Showing posts with label Matthew Wong. Show all posts
Showing posts with label Matthew Wong. Show all posts

30/06/21

Contemporary Canadian Painting @ Kasmin Gallery, NYC - North by Northeast - Sara Anstis, Jane Corrigan, Holly Coulis, Wanda Koop, Manuel Mathieu, Stephanie Temma Hier, Corri-Lynn Tetz, Tristan Unrau, Janet Werner, Anna Weyant, Chloe Wise, Matthew Wong

North by Northeast:
Contemporary Canadian Painting 
Sara Anstis, Jane Corrigan, Holly Coulis, Wanda Koop, Manuel Mathieu, Stephanie Temma Hier, Corri-Lynn Tetz, Tristan Unrau, Janet Werner, Anna Weyant, Chloe Wise, Matthew Wong
Kasmin Gallery, New York
June 30 - August 13, 2021

Kasmin presents a group exhibition of contemporary painters, all of whom hail from Canada or have spent significant periods of their art education or artmaking career there. Presenting work by Sara Anstis, Jane Corrigan, Holly Coulis, Wanda Koop, Manuel Mathieu, Stephanie Temma Hier, Corri-Lynn Tetz, Tristan Unrau, Janet Werner, Anna Weyant, Chloe Wise, and Matthew Wong, North by Northeast draws a through-line charting the distinctive ways in which artists from the region complicate traditional genres of portraiture and landscape painting. 

The title of the exhibition riffs on the central premise of mistaken identity in the plot of Hitchcock’s 1959 film, North by Northwest, and the show queries what comparisons might be observable in these artists’ formal language. Depicting subjects in fantastical or dreamlike settings, many of the works displayed boast a keen sense of the tragicomic — bodies present as dislocated or incomplete yet assertive of their own desire. Similarly, the natural world is rendered as surreal, occasionally a prop, and at other times, a constructed mise-en-scene. Akin to the landscape painters of the “Group of Seven” before them, these artists share the formative experiences of Canada’s natural landscapes. The artists included have each carved rigorously conceptual practices, playing with the country’s canonical investment in representational traditions. Furthermore, the presentation speaks to a long history of cross-pollination between the US, where many of these artists now reside, and the major art centers of Canada.

SARA ANSTIS (b. 1991, Stockholm, Sweden) lives and works in London, United Kingdom. She holds a BFA in studio art and sociology from Concordia University in Montréal and received an MFA in 2016 from Valand Academy in Gothenburg, Sweden. She has exhibited in several group shows in the United Kingdom and Europe, including at Palazzo Monti, Bresica, Italy, and The Royal Drawing School, London. Anstis has a forthcoming solo exhibition at Fabian Lang Gallery, Zürich. This will be her fourth presentation in New York City.

JANE CORRIGAN (b. 1980, Quebec, Canada) lives and works in Brooklyn, New York. Corrigan received her BFA from the Nova Scotia College of Art and Design in 2003 and completed her MFA in 2009 at SUNY Purchase. Exhibitions include those at White Columns, New York, Rental Gallery, East Hampton, Carbon 12, Dubai, Sikkema Jenkins, New York, Wilkinson Gallery, London, Karma, New York, Retrospective, Hudson, New York, Feuer/Mesler, New York, and Oakville Galleries, Canada. She was a recipient of a Louis Comfort Tiffany Award in 2013.

HOLLY COULIS (b.1968, Toronto, Canada) lives and works in Athens, Georgia. She received her BFA from Ontario College of Art and Design and her MFA from the School of the Museum of Fine Arts in Boston. This summer, her exhibition Orbit will open at Philip Martin Gallery in Los Angeles. Other recent shows include Cooper Cole, Toronto, Simon Lee’s Viewing Room, London, and Klaus von Nichtssagend, New York City. Her work has been written about in the New York Times, Artforum, the Los Angeles Times, and the Brooklyn Rail. She is represented by Philip Martin Gallery, Los Angeles and by Klaus von Nichtssagend, New York City.

WANDA KOOP (b. 1951, Vancouver, Canada) lives and works in Winnipeg, Canada. She received an honorary Doctor of Law from University of Manitoba in Winnipeg in 2009. She has exhibited internationally for over four decades, with shows at the Dallas Museum of Art, Texas, the National Gallery of Canada, Ottawa, and the Xi’an Art Museum in China. Koop has work in numerous public collections, including at Art Gallery of Alberta, Edmonton, Dallas Museum of Art, Texas, Musée d’Art Contemporain, Montréal, National Gallery of Canada, Ottawa, and Shanghai Museum of Art, China.

STEPHANIE TEMMA HIER (b. 1992, Toronto, Canada) lives and works in Brooklyn, New York. She holds a BFA from the Ontario College of Art and Design University, Toronto, and studied at the Academy of Art Canada in Toronto. Recent solo exhibitions include Bradley Ertaskiran, Montréal, Gallery Vacancy, Shanghai, Downs and Ross, New York, and Neochrome Gallery, Turin. Hier was a finalist for the Royal Bank of Canada’s Painting competition in 2016 and 2018. She is the recipient of grants from the Canada Council for the Arts and the Elizabeth Greenshields Foundation, and has participated in residencies at Hospitalfield, Scotland, and Shandaken: Storm King, New York.

MANUEL MATHIEU (b. 1986, Port Au Prince, Haiti) lives and works in Montréal. A graduate of Goldsmith’s College in London, Mathieu has exhibited in Belgium, Canada, China, England, France, Martinique, Morocco, Spain, and the United States. His work is in the collections of the Musée national des beaux-arts du Québec, the Musée d’art contemporain de Montréal and the Montréal Museum of Fine Arts. His recent work has been included in The Other Side of Now at Perez Art Museum in Miami. In 2020, Mathieu was the subject of solo exhibitions at the Montréal Museum of Fine Arts and Power Plant, Toronto. Recent group exhibitions include Musée d’art contemporain de Montréal, PHI Foundation, Montréal, Song Museum, Beijing, and Kunstmuseum, Stuttgart.

CORRI-LYNN TETZ (b. Calgary, Canada) lives and works in Montréal. She graduated from the MFA program at Concordia University in 2015. Tetz has received project support from Conseil des Art et des Lettres du Quebec, The Canada Council for the Arts, the Elizabeth Greenshields Foundation, and was awarded the Brucebo Fellowship in 2016. She has exhibited across Canada, Sweden, and the United States, with acquisitions made by Senvest Collection and Equity Bank.

TRISTAN UNRAU (b. 1989, Canada) lives and works in Los Angeles. He holds an MFA from the University of California, Los Angeles (UCLA) and a BFA from Emily Carr University of Art + Design. He was a resident at the Banff Centre in 2013 and a finalist for the Royal Bank of Canada Painting Competition in 2015, 2017, and 2018. In 2016, Unrau participated in the survey group exhibition Vancouver Special: Ambivalent Pleasures at the Vancouver Art Gallery. He has held recent solo shows Unit 17, Vancouver, and Towards, Toronto. Unrau's paintings are currently on view as part of a two-person exhibition at Stanley's, Los Angeles.

JANET WERNER (b. 1959, Canada) received her MFA from Yale University in 1987. Solo exhibitions include the Musée d'art contemporain, Montreal, Anat Ebgi, Los Angeles, Galerie Julia Garnatz, Cologne, and Saidye Bronfman Centre for the Arts, Montreal. Werner’s solo survey exhibition, Another Perfect Day, organized by the Kenderdine Art Gallery, toured to five locations in Canada from 2013–2015. Werner's work is in the public collections of the Musée du Québec, Musée d'art contemporain, Montreal, The Art Gallery of Ontario (AGO), Toronto, and the Canadian Embassy in Berlin. An upcoming solo show at Arsenal Contemporary, New York, will take place Fall 2021.

ANNA WEYANT (b. 1995, Calgary, Canada) received her BFA from Rhode Island School of Design, Providence, Rhode Island. Weyant’s work was the subject of the solo exhibitions Loose Screw at Blum & Poe, Los Angeles in 2021 and Welcome to the Dollhouse at 56 Henry, New York in 2019. Her work has been featured in group shows at C L E A R I N G, New York, Anna Zorina Gallery, New York, Recharge Foundation, Singapore, Ochi Projects, Los Angeles, Nina Johnson Gallery, Miami, and Local Projects, Long Island City.

CHLOE WISE (b. 1990, Montréal, Canada) lives and works in New York. She holds a BFA from Concordia University, Montréal. Recent exhibitions include solo presentations at Almine Rech in New York and London, as well as the HEART Herning Museum of Contemporary Art in Denmark. Wise has exhibited work in numerous group shows internationally, and is currently on view in The Artist is Online, König Galerie, Berlin and in Fantasy America at the Andy Warhol Museum, Pittsburgh, Pennsylvania. Her work is included in the permanent collections of Julia Stoschek, the Hammer Museum, Los Angeles, and the National Gallery of Canada, Ottawa.

MATTHEW WONG (b. 1984, Toronto; d. 2019, Edmonton, Canada). Matthew Wong’s work is in numerous public collections, including the Metropolitan Museum of Art, New York, Museum of Modern Art, New York, Guggenheim Museum, New York, Dallas Museum of Art, Texas, Estés Lauder Collection, New York, Art Gallery of Ontario, Toronto, and the Aïshti Foundation, Beirut. Matthew Wong will be the subject of a survey exhibition at the Art Gallery of Ontario in August 2021.

KASMIN GALLERY
509 West 27th Street, New York, NY 10001
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20/06/20

20th Century & Contemporary Art Sales @ Phillips, New York & Online

20th Century & Contemporary Art Sales
Phillips, New York
July 2, 2020

Joan Mitchell
JOAN MITCHELL
Noël, 1961-1962
Estimate: $9,500,000 – 12,500,000
© The Estate of Joan Mitchell, Courtesy of Phillips

Phillips announces its forthcoming 20th Century & Contemporary Art Evening Sale in New York City via livestream to bidders worldwide on July 2, 2020 at 5pm EDT. The sale will debut an enriched digital experience on Phillips.com, including augmented multimedia content, enhanced visuals, and art historical and market analysis that will allow for deep viewer engagement. A dynamic live auction streamed on their online platform will bring the live auction experience to collectors and viewers around the world using a virtual international bidding room of Phillips specialists.

“Phillips has been at the forefront of identifying the future of the bidding and buying experience online with the ability to bid on our app along with live streaming for nearly half a decade. We’re thrilled to bring our marquee Evening Sale to collectors worldwide in a format that will capture the intimacy and excitement of being in the room,” states Jean-Paul Engelen, Phillips Deputy Chairman and Worldwide Co-Head of 20th Century & Contemporary Art.

Featuring more than 20 lots, the sale includes works by artists highly sought after in today’s market including Joan Mitchell, Helen Frankenthaler, Gerhard Richter, Jean-Michel Basquiat, Matthew Wong, David Hammons, Amoako Boafo, Albert Oehlen, Lucas Arruda, Christina Quarles, Charles White, Banksy, KAWS and others.

“The works presented in our 20th Century & Contemporary Sale mark the bellwether of the art market today, featuring artists who have demonstrated collector demand across the globe with a focus on African American, female, and cutting-edge contemporary artists,” states Robert Manley, Phillips Deputy Chairman and Worldwide Co-Head of 20th Century & Contemporary Art.

Jean-Michel Basquiat
JEAN-MICHEL BASQUIAT
Victor 25448, 1987
Valued at $10 million
© The Estate of Jean-Michel Basquiat, Courtesy of Phillips

Evening Sale Highlights

Two superlative works by artists of the 20th century include Joan Mitchell’s Noël and Helen Frankenthaler’s Head of the Meadow. An exceptional 1994 painting by Gerhard Richter hails from the height of his abstract period coincides with the highly regarded retrospective currently at the Met Breuer, Gerhard Richter: Painting After All.

Following the house’s stellar result for Jean-Michel Basquiat’s Flexible, which sold for more than $43 million in 2018 more than doubling the pre-sale low estimate of $20 million, Phillips will offer an impressive work executed in 1987, just one year before his untimely death. Last offered publicly more than a decade ago, Victor 25448 captures the singular coalescence of text and imagery that is a hallmark of the artist’s celebrated practice.

An Old Master replica tagged with a stenciled monkey guzzling gasoline from a child’s juice box represents a significant work by master-interventionist Banksy to come to auction this season from his Crude Oil series. Fellow disruptor KAWS is represented with a large-scale early Companion painting from 2000.

Bansky
BANSKY
Monkey Poison, 2004
Estimate: $1,800,000 – 2,500,000
© Bansky, Courtesy of Phillips

On the heels of Phillips’ strong debut offering of American art in the 20th Century & Contemporary Sales with Norman Rockwell’s Before the Shot in November 2019, marking the first time the artist was ever included in a 20th Century and Contemporary Evening Sale and achieving a price of $4.7 million, this sale will offer a rare, never publicly-seen painting by Maxfield Parrish. Humpty Dumpty, 1921, hailing from The du Pont Family, captures the technical prowess and imagery which hovers between popular kitsch and surreal that has cemented the artist’s position as the “Grand Pop” of American Pop Art by Time magazine.

Maxfield Parrish
MAXFIELD PARRISH
Humpty Dumpty, 1921
Estimate: $400,000 – 600,000
© The Estate of Maxfield Parrish, Courtesy of Phillips

Phillips continues to debut artists with significant primary market following to auction. This season the sale will feature a painting by Matthew Wong, the self-taught artist known for this interior scenes and landscape depictions, marking one of the first paintings by Matthew Wong offered in an Evening Sale context. Other contemporary artists debuting this season include Otis Kwame Kye Quaicoe and Robert Nava.

Matthew Wong
MATTHEW WONG
Mood Room, 2018
Estimate: $60,000 – 80,000
© Matthew Wong, Courtesy of Phillips 

Charles White
CHARLES WHITE
Sometimes I Feel Like a Motherless Child, 1958
Estimate: $700,000 – 1,000,000
© The Estate of Charles White, Courtesy of Phillips 

Charles White’s Sometimes I Feel Like a Motherless Child from 1958, painted shortly after the artist moved to Los Angeles where he became an important teacher and mentor for African American artists at Otis College of Art and Design. Taking its title from an African American spiritual, which regained popularity in the civil rights movement, the work is a significant example of his signature draftsmanship utilizing ink wash in color. With an estimate of $700,000 – $1,000,000, the work is poised to make a world record for the artist in this medium. David Hammons’ Untitled (Jordan begins his 8th season as no. 1) from 1991 transforms a copy of the Amsterdam News from November 2, 1991 into a work of contemporary realism.

Christina Quarles
CHRISTINA QUARLES
Placed, 2017
Estimate: $70,000 – 100,000
© Christina Quarles, Courtesy of Phillips 

Phillips continues to bring to market works by artists for which we have achieved world record results across our sales globally. The sale includes a painting Lucas Arruda whose world record was achieved at Phillips London in February 2020, realizing a price of £300,000, as well as a painting by Christina Quarles for whom we achieved the world record this past November 2019, $275,000, more than five times the low estimate of $50,000, after debuting the artist in a Phillips’ Day Sale New York November 2018. In addition, the sale will feature a work by Amoako Boafo, whose world record was achieved at Phillips London in February 2020 with his auction debut The Lemon Bathing Suit, which achieved a price of £675,000 more than twenty times its low estimate of £30,000.

Francis Picabia’s 1941-42 Portrait de Femme hails from a late period in the artist’s career devoted to painting pin-ups, which have gone on to have a significant influence on contemporary artists working today including John Currin and David Salle.

Julio González’s bronze sculpture, L’arlequin / Pierrot ou Colombine represents his pioneering practice in light of his collaborative work with Pablo Picasso.

Day Sale Highlights 

Phillips 20th Century & Contemporary Art Day Sale will be livestreamed to bidders worldwide on July 2 across two sessions, starting at 11am EDT and later at 2pm EDT. The sale will champion numerous artists from the 20th and 21st centuries, featuring more than 170 lots across both sessions. 

John Chamberlain
JOHN CHAMBERLAIN
Pure Drop, 1983
Estimate: $600,000 – 800,000
© The Estate of John Chamberlain, Courtesy of Phillips

Leading the Morning Session is John Chamberlain’s monumental Pure Drop, 1983, from the artist's Giraffe series. Pure Drop exemplifies Chamberlain's novel sandblasting technique, which began to define his oeuvre after his move to Florida in the early 1980s. Also featured in the sale is a remarkable landscape painting from 1995 by Cuban artist Tomas Sánchez, Meditador, its title referring to Tomas Sánchez’s conception of landscape playing a meditative role between man and nature. Another top lot is Kenneth Noland’s Resect, 1979, one of the artist’s renowned asymmetrically shaped canvases. Other notable works include sculptures by Anne Truitt and Joseph Cornell, and two works by Henri Laurens, culminating the selection of works from the Collection of Florence Knoll Bassett, which have been offered across Phillips’ 20th Century & Contemporary Art & Design Sales over the past year.

Noah Davis
NOAH DAVIS
100 Years of Entertainment 1-5, 2008
Estimate: $120,000 – 180,000
© The Estate of Noah Davis, Courtesy of Phillips

The Afternoon Session will feature works by important contemporary artists, including Jonathan Lyndon Chase, Matthew Wong, Amoako Boafo and Noah Davis—notably Noah Davis’s 100 Years of Entertainment 1-5, 2008, which exemplifies the abstracted figuration for which the artist is known. This comes to auction on the heels of a new world auction record for the artist, set this past March at Phillips, with a painting selling for $400,000, over six times its low estimate. Another highlight will be Vivian Springford’s Untitled (Tanzania Series), 1972, the first work by the artist to be offered at Phillips. While an active figure in the New York art scene from the 1950s to the 1970s, Vivian Springford withdrew from the public eye until her work was rediscovered in the late 1990s just before her death, and more recently shown at Almine Rech Gallery in New York in 2018. 

Vivian Springford
VIVIAN SPRINGFORD
Untitled (Tanzania Series), 1972
Estimate: $60,000 – 80,000 
© The Estate of Vivian Springford, Courtesy of Phillips

John Baldessari
JOHN BALDESSARI
Double Bill (Part 2): ...and Ernst, 2012
Estimate: $200,000 – 300,000
© The Estate of John Baldessari, Courtesy of Phillips

The sale will also include John Baldessari’s Double Bill (Part 2): …and Ernst, 2012—a quintessential example of John Baldessari’s unmistakable semiotic wordplay—from the Collection of Blake Byrne, Los Angeles.

*Estimates do not include buyer’s premium; prices achieved include the hammer price plus buyer’s premium.

20th Century & Contemporary Art Day Sale, Morning Session
Auction: 2 July 2020, 10am EDT
Location: 450 Park Avenue, New York
Click here for more information: https://www.phillips.com/auctions/auction/NY010420

20th Century & Contemporary Art Day Sale, Afternoon Session
Auction: 2 July 2020, 2pm EDT
Location: 450 Park Avenue, New York
Click here for more information: https://www.phillips.com/auctions/auction/NY010520

20th Century and Contemporary Art Evening Sale
Auction: 2 July 2020, 5pm EDT
Location: 450 Park Avenue, New York
Click here for more information: https://www.phillips.com/auctions/auction/NY010320

PHILLIPS
www.phillips.com