Anthony Cudahy
a pearl caught between my teeth
GRIMM Gallery, Amsterdam
29 October - 22 December 2022
Eveningdawn (Reverse Pareidoliac Figure), 2022
© Anthony Cudahy, courtesy GRIMM
loop (twilight), 2022
© Anthony Cudahy, courtesy GRIMM
GRIMM presents a pearl caught between my teeth, an exhibition of new paintings and works on paper by ANTHONY CUDAHY, on view at its Amsterdam gallery. This is Cudahy’s first solo exhibition with GRIMM since the gallery announced representation of the artist earlier this year.
Within his latest body of work, on view in a pearl caught between my teeth, Anthony Cudahy reflects on the enmeshed categories of humanity and nature through their borderless relationship with each other. A new series of paintings stems from a tradition of seventeenth century Flemish landscape painting, where trees, flowers, shrubs, and rolling hills form anthropomorphic optical illusions of faces inscribed in the Earth. Anthony Cudahy translates this subject matter into the contemporary, mapping his figures into an excess of natural elements through varied painting techniques. Snakes become legs, flowers become abdomens - these works navigate the becoming of landscape for the subjects intimately depicted. The architecture of their surroundings performs a reflection, literally and figuratively, of the many ways we personify, engage with, indulge in, and stand at odds with our environments.
The exhibition takes its title from a line in a poem by Paul Legault, titled Flowers, Duh. In these works, Anthony Cudahy questions whether nature is ambivalent or even antagonistic to humanity, while insisting on its personified poetics. Boundaries between subjects dissolve as they move into the landscape themselves, caught between realms of animation as seen in works such as loop (twilight), 2022 and Eveningdawn (Reverse Pareidoliac Figure), 2022. In the latter, Paul Legault himself is depicted with his husband, their bent and reclining bodies entangled with the excess of a sun’s light and shadow.
A series of drawings which accompany the new body of work act as iconographic iterations of the narrative elements which anchor the paintings. Each explores a subject that plays out an entanglement later in the collected narrative of the exhibition allowing moments of focus to surface briefly between the splendor and overbearance of the natural world.
ANTHONY CUDAHY
Anthony Cudahy (b. 1989 Ft. Meyers, FL, US) completed an MFA at Hunter College, New York, NY (US) in 2020. He has had solo exhibitions with Hales Gallery, New York, NY (US) in 2021; Semiose Gallery, Paris (FR) in 2021 and 1969 Gallery, New York, NY (US) in 2018. He has been shown in various international group exhibitions and was included in GRIMM’s Equal Affections exhibition in Amsterdam (NL) in 2021.
His work can be found in collections of The Hort Family Collection, New York, NY (US), Institute of Contemporary Art, Miami, FL (US), Xiao Museum of Contemporary Art, Rizhao (CN), and Les Arts au Mur Arthothèque de Pessac, Pessac (FR).
A book with a new essay by Ricardo Montez was published on the occasion of the exhibition.
GRIMM
Keizersgracht 241 - 1016 EA, Amsterdam
