Showing posts with label Andrew Sayers. Show all posts
Showing posts with label Andrew Sayers. Show all posts

07/06/09

Vanity Fair Portraits: Photographs 1913 – 2008, National Portrait Gallery, Canberra

Vanity Fair Portraits: Photographs 1913 – 2008 
National Portrait Gallery, Canberra 
5 June - 30 August 2009 

This is the first exhibition to bring together rare vintage prints with contemporary classics from Vanity Fair and the legendary Condé Nast Archive. The exhibition is a photographic history of celebrity portraiture, including the works of master photographers such as Edward Steichen and Cecil Beaton, Annie Leibovitz and Mario Testino. The National Portrait Gallery is the sole venue in Australia to host this travelling exhibition. Vanity Fair Portraits: Photographs 1913 – 2008 is a collaboration between Vanity Fair and National Portrait Gallery, London. 

In Vanity Fair's first period (1913­1936), celebrated subjects such as Albert Einstein, Charlie Chaplin and Jean Harlow are shown in portraits by legendary photographers, among them Edward Steichen, Cecil Beaton, Baron De Meyer, Man Ray and Australian-born Anton Bruehl, a pioneer in colour photography. From the magazine's re-launch in 1983, the works of photographers including Annie Leibovitz, Helmut Newton, Bruce Weber and Mario Testino are featured, depicting a wide range of subjects, from Arthur Miller to Madonna. 

Vanity Fair Portraits presents a rare opportunity to see definitive portraits of the 'Jazz Age', including now classic studies of Louis Armstrong, Josephine Baker and Noël Coward. The selection of portraits also includes two previously unpublished and unseen 1928 studies: Florence Vandamm’s portrait of actress Alice White and Emil Bieber’s rendering of German artist George Grosz.

Although Vanity Fair suspended publication in 1936, it would be resurrected in another period of decadence and excess, the 1980s. Once again, its purpose was to record modern men and women of culture, stature and talent and as in the early period, portrait photography was the graphic bedrock of the magazine. In the tradition of editor Frank Crowninshield (who ran Vanity Fair from 1914 to 1936), the revived monthly commissioned the world's leading portrait photographers, among them Helmut Newton, Nan Goldin, Herb Ritts, Harry Benson, Mario Testino, Jonathan Becker and Bruce Weber. 

Vanity Fair's iconic photographs continue to make news. Since the magazine's re-launch in 1983, cover images including the Reagans dancing (1985), a very pregnant Demi Moore (1991), a formal portrait of President Bush's Afghan War Cabinet (2002) and most recently actresses Scarlett Johansson and Keira Knightley photographed naked (2006) have been embedded in the collective cultural consciousness. 

Annie Leibovitz has become the dominant image-maker of Vanity Fair, just as Edward Steichen dominated Vanity Fair's first period. Edward Steichen (1879-1973), who created an unrivalled gallery of portraits of the dominant personalities of the 1920s and 1930s, has a worthy successor in Annie Leibovitz and Vanity Fair Portraits is the first major exhibition to display their works together. 
“We are very pleased to be able to present this exhibition to Australian audiences. It fits perfectly with our interest in celebrity, style, of-the-moment people and, of course, the work of great portrait photographers. A particular feature of the exhibition season at the National Portrait Gallery is the inclusion of a number of Australians who have made it on the world’s stage. Like all of the subjects in the exhibition  these Australians have been captured with that mixture of flair, originality and incisiveness that is a unique quality of Vanity Fair”, said Andrew Sayers, Director, National Portrait Gallery, Canberra.
NATIONAL PORTRAIT GALLERY
King Edward Terrace, Parkes, Canberra, ACT 2600

07/12/08

Open Air: Portraits in the Landscape, National Portrait Gallery, Canberra

Open Air: Portraits in the Landscape 
National Portrait Gallery, Canberra 
4 December 2008 - 1 March 2009 

Open Air: Portraits in the Landscape,  the first exhibition in the temporary exhibition spaces of the new National Portrait Gallery, is about people and place. Australian art is full of rich expressions of ideas and feeling about the landscape. This exhibition, with its evocative works drawn from public and private collections across Australia, invites visitors to reflect on what places mean to people, and on how our views of ourselves are shaped by place. Open Air: Portraits in the Landscape has been organised by the National Portrait Gallery and curated by Andrew Sayers with Dr Sarah Engledow and Wally Caruana.

We all have relationships with specific places and in many ways these relationships define us. Open Air explores many dimensions of these relationships as they have been expressed in art. Including paintings, photographs, bark paintings and sculpture, the exhibition brings together the works of Indigenous and non-Indigenous artists whose work incorporates deep personal responses to the land. It reveals the importance of land in Indigenous self-definition; the engagement of landscape and historical figures (such as Daisy Bates and Burke and Wills); landscapes of alienation; landscapes with significant family associations and art in which the idea of ‘presence’ is fundamental. 

The exhibition includes conventional portraits as well as opening up a new and distinctly Australian way of looking at portraiture; it goes beyond a definition of a portrait simply as ‘a picture of a face’, to embrace representations of the order of nature and of ancestral stories within the landscape. The exhibition includes the work of some of the major Australian artists of the twentieth century and the present: Mawalan, Wandjuk and Banduk Marika, Tim Leura Tjapaltjarri, Tim Johnson, Arthur Boyd, Sidney Nolan, Bea Maddock and Russell Drysdale.

NATIONAL PORTRAIT GALLERY
King Edward Terrace, Parkes, Canberra, ACT 2600