Showing posts with label Glenn Adamson. Show all posts
Showing posts with label Glenn Adamson. Show all posts

27/12/23

Design Doha Biennial 2024 - First Edition of the Biennial, hosted in Qatar’s Doha Design District

DESIGN DOHA BIENNIAL 2024
24 - 28 February 2004

Design Doha 2024

Hozan Zangana
Hozan Zangana
Hapiru Stool, 2023
Photography by Erik & Petra Hesmerg
Courtesy of Design Doha

Hozan Zangana
Hozan Zangana
Nahiru bench
Photography by Erik & Petra Hesmerg
Courtesy of Design Doha

First Edition of the Biennial, hosted in Qatar’s Doha Design District, to Consist of Regional Survey of Arab Designers, New Commissions, Juried Awards, Panel Conversations with Global Industry Leaders, Collaborations with regional design studios, coaching programs on the business of design, and Special Events.

Qatar Museums announced the inauguration in 2024 of Design Doha, a biennial showcase for excellence and innovation in the design community in Qatar and the MENA region. Established under the leadership of Qatar Museums’ Chairperson, Her Excellency Sheikha Al Mayassa bint Hamad bin Khalifa Al Thani, Design Doha will be a new platform for practitioners from across the Arab world, helping to build professional pathways, and engage with the acclaimed design professionals from around the world who will convene at the event.

Naqsh Collective
Naqsh Collective 
Bridal Chest, 2023
Photography by Nermeen Abudail 
Courtesy of Design Doha

Naqsh Collective
Naqsh Collective 
Bridal Chest (detail), 2023
Photography by Nermeen Abudail 
Courtesy of Design Doha

Omar Chakil
Omar Chakil
 
Gros Guillaume Stool, 2022 and HATHOR, 2023
Courtesy of Design Doha
Her Excellency Sheikha Al Mayassa said, “As a global hub for culture, Qatar Museums not only builds museums and galleries and presents great collections and exhibitions but also develops the nation’s creative industries and helps emerging talents be successful in their careers. Recognizing that there are far too few platforms in our region for designers to present their work, the inauguration of Design Doha is a testament to the excellence and innovation of our region's design community. With so much talent in the region, our aim is to provide a platform to support Arab designers in advancing their creative practices and businesses, and to share their talent with the world.”
Glenn Adamson
Glenn Adamson
Photography by John Michael Kohler Arts Center

Led by Artistic Director Glenn Adamson, the inaugural Design Doha will take place from 24-28 February 2024. Design Doha events will be held within Msheireb, a creative neighbourhood that nurtures collaboration, creativity, and innovation and is serving as host for the event. The Doha Design District is the heart of Msheireb, one of the smartest and most sustainable cities in the world, which was meticulously designed to be in harmony with local traditions and modern standards with the help of its bespoke Seven Steps architectural language. Design Doha takes on a crucial role in this district, further activating it as a vibrant hub for creatives.
Doha Design District’s Interior Design Senior Manager Shaikha Al Sulaiti said, “We’re honoured to host the inaugural Design Doha events. As a dynamic and innovative community, where creative talent can meet and be mutually inspired, the Doha Design District has quickly become a key piece of Doha’s cultural fabric, helping position the city as the regional design hub. We can’t wait to welcome the world’s design community next year and witness the exchange of ideas and collaborations that are sure to abound.”
Design Doha will offer exhibitions of work from a wide variety of design practices, ranging from architecture, urbanism, and landscape design to textiles, wood, glass, ceramics, and graphic design. Among these are over 20 activations curated by partner design studios based in the region. A site-specific commission by South Korea-based designer Choi Byung Hoon will go on permanent view at the National Museum of Qatar, and a commission by Dutch designer Joris Laarman entitled the Doha Dragon will be installed in the Doha Design District. Juried prizes will provide monetary awards, mentorship opportunities with international design experts, and market exposure. Design Doha will also feature a series of illuminating conversations with global leaders of design and the creative industries.  

The exhibition program will be anchored by Arab Design Now, a regional survey of more than 70 Arab designers, which will be on view from 24 February to 5 August 2024 at M7, Doha’s centre for innovation, entrepreneurship, fashion, and design. Curated by Rana Beiruti, founder of Amman Design Week, Arab Design Now examines how local and regional designers balance contemporary design with traditional methods derived from the region’s heritage, with a particular focus on environmental and sustainable design. Other exhibitions which will be unveiled at M7 during the biennial are Colors of the City: A Century of Architecture in Doha, Weaving Songs in collaboration with Turquoise Mountain, and 100/100 HUNDRED BEST ARABIC POSTERS Round 04.

100/100 HUNDRED BEST ARABIC POSTERS 
Taken in Alula, Saudi Arabia, 
by Jochen Braun, February 2023

100/100 HUNDRED BEST ARABIC POSTERS
Taken in Abu Dhabi, UAE at 421, 
by Regina Rammelt, February 2023

100/100 HUNDRED BEST ARABIC POSTERS
Taken in Abu Dhabi, UAE at 421, 
by Jochen Braun, February 2023
Glenn Adamson said, “For Design Doha, we have adopted a museum-based curatorial model, dedicated to showcasing designers from across the Arab world. The energy in the region is extraordinary, and Doha has rapidly become a global design destination. The biennial will take its place alongside museums, stadiums, studios and infrastructure, creating a platform for the creative industries into the future.” 
Fahad Al Obaidly, Deputy Director of Programming and Partnerships of Design Doha, said: “The modern development of Qatar’s design community started 25 years ago with the opening of VCU Qatar, the oldest art and design school in the region. That tradition continues today through the openings of M7 and Liwan and the development of the future Qatar Preparatory School, devoted to the creative industries. This commitment to excellence in design was internationally recognised in 2021, when Doha joined UNESCO’s Creative Cities Network as a Creative City of Design – and we are hoping to reinforce this journey with the Design Doha inaugurating next year”. 
M7
M7
 
Courtesy of Design Doha

M7
M7
Courtesy of Design Doha

Msheireb
Msheireb
Courtesy of Design Doha

Msheireb
Msheireb
Courtesy of Design Doha

Qatar Museums’ M7, Liwan Design Studios and Labs and Doha Design District located in Msheireb will serve as hubs for Design Doha throughout the five-day biennial, which will take place as part of the winter gathering of Qatar Creates, the national cultural movement that curates, promotes, and celebrates the diversity of cultural activities in Qatar and connects residents and global audiences with Qatar’s creative industries. 

The Design Doha Forum, the headline programming event for the biennial, is curated by Dr. Jelena Trkulja, the Senior Advisor for Academic and Cultural Affairs at Qatar Museums. Its primary objective is to position Doha's design sector within a global context, with a particular emphasis on the design of inclusive and equitable cities. The Forum will bring together Qatar-based and international design experts, who will explore how design can contribute to creating urban spaces that are inclusive and equitable for all. Through engaging discussions and diverse perspectives, the Design Doha Forum offers a unique opportunity to connect with designers, professionals, and other experts while gaining insights into the evolving world of design. 

Running throughout Design Doha will be The Designers Breakfast Club in partnership with FROMM, a design platform based between Qatar and Italy. The programme aims to empower emerging designers in Qatar through targeted coaching that aims to enhance creative processes, promote personal and professional development, and equip designers with valuable skills for success in interior, furniture, and accessories design. 
Commenting on the partnership, Founder and CEO Alia Rachid said: "Qatar Museums’ initiative with Design Doha marks a significant milestone, and FROMM. is honored to contribute to this event, particularly through 'The Breakfast Club' coaching series. At FROMM., we are dedicated to cultivating our talent, offering comprehensive mentorship, guidance, and business insights — all crucial for bringing their designs to the global stage.”
During Design Doha, Liwan Design Studios and Labs will host an event for creatives to launch their annual design publication, Al Journal, an initiative connecting local and global design voices, and encouraging collaboration and commentary on creative, cultural, and intellectual matters centred on design. 

QATAR MUSEUMS / DESIGN DOHA BIENNIAL 2024

17/12/23

Julia Bland @ Tayloe Piggott Gallery, Jackson Hole - "Embers" Exhibition

Julia Bland: Embers
Tayloe Piggott Gallery, Jackson Hole
14 December 2023 – 4 February 2024

Julia Bland
JULIA BLAND
Long Alliance, 2023 
Oil and burnt canvas on panel, 32 x 32 inches
© Julia Bland / Courtesy Tayloe Piggott Gallery

Julia Bland
JULIA BLAND
High Moon, 2022 
Linen, cotton, and wool threads, canvas, 
fabric dye, oil paint, 95 x 57 inches
© Julia Bland / Courtesy Tayloe Piggott Gallery

Julia Bland
JULIA BLAND
Love In The Endless Night, 2020 
Hand-woven linen and wool textile, 
hand dyed linen, linen and wool threads, 
hand dyed blanket, wax, oil paint, 111 x 136 inches
© Julia Bland / Courtesy Tayloe Piggott Gallery

TAYLOE PIGGOTT GALLERY presents Embers, a solo exhibition of work by artist JULIA BLAND.

Julia Bland makes artworks that exist somewhere in the space between painting, sculpture, and tapestry. Her experimental process incorporates stitching, weaving, knotting, dying, and even burning her materials, creating sublime abstractions of geometric compositions. This exhibition, Julia Bland’s first at Tayloe Piggott Gallery, also features oil and canvas collages, as well as Bland’s drawings, which help her think through her ideas, functioning as a kind of map with different marks indicating the process or material she intends to engage. A digital catalog accompanies this exhibition with an essay by Glenn Adamson, which is excerpted below.

Early in Julia Bland’s career, after training as a painter at Rhode Island School of Design and before learning to weave, she spent time in Morocco, where she studied Islamic art and Sufism. As Glenn Adamson writes, “She absorbed the dense concentrations of pattern in people’s homes there, and for a time apprenticed herself to a carver of intricately decorated wooden doors. This saturation in craft reinforced experiences she’d had growing up in Palo Alto, California, where she had her first exposures to art through family friends who probably would qualify as flower children. One of them taught her how to make jewelry, and another gave her a loom that she still uses today.” Julia Bland incorporates her loom as one of many tools—alongside her trusty scissors, and, of course, her hands—to transform fabric into a transporting tableau. Julia Bland’s experience in Morocco has embedded itself in her work, which often contains intricate geometric patterns that recall ornate Islamic architecture and images of snakes, a sign of death and rebirth in Sufism. Other forms in her paint-tapestry hybrids, meanwhile, resemble the suspension bridges of New York—a reminder that majesty can come from the spiritual world, the natural world, and the urban world all the same.

Glenn Adamson observes, “The total effect is electrifying. Standing before the immense wall hanging, you are enmeshed in the internal oscillations of its “active surface” (to borrow a term from Op Art). The composition, while essentially symmetrical, is laced with tactical misalignments. Colors are usually reflected from one side to the other, but here and there, they shift unexpectedly. The work has the dynamic balance of a yin yang symbol, as if seen through a kaleidoscope.” Hints of familiar objects emerge through the layers of fabric and yarn. Adamson continues, “These multiple, elusive images are compacted within the pictorial field, much like the numerals in Jasper Johns’ celebrated 0 Through 9 series: a palimpsest of layers, with none taking precedence.”

Allusions to her process and remnants of her materials are always present in Julia Bland’s work. She observes that these vestiges “give you information about how the work came together. There are the technical and formal aspects of the technique, and then there is the social naming of it.” As Adamson observes, “Craft is typically encountered either as culturally-encoded, perhaps folkish, perhaps kitschy; conversely, it may be seen as a culturally-neutral modus operandi, simply a way of arriving at form. Julia Bland refuses this false opposition. When she uses a technique, she takes on its full range of association and potential, absorbing it whole. This is the impulse that drives her practice forward.”

JULIA BAND was born in Palo Alto, CA in 1986. She received her BFA from Rhode Island School of Design in 2008 and received her MFA from The Yale School of Art in 2012. She has been an artist in residence at The MacDowell Colony, Yaddo, The Skowhegan School of Painting and Sculpture, Lighthouse Works, The Sharpe-Walentas Space Program, and The Shandaken Project: Storm King. She has received awards including The Milton and Sally Avery Fellowship from Yaddo, The Carol Scholsberg Memorial Prize, NYFA/NYSCA fellowship in Craft/Sculpture, The Florence Leif Award for Excellence in Painting, and the Natasha And Jacques Gelman Travel Fellowship. Recent solo exhibitions include Derek Eller Gallery, New York, NY; Andrew Rafacz Gallery, Chicago, IL; Camille Obering Fine Art, Jackson, WY; The Lighthouse Works, Fisher’s Island, NY; Helena Anrather, New York, NY; and On Stellar Rays; New York, NY. Recent group exhibitions include The Everson Museum, Syracuse, NY; John Michael Kohler Art Center, Sheboygan, WI; Chambers Fine Art, Beijing, China; and Yossi Milo Gallery, New York, NY. She has been reviewed or featured in many publications, including The New York Times, Mousse Magazine, and The Brooklyn Rail. Julia Bland lives and works in Brooklyn, NY.

TAYLOE PIGGOTT GALLERY
62 South Glenwood Street, Jackson Hole, WY 83001