extremely rare.

Henry Moore
Henry Moore 
Working Model for Sheep Piece, 1971 
Bronze with green-brown patina.
Estimate price: € 600,000 – 800,000
Photo courtesy of Ketterer Kunst

One of Henry Moore's rare large-scale outdoor sculptures on the auction market. Further casts of our work can be found in museum collections in California, Michigan and Japan. Part of the same German private collection since its creation. Further works from the Dr. Maier-Mohr Collection are offered in the Evening Sale and the Contemporary Art Day Sale on Friday, June 7, 2024, as well as in our Modern Art Day Sale on Saturday, June 8, 2024 (see extra catalog "A Private Collection - Dr. Theo Maier-Mohr"). 

Gerhard Richter
Gerhard Richter 
Herr Uecker, 1964 
Oil on canvas.
Estimate price: € 450,000 – 650,000
Photo courtesy of Ketterer Kunst

Gerhard Richter's sought-after early black-and-white paintings from the 1960s are based on photographs. Richter subsequently "inpainted" his motifs in the moist paint enlarged to the dimensions of the canvas, dissolving the contours into soft blackand-white modulations. The famous painterly blur that would become his artistic trademark, first appeared in Richter's paintings of the early 1960s. Gerhard Richter's portrait of his fellow artist and friend Günther Uecker, the important "ZERO" protagonist, was created in the context of a small series of portraits that Richter created on the initiative of the legendary Düsseldorf gallery owner Alfred Schmela for his first solo exhibition in September 1964. "Herr Uecker" is one of the last early Richter portraits still in German private ownership.

Ernst Wilhelm Nay
Ernst Wilhelm Nay 
Ene mene ming mang. 1955 
Oil on canvas 
Estimate price: € 400,000 – 600,000 
Photo courtesy of Ketterer Kunst

Ernst Wilhelm Nay's painting "Ene mene ming mang" is of museum quality, showing a particularly harmonious color scheme in a large format from the group of the famous "Scheibenbilder" (Disk Paintings). As early as in 1957, Nay showed two works from this series in the exhibition "German Art of the Twentieth Century" at the Museum of Modern Art. Comparable works can be found in, among others, the Museum Folkwang, Essen, the Bavarian State Painting Collections, Munich and the Solomon R. Guggenheim Museum, New York. 

Frank Stella
Frank Stella 
The Pequod Meets the Rosebud (D-19, 1X), 1991 
Mixed media on aluminum 
Estimate price: € 200,000 – 300,000
Photo courtesy of Ketterer Kunst

As an important representative of Minimal Art and Abstract Expressionism, Frank Stella's work "The Pequod Meets the Rosebud (D-19, 1X)" from the important Moby Dick series unfolds an overwhelming expansive monumentality with an explosion of form and color.

Robert Rauschenberg
Robert Rauschenberg 
Posse Stir (Galvanic Suite), 1989 
Mixed media. Acrylic and lacquer on galvanized steel 
123,5 x 306 cm, incl. the original frame.
Estimate price: € 200,000 – 300,000
Photo courtesy of Ketterer Kunst

Robert Rauschenberg
Robert Rauschenberg 
Bicycloid VII, 1992 
Bicycle, with colored neon tubes on aluminum base. 151 x 190 x 56 cm.
Unique piece from a series of 7 bicycle sculptures.
Estimate price: € 100,000 – 200,000 
Photo courtesy of Ketterer Kunst 

Robert Rauschenberg's collaged compositions realized in silkscreen were groundbreaking for Pop Art. Our Evening Sale includes both a large-format radiant work from Rauschenberg's important "Galvanic Suite" (1988-1991) as well as the bicycle sculpture "Bicycloid VII", a futuristic hybrid between ready-made and neon sculpture. Both works were acquired directly from the artist through the Swiss gallery Jamileh Weber and have been part of an important southern German private collection since.

Konrad Klapheck
Konrad Klapheck 
Die Technik der Eroberung, 1965 
Oil on canvas 
Estimate price: € 180.000 – 240.000 
Photo courtesy of Ketterer Kunst 

'Die Technik der Eroberung' is a masterful presentation of a surreal puzzlement as a symbol of a sensual-erotic quest. Konrad Klapheck tells a story of seduction in subtle colors with surprising accents in green and red. The work has featured in several important Klapheck exhibitions since 1966 

Highlights Modern Art

Alexej von Jawlensky
Alexej von Jawlensky 
Spanische Tänzerin, 1909 
Oil on cardboard
Estimate price: € 7,000,000 – 10,000,000 
Photo courtesy of Ketterer Kunst 

"Spanische Tänzerin” (Spanish Dancer) - An ecstatic and exuberant expressionist masterpiece by Alexej von Jawlensky. In 1909, he was at the absolute peak of his creativity. Paintings from this short and colorful creative phase are almost exclusively owned by international museums today. A powerful avant-garde double strike: the radiant, highly stylized oil study on the reverse is reminiscent of the painting "Murnauer Landschaft" from 1909, created in a smaller format the same year, it is part of the collection of the Städtische Galerie im Lenbachhaus in Munich today. Shortly after it was made, the painting found a home in the renowned modern art collection of Josef Gottschalk in Düsseldorf, and remained in the family for over nine decades. 

Ernst Ludwig Kirchner
Ernst Ludwig Kirchner 
Tanz im Varieté, 1911 
Oil on canvas
Estimate price: € 2,000,000 – 3,000,000 
Photo courtesy of Ketterer Kunst

Spectacular rediscovery: Ernst Ludwig Kirchner's "Tanz im Varieté" has been hidden in a German private collection for 80 years. Until now, the work was only known from a black-and-white photograph. The grand painting from the best "Brücke" period was part of the seminal "Brücke" exhibition at the Fritz Gurlitt Art Salon in Berlin (1912) shortly after it was created.

Heinrich Campendonk
Heinrich Campendonk 
Landschaft mit Tieren, around 1913 
Oil on cardboard, laid on fiberboard and mounted on the stretcher
Photo courtesy of Ketterer Kunst 

Heinrich Campendonk's "Landschaft mit Tieren" (Landscape with Animals), around 1913, dates from the artist's most innovative creative period: he showcased his talent in exhibitions of the "Blue Rider" and the Rhenish Expressionist in 1911 and 1913. In dialog with Franz Marc, he developed his distinctive pictorial language. This largeformat work was presented in major exhibitions at the leading galleries of the time (Walden and Flechtheim) and is now offered with an estimate price of € 600,000 - 800,000.

Ernst Ludwig Kirchner
Ernst Ludwig Kirchner 
Im Wald, 1910 
Oil on canvas
Estimate price: € 400,000 – 600,000
Photo courtesy of Ketterer Kunst 

Erich Heckel
Erich Heckel 
Zwei Menschen im Freien, 1909/10 
Oil on canvas
Estimate price: € 400,000 – 600,000 
Photo courtesy of Ketterer Kunst 

A rare opportunity! Erich Heckel, Ernst Ludwig Kirchner and Max Pechstein spent the summer of 1910 at the Moritzburg Ponds with a number of friends and models, painting in the woods and by the ponds. In the forests and lakes around Moritzburg, the artists occasionally set up their easels in a row to capture one and the same scene, which explains why the naked couple in Kirchner's painting "Im Wald" is also depicted in Heckel's "Zwei Menschen im Freien".

Hermann Stenner
Hermann Stenner 
Kaffeegarten am Ammersee, 1911 
Oil on canvas
Estimate price: € 90,000 – 120,000
Photo courtesy of Ketterer Kunst 

From the Hermann-Josef Bunte Collection: This auction puts Stenner in the foreground with 14 important works from a total of 27 lots from the Bunte Collection. In addition, works by other artists from the Hölzel circle are also on offer. Ackermann, Kinzinger, Graf, Eberhard, as well as works by Sagewka and Böckstiegel again.

In "Kaffeegarten am Ammersee", Stenner boldly combined impressionist lightness and bright colors with highly concentrated surfaces. This works should become one of his most accomplished paintings from the summer sojourn in Dießen on Lake Ammer.

Highlights 19th Century Art

Max Liebermann
Max Liebermann 
Die Colomierstraße in Wannsee, 1917 
Oil on canvas
Estimate price: € 200.000 - 300.000 
Photo courtesy of Ketterer Kunst 

After the outbreak of World War I in 1914, the house on Wannsee, hidden in the picture on the right, became Max Liebermann's artistic retreat. This was where he created his most sought-after works. Our painting also boasts an important provenance: it was part of the estate of Albert Janus, important collector and patron of the Folkwang Museum. In 2010, it was exhibited on the occasion of the 100th anniversary of the Liebermann Villa on Wannsee.

Max Liebermann
Max Liebermann 
Wannseegarten - Haus mit roten Stauden, 1926 
Oil on canvas
Estimate price: € 400,000 – 600,000 
Photo courtesy of Ketterer Kunst 

In his celebrated paintings of the garden at his Wannsee villa, Max Liebermann liberated form and color in an unprecedented way. Wannsee paintings of this luminosity are extremely rare on the auction market.

Franz von Stuck
Franz von Stuck
 
Der Engel des Gerichts, around 1922 
Oil on panel
Estimate price: € 100,000 – 150,000
Photo courtesy of Ketterer Kunst 

For over 20 years, Franz von Stuck's " Der Engel des Gerichts" (The Angel of Judgement) was on permanent loan at the Künstlerhaus am Lenbachplatz in Munich. A fascinating interpretation and daring modernization of the age-old motif in the rebellious zeitgeist prevailing at the turn of the century. The work has been privately owned since its creation and is now available on the auction market for the first time.

DATES
June 7, 2024 Contemporary Art Day Sale, Evening Sale in Munich
June 8, 2024 19th Century, Modern Art Day Sale in Munich
Until June 15, 2024 Online Sale - parallel to the saleroom auction

Preview Shows of the Top Lots in Munich
Ketterer Kunst, Joseph-Wild-Str. 18, 81829 Munich
June 1, 2024 12 - 6 p.m.
June 2, 2024 11 a.m. - 5 p.m.
June 3 - 4, 2024 10 a.m. - 6 p.m.
June 5, 2024 10 a.m. - 8 p.m.
June 6, 2024 10 a.m. - 5 p.m.

KETTERER KUNST

22/04/24

Photofairs Shanghai 2024 Hightlights - 9th edition @ Shanghai Exhibition Centre

PHOTOFAIRS Shanghai 2024, 9th edition 
Shanghai Exhibition Centre 
April 25 - 28, 2024 

Xu Haifeng
Xu Haifeng 
Shanghai, 1990s 
© Xu Haifeng
Courtesy of the artist and RUIPIN Gallery

Aoife Shanahan
Aoife Shanahan 
Migration of Silver, 2023 
© Aoife Shanahan 
Courtesy of the artist and Green on Red Gallery

Liz Nielsen
Liz Nielsen  
Daydreamer, 2024 
© Liz Nielsen  
Courtesy of the artist and Elijah Wheat Showroom

Xu Guanyu
Xu Guanyu 
Resident Aliens MG-08112017-03112023, 2023 
© Xu Guanyu 
Courtesy of the artist and Gaotai Gallery

PHOTOFAIRS Shanghai 2024 welcomes 46 exhibitors, comprising local and international galleries, leading arts organizations, and cultural partners. Showcasing the work of more than 150 artists, from well-established figures to emerging talents, PHOTOFAIRS Shanghai 2024 continues to be a meeting point for photography in China, convening a highly-curated selection of exhibitors from Asia Pacific and beyond. 

PHOTOFAIRS SHANGHAI 2024 - GALLERY HIGHLIGHTS

Representing more than 20 cities, including Paris, Beijing, London, New York, Amsterdam, and Tokyo, PHOTOFAIRS Shanghai 2024 features a curated selection of exhibitors in its Main and Platform sectors, from established photography dealers to emerging contemporary galleries presenting innovative work in the photographic medium.

Highlights from this year’s presentations include leading artists and galleries from China and the wider Asia Pacific region, such as ShanghART Gallery’s (Shanghai / Beijing / Singapore) solo showcase of 13 selected works by Singaporean artist Robert Zhao Renhui spanning various long-term projects from across his career, ahead of his representation of Singapore at the Venice Biennale 2024; a presentation by UP Gallery (Hsinchu) of new works by American photographer Anastasia Samoylova from her ongoing project, in which the artist stages imaginary breakfast encounters with luminaries of photography that have inspired her practice; M ART CENTER’s (Shanghai) presentation of new works by Luo Dan from his recently completed No Man’s Land project, which explores our relationship with the world surrounding us; Gaotai Gallery’s (Urumqi) presentation of works by photographer Tian Lin from his series Yamalik Mountain, alongside new works by celebrated artist Xu Guanyu from his ongoing Resident Aliens project, and Ma Hailun’s latest series Kashi Youth, focusing on youth culture in China’s westernmost city; a booth of international artists from Matthew Liu Fine Arts’ (Shanghai) roster, including the likes of Candida Höfer, Valery Katsuba, Flor Garduño, and Yang Yongliang; and X Contemporary Art’s (Changsha) presentation of works by Li Weiyi and Jiang Zhi. 

Elsewhere, RUIPIN Gallery (Shanghai) presents archival works by Meng Minsheng and Xu Haifeng, both documenting urban life in China in the second half of the 20th century; meanwhile C14 Gallery (Shanghai) exhibits leading photographer Mo Yi’s shots of Beijing and Tianjin in the 1980s and 1990s; HART Gallery (Hangzhou) displays new works by Lu Yanpeng and Taca Sui, whose practices examine Chinese traditional culture and how it blends in with the surrounding physical landscape; and Shun Art Gallery (Shanghai / Tokyo) presents a dual show of works by Chinese multimedia artist Maleonn and Japanese photographer Hirotaka Sato. Other leading Chinese galleries presenting at the fair include Three Shadows +3 Gallery (Beijing / Xiamen), presenting works by established artists from the region, including Koo Bohnchang and Yin Yunya; see+ Gallery (Beijing / Shenzhen / Chengdu); and A Thousand Plateaus Art Space (Chengdu).

Highlights from international galleries presenting at the fair include a solo show by leading French artist JR, known for his large-scale black-and-white photography installations, presented by Galleria Continua (San Gimignano & 7 locations), and a group presentation by ATLAS Gallery (London) of classic and contemporary photography from some of the medium’s most celebrated artists, including Hiroshi Sugimoto, Elliott Erwitt, Marc Riboud, William Klein and Terry O. Neil to name a few. Three new international galleries exhibiting for the first time at the fair are also joining this year’s line-up: Galerie Bacqueville (Lille / Vlissingen), presenting a dual show by French artists Thomas Devaux and David de Beyter; Green On Red Gallery (Dublin) presenting the works of Alan Butler and Aoife Shanahan, two Irish artists who both interrogate the boundaries of the medium through a scientific approach, the former documenting plant life through cyanotypes and the latter exposing film to bacteria to create abstractions that highlight the unseen presence of bacteria in photography; and MICK Galerie (Amsterdam), showcasing three emerging Dutch female photographers: Carlie Consemulder, Lotte Ekkel and Nanda Hagenaars.

PHOTOFAIRS SHANGHAI 2024 - PROGRAMMING HIGHLIGHTS

Complementing the booth shows are special presentations by leading cultural institutions and fair partners, alongside a vibrant public and satellite program, offering an expanded view of the photographic medium. 

For this year’s Insights sector, entitled Softness, four galleries from the United States are brought together by PHOTOFAIRS New York Director Helen Toomer to present innovative and multidisciplinary works united by themes of malleability and softness. Ranging from portraits focusing on the delicate forms of the human body and the tenderness of interpersonal interactions, to landscapes highlighting the gentle beauty of the fauna and flora, the exhibition evokes ‘the power of art to bring comfort and reprieve through a multi-sensory experience’. The audience is invited to reevaluate the importance of softness in helping us to make sense of the world around us. Participating exhibitors are: bitforms gallery (New York), presenting digital works by Ellie Pritts and Auriea Harvey; Chela Mitchell Gallery (Washington, D.C.), showcasing portraits by Nate Langston Palmer; Elijah Wheat Showroom (Newburgh), presenting Liz Nielsen’s light paintings, Jon Verney’s Decomposites, and Rhiannon Adam’s collages of large-scale Polaroid emulsion lifts on watercolor paper; and Fahey/Klein Gallery (Los Angeles) showcasing works by the acclaimed Australian duo Honey Long and Prue Stent, exploring the relationship between femininity and the natural world. This exhibition is the first collaboration between PHOTOFAIRS’ editions in Shanghai and New York, facilitating cultural exchange between the fairs to offer audiences an expansive, cross-border view of the photographic medium.

PHOTOFAIRS Shanghai 2024 welcomes back four leading cultural organizations that have contributed to the development of photographic art in its dedicated Culture Spaces sector. The Miguel de Cervantes Library (Shanghai) presents a solo show by Spanish multimedia artist Pilar Albarracín, while the Shanghai Doland Museum of Modern Art (Shanghai) showcases their Annual Report of Chinese Contemporary Photography and Video Arts. Also joining the Culture Spaces sector are Swatch Art Peace Hotel (Shanghai), presenting an exhibition featuring several emerging photographic and video artists who have participated in their residency program, including Zhou Peng, Luo Jian, Marc Aziz Ressang, Yanir Shani, Jeppe Lange and He Yu, and the international photography museum Fotografiska, showcasing works by Swedish-based duo Cooper Gorfer, known for their cross-media collaged portraits of women.

Returning to the fair this year, the Connected sector provides a platform for globally recognized brands to showcase the impact of photography on ventures beyond art, including fashion and luxury. This year’s exhibitors include valued fair partners SIGMA, bringing together the works of legendary Japanese masters Eikoh Hosoe, Daidō Moriyama, and Miyako Ishiuchi in a showcase that reevaluates the equilibrium of time and ritual; KWEICHOW MOUTAI, presenting Water Travels a Thousand Miles, an exhibition inspired by the geographical relationship between the Huangpu River – Shanghai’s main river – and Chishui River where Moutai wine derives from, and featuring artists such as Chen Qi, Dong Wensheng, and Lu Yuanmin; Tmall Luxury and their Seed Project, dedicated to supporting young artists and the development of digital art by featuring multimedia creations from three emerging artists; and Hahnemühle, which celebrates its 440th anniversary by debuting three new digital inkjet artist papers at the fair, alongside works from established artists Yang Yongliang, Yijun Liao, Chen Wei, Lin Zhipeng, Li Qiang and Gai Shaohua presented on more than 10 types of Hahnemühle papers. This year, the fair is also welcome Swedish furniture brand DUXIANA as the VIP Lounge sponsor. A selection of photography works will be displayed in the space, taking inspiration from architect and designer Bruno Mathsson’s 1960 ‘Sommarhus’ (Summer House). 

Beyond the sector, PHOTOFAIRS Shanghai also collaborates with lifestyle social media platform Xiaohongshu to enrich the photography scene in Shanghai during the fair week. A special exhibition space for Xiaohongshu’s Discovery project will be presented at the fair, spotlighting the platform’s outstanding photographers and image creators, alongside the Guide for Photography Art project, linking up with several art institutions in Shanghai to expand the impact of photography and video art, and a newly-launched Visual Portfolio project, inviting the audience to learn more about the exhibitors and their artists. The fair will also launch a limited range of co-branded products with Somma, including canvas bags and craft beers whose design is based on the main visual elements of this edition, echoing the active and open spirit of photography and expressing PHOTOFAIRS Shanghai and Somma’s shared commitment to supporting the continuous development of Shanghai's photography ecosystem.

The fair’s public program is also accompanied by a series of talks, convening leading voices in the field to exchange on the medium’s current issues and relevant topics.

PHOTOFAIRS SHANGHAI 2024 PARTICIPING GALLERIES

A Thousand Plateaus Art Space (Chengdu), ATLAS Gallery (London), bitforms gallery (New York), BONIAN SPACE (Beijing), C14 Gallery (Shanghai), Chela Mitchell Gallery (Washington, D.C.), Elijah Wheat Showroom (Newburgh), Fahey/Klein Gallery (Los Angeles), Galerie Bacqueville (Lille / Vlissingen), Galleria Continua (San Gimignano / Beijing / Les Moulins / Habana / Roma / São Paulo / Paris / Dubai), Gaotai Gallery (Urumqi), Green On Red Gallery (Dublin), HART Gallery (Hangzhou), HTAN GALLERY (Xiamen), Inter Gallery (Beijing), M ART CENTER (Shanghai), Matthew Liu Fine Arts (Shanghai), MAYPARK Gallery (Chengdu), ME ART Gallery (Beijing), MICK Galerie (Amsterdam), Nine Art Gallery (Shenzhen), None Project (Shanghai), Pan-View Gallery (Zhengzhou), PHOTISM (Chengdu), RUIPIN Gallery (Shanghai), see+ Gallery (Beijing / Shenzhen / Chengdu), ShanghART Gallery (Shanghai / Beijing / Singapore), Shun Art Gallery (Shanghai / Tokyo), Three Shadows +3 Gallery (Beijing / Xiamen), UP Gallery (Hsinchu), View Contemporary Art Center (Lanzhou), WhyWhyArt (Shanghai), X Contemporary Art (Changsha)

PHOTOFAIRS SHANGHAI 2024 VISITOR INFORMATION

Thursday April 25, 2-8pm (Collector Preview)
Friday April 26, 12-8pm (Collector Preview)
Saturday April 27, 12-8pm (Public Day)
Sunday April 28, 12-6pm (Public Day)

Shanghai Exhibition Centre, 1000 YanAn Road (C), near Tongren Road

PHOTOFAIRS SHANGHAI

23/12/23

Contemporary Native American Art @ Phillips New York - "New Terrains: Contemporary Native American Art" - Artists & Artworks Hightlights

New Terrains: 
Contemporary Native American Art
Phillips New York 
5 – 23 January 2024

Cara Romero
Cara Romero
Water Memory, 2015
78 x 78 in.
© Cara Romero / Courtesy of Phillips

Phillips presents the exhibition New Terrains: Contemporary Native American Art, curated by Bruce Hartman, James Trotta-Bono, and Tony Abeyta. The exhibition traces the influences of Modernism, Post-War, and Pop Art, contextualizing the evolution of contemporary Native American art from the mid-20th to early 21st centuries. Showcasing over 60 artists across seven decades, the works reflect the socio-political and artistic periods of their creation. Embracing new ideas and expressions, Native American art continues to evolve, with established, emerging, and under-recognized artists sharing their unique visions of Indigenous artistic identity. Full artist list following.

Each curator have garnered considerable recognition within the museum, artist, or private arenas. They have secured numerous, iconic works by a number of the most significant and highly sought-after contemporary Native American artists to date. Dozens of these artists have recently been featured in one-person or group exhibitions at major museums, including The Metropolitan Museum of Art, NY, The Whitney Museum of American Art, NY, The National Gallery of Art, Washington DC, the Nerman Museum of Contemporary Art, Kansas City, Crystal Bridges Museum of American Art, Bentonville, and the Hammer Museum, Los Angeles. Many of these works have here-to-fore not been publicly exhibited, nor have they been made available to collectors, foundations, or museums for acquisition.

Cara Romero, an outstanding contemporary artist-photographer of Chemehuevi descent, seamlessly intersperses narratives of identity, memory, and the intrinsic relationship between land and people. Currently based in Santa Fe, New Mexico, Romero's connection to the Southwest profoundly influences her work. Included in the exhibition is one of her most compelling masterpieces, Water Memory, in a never-before-seen format – a monumental 78” x 78”, edition of 1. This particular artwork encapsulates Romero’s dedicated exploration of cultural imprint and its deep connection to spirituality and the environment. The striking image can be interpreted as a metaphor for immersion in ancestral knowledge and the retention of cultural heritage despite external pressures and societal shifts. Water Memory can be found in the permanent collections of The Metropolitan Museum of Art, Autry Museum, LACMA, Palm Springs Art Museum, Smithsonian NMAI, The Hood Museum, Amon Carter Museum of American Art, Montclair Art Museum, Museum of Indian Arts and Culture, and among prominent private collections.

Dana Claxton
Dana Claxton
Easy Rider NDN, 2022
59.5” x 78.75” x 7”
© Dana Claxton / Courtesy of Phillips

Dana Claxton (b. 1959) utilizes photography, film, video, and performance to explore colonial histories of the United States & Canada, along with issues of Native representation. Her photographs challenge pervasive stereotypes of Indigenous peoples, often employing humor to contradict popularly held views and depictions. Her works can also evoke inspiration and affirmation, asserting First Nations resilience, survival, and identity. Claxton's commanding, large-scale, backlit color transparency depicts fellow artist Iikaakskitowa against a green background, replete with a buffalo skull and lowrider bicycle. She refers to such works as "fireboxes," rather than "lightboxes."

Kent Monkman
Kent Monkman
Death of Adonis, 2010
72” x 120”
© Kent Monkman / Courtesy of Phillips

Kent Monkman (b. 1965) is one of the most provocative North American Indigenous artists. He is also one of the most acclaimed and sought after. Revisiting Western genres of art, such as Albert Bierstadt's "The Last of the Buffalo," Monkman sexualizes, decolonizes, and Indigenizes Bierstadt's iconic depiction. In "The Death of Adonis" he inserts a dying, white cowboy cradled by a tearful Miss Chief Eagle Testicle (Monkman's alter ego). Monkman has subverted and reclaimed Bierstadt's mythologized narrative by introducing Indigenous and queer participants. This masterful and monumental painting echoes the exact dimensions of Bierstadt's work.

Oscar Howe
Oscar Howe
Double Woman (Winyan Nupa), 1962
25” x 21 6/16” (Art) / 39 11/16” x 36 1/16” (Framed)
© The Estate of Oscar Howe / Courtesy of Phillips

Oscar Howe (1915-1983) is among the most highly regarded figures in the cannon of Native American Art. His contribution to the trajectory of stylistic approaches is unparalleled. Double Woman masterfully depicts the female figure suspended in a womb-like bundle of swirling energy. Howe’s work is the most scarce of all his contemporaries and this relatively large, published example is a genuine masterpiece from his most mature period.

George Morrison
George Morrison
Summer Spectrum II, 1958
19” x 50”
© The Estate of George Morrison / Courtesy of Phillips

George Morrison (1919-2000) a Post-War artist, quickly became a regarded figure in New York. He made friendships with and worked alongside Willem de Kooning, Franz Kline, Jackson Pollock and Louise Nevelson. Morrison showed regularly in group shows and had nine solo exhibitions between 1948 and 1960 at Grand Central Moderns Gallery. Summer Spectrum II is an early, seminal example defined by color field variations built from impasto layers of abstraction that predate later delineated horizon landscapes which emerged in his career. Examples of work from this era can be found in the collections of The Whitney, others.

Jaune Quick-to-See Smith
Jaune Quick-to-See Smith
My Heart Belongs to Daddy, 1998
60 x 50 in.
© Jaune Quick-to-See Smith / Courtesy of Phillips

Jaune Quick-to-See Smith, a citizen of the Confederated Salish and Kootenai Nation, is a pioneering force in contemporary Native American art. Quick-to-See Smith’s long and prestigious career has experienced an explosive rise over the past number of years. The artist’s activities have recently led to a highly acclaimed solo retrospective at The Whitney Museum of American Art in NYC this past Spring, 2023. Following this and currently on view, Quick-to-See Smith has curated a landmark exhibition at the National Gallery in Washington DC, the institution’s first show of Contemporary Native American Art in 70 Years. In her major work titled My Heart Belongs to Daddy, the artist excavates the past through painting, mixed media, and collage. My Heart Belongs to Daddy delivers a poignant and thought-provoking critique on cultural appropriation, rather than acculturation, and the commodification of Native American imagery.

Marie Watt
Marie Watt
Trek (Pleiades), 2014
76 x 118 in.
© Marie Watt / Courtesy of Phillips

Marie Watt, a Seneca artist, infuses her creative endeavors with a strong sense of community, heritage, and storytelling. Raised in the Pacific Northwest, Watt draws from her Indigenous perspective and personal experiences to create art that bridges the gap between tradition and contemporary expression. Her work encompasses a diverse range of mediums, including sculpture, installation, and most notably, large-scale textiles that serve as vessels for collective memory and cultural narratives. Watt's important work from 2014, Trek (Pleiades), hangs as a monumental testament to the power of communal storytelling. Through meticulous stitching, the artist combines disparate elements imbued with historical and symbolic significance. Her use of blankets carries a cultural weight, symbolizing warmth, comfort, and inter-personal bonds within Indigenous communities. Throughout Watt's rise in the art world, marked by numerous accolades and exhibitions in prestigious galleries and museums, she remains deeply rooted in her community. Watt engages in community-driven projects, workshops, and educational initiatives, aiming to amplify Indigenous perspectives and empower the next generation of artists.

Calvin Toney
Calvin Toney
Untitled Red Background Textile, 2022
101.5 x 69.5 in.
© Calvin Toney / Courtesy of Phillips

Born in 1987 in Fort Defiance, Arizona, Navajo artist Calvin Toney currently resides and works near Salina, Arizona. He hails from a long and rich lineage of matriarchal artists. Toney’s grandmother (Beth Bitsuie), mother, and aunt are all renowned weavers. It was with these women that he perfected his weaving skills. The extraordinary Navajo weavings of the late 19th century, most especially weavings employing intensely colorful Germantown yarns, have greatly inspired Toney. A meeting in 2019 with Santa Fe based artist Ken Williams Jr. led to a commission to create a very colorful work and ensured Toney’s subsequent weavings would be a riot of color, fearlessly applied. Toney views his weavings as paintings and his influences are myriad, ranging from Italian Renaissance & Modernist architects, Jackson Pollock, Jean-Michel Basquiat, Faberge, and famed Hopi potter, Nampeyo. His large-scale works, such as those in the exhibition, suit Toney's ambitions to envision and express elaborate, encompassing designs. 

Charles Loloma
Charles Loloma
Tufa Cast 14k Gold Hopi Maiden Pendant, 1974
5 x 2 x 1 in.
© Charles Loloma / Courtesy of Phillips

Charles Loloma is one of the most renowned and influential Native American artists in America. Often referred to as The Godfather of contemporary Native American jewelry, his designs were inspired by the iconography of his tribal ceremonialism as well as the cultural origins of the Hopi living in the arid desert of northern Arizona. Loloma's avidly collected pieces are featured in major institutions and were in the prestigious collections of the late Mrs. Dwight D. Eisenhower, Frank Lloyd Wright, Lyndon B. Johnson, and the Queen of Denmark, among many others. Loloma’s innovations in the field set the tone for Native jewelry of the late 20th and early 21st centuries. One of his most important and famed creations, an 18K gold and Lander blue turquoise pendant, is included in this exhibition. This turquoise is one of the largest and highest gem-grade stones to come from one of the rarest turquoise mines in the world. The stone was chosen and meticulously hand carved by Loloma to represent the portrait of a sacred Hopi corn maiden. The maiden herself is a single manifestation created by pouring molten gold into a mold made from a Tufa carving, a traditional practice used in Native American jewelry.

Teresa Baker
Teresa Baker
On a Slant Village, 2022
102” x 112 ½”
© Teresa Baker / Courtesy of Phillips

Teresa Baker's (b. 1985) desire to circumvent the inherent parameters of traditional canvas led her to discover - quite by accident - bright blue AstroTurf at Home Depot. By her own admission she "was blown away." Baker relates her quirky abstract forms to the vast expanses of the Northern Plains, remembered from her youth. She now conjoins the use of synthetic materials with organic ones (buckskin, willow buffalo hide, and parfleche). Baker’s enigmatic constructions are uncannily alluring, visceral, and compelling.

Eric Paul Riege
Eric Paul Riege
jaatloh4Ye’iitsoh [7-8], 2022
132” x 36” x 24”
© Eric Paul Riege / Courtesy of Phillips

Eric Paul Riege (b. 1994) draws inspiration from the generations of Navajo weavers in his family. His works address his philosophies of spirituality, harmony, and interconnectedness. Riege's woven sculptures, wearable art, and durational performances create immersive spaces, as well as intimate objects rendered monumental. Many of his oversized soft sculptures reference Native American/Navajo jewelry. Riege's giant earrings, "jaatloh4Ye'iitsoh(7-8)," are simultaneously unnerving, endearing, and challenging. He strives for his work to "exist as a kind of forest, the objects acting like trees that are swaying."

Fritz Scholder
Fritz Scholder
Sitting Indian, 1972
80” x 68”
© The Estate of Fritz Scholder / Courtesy of Phillips

Fritz Scholder (1937-2005), one of the most critical Native American artists of the 20th Century, was a breakthrough force that stood apart from all of his peers as someone who could bring the concept of “real” Indian to contemporary art dialogue. Scholder's work is frightfully compelling. Through his manipulation of the dichotomy between tradition and modernism, Scholder wrought a completely unique artistic voice and vision. To this day, it remains fresh, bold, and cutting edge. His most iconic works deal with dominant Colonial misunderstandings of cultural identity and Sitting Indian is a monumental and iconic from this highly accomplished period.

Geralyn Montano
Geralyn Montano
The Web of Transformation, 2021-2022
72” x 72”
© Geralyn Montano / Courtesy of Phillips

Geralyn Montano (b. 1961) is inspired by personal experiences relating to cultural and feminist themes. She expresses powerful, deeply emotional ideas and confronts controversial and taboo subjects. The Web of Transformation reflects upon the dark days of the Covid-19 pandemic. Montano’s work is intended as commentary on complicated social, environmental, and political issues - particularly those impacting the indigenous community. Her disparate images question how we are interconnected and interdependent on each other and on nature.

Nicholas Galanin
Nicholas Galanin
Ascension, 2022
72.5 x 52 7.8 x 53 in.
Courtesy the artist and Peter Blum Gallery, New York

Nicholas Galanin is a conceptual artist working from his studio in Sitka, Alaska. His practice traverses a vast spectrum of medias which investigate and converse on ideas of land, identity, repatriation, cultural authenticity, extinction, technology, and the often-conflicting interactions and perceptions between Native and Anglo cultures. Galanin’s work challenges institutions to reconsider their role in telling Indigenous people’s stories. Galanin is one of the most esteemed Native American artists working today. His work has been prominently exhibited in many museums and private collections, such as the National Gallery of Canada, SITE Santa Fe, the Denver Art Museum, the National Museum of the American Indian and the National Gallery in Washington, DC. Ascension, a decorated ladder with wings blending consumer visuals and Indigenous symbols, embodies diverse interpretations within its form. According to the artist, “to ascend means to rise to a position of importance and references the Christian belief in Christ’s ascension to heaven after resurrection. In this light, the sculpture is a kind of lens for considering the ways Indigenous culture is made into a tool for climbing, particularly by those who do not belong to it.”

Craig George
Craig George
Liberty, 2023
24 x 36 in.
© Craig George / Courtesy of Phillips 

Craig George frames his narratives in the context of urbanity, giving voice to questions about assimilation, colonization, and a persistent survival that evidences his connection to rich tribal sources. George grew up on the Navajo reservation, however, due to the Navajo Indian Relocation Act of 1956, his family was relocated to Los Angeles. During the summer he would reconnect with his homelands and the perspectives of a traditional life. Many of George’s paintings reflect his relationship to specific neighborhoods in Los Angeles where he depicts a place of urbanity with the soundtrack of hip hop, gentrification, and downtown LA’s colorful urban edge - streets marked with the vernacular of territorial graffiti. His figures, often on bicycles, are always moving, as if enroute to ceremony, dressed in customary attire. Navajos, Apaches, and Pueblos alike were a part of his community. He has sought a connection to their homelands, while living amidst the chaos of a never-ending urban sprawl. In the words of the artist, "I merge my worlds into one place, one where I am at peace with my beliefs and my environment. Home is a place where you take your beliefs to, so they will always be there.” Several of his works on view were created for this exhibition - his first New York showing.

Michael Kabotie
Michael Kabotie
Meditation, 1989
19.5 x 15.5 in.
© Michael Kabotie / Courtesy of Phillips

Michael Kabotie was a Hopi painter, silversmith, sculptor, and poet. His father, Fred Kabotie, was also a nationally renowned artist. Kabotie grew up in the village of Shongopovi, Arizona, however, when the Hopi reservation high school closed, he moved and graduated from Haskell Indian School, Lawrence, Kansas, in 1961. In 1967, Kabotie was initiated into the Hopi Wuwutsim Society. During this ceremony, he was given the Hopi name Lomawywesa (Walking in Harmony) with which he subsequently signed his work. Kabotie joined with four other Hopi artists in the early 1970s to found a group called Artist Hopid, dedicated to new translations of Hopi art forms and serving as cultural emissaries to the world at large. He lectured and exhibited widely both in America and abroad. Kabotie’s dynamically composed and richly hued paintings evidence his fascination with imagery derived from Hopi kiva murals, basketry motifs, and abstract, contemporary designs. Meditation beautifully encapsulates Kabotie's seamless integration of abstract and representational elements. A highly stylized figure, seemingly cubistic, is merged with traditional Hopi motifs and patterns. Representative of his most distinctive and visually compelling works, Kabotie’s use of color is unabashed, imaginative, and expressive.

Sarah Sense
Sarah Sense
Hinushi 9, 2023
40 x 80 in.
© Sarah Sense / Courtesy of Phillips

Sarah Sense (Chitimacha & Choctaw) is from Sacramento, California and received her BFA from California State University Chico and her MFA from Parsons the New School for Design in New York. Her early works, executed through photo-weaving (employing traditional family basket making techniques and patterns), are based on Chitimacha landscapes in Louisiana and Hollywood’s interpretations of Native North America. Subsequently, her work has reflected her extensive research, residencies, and travel in South America, Southeast Asia, the Caribbean, and Ireland. The artworks in Sense's series, Hinushi, are composed from a series of landscape photographs of ancestral homelands integrated with colonial maps of the Mississippi River, Gulf of Mexico, and Choctaw allotment land. Following removal from their ancestral land, Choctaws endured an arduous and deadly walk to "Indian Territory" – now known as Oklahoma. Entwined in the artworks are maps from Oil News (1920) with Broken Bow, Oklahoma landscapes. Choctaw basket patterns are woven through these maps and images, joining the land with the colonial maps as an act of reclamation. As stated by Sense, "Cutting the paper into strips and opening them, moving them apart to create spaces for differing interpretations and re-inserting indigenous patterns from the very same locations where the ancestors were removed, taken and killed, is a process of decolonizing." Visually and conceptually compelling, they are the expression of an intensely personal, yet universally applicable, journey of discovery, revelation, and reconciliation.

FULL ARTIST LIST
Alex Janvier
Diane O'Leary
Jeffrey Gibson
Patrick Swazo Hinds
Allan Houser
Diego Romero
Jerry Ingram
Pop Chalee
Anita Fields
Edgar Heap of Birds
Joe Herrera
Preston Singletary
Anna Tsouhlarakis
Emma Lewis
Julie Buffalohead
Rabbett Before Horses Strickland
Arthur Amiotte
Emmi Whitehorse
Kay WalkingStick
Rhonda Holy Bear
Billy Soza War Soldier
Eric Paul Riege
Ken Williams
Richard Glazer Danay
Brad Kahlhamer
Esteban Cabeza de Baca
Kent Monkman
Sarah Sense
Calvin Toney
Fritz Scholder
Lawrence Paul Yuxweluptun
Starr Hardridge
Cannupa Hanska Luger
George Alexander
Margaret Jacobs
TC Cannon
Cara Romero
George Morrison
Marie Watt
Teresa Baker
Carol Emarthle Douglas
Geralyn Montano
McKee Platero
Tony Abeyta
Caroline Monnet
Grey Cohoe
Michael Kabotie
Tony Da
Charles Loloma
Harry Fonseca
Michael Nicoll Yahgulanaas
Valjean Hessing
Craig George
Helen Hardin
Narciso Abeyta
Virgil Ortiz
Dana Claxton
James Lavadour
Nicholas Galanin
Yatika Starr Fields
David Bradley
Jamie Okuma
Norman Akers
Dempsey Bob
Jaune Quick-to-See Smith
Oscar Howe

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