23/06/96

Jean Fautrier, Musée Fernand Léger, Biot

Jean Fautrier
Musée National Fernand Léger, Biot
21 juin - 15 septembre 1996

Après s’être formé à Londres, Jean Fautrier (1898 - 1964) débute à Paris en 1919 en peignant des natures mortes, des paysages et des figures sombres de tendance expressionniste. Soutenu par des écrivains comme Malraux, Paulhan et Ponge, il s’impose comme l‘un des créateurs de la peinture dite plus tard “informelle”. Dans ses séries - Otages (1943-45), Objets (1955), Nus (1956), Partisans (1957) -, les effets de matière deviennent le sujet principal de l’oeuvre : utilisant une peinture à la colle mêlant les masses de pigments aux encres transparentes ou opaques d’où émergent des harmonies pâles et recherchées, il crée des empâtements et des textures variés d’où sourd une certaine angoisse.

En octobre 1956, l’’invasion de la Hongrie par les troupes soviétiques fut à l’origine d’une crise de conscience des intellectuels français. Jean Fautrier exprima alors sa révolte et son indignation en réalisant la série d’oeuvres peintes, gravées et sculptées des Partisans.

L’exposition réunit plusieurs des oeuvres de cette série, aujourd’hui dispersées dans de nombreuses collections, et les confronte à la série plus ancienne des Orages que l’artiste, animé de sentiments similaires, avait réalisée pendant la Seconde Guerre mondiale. Dans cet ensemble Jean Fautrier représente des corps et des visages déformés ou informes. Si les Partisans et les Otages manifestent la rage, l’indignation et l’impuissance que lui inspirent l’injustice et les tragédies de l’histoire, ils expriment aussi la solidarité humaine de l’artiste.

Cette présentation est complétée par le choix d’une trentaine de Nus qui illustrent la permanence du thème du corps dans l’oeuvre de Jean Fautrier. Les peintures des Partisans et des Otages rejoignent celles des Nus par la position du corps alangui et sensuel des personnages. Il se crée alors, à travers ces trois grands moments de composition une évolution troublante, qui oscille entre supplice et érotisme.

L’oeuvre de Jean Fautrier est le résultat d’une création spontanée réalisée avec une technique parfaitement maitrisée. Il  utilise la technique de “haute pâte” aux couleurs pastel, apparue au début des années 1940. Pierre Restany définit les Otages comme “les archétypes classiques d’un style : l’informel”. Cet art abstrait et volontiers énigmatique est marqué par l’absence de composition organisée et par la disparition de toute forme reconnaissable, ce qui traduit la liberté d’expression de l’artiste.

Jean Fautrier adopte pour les Partisans cette même matière épaisse, à laquelle il intègre des silhouettes fantomatiques et des idéogrammes mystérieux.

L’oeuvre de Jean Fautrier, cet artiste solitaire et mystérieux, insolent et fascinant, inventeur et révolté, est désormais reconnue comme une étape importante de l’histoire de la peinture du XXème siècle.

Le musée national Fernand Léger a pu rassembler, pour cette exposition, une centaine d’oeuvres importantes, provenant de collections privées et publiques, parmi lesquelles le Nu couché, 1929 (musée national d’Art moderne, - Centre Georges Pompidou), Nu, 1925 (musée d’Art moderne de la Ville de Paris), des gravures des Partisans et des Orages (Bibliothèque nationale de France et Cabinet des Estampes du musée d’Art et d’Histoire de Genève), ainsi que Johanna, 1956 (collection particulière), A/ice, 1956 (collection particulière) et Place de Budapest, 1956 (collection particulière).

Cette exposition est organisée par la Réunion des musées nationaux / musée national Fernand Léger, Biot, l’Association Française d’Action Artistique, ministère des Affaires étrangères et le Mucsarnok, Budapest. Elle sera présentée au Mucsarnok du 15 octobre au 10 novembre 1996 â l’occasion du 40ème anniversaire de l’insurrection hongroise.

Commissaires de l'exposition : Brigitte Hedel-Samson, conservateur du musée national Fernand Léger, Biot ; Katalin Timar, conservateur au Mucsarnok, Budapest

L'exposition est accompagnée d'un catalogue : 160 pages, 50 illustrations couleur, 50 illustrations noir et blanc, 250F, édition RMN.

Sommaire du catalogue

Préfaces
Brigitte Hedel-Samson
LaszIo Beke

Jean Fautrier et la naissance de l’informel
Krisztina Passuth

Les révoltes de Fautrier
Brigitte Hedel-Samson

Fautrier “Matière et mémoire”
Giullo-Carlo Argan

Otages
texte de Francis Ponge

Partisans
texte de Paul Eluard

Nus
texte de Georges Bataille

Oeuvres exposées

Biographie

Bibliographie et ouvrages cités en abrégé

MUSÉE NATIONAL FERNAND LÉGER
Chemin du Val de Pome, 06410 Biot

21/06/96

Nikon F5: Focusing Controls and Systems

Nikon F5: Focusing Controls and Systems

Now, Nikon has taken another giant leap forward with the development of the Nikon F5's completely new autofocus system. It combines speed with accuracy and expands the range of performance. Pictures can be accurately focused at motor speeds about 60 percent faster than any other system.

The F5's operation is elegant. Not only is focus fast, but the new technology also provides advancements in more creative composition applications. The photographer has easier, more effective control with a "mouse-like" keypad. Nikon has built the fastest and most accurate AF system ever developed, and it is a tool that most creative professionals will enjoy using.

Meeting the real-world needs of professional photographers in the field, the Nikon F5's system delivers the best performance through the new Multi-CAM 1300 Sensor, a newly designed CPU, a Wide-Cross Array with five detection areas, a wide selection of focusing modes and options, and the delivery of a system that handles high-speed Focus Tracking at up to eight frames-per-second (fps) film advance speed.

Details on these new advances and how they can be used in the field follow. While each aspect of the new AF system is impressive, keep in mind that the integration of these technologies, and the goals they have achieved, are perhaps the most impressive feats of all.

The autofocus (AF) technology designed into Nikon's F5 is geared toward one goal -- giving it the fastest, most versatile and reliable autofocusing system ever. When AF technology first appeared, professional photographers were often reluctant to use it on the job, partly because they mistrusted any technology that took shooting control out of their hands, and partly because AF technology could not meet all the required standards of performance.

The technology evolved through time, and while autofocus began to operate faster, it could not achieve the accuracy that many photographers demanded. Taking more pictures, with expectations that some sharp ones would be found in the collection, became the way many photographers operated. Nikon has always combined speed of operation with accuracy, because in Nikon's view, speed is nothing without accuracy.

Thanks to Nikon Research & Development, speed has evolved to a new level without sacrificing accuracy. In fact, accuracy has been improved with newly developed technology and software design.

The Nikon N90s camera's wide-area cross sensor, combined with Nikon's AF-I Nikkor optics, gave photographers their first glimpse of what was possible with autofocus. They no longer needed to rely on a large quantity of pictures to obtain a certain number in focus. Now, photographers can expect both speed and accuracy. The N90s was a major advancement for professional photography in fast- moving situations.

The F5 Autofocusing Systems

The autofocusing systems in the new Nikon F5 offer photographers the world's fastest and most responsive focusing ever. The newly designed Multi-Cam Autofocus sensor features a Wide Cross-Array with five sensing areas that handle both vertical and horizontal compositions and action.

The performance is astonishing -- accurate autofocus is possible at the camera's fastest framing rate of eight frames-per-second when used with the optional nickel metal hydride power source. Speeds to 7.4 fps are achieved with the standard eight AA alkaline battery pack.

Other factors that add to the performance of the autofocus system include the newly designed CPU that provides enhanced detection speed and accuracy; Nikon's exclusive Dynamic AF mode, which automatically shifts from one focusing area to another to maintain sharp focus on moving subjects; and Focus Tracking with Lock-On,™ a system that anticipates subject movement with a feature that continues to hold focus on subjects even when they may be momentarily blocked or stray from the focus-detection area. Even details such as Nikon's new Mirror Balancer add significantly to the autofocus performance. Multi-CAM 1300 Sensor Module and Wide-Cross Array

The Multi-CAM 1300 sensor module was designed for the F5. It incorporates five AF sensors to create a large, Wide-Area Cross-Type array that provides greater coverage than any other AF system. Action oriented photographers will not be disappointed.

The three horizontal sensors are full-time cross-type sensors, which form a line covering 44% of the horizontal width. Each of the three cross-type sensors incorporates a cross pair for normal focus detection, and a second cross pair for detection in low light. This dual system maximizes AF speed and accuracy under the widest range of light conditions. The top and bottom sensors of the cross-array are line sensors (not cross-type), and together with the center cross sensor of the horizontal line, form a line of sensors which extends vertically, covering 30 percent of the vertical dimension of the viewfinder. Unlike other systems, the cross-type sensors in the Multi-Cam 1300 work full-time with every Nikkor lens, not just with lenses of f/2.8 maximum aperture, but with every AF Nikkor lens -- even those with maximum aperture of f/5.6.

The Wide-Cross array is displayed on the top-panel LCD of the Nikon F5. Within the viewfinder, there is a focus confirmation signal in the LCD area, and an Electrochromic display which defines the five focus detection areas. Additionally, via the Custom Setting operation of the F5, a series of LED signals can be activated, with each signal used to provide an additional indication of the operation of the AF detection areas. The LED "pointers" are located outside the edge of the viewing area, providing an illuminated reference for AF operation. Selection of any one of the five detection areas is made via the Focus Area Selector Keypad on the back of the F5 camera body. The Focus Area Selector Keypad is also provided on the optional Data Back and Multi-Control Backs.

Fast and accurate autofocus operation is achieved through a comprehensive set of features, including a system of micro-electronics and mechanical components. To achieve AF operation at motor speeds up to 8 frames per second requires exceptional precision, critical timing and robust construction.

For the Nikon F5, as a subject's distance changes, the Central Processing Unit, through the focus detection sensors, receives and processes focus status data. High-torque coreless motors with low power consumption drive each lens' AF operation, the shutter and film transport. The F5's mirror plays an important role in AF operation. Using a patented balancer, the F5's reflex mirror is able to move with precision and speed, and with no meaningful mirror bounce. This combination of high performance components helps the F5 achieve its benchmark combination of speed and accuracy.

AF Modes and Options: Dynamic or Single Area AF, Plus Single-Servo and Continuous Servo AF

The Nikon F5's AF systems are unmatched in versatility; photographers can choose among a number of options, and even customize these options to match the subject and shooting conditions.

Dynamic AF mode allows the photographer to designate one of the five AF sensors as the primary sensor. Once chosen, the primary sensor is used as the sensor for the first detection of the subject. If the subject distance changes, the sensor will detect the change and AF operation will begin. If the subject moves out of the area of the primary sensor, then the Nikon F5 will detect this movement and automatically scan and change the sensor so that the subject's movement can be followed and sharp focus can be maintained. Through Nikon's powerful software for Focus Tracking with Lock-on, even the brief moments that a subject may be between sensors do not disrupt focus. This system is ideal for sports, action and nature photography, effectively eliminating the "bulls-eye" centered shots. Dynamic AF can handle quick action, changing speeds and changing angles of motion.

Single Area AF mode offers the photographer creative control by presenting a choice of five precisely positioned AF spot sensors. The photographer selects which sensor to use by pressing the keypad on the back of the camera. Subjects detected by the chosen sensor area will be in sharp focus, virtually instantaneously. This is perfect for off-center subjects and eliminates the need to lock focus and recompose. It encourages visual exploration because it eliminates any extra steps to attain sharp focus.

There are two AF Release modes: Single Servo AF and Continuous Servo AF. The former is focus priority; the shutter will not release until focus has been confirmed. The latter is release priority; the shutter will be released when the photographer presses the shutter button. Custom settings allow the photographer to interchange focus and release priority in each mode. In manual focus, or when AF is activated separately from the shutter release button, the Nikon F5's two secondary AF Start buttons -- one for horizontal and one for vertical shooting -- come in handy.

Focus Tracking with Lock-On

When subjects go into motion, photographers need an AF system that will keep pace. That's the idea behind Nikon's Focus Tracking. When the subject begins to move, Focus Tracking is automatically activated, regardless of the AF mode or AF area mode selected. With the five area Wide-Cross Array AF sensor module, this computer-assisted system analyzes the speed of the subject as it drives the autofocus lens in anticipation of subject movement. This makes focus detection possible regardless of the direction of motion, even at the rapid 8 fps.

Aiding this amazingly fast response is the continuous overlap servo method of processing AF data. Some AF systems collect focusing data and process it in "blocks," then focus the lens in a stepped or intermittent method. The F5 lens continues focusing even during data processing, which results in more consistently sharp focus. Performance tests demonstrate that the Nikon F5's AF system can Focus Track on subjects moving faster than other systems. With a 300mm AF-S Nikkor lens, Focus Tracking can handle a subject, such as a race car, moving at a rate of 200 mph at a distance as close as 66 ft.

Lock-On is an exclusive Nikon AF feature that overcomes momentary interruptions in focus caused by an obstruction in front of the lens (such as a swaying tree branch in the woods) or a secondary subject that may briefly interrupt the point of view (such as a defensive end dashing across the field). This also applies if the photographer accidentally moves the AF sensor area off the main subject for a moment. Lock-On is key to maintaining focus during fast action shooting. With other systems, the autofocus detector will either "snag" on the obstruction, or will cause the lens to rack forward, thus losing the prime target.

Focus Tracking in the Nikon F5 can be used in any AF mode, AF area mode or film advance mode. Other systems require the camera to be set to continuous servo mode for Focus Tracking to be activated. Focus Tracking with Lock-On is also available in the Nikon N90s.

Wide EV Range: AF even in Dim Lighting

The F5's Multi-CAM 1300 operates in the widest EV range available -- EV minus 1 to EV 19. EV-1 equals an exposure of f/2 at eight seconds with ISO 100, a lighting condition so dark that even the human eye may have trouble focusing. When necessary, using a Nikon AF Speedlight (SB-26, -27 or -23) allows for autofocus even in total darkness via an LED light pattern that is emitted onto the subject. Setting the camera's AF mode to single servo and selecting the center focus area will activate the AF illuminator. Secondary AF Start Buttons

As mentioned, photographers have a number of options in AF modes and AF Release modes -- they can choose focus or release priority in both single- and continuous- servo modes. In many cases, joining the shutter release and focusing operations is desirable. However, there are conditions when separating the two functions comes in handy; photographers can concentrate on shutter release timing. This is invaluable for peak sports action and wildlife photography when capturing the decisive moment requires the keen concentration and instincts of the photographer.

There are two secondary AF start buttons -- for horizontal and vertical shooting. AF activation can be transferred to the Secondary AF Start buttons by using Custom Setting #4. This also allows for a quick changeover between autofocus and manual focus operation.

Freeze Focus

Available with the optional MF-28 Multi-Control Back, Freeze Focus automatically fires the shutter when a subject enters a pre-selected plane of focus. This ensures tack-sharp images for wildlife photography, macro-photography and remote photography. When used with manual focus mode, photographers can capture images of animals as they move down a track. Photographers can also use freeze focus for sports, fashion, stock or botanical shots in the field. Freeze focus operates with either AF or manual focus.

Electronic Rangefinder

Offering more versatility than optical rangefinders, the Nikon F5's Electronic Rangefinder is a manual focusing aid that also indicates the direction of lens rotation to lead to sharpness and confirms focus. This feature can be used with AF Nikkor or other manual focus AI-type Nikkor lenses with a maximum aperture of f/5.6 or faster. AF Nikkor Lens System

Nikon offers an extensive selection of AF Nikkor optics, including AF Nikkor, AF-I Nikkor and AF-S Nikkor. All lenses work with the Nikon F5's F Lens Mount, and interface with the extensive communication of the mount.

AF Nikkor lenses are focus-driven by the F5's built-in AF high-torque coreless motor. Connecting to each lens via a drive control, AF operation is fast and accurate. The F5's motor responds instantly to the commands of the AF computer. Every AF Nikkor lens will operate with the F5's system faster than ever -- because the Nikon F5 has a more powerful AF drive system. The investment in AF Nikkor lenses is a good one for professionals and amateurs alike.

AF-I Nikkor lenses feature a built-in AF drive motor. They autofocus with near silent operation, and are fast and accurate. The newest Nikkor lenses with built-in AF drive system include the AF-S Nikkor lenses. With their Silent Wave Motors, they are the fastest and most accurate performers in photography. They focus faster and closer, and together with the Nikon F5, they provide performance that's unequaled.

Current lenses in the AF-S category include 300 f/2.8, 500 f/4 and 600 f/4.

20/06/96

Nikon F5 professional 35mm SLR camera

Nikon F5 professional 35mm SLR camera

Nikon is changing the way professional photographers approach their craft with the introduction of the new Nikon F5 professional 35mm SLR camera. The camera offers many technological advances and breakthroughs in every major 35mm SLR feature-category, making it the most advanced 35mm SLR camera available.

The Nikon F5 takes photos at an unprecedented 8 frames per second (fps) with focus tracking, which is 60% faster than any current 35mm camera. This allows photographers, even those in the most fast-paced situations, to capture the images they desire.

The new camera also features the world's most advanced metering system. The 3D Color Matrix Meter is a 1,005-pixel RGB (red green blue) exposure sensor that evaluates scene brightness, contrast, and now even adds color evaluation to its exposure calculations. Exclusive Nikon technology allows the new metering system to incorporate distance and, for the first time, color into the exposure equation.

The Nikon F5 stores exposure information from more than 30,000 actual photographic scenes in its memory. When a photo is taken, the camera's on-board computer compares the new scene to those in its memory. When the computer finds a match, it incorporates optimal exposure information from the scene in memory in calculating the suggested aperture and shutter speed. Photographers thus achieve the best exposure for each individual image.

"The F5 was designed with the professional photographer in mind, and will become an essential tool for sports, news, nature and location photographers, said Richard LoPinto, vice president of Nikon's Photo Marketing Group. "While pros will immediately understand and embrace all that the F5 has to offer, the avid advanced photographer and anyone who seeks top-of-the-line technology will also recognize the F5 as a "must have" camera."

The new camera also offers photographers the choice of two additional meters, including the world's first flexible center-weighted meter. The flexible center-weighted meter allows photographers to concentrate 75 percent of the metering on a center 12mm circle. Thanks to Nikon's exclusive technology, photographers can customize the size of this center circle, with a choice of 8mm, 12mm, 15mm, 20mm, or a simple averaging meter. The spot meter, when used in single servo AF mode, provides a choice of five, 4mm diameter sensors for very specific metering situations.

Another exclusive F5 advantage is the exclusive Multi-Cam 1300 Autofocus (AF) Sensor with the world's first Wide-Area Cross-Type Array. The Nikon F5's autofocusing system covers more area, giving more focusing coverage than any other camera. With the exclusive Wide-Area Cross-type Array of CCDs, photographers can track subjects as they move in both vertical and horizontal compositions. Subjects that might elude other autofocusing systems produce sharp images when photographed with the F5.

The AF system includes five focus area sensors, three of which are full-time cross-type sensors. The five sensors operate in two AF modes -- Dynamic Mode and Single Area Mode. With Single Area Mode, you choose the sensor to operate as a spot autofocus sensor. Your selection corresponds to the composition of the scene. When shooting action, you can choose Dynamic Mode. After you designate a primary sensor, if the subject moves, Dynamic Mode will lock-on it and track it as it moves among the sensors. This ensures fast and reliable autofocus operation. Even when view of the subject is momentarily interrupted, the F5's Lock-on feature will keep sharp focus on the moving subject.

The Nikon F5 has up to 24 custom settings, many with multiple options, built in. The optional MF-28 Multi-Control Back can be used to take interval exposures (for the opening of a flower or the building progress of a backyard deck). The multi-control back can also imprint time and date, and can even individually label a film between frames with a copyright notice, to help secure the photographer's picture rights. Photographers can also use the optional back to freeze focus, which fires the camera when a subject enters a pre-set plane of focus.

There is also custom software, called Photo Manager, that enables the Nikon F5 to be controlled by a personal computer -- either a Mac or a PC -- to store shooting data and add 17 additional Custom Settings.

"The F5 is designed to bring photographers, both experienced and emerging professionals, into the future of photography and their profession," said LoPinto. "That's why it will also appeal to anyone who wants to work with the best tool available; Nikon's reputation of defying obsolescence is further defined by the performance and compatibility of the F5."

The Nikon F5 is built with Nikon precision and integrity; it has the traditional Nikon F-type lens mount, and is compatible with virtually every Nikkor lens and a large assortment of Nikon accessories. Extensive compatibility is an integral part of Nikon's plans for now and into the future.

The Nikon F5 is scheduled for delivery in Fall 1996. Price will be announced at time of delivery.

16/06/96

J.J. Tissot, Art Gallery of Ontario, Toronto - Prints from the Gotlieb Collection

J.J. Tissot
Prints from the Gotlieb Collection
Art Gallery of Ontario, Toronto
June 20 - October 20, 1996

The Art Gallery of Ontario presents a selection of exquisite prints and paintings by French artist Jacques-Joseph Tissot (1836-1902). J.J. Tissot: Prints from the Gotlieb Collection celebrates the recent donation of the most comprehensive, privately owned Tissot print collection in the world. This exhibition marks the first time these works will be officially shown since they were donated to the Gallery by Allan Gotlieb, former ambassador to the United States, and his wife Sondra, in 1994-95.

Compiled over a 35-year period, the collection contains approximately 150 hand-touched trial proofs, multiple states, inked variations and unique impressions on vellum, Japanese and handmade papers, and is one of the most important gifts of prints ever made to a Canadian institution. The Gotliebs donated ninety percent of their world-renowned collection and ten percent was purchased by the Marvin Gelber Fund.

"Sondra and I are delighted that the exquisite works of an artist who has been an inspiration and joy to us for decades will be on view in this dramatic exhibition, and may now be studied by visitors to the AGO for years to come," said Allan Gotlieb.

J.J. Tissot: Prints from the Gotlieb Collection, which toured the U.S., Britain, Ireland and Holland in 1991 under the aegis of Art Services International, will be enhanced at the AGO by six paintings, four of which are on loan from the Montreal Museum of Fine Arts, the Albright-Knox Gallery, the Beaverbrook Art Gallery and an anonymous lender. The exhibition will also be available for viewing on the Gallery's Web site at http://www.AGO.on.ca, continuing to make AGO exhibitions available to a wider audience. 

"We are honoured that Allan and Sondra Gotlieb chose to give their marvellous collection to the Art Gallery of Ontario," said Gallery Director Maxwell Anderson, "and we are deeply grateful to both the Marvin Gelber Fund and The Tecolote Foundation for their assistance."

Born and trained in France, Jacques-Joseph Tissot fled to London in 1871 to escape political reprisal in the wake of the Franco-Prussian War. A friend of James McNeill Whistler, Edgar Degas and Edouard Manet, Tissot was one of the most successful artists of the late 19th century. Blending French realist and impressionist elements, he imbued Victorian subjects with continental sophistication. Tissot was also a leading figure in the etching revival of the 1860s, wielding his etching needle with a firm hand to create strong contrasts of black and white. He and his fellow artist friends were followers of the realist Gustave Courbet, finding inspiration in subjects from everyday life.

Tissot's prints, even more so than his sumptuous paintings, frequently incorporate the underlying psychodramas focusing on the social status of women and the dynamics of the relationships between the sexes. His enigmatic visual narratives invite the viewer's interpretation.

J.J. Tissot: Prints from the Gotlieb Collection will be displayed in two galleries, one designed to evoke the feeling of Tissot's London garden and the other to evoke London and Paris interiors of the 1870s and 1880s. The Victorian period is further suggested by the inclusion of 19th-century clothing and accessories, on loan from the Textile Department of the Royal Ontario Museum.

The exhibition is curated by Dr. Katharine Lochnan, the AGO's senior curator of prints and drawings. 
"Tissot made a very significant contribution to the art of the 19th century," said Katharine Lochnan. "His work is not only very beautiful, it is a source of information about the visual appearance and social mores of Victorian London and the Paris of the Third Republic. It is especially appropriate that the AGO is mounting this stellar exhibition, since 30 years ago the AGO launched the Tissot revival with a pioneering exhibition. Those who like the work of Manet, Degas and Whistler will find much to admire in Tissot."
A version of this exhibition will tour to selected galleries in Ontario.

AGO - ART GALLERY OF ONTARIO
317 Dundas Street West, Toronto, Ontario
www.ago.on.ca