Showing posts with label art basel Miami Beach. Show all posts
Showing posts with label art basel Miami Beach. Show all posts

11/12/23

Art Basel Miami Beach 2023: Successful Edition

Art Basel returned to Miami Beach with a successful 2023 edition

The show rounded out the year with ambitious presentations by new joiners and veteran exhibitors from the Americas and beyond, strong sales across market segments, and sprawling exhibitions and events with leading museums, private collections, and cultural partners throughout the city

- Solidifying its position as the premier art fair in the Americas, Art Basel Miami Beach's 2023 edition concluded today, marked by an extraordinary diversity of artistic positions on view in and beyond the halls; a new floorplan; the presence of 25 new participating galleries, hailing from the US to Mexico, Brazil, France, The Netherlands, Poland, and Egypt; a strong showing of leading collectors and institutions from the region and around the world; and a vibrant program of events and activations unfolding both at the fair and across the city's rich cultural landscape.

- Bringing together 277 leading international galleries across its five sectors, the show attracted an overall attendance of 79,000 throughout its VIP and public days.

- Drawing inspiration from Miami's position as a gateway to Latin America and the Caribbean, Art Basel’s Conversations program featured prominent speakers including leading Cuban-born artist María Magdalena Campos-Pons; collector, curator, and philanthropist Estrellita Brodsky; and singer-songwriter, producer, and activist Chance the Rapper.

- Art Basel, whose Global Lead Partner is UBS, took place from December 8-10, 2023, with Preview Days on December 6 and 7, at the Miami Beach Convention Center (MBCC).

Galleries reported robust sales across all market segments, including works by 20th-century luminaries such as Carla Accardi, Philip Guston, René Magritte, Alice Neel, Keith Haring, and Mildred Thompson; prominent contemporary artists such as Yayoi Kusama, Barbara Kruger, Tracey Emin, Lynda Benglis, Marlene Dumas, and Rashid Johnson; outstanding practitioners from Latin America and the Caribbean including Esaí Alfredo, Firelei Báez, Hélio Melo, Teresita Fernández, Hector Dionicio Mendoza, and Jorge Méndez Blake; and emerging voices such as Reginald O'Neal, Erin Jane Nelson, Noémie Goudal, Tau Lewis, Qualeasha Wood, and Clio Sze To.

The first edition of Access by Art Basel, a new online art sales platform powered by Arcual and designed to support philanthropic giving, launched at Art Basel Miami Beach 2023 with 15 galleries exhibiting in the fair: François Ghebaly (Sayre Gomez), Karma (Maja Ruznic), Kasmin (Alma Allen), kaufmann repetto (Katherine Bradford), Lehmann Maupin (Robin Rhode), Luhring Augustine (Mark Handforth), Mendes Wood DM (Jaider Esbell), Mitchell-Innes & Nash (Rafael Delacruz), Hauser & Wirth (Angel Otero), Pace Gallery (Matthew Day Jackson), Sean Kelly (Wu Chi-Tsung), Jessica Silverman (Chelsea Ryoko Wong), Frederic Snitzer Gallery (Hernan Bas), Sprüth Magers (Jenny Holzer), and Tina Kim Gallery (Kibong Rhee). For each sale made on the platform, collectors were required to make an additional charitable pledge, beginning at a minimum of 10% of the price of the artwork, with the potential to increase further. The artist and their exhibiting gallery received the full value of each artwork sold on the platform, with the charitable donation going to the collector's choice of The Miami Foundation or The International Committee of the Red Cross (ICRC). To date, Access by Art Basel has raised over $100,000 in charitable donations to The Miami Foundation and the ICRC.

Leading art patrons and private collectors from over 92 countries and territories visited the fair this week. In addition, representatives from more than 200 cultural institutions and foundations were in attendance, including Asia Society, New York, NY; Aspen Art Museum, Aspen, CO; Brooklyn Museum, Brooklyn, NY; Buffalo AKGm, Buffalo, NY; Crystal Bridges Museum of American Art, Bentonville, AR; Hirshhorn Museum & Sculpture Garden, Washington, D.C.; ICA Pennsylvania, Philadelphia, PA; MIT List Visual Arts Center, Cambridge, MA; MoMA PS1, Queens, NY; MoMA, New York, NY; Modern Art Museum of Fort Worth, Fort Worth, TX; MCA Chicago, Chicago, IL; MFA Boston, Boston, MA; Nasher Sculpture Center, Dallas, TX; National Gallery of Art, Washington, D.C.; Philadelphia Museum of Art, Philadelphia, PA; Phoenix Art Museum, Phoenix, AZ; SFMOMA, San Francisco, CA; Solomon R. Guggenheim Museum, New York, NY; Swiss Institute, New York, NY; The Andy Warhol Museum, Pittsburgh, PA; The Bronx Museum of the Arts, Bronx, NY; ICA Boston, Boston, MA; MOCA Los Angeles, Los Angeles, CA; The New Museum, New York, NY; The Norton Museum of Art, West Palm Beach, FL; The Studio Museum in Harlem, New York, NY; Whitney Museum of Art, New York, NY; Musee des beaux-arts de Montréal, Montreal; MALBA – Museo de Art Latinoamericano de Buenos Aires, Buenos Aires; Museu de Arte Moderna de São Paulo, São Paulo; Istanbul Museum of Modern Art, Istanbul; Reina Sofia, Madrid; Serpentine Galleries, London; Centre Pompidou, Paris; and Zeitz MOCAA, Cape Town.

Vincenzo de Bellis, Director of Fairs and Exhibition Platforms, Art Basel, said: 'Art Basel Miami Beach has once again proven to be the pre-eminent art fair in the Americas. The quality and ambition of works presented at the show this year were nothing short of extraordinary, met with an exceptional attendance of local and international collectors. New galleries and concepts and a redesigned floorplan brought an injection of freshness to the show, amplified by the rich offering across Miami Beach’s flourishing cultural landscape. The show’s impact on the region is simply undeniable. I look forward to a 2024 edition helmed by our new director Bridget Finn, and to discovering how she will shape and continue to elevate our premier show in Miami Beach.'

De Bellis spearheaded the 2023 edition of Art Basel Miami Beach. Bridget Finn, Art Basel’s recently appointed Director, Art Basel Miami Beach, will lead the direction of the show in 2024. She said of this year’s show: ‘This edition of Art Basel Miami Beach was indescribably special, being my first experience of the show as Director. It was a week of deep learnings and discoveries with the Art Basel community in Miami Beach – our galleries and their artists, our institutional collaborators, and our new and longstanding partners. Having experienced the fair from many different vantage points over the years, Art Basel Miami Beach is truly unlike any event in the art world and undoubtedly the most significant in the Americas. I am elated to work with our team to continue propelling this vital show into the future.’

Extending beyond the fair halls, Art Basel collaborated with a host of world-class institutions, private collections, and cultural partners for a premier program of exhibitions, events, and activations across Miami Beach throughout the fair week. Celebrating the intersections of art, music, and film, Art Basel partnered with Tribeca Festival for the first-ever Tribeca Festival at Art Basel Miami Beach. The event hosted four days of live musical performances and exclusive conversations with trailblazing artists throughout the fair week at the Miami Beach Botanical Garden, including a headline Talk featuring Robert De Niro in conversation with French photographer and street artist JR.

Major shows coinciding with Art Basel Miami Beach included a feature exhibition of the renowned Miami artist Hernan Bas, presented in tandem with a large-scale, world-building exhibition of Korean, Berlin-based artist Anne Duk Hee Jordan, at The Bass Museum; a large-scale survey of acclaimed artist Charles Gaines and new sculptural work by rising Canadian artist Tau Lewis at The Institute of Contemporary Art, Miami; as well as the first comprehensive career retrospective of the American artist Gary Simmons at Pérez Art Museum Miami.

Participating exhibitors remarked on their experiences:

‘Art Basel Miami Beach consolidates its position as the number-one fair in the US, where museums, their trustees, and collectors know they will have access to quality works by artists from every continent. We have sold works to quality collectors, including a Mickalene Thomas to a Midwest museum.'
Nathalie Obadia, Owner, Galerie Nathalie Obadia (Paris, Brussels)

‘Seeing so many familiar faces and making new connections at the fair has proven that Art Basel Miami Beach still holds the throne in the US. We connected with seasoned collectors from all over the world, including the US, Europe, and Asia.’
Stephen Friedman, Founder, Stephen Friedman Gallery (London, New York)

‘Art Basel Miami Beach is the unrivaled summit of Cardi’s annual fair schedule. It attracts top collectors from around the globe. Each year we achieve record sales, and this year is no exception.’
Nicolo Cardi, Owner, Cardi Gallery (London, Milan)

‘For us, the opening of Art Basel Miami Beach was a resounding affirmation of the American art market's strength and resilience. In the first hours of the fair, we welcomed a fantastic cross-section of seasoned collectors, curators, and museum colleagues and sold the majority of the works in our first-day presentation. Such enthusiasm, engagement, and commitment are, in my view, indicators that the American art scene will continue to be dynamic and that great art will remain a priority in the wider culture itself.’
Marc Payot, President, Hauser & Wirth (New York, Hong Kong, Monaco, Ciutadella de Menorca, Gstaad, Saint Moritz, Zürich, London, Somerset, Los Angeles)

‘Art Basel Miami Beach continues to be one of the most important art fairs for us – for its proximity to New York, but also for the international crowd of collectors and curators it brings together. Collectors are here from all over the world, from Beijing to Sao Paulo, and are eager to expand their collections and discover new artists along the way. This is also a testament to Miami’s vibrant arts scene and its prominent institutions.’
David Maupin, Co-founder, Lehmann Maupin (New York, Seoul, London, Palm Beach)

'The fair kicked off with high energy, seeing many of our collectors who had sat out the last couple of fairs showing up in the early hours. There was an incredible crowd at the booth, with collectors flying in from all over the world. This year, we were particularly excited about our pairing of artists across multiple generations, such as Lynda Benglis and Alicja Kwade, Mika Tajima and Mary Corse, and Maysha Mohamedi and Lee Kun Yong – something the fairgoers seemed to respond to. As far as sales, they were very brisk for us, selling most of the works in the booth over the first few hours.'
Samanthe Rubell, President, Pace Gallery (New York, Hong Kong, Seoul, Geneva, London, Los Angeles, Palm Beach)

‘It felt great to return to Art Basel Miami Beach this year just on the heels of opening our first permanent US gallery in New York this fall. We are also grateful for Art Basel’s care in creating a new fair layout with generous aisles, which allowed ease and encouraged engagement with our visitors and collectors.’
Daniela Gareh, Global Sales Director, White Cube (London, New York)

‘This was our inaugural participation in Art Basel Miami Beach. We had clients fly in from the Philippines and Singapore to visit the fair for the first time to celebrate with us. We felt warmly welcomed by Art Basel’s international audiences, particularly from national and Latin American curators who have recognized the prescience of Norberto Roldan's work. Miami has proven itself to be an incredible American city in which to debut Roldan’s practice, which delves into the parallel post-colonial realities shared between the Philippines and Latin America. We hope to see everyone again next year.’
Isa Lorenzo, Founder, Silverlens (Manila, New York)

'We were overwhelmed by the extremely positive response from curators and collectors to our presentation at the fair. This really highlights the ability of our artists to capture the current zeitgeist in the US and beyond.’
Eva Presenhuber, Galerie Eva Presenhuber (Zürich, Vienna)

‘This year, Art Basel Miami Beach provided the space for young emerging artists like Reginald O’Neal and Esaí Alfredo to scale up and transcend. This platform shed light on where we are and where we are going, and certainly captivated our community from up close and afar.’
Anthony Spinello, Owner, Spinello Projects (Miami)

‘Sales were steady, driven by collectors both familiar and new to the gallery. Additionally, at this year's Art Basel Miami Beach, we introduced several new artists to the program. Each has been met with excitement, and their work was sold immediately.’
Tim Blum, Owner, and Matt Bangser, Managing Partner, BLUM (Los Angeles, Tokyo, New York)

‘Art Basel Miami Beach continues to be our critical annual moment of engagement with collectors and institutions from the Americas. As a gallery that only does three fairs a year, the timing of Art Basel Miami Beach allows us to consolidate conversations in-person that have been developing throughout the year. We felt the opening days reflected the general market mood – less spontaneous, frenzied buying, and more measured engagement with artists who are receiving significant institutional attention. Collectors we spoke to were very positive about the overall quality and experience of the fair this year.’
Jeremy Epstein, Co-Founder, Edel Assanti (London)

‘Art Basel Miami Beach 2023 was a spectacular fair, where we could meet and see again great collectors, friends, and museum directors from all over the world. We had strong sales, and we are very pleased to have placed our artists with museums and great private collections.’
Guilherme Simões de Assis, Director, Simões de Assis (São Paulo, Curitiba, Balneário Camboriú)

The Legacy Purchase Program by the City of Miami Beach
Now in its fourth iteration, the City of Miami Beach acquired through its Legacy Purchase Program a work by Anneke Eusson, represented by Document with exhibition spaces in Chicago and Lisbon, for its public art collection. The acquisitions program further strengthens Miami Beach's longstanding partnership with Art Basel, building a legacy for the future.

The CPGA-Étant Donnés Prize
The Comité Professionnel des Galeries d’Art (French Professional Committee of Art Galleries, or CPGA) and Villa Albertine came together to award the second edition of the CPGA-Étant Donnés Prize, which recognizes a major work by a contemporary French or France-based artist participating at Art Basel Miami Beach 2023 and their exhibiting gallery. The $15,000 cash prize was jointly awarded to Colombian, Paris-based artist Daniel Otero Torresby, for his installation Los abrazos del viento (2023), and his exhibiting gallery mor charpentier by an appointed jury of international curators and collectors.

Design Miami/
The 19th edition of Design Miami/ took place concurrently to Art Basel Miami Beach from December 6 to 10, 2023, with a Preview Day on December 5, 2023. Design Miami/ brought together world-class presentations of 20th- and 21st-century design, hosting a global forum for collectible design.

ART BASEL MIAMI BEACH

30/11/23

Art Basel Miami Beach 2023 - Artists, Artworks, Galleries Highlights

Art Basel Miami Beach 2023
Miami Beach Convention Center
December 8 – 10, 2023

For the 2023 edition of Art Basel’s premier global fair in the Americas, Art Basel brings together 277 leading international galleries to present the highest quality artworks across all media – from painting and sculpture to photography and digital works – by artists ranging from early-twentieth-century Modern pioneers to contemporary practitioners. Nearly two-thirds of this year’s galleries hail from North and South America, joined by an exceptional array of exhibitors from Europe, Asia, and Africa.


Andy Warhol 
Man Ray, 1974
Presented by Vedovi Gallery
Courtesy of Vedovi Gallery
Vedovi Gallery is a leading secondary market gallery specializing in works by modern, post-war, and contemporary European and American artists. Renowned for its fine connoisseurship in the trade of high quality works, the gallery has gained a solid reputation and expertise over the past 25 years.
Zheng Chongbin
Floating Zone No.2, 2023
Presented by Altman Siegel
Courtesy of the artist and Altman Siegel, San Francisco
Altman Siegel was founded by Claudia Altman-Siegel in 2009. The program focuses on internationally recognized, museum-level artists whose work contributes to the cultural dialogue domestically and abroad. 
Etel Adnan 
Untitled, 2014
Presented by Barbara Mathes Gallery
Courtesy of Barbara Mathes Gallery
Barbara Mathes Gallery was founded in 1978 and specializes in paintings, sculpture, and works on paper by modern and contemporary masters. The gallery is known for its tightly focused one-person shows and for imaginative thematic exhibitions that present artists in new and illuminating contexts.
Antonio Tarsis 
Untitled, 2023
Presented by Carlos/Ishikawa
Courtesy the artist and Carlos/Ishikawa, London
© Antonio Tarsis 2023
Photography by Damian Griffiths
Founded in 2011, Carlos/Ishikawa’s program is dedicated to considered and ambitious exhibitions that offer diverse artists’ perspectives on structural, socio-cultural, and political questions. The program focuses on international artists with often wide-ranging, multi-disciplinary and experimental practices. 
Vânia Mignone 
Untitled, 2022
Presented by Casa Triângulo
Coutersy Casa Triângulo, São Paulo, Brazil
Photographer Credit: Filipe Berndt
Inaugurated in 1988, Casa Triângulo figures as one of the most renowned and respected Brazilian contemporary art galleries. The gallery plays an important role on the construction and consolidation of the careers of some of the most prominent names of the contemporary scene.
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Noah Horowitz, CEO, Art Basel, says: ‘Having led our Miami Beach fair for six years as Director, Americas, I know first-hand the galvanizing role our show plays within the creative ecosystem of Miami, the broader region, and the global arts community. Art Basel Miami Beach continues to exceed expectations year after year, in the quality and range of the art on view, and in the singularly magnetic experience within and beyond the halls which continues to attract both established and entirely new audiences and bring out the best of the local cultural scene each December. Our offering this year demonstrates yet again the strength of our show as an engine of the world of art in the Americas and globally, and as an utterly transformative cross-cultural experience – made possible by our premier exhibitors, our world-renowned cultural partners and collaborators in Miami Beach and South Florida, and our exceptional team.’
Spearheading the 2023 edition, Vincenzo de Bellis, Director, Fairs and Exhibition Platforms, says: ‘Visitors to our Miami Beach show this year will be met with surprises, and an expanded platform for discovering a diversity of artistic voices and perspectives, which echo and reverberate across Miami Beach’s ever-growing cultural offer. With new participants from Mexico to Poland and Egypt, and a program both within and beyond the fair like we have never done before, there is an injection of freshness to the fair, and a vigor of experience which we look forward to playing out in full in December.’
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Luz Lizarazo  
Eclipse #9, 2023
Presented by Casas Riegner
Courtesy Casas Riegner, Bogotá.
Casas Riegner was established in Miami in 2001. In 2004, after achieving an important position within the Miami art world, the gallery embarked on a challenging project: the promotion and dissemination of contemporary art within Colombia and abroad. 
Ernesto Neto 
Caminho pelas nações com o corpo cheio de gente, 2020
Presented by Galería Elba Benítez
Cortesy Ernesto Neto and Galería Elba Benítez, Madrid
Photo: Jonás Bel
Since 1990, Galería Elba Benítez has freely embraced the diverse and ever-changing facets of contemporary art. The gallery exhibits artists working with a wide range of media – installation, sculpture, video, photography, painting, performance, collective action – while also striving to explore channels of artistic expression formed by the interplay of art with other disciplines, such as architecture, film, tourism, urbanism and the production of projects for public spaces. Above all, Galería Elba Benítez remains committed to art’s fluid capacity to change with changing times.
Albarrán Cabrera 
The Mouth of Krishna #60133, 2015
Presented by Galería Elvira González
Courtesy Galería Elvira González
The Elvira González Gallery opens in Madrid in 1994. Founded by Elvira González, who owned and directed the Theo Gallery for 30 years (from 1966 to 1991) it is currently directed by her daughters, Elvira Mignoni and Isabel Mignoni. The gallery specializes in modern and contemporary European and American art and has produced important exhibitions.
Doug Aitken 
Endless Oceans (1), 2023
Presented by Galerie Eva Presenhuber
Courtesy the artist and Galerie Eva Presenhuber, Zurich / Vienna
© the artist
Photo: Stefan Altenburger Photography, Zürich
Galerie Eva Presenhuber is a leading contemporary art gallery located in Zurich and Vienna. Eva Presenhuber is committed to representing and nurturing an international and intergenerational roster of artists that reflects both historical and current discourses within contemporary art. 
Christine Tien Wang 
Marx cat with blue blanket, 2023
Presented by Galerie Nagel Draxler
Courtesy: the artist and Galerie Nagel Draxler Berlin/Cologne/ Munich
Galerie Nagel Draxler (formerly Galerie Christian Nagel) was founded in Cologne in 1990 and operates in Cologne, Berlin, Munich and Meseberg. It is a gallery that has a history, a present and a future. An emphasis lies on an established artist generation, that has been showing with them since the beginning and whose work has been strongly influential for following generations. 
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The show's main sector will feature 222 of the world’s leading galleries, showcasing painting, sculpture, drawing, installation, photography, video, and digital works of the highest quality, including 10 exhibitors presenting editioned works, prints, and multiples.

Dedicated to galleries presenting works created within the last three years by one, two, or three artists, the Nova sector will feature 21 presentations from 22 galleries.

This year’s Positions sector will feature 16 standalone presentations by emerging artists from around the world. Highlights include: a presentation of Brazilian artist Allan Weber, known for his work on everyday life in Rio de Janeiro's favelas, including a new photo series shot during the COVID-19 pandemic, when Weber worked as a mobile food app delivery driver, presented by Galatea (Rio de Janeiro); four works by Mexican artist Andrew Roberts made especially for the fair and exploring the ocean as a geopolitical space of violence, including a three-channel video work, in which an assembly of computer generated and animated sea monsters hauntingly sing to their extinction, an animatronic sculpture depicting an aquatic humanoid creature in a state of deep sleep, and two large scale bas-reliefs made of silicone, presented by Pequod Co. (Mexico City); a new series of photographs by American artist Texas Isaiah, in which transmasculine, nonbinary, and gender-expansive subjects act in a lush landscape, shown alongside an altar installation dedicated to Ki'tay Davidson, a Black transmasculine disability justice advocate, and Blake Brockington, the first openly trans high school homecoming king in North Carolina, presented by Residency Art Gallery (Inglewood); and an installation of mixed-media wall and floor sculptures by Brazilian artist Mano Penalva, in dialogue with the wooden beaded backrests used by professional drivers in Brazil and various parts of the world, presented by Llano (Mexico City).

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Evelyn Statsinger
Sky Dive, 1991
Presented by GRAY
Courtesy of GRAY
GRAY: Established in Chicago in 1963, Richard Gray Gallery specializes in modern and contemporary artwork and represents an international roster of artists who work in a variety of media, including sculpture, photography, installation and painting. Expanding to New York City in 1997 and opening a capacious second location in Chicago in 2017, Gray is identified with its support of leading contemporary artists and offers artworks of exceedingly high quality. 
Marsden Hartley 
Black and White Decoys, 1940-41
Presented by Hirschl & Adler Modern
Courtesy Hirschl & Adler Modern
Photo by Eric W. Baumgartner
Hirschl & Adler Modern, founded in 1981, specializes in art from 1913 to the present, with a strong emphasis on American Modernism and the post-war period. It also represents a select group of established and mid-career contemporary artists who are featured regularly through scheduled solo and group exhibitions in its 11,000 square-foot gallery space at the crossroads of 57th Street and Madison Avenue in New York City.
Fulton Leroy Washington (Mr. Wash) 
From Behind the Glass, 2022
Presented by Jeffrey Deitch
Courtesy of the artist and Jeffrey Deitch, New York and Los Angeles
Photo by Charles White
Jeffrey Deitch began his art career with a small gallery in Lenox, Massachusetts, in 1972. After working as Assistant Director at the John Weber Gallery from 1974-76 and earning an MBA at the Harvard Business School, he developed and co-managed Citibank’s Art Advisory Service from 1979-88. Deitch established his own art advisory and private dealing business in 1988. From 1993-2000, he represented Jeff Koons and co-produced the artist’s Celebration series. In 1996, he opened Deitch Projects, which presented more than 250 exhibitions and projects. He closed the gallery in 2010 to become Director of the Museum of Contemporary Art, Los Angeles. In 2014, Deitch reopened his New York gallery, focusing on projects with major artists and curated thematic exhibitions. Deitch opened his gallery in Los Angeles, designed by Frank Gehry, in September 2018. In addition to his commercial career, Deitch has curated influential exhibitions in museums and foundations.
Judy Chicago 
Transformation Painting, 1973
Presented by Jessica Silverman
Courtesy of the artist and Jessica Silverman, San Francisco
Jessica Silverman is a contemporary art gallery with an international reputation for curating compelling exhibitions, building artists’ careers, and collaborating with collectors who are keen on positive provenance. Their mission is to support artists whose relevance to contemporary culture is such that museums want to understand and embrace their work.
Ana Sacerdote 
Untitled, 1967
Presented by Jorge Mara - La Ruche
Courtesy Jorge Mara - La Ruche
The Jorge Mara • La Ruche Gallery, inaugurated in late 2001, is a new space continuing the tradition of the Galería Jorge Mara, renown in Buenos Aires in the 1980s, and based in Madrid during the 1990s. The new space focuses mainly on the work of established artists active in mid twentieth century Argentinean and Latin American art, while also spotlighting the work of emerging artists.
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Featuring works created before 2000, Survey will host 17 galleries. Highlights include: a tribute presentation to Liliana Maresca, the iconic Argentine sculptor, painter, and performance artist who was highly influential to the country’s artistic scene in the 1980s and 1990s, presented by Rolf Art (Buenos Aires); a solo presentation of Karen Finley, Karen Finley: REDACTED, centered on the artist's seminal interactive installation, GO FIGURE, which she installed at the Museum of Contemporary Art, Los Angeles, in 1997 during her protracted legal battle with the National Endowment for the Arts, and the subsequent presentation of which at the Whitney Museum was canceled in the wake of the artist’s Supreme Court defeat, presented by Freight+Volume (New York); a solo booth of American artist Vivian Browne’s landmark abstract Africa paintings, made following an influential trip to Nigeria in 1971, presented by Ryan Lee (New York); and a series of eight erotically charged paintings of factory laborers from the estate of Swiss artist Rudolf Maeglin, made between 1932 and 1948 and never-before-seen in the U.S., including two rare large-scale works, in which the artist's unique provocation of gender reverberates with urgency, presented by Meredith Rosen Gallery (New York).

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Anish Kapoor 
Oriental Blue and black Mist Satin, 2019
Presented by Mennour
Courtesy Mennour
Mennour is an art gallery founded in Paris in 1999. Through its exhibitions, its projects developed in partnership with cultural institutions, its presence in major international art fairs, and its network of collaborators throughout the world, the gallery is present from Asia to the Americas, and from Africa to the Middle East. Today, it is one of the key actors in contemporary art and the art market.
Sophie von Hellermann 
Double Life, 2023
Presented by Pilar Corrias
Courtesy the artist and Pilar Corrias, London
Pilar Corrias opened her eponymous contemporary art gallery in 2008. The gallery has worked with artists with the central aim of allowing their work to grow both in terms of the production of new projects and the making of exhibitions. Pilar Corrias opened her first gallery on Eastcastle Street in London’s Fitzrovia, designed by Rem Koolhaas and began representing a small group of artists she previously had worked with: Philippe Parreno, Keren Cytter, and Tala Madani. At the time, she was the first woman to open a new gallery in the West End of London for a decade. In 2021, a second London gallery space was opened at 2 Savile Row designed by Hesselbrand. In 2023, a new gallery space at 49–51 Conduit Street opened, designed by Cowie Montgomery, replacing Eastcastle Street.
Joana Choumali 
WHEN THE WIND OF CHANGE BLOWS, 2023
Presented by Sperone Westwater
Courtesy of Sperone Westwater
Sperone Westwater is a contemporary art gallery on the historic Bowery in New York City. In 2010 the gallery inaugurated an award-winning building designed by Foster and Partners. Originally founded in 1975 on Greene Street in Soho, Sperone Westwater has recently celebrated 45 years of groundbreaking exhibitions that have showcased a European avant-garde and renowned American artists.
Pacita Abad 
I'm up and down like a yo-yo, 2003
Presented by STPI
Courtesy of the artist and STPI – Creative Workshop & Gallery, Singapore
STPI is a creative workshop and contemporary art gallery based in Singapore. Established in 2002, STPI is committed to promoting artistic experimentation in the mediums of print and paper, making it one of the most cutting-edge destinations for contemporary art in Asia.
ART BASEL MIAMI BEACH
Miami Beach Convention Center
1901 Convention Center Drive, Miami Beach, FL 33139

22/09/16

Art Basel Miami Beach 2016: Survey Sector: 14 historical projects in the spotlight

Survey Sector: 14 historical projects in the spotlight at Art Basel in Miami Beach
Art Basel Miami Beach
1 - 4 December 2016

Now in its third year, Survey will present artworks created by 14 artists prior to the year 2000. Curated booths by leading galleries from North and South America, Europe and Asia will provide insight into the work of Carmelo Arden Quin, Romare Bearden, Graciela Carnevale, Ibrahim El-Salahi, Margaret Kilgallen, Giorgio Morandi, Howardena Pindell, David Reed, George Rickey, Mimmo Rotella, Betye Saar, Barbara T. Smith, Kishio Suga and Jacques Villeglé.

Four of the 14 global galleries exhibiting in Survey will participate in the show for the first time, including Los Angeles’ The Box, which will present works by the artist Barbara T. Smith (b. 1931). Exploring intersections between the artist’s long-standing feminist performance practice and her deeply-rooted interest in ritualistic methodologies, The Box will feature video and sculptures related to her seminal work ‘Field Piece’ (1968/1971).

Also marking its debut at Art Basel in Miami Beach will be Galleria d’Arte Maggiore G.A.M. from Bologna, with a selection of museum-quality works by Giorgio Morandi (b.1890, d. 1964). A painter and printmaker best known for his restrained composition of hard, smooth forms and ambiguous distortions of perspective, Morandi worked in a range of media – painting, drawing, watercolor and etching – all of which will be included in the gallery’s presentation.

Another first-time exhibitor will be Vigo Gallery from London, which will present historic works on paper by Sudanese artist Ibrahim El-Salahi (b. 1930). Produced between 1976 and 1977, the pieces mark a key period after the artist’s release from jail – an experience that was highly influential in his career – and will be paired with rare early works from the 1950s and 1960s. El-Salahi’s work incorporates Cubism, Surrealism, Muslim iconography and Arabic calligraphy, and in 2013 he was the first African artist to have a retrospective at Tate Modern.

Simões de Assis Galeria de Arte from Curitiba, Brazil, also new to the show, will exhibit a set of 16 critically significant works by the Uruguayan avant-garde artist CAMELO ARDEN QUIN (b. 1913). The works, which were produced in the 1930s, 1940s and early 1950s, portray this key historical period within Quin’s career. Quin was instrumental within the Latin American vanguards in the 1940s and co-created the Madi Art Group – a group that inspired other artists such as Ellsworth Kelly.


Carmelo Arden Quin
Carmelo Arden Quin
Roâ, 1950
Courtesy of the artist and Simões de Assis Galeria de Arte

espaivisor will present ‘El encierro’ (1968) by Graciela Carnevale (b. 1942), one of the most significant works of sociopolitical art in Latin America from the late 1960s. Responding to Argentina’s repressive government at the time, Carnevale’s experimental action locked an unwitting audience in an empty gallery, from which the only way to exit was by breaking through a glass wall. The gallery will present photographic documentation of the historic performance paired with a poster display recreated across the booth’s wall.

Maxwell Davidson Gallery will present rare and early works by GEORGE RICKEY (b. 1907, d. 2002). Rickey’s kinetic sculptures will trace the development of his evolving creative oeuvre in the 1950s and 1960s.


George Rickey
George Rickey
Ship,1958-1965
Courtesy of the artist and Maxwell Davidson Gallery

DC Moore Gallery will feature rare photographic works by ROMARE BEARDEN (b. 1911, d. 1988), widely recognized as one of the most innovative visual artists of the 20th century. Centered on Bearden’s ‘Projections’, a series of photostatic enlargements and collages from the 1960s, this exhibition will reflect his interest in Cubism, Dadaism, civil rights, jazz and blues performance, as well as personal memories of the rural South.


Romare Bearden
Romare Bearden
Evening 9:10 461 Lenox Avenue, 1964
Courtesy of the artist and DC Moore Gallery

Jacques Villeglé’s (b. 1926) series ‘Painting within Non Painting’, created between the 1950s and the end of the 1970s, will be on view at Galerie Georges-Philippe & Nathalie Vallois. The works reflect Villeglé’s skepticism around ideas of authorship, traditional aesthetics and pre-determination.

Tokyo Gallery + BTAP will present a solo show of KISHIO SUGA (b. 1944), one of the central figures of the Mono-ha movement that emerged in Tokyo during the late 1960s and early 1970s. The installation of Suga’s cylindrical and fan-shaped 'PROTRUSION’ series will include two pieces that have never been exhibited.


Kishio Suga
Kishio Suga
Protrusion KX87, (1987)
Photo courtesy the artist and Tokyo Gallery+BTAP

Ratio 3 will feature Margaret Kilgallen’s (b. 1967, d. 2001) candid representation of the female figure, including women surfing, smoking, embracing and brawling. Notably, this will be the first time her works will be available on the primary market since her death.

Best known for his décollages, Mimmo Rotella (b. 1918, d. 2006) was also a great experimenter who sought to reject the imposition of traditional artistic ‘languages’. Robilant + Voena’s presentation of Rotella’s work will focus on four distinct and important techniques that he pioneered from the 1950s through the 1980s.

At Peter Blum Gallery, early and rarely seen paintings by DAVID REED (b. 1946) will be paired with a short film that the artist based on a John Wayne Technicolor VistaVision Western. While film has played a pivotal role in influencing Reed’s paintings, much of the public has not known his work as a filmmaker. The gallery’s show will coincide with the opening of a solo exhibition of David Reed’s new paintings at the Perez Art Museum in Miami.


David Reed
David Reed
Study 10, 1978
Courtesy of the artist and Peter Blum Gallery

Three monumental paintings – two of which have never been exhibited previously – by Howardena Pindell (b. 1943) at Garth Greenan Gallery will draw upon the artist’s first foray into abstraction. Layered onto unprimed canvases, these works have the appearance of vast fields from which light emanates.

Organized under the unifying idea of ritual, BETYE SAAR’s (b. 1926) presentation at Roberts & Tilton will be centered around her seminal work ‘MTI’ (1973), a freestanding altarpiece fusing Gypsy, Indian and Voodoo cultural symbols. Visitors will be invited to participate in the piece by placing a personal offering at its base. The resulting presentation aims to renegotiate the aestheticization of ritualized action, concepts of power and display, and the relationship between installations and sculpture.


Betye Saar
Betye Saar
Mti, 1973 – present
Courtesy of Roberts & Tilton

ART BASEL l Miami Beach
www.artbasel.com

15/11/15

Art Basel Miami Beach: Public sector 2015

Art Basel Miami Beach: Public sector
December 3 - 6, 2015

Public: 26 international artists will transform Collins Park with 27 site-specific installations and performances.

Tony Cragg
Tony Cragg
Mixed Feelings, 2012
Marian Goodman Gallery
Courtesy the artist and the gallery

For the 2015 edition of Art Basel's show in Miami Beach, Nicholas Baume, Director and Chief Curator of Public Art Fund, returns for his third year curating the show’s Public sector. Under the theme ‘Metaforms’, 27 large-scale and site-specific installations and performances by leading and emerging artists from over 11 countries will turn Miami Beach’s Collins Park into an outdoor exhibition space. Produced in collaboration with the Bass Museum of Art for the fifth consecutive year, the sector will include significant works by Olaf Breuning, James Capper, Tony Cragg, Melvin Edwards, Sam Falls, Sylvie Fleury, Katharina Grosse, Matt Johnson, Jacob Kassay, Kris Martin, Rubén Ortiz Torres, Athena Papadopoulos, Ishmael Randall-Weeks, Sterling Ruby, Michael Sailstorfer, Tomás Saraceno, Tony Tasset, Rirkrit Tiravanija, Francisco Ugarte, Timm Ulrichs, Marianne Vitale, Ursula von Rydingsvard, Hank Willis Thomas, Robert Wilson, Yan Xing and Xiao Yu.

The Public sector of Art Basel will open on Wednesday, December 2, with a special evening performance program featuring Xavier Cha (b.1980, United States), Ryan Gander (b. 1975, United Kingdom), Pope.L (b. 1955, United States) and Yan Xing (b. 1986, China).

Ursula von Rydingsvard
Ursula von Rydingsvard
Bent Lace, 2014
Galerie Lelong
Courtesy the artist and the gallery

Kris Martin
Kris Martin
Altar, 2014
Sies + Höke
Courtesy the artist and the gallery

Nicholas Baume’s curatorial premise, ‘Metaforms’, will consider how art making is, at its core, a process of transformation. The manners in which artists conceptually and physically reimagine objects or symbols will be explored, and in doing so add new layers of significance to what was once familiar in order to reveal unexpected truths.

Several of the works will be participatory. Jacob Kassay's (b. 1984, United States) ‘Untitled’ (2012-2015) is designed to provide a place for individuals to gather together in conversation. ‘Healing Pavilion’, a gemstone-encrusted sculpture by Sam Falls (b. 1984, United States), will similarly provide communal seating, in this case enhanced with metaphysical properties through minerals such as amethyst, orange calcite, jasper, lapis lazuli and rose quartz. Other work will convert inanimate objects into 'moving beings', as with ‘Mountaineer Prototype’ (2015) by James Capper (b. 1987, United Kingdom). Widely known for his large-scale, man-operated machines, Capper’s brightly-colored kinetic sculpture will walk around on four telescopic legs, remotely operated via a control panel.

Timm Ulrichs
Timm Ulrichs
Von null bis unendlich (from here to eternity), 1986
Wentrup
Courtesy the artist and the gallery

Michael Sailstorfer
Michael Sailstorfer
Voilà (Dubai) 1, 2011, and Voilà (Dubai) 3, 2011
Galerie König
Courtesy the artist and the gallery

Power, manipulation and structures of oppression will be implied themes in several works. 'Ukpo.Edo' (1993/1996) is a stainless steel installation by Melvin Edwards (b. 1937, United States) comprised of large metal links, a poignant symbol of both the history of slavery and oppression, as well as the interrelation between people and cultures. Matt Johnson’s (b. 1978, United States) ‘Twisted Jersey Barrier’ (2015), evocative of a warped concrete highway divider, and Sterling Ruby’s (b. 1972, Germany) ‘Big Yellow Mama’ (2013), based on the notorious Alabama electric chair, both reference objects designed to exercise control. Robert Wilson’s (b. 1941, United States) tall, slender chairs from the original 1976 production of ‘Einstein on the Beach’ will evoke a trio of elevated figures standing in judgment.

Hank Willis Thomas
Hank Willis Thomas
Ernest and Ruth, 2015
Jack Shainman Gallery
Courtesy the artist and the gallery

Reflections on identity and subjectivity are also embedded in Olaf Breuning’s (b. 1970, Switzerland) polished steel series of oversized heads, Athena Papadopoulos’ (b. 1988, Canada) ‘Two Serious(ly) (Young) Women’ (2015) and Hank Willis Thomas’ (b. 1976, United States) single bench ‘Ernest and Ruth’ (2015), from his ongoing series ‘The Truth is I See You’ (2011). In Yan Xing’s (b. 1986, China) playful performance, ‘L’amour l’après midi’ (2015), young men clad in Chinese silks and embroidery designed by the artist will flirt with passersby, projecting emotions like love, anxiety and lust through their eyes, body language and sparse dialogue.

Tomás Saraceno
Tomás Saraceno
One Module Cloud with Interior Net, 2015
Tanya Bonakdar Gallery
Courtesy the artist and the gallery

Tony Tasset
Tony Tasset
Deer, 2015
Kavi Gupta
Courtesy the artist and the gallery

Marianne Vitale’s (b. 1973, United States) nine meter long sculpture ‘Ace of Spades’ (2015) is comprised of relics of the industrial age, created from 60 tons of steel scrap material sourced from a Pennsylvania track yard facility. As Vitale brings the past into dialogue with the present, so too does Ishmael Randall-Weeks’ (b. 1976, Peru) simulated archaeology and Kris Martin’s (b. 1972, Belgium) bare bones interpretation of the 15th-century Ghent Altarpiece by Hubert and Jan van Eyck. Objects and images from popular culture and daily life animate works by Sylvie Fleury (b. 1961, Switzerland), who will broadcast the name of a supposed new fragrance in neon, Sterling Ruby (b. 1972, Germany), with a giant tubular set of red lips, and Michael Sailstorfer (b. 1979, Germany), in the form of potted beer garden lights. Additionally, Rubén Ortiz Torres’ (b. 1964, Mexico) ‘Collector’s Backyard Boogie’ (2015), will set customized shopping carts into motion with a hydraulic lift. Tony Tasset (b. 1960, United States) will play with our sense of perception through a monumental deer lawn ornament, while Rirkrit Tiravanija (b. 1961, Argentina) will bend the meaning of language through a solar powered LED-lit sign, similar to directional signs found on highways.

Xiao Yu
Xiao Yu
Elevation No.2, 2013
Beijing Art Now Gallery
Courtesy the artist and the gallery

For many artists, the forms, processes and systems of nature are evoked in more or less explicit ways and with varying degrees of abstraction. Francisco Ugarte’s (b. 1973, Mexico) site-specific sculpture, ‘Sunlight I’ (2015), responds to the sun’s trajectory and position during the days of the exhibition. The installation’s eleven wooden pyramids will each correspond with a specific time from sunrise to sunset, tracking the sun’s movement, elevation and azimuth, through the shifting projective geometry of the work. 

Additional examples include Tony Cragg’s (b. 1949, Britain) twinned, spiraling bronze sculpture ‘Mixed Feelings’ (2012), Katharina Grosse’s (b. 1961, Germany) colossal, painterly abstract forms, Tomás Saraceno’s (b. 1973, Argentina) delicate ‘One Module Cloud with Interior Net’ (2015), Timm Ulrichs’ (b. 1940, Germany) kinetic sculpture ‘Von null bis unendlich (from here to eternity)’ (1986) and Ursula Von Rydingsvard’s (b. 1942, Germany) large-scale bronze sculpture, ‘Bent Lace’ (2014). Inside the Rotunda, Xiao Yu’s (b. 1980, China) ‘Elevation No. 2’ (2013), a series of double-sided abstract canvases, invites viewers to look differently at both the traditional display and subject matter of painting.

As in the past three years, a selection of artworks will remain installed in Collins Park until February 1, 2016 as part of 'tc: temporary contemporary', a city-wide temporary public art program which is present by the Bass Museum of Art in partnership with the City of Miami Beach.

A series of live performances will be presented on Public’s Opening Night on Wednesday, December 2. Xavier Cha’s ‘supreme ultimate exercise’ (2015) will be comprised of parallel performances contrasting manipulations of the athletic form, including both the slow, controlled and fluid movements of a female tai chi master adjacent to a choreographed tractor tire routine enacted by male bodybuilders. Controlled physical exertion also marks Pope.L’s elaborate and sorrowful production; four large men speed through the park on skateboards, while lying prone, before crawling laboriously onto a small wooden stage to sing 'America The Beautiful'. 

Channeling the Wildean pun of 'the earnest Ernest', Ryan Gander’s work features a dandy hobo who will engage the audiences in scripted conversations that reveal iterations of the artist’s fancied and conflicted selves. The work, ‘Ernest Hawker’ (2015), was a Performa Commission curated by Mark Beasley for Performa 15. Public’s opening night will also feature a special evening rendition of Yan Xing’s flirtatious performance.

Public Opening Night, which is free and open to the public, will take place in Collins Park on Wednesday, December 2, from 7pm to 9pm. The Public sector is free of charge and will be open to the public from Wednesday, December 2 to Sunday, December 6, 2015.

Tours will be offered daily at 2pm starting from the On-site Info Point (no reservation required). Private, group and school-group tours will be offered by reservation.

Collins Park is located between 21st and 22nd Street, in close proximity to the exhibition halls within the Miami Beach Convention Center and adjacent to The Bass Museum of Art.

As part of Art Basel’s Salon series, on Friday, December 4 from 4pm to 5pm, Nicholas Baume will join in conversation with the artists Ishmael Randall-Weeks, Hank Willis Thomas, and Xavier Cha. Art Basel entry tickets include admission to Salon.

Art Basel Miami Beach 2015 Public artworks:

Olaf Breuning, I Can Not Take It Anymore, 2015, Metro Pictures
James Capper, Mountaineer Prototype, 2015, Paul Kasmin Gallery
Tony Cragg, Mixed Feelings, 2012, Marian Goodman Gallery
Melvin Edwards, Ukpo.Edo, 1993/1996, Alexander Gray Associates,
Stephen Friedman Gallery
Sam Falls, Untitled (Healing pavilion…), 2015, Galerie Eva Presenhuber
Sylvie Fleury, Eternity Now, 2015, Bass Museum of Art
Katharina Grosse, Untitled, 2012, Galerie König, Galerie nächst St. Stephan Rosemarie Schwarzwälder
Matt Johnson, Twisted Jersey Barrier, 2015, 303 Gallery, Blum & Poe
Jacob Kassay, Untitled, 2012-2015, 303 Gallery
Kris Martin, Altar, 2014, Sies + Höke
Rubén Ortiz Torres, Collector’s Backyard Boogie, 2015, OMR
Athena Papadopoulos, Two Serious(ly) (young) Women, (Hubba Hubba Trouba and Ouchy Waa Waa Mama’), 2015, Supportico Lopez
Ishmael Randall-Weeks, Paraíso, 2015, Revolver Galería
Sterling Ruby, Big Yellow Mama, 2013, and Lips, 2014, Gagosian Gallery
Michael Sailstorfer, Voilà (Dubai) 1, 2011, and Voilà (Dubai) 3, 2011, Galerie König
Tomás Saraceno, One Module Cloud with Interior Net, 2015, Tanya Bonakdar Gallery
Tony Tasset, Deer, 2015, Kavi Gupta
Rirkrit Tiravanija, untitled 2015 (don’t shoot the messenger), 2015, Gavin Brown’s enterprise
Francisco Ugarte, Sunlight I, 2015, Arredondo \ Arozarena
Timm Ulrichs, Von null bis unendlich (from here to eternity), 1986, Wentrup
Marianne Vitale, Ace of Spades, 2015, Contemporary Fine Arts
Ursula von Rydingsvard, Bent Lace, 2014, Galerie Lelong
Hank Willis Thomas, Ernest and Ruth, 2015, Jack Shainman Gallery
Robert Wilson, Einstein Chair, from Einstein on the Beach, 1976 (produced 2002), Paula Cooper Gallery
Yan Xing, L’amour l’après-midi, 2015, Galerie Urs Meile
Xiao Yu, Elevation No.2, 2013, Beijing Art Now Gallery

Public opening night performances:

Xavier Cha, supreme ultimate exercise, 2015, 47 Canal
Ryan Gander, Ernest Hawker, 2015, Lisson Gallery (A Performa Commission curated by Mark Beasley for Performa 15)
Pope.L, The Beautiful, 2015, Mitchell-Innes & Nash
Yan Xing, L'amour l'après-midi, 2015, Galerie Urs Meile

Art Basel Miami Beach
www.artbasel.com