Showing posts with label Graham Little. Show all posts
Showing posts with label Graham Little. Show all posts

20/03/24

Graham Little @ FLAG Art Foundation, NYC - Sixteen gouache and colored-pencil artworks created between 2000 and 2023

Graham Little 
FLAG Art Foundation, New York 
Through May 4, 2024 

The FLAG Art Foundation presents an exhibition of works on paper by GRAHAM LITTLE, marking the Scottish artist’s debut institutional solo presentation in the United States. Created between 2000 and 2023, these sixteen gouache and colored-pencil works are meticulous portals into Graham Little’s complex and mysterious universe. 

Graham Little begins each composition by scouring artist monographs and stacks of weathered spreads in fashion magazines from the 1970s and 1980s. With a reverence for reference, his scenes infuse late-twentieth century advertising aesthetics with lush art-historical motifs, such as in Untitled (Bedroom), 2021, in which decorative flourishes—reminiscent of the late British designer Terence Conran—furnish a mantle beneath a couple depicted in the stiffened style of Etruscan funerary art. Graham Little’s palette radiates warmth, and yet, his exacting handiwork and needlelike ornamentations are also coolly imperceptible, pristine, and smooth. In Graham Little’s world not a hair is out of place; each refined figure is a custodian of the quietly immaculate interiors and exteriors they inhabit.

Layering the aesthetics and ideals of Western advertising culture and art history, Graham Little’s out-of-time characters are positioned with an air of remove. Born out of commercial photography, the men and women inhabiting these uncanny scenes are meant to be looked at and are conscious of it—participants in their own objectification. In Untitled (Ballroom), 2013, a young woman in a backless midnight-blue gown, matching opera gloves, and architectural gold jewelry feigns surprise as if someone has just walked in the room; her attentive gaze causes the viewer to contemplate their own. In offering idealized portrayals of a privileged lifestyle, the artist hints at the fragility of yearning for luxury when none is for sale.   

The intimate scale of Graham Little’s work further reinforces its conceptual foundations; as if peering through the window of a miniature model, viewers are encouraged to physically lean in and absorb the nuance of each detail. Despite their physicality, the ambiguous contexts of his subjects inspire endless curiosity: What is the man in the wine-colored robe and slippers reading while he sips his morning coffee? Who is the woman in an elaborate white and red-hearted apron—which matches her tablecloth and starched napkins—entertaining for tea? How did the mangy fox die? Graham Little’s compositions are keepers of their secrets, endlessly flexible to viewers’ imaginations.

A commissioned text by Hettie Judah, chief art critic at the British daily paper The i, accompanies Graham Little’s exhibition.

GRAHAM LITTLE (b. 1972, Dundee, Scotland) is an artist living and working in London, United Kingdom. Graham Little earned an BA in Fine Art from Duncan of Jordanstone College of Art & Design, Dundee, in 1995, an MA in Fine Art from Goldsmiths College, London, in 1997, and was a research associate at Goldsmiths College, London, in 1998. Recent solo exhibitions include dépendance, Brussels, Belgium (2023); Taka Ishii Gallery, Tokyo, Japan (2022); and Alison Jacques, London (2021); among others. Graham Little’s work has been included in numerous group exhibitions, including at the Hayward Gallery, London, UK (2021); V&A, Dundee, Scotland (2020); Manifesta 11, Zurich, Switzerland (2016); among others. Graham Little’s works are part of the permanent collections of institutions including the British Council Art Collection, UK; Hammer Museum, Los Angeles, CA; and the Museum of Modern Art, New York, NY. 

FLAG ART FOUNDATION
545 West 25th Street, New York, NY 10001

Graham Little @ FLAG, NYC - February 23 - May 4, 2024

05/05/19

Graham Little @ Alison Jacques Gallery, London

Graham Little
Alison Jacques Gallery, London
5 June - 27 July 2019
We arrive in the midst of things, pick up clues, try and put something together. That something exists in the eternal present of the painting—a present that nevertheless unravels in time, as we see more—but it also seems to point us towards an idea of the past, a constructed phantasm different to the real past. 
Martin Herbert, 'The Beautiful Ones', Graham Little: inside the water sleep, published by Alison Jacques Gallery, 2019.
Alison Jacques Gallery presents a solo exhibition of new paintings by British artist Graham Little made between 2016 and 2019. To mark this exhibition, Alison Jacques Gallery will publish a monograph on Graham Little, including an essay by writer and author Martin Herbert and an introduction by Whitechapel Gallery Curator Laura Smith.

Graham Little’s process is time-consuming and meticulous, each work taking months to complete. This exhibition, five years in the making, brings together for the first time, male figures alongside his more familiar female figurative imagery and marks a further transition with a focus on still life. It examines Graham Little’s investigations into figurative painting, constructing interior and exterior tableaus referencing histories of visual representation from a range of archival source imagery. The paintings combine elements from the past and present to create enigmatic and ambiguous scenes woven with quiet narrative and emotion. Graham Little’s oblique nostalgic yearnings bring elements of drama, intrigue and sobriety into scenes rendered through a soft-focus lens. As Laura Smith notes ‘The stillness of these images is not serene however; rather it is complex, charged, bristling with possibility. Little’s figures possess an introspective air that resists even the most probing gaze’.(*)

Significantly for Graham Little, there is no hierarchy of objects. For example, in the diptych Untitled (Mother and Baby) (2019) the artist applies the same level of meticulous detail to ornamental carafes resting on a bathroom table as he does to a portrait of a woman gently feeding her child. The iconography of his paintings allows narrative reading through a collection of carefully composed symbols, all as important as each other.

Domesticity and leisure are key themes in Graham Little’s recent works, and in viewing each painting, one witnesses figures gardening, bathing, shopping, reading and washing. No script is immediately obvious; in Untitled (2018) a man sits absorbed in his newspaper in a mid-century furnished room, again, in Untitled (Veranda) (2016) a woman absentmindedly hangs up her washing on a sun-drenched balcony whilst in Untitled (Wood) (2019) three children sit composed in a quiet, autumnal woodland. Initial readings fragment and Little entices us to pause and stare at a rare moment of slowness, an open invitation to our perceptions in a world of accelerated information and hurried daily interaction.

Graham Little (b. Dundee, UK, 1972) studied at Goldsmiths College, London, MA (1997); Research Associate (1998) and currently lives and works in London. In 2001, Graham Little had a residency at Camden Arts Centre which resulted in an exhibition, and in 2002 was included in Drawing Now: Eight Propositions, alongside Elizabeth Peyton and John Currin among others, curated by Laura Hoptman, Museum of Modern Art, New York (2002). More recent museum exhibitions include: a curated presentation in Mark Leckey: Containers and Their Drivers, MoMA PS1, New York (2016); Less is a Bore. Reflections on Memphis, KAI 10 | Arthena Foundation, Düsseldorf (2016); Manifesta 11, Zürich (2016); and I Prefer Life, Weserburg Museum of Modern Art, Bremen (2016).

Museum acquisitions include: Hammer Museum, Los Angeles; The Museum of Contemporary Art, Los Angeles and Museum of Modern Art, New York.

(*) Laura Smith, 'Introduction', in Graham Little: inside the water sleep, (London: Alison Jacques Gallery, 2019), p. 18.

ALISON JACQUES GALLERY
16-18 Berners Street, London W1T 3LN
www.alisonjacquesgallery.com