Showing posts with label Wakefield. Show all posts
Showing posts with label Wakefield. Show all posts

21/02/24

Still Life Exhibition @ The Hepworth Wakefield - "Still Lives"

Still Lives 
The Hepworth Wakefield 
1 March 2024 – January 2025

Bernard Meninsky
Bernard Meninsky 
Lilies, 1917

Rene Matić
Rene Matić 
Southbank Centre Dressing Room II, London, 2023 
Courtesy of The Artist and Arcadia Missa, London 
Photo: Nathan Vidler

Nicolaes van Verendael
Nicolaes van Verendael 
Still Life with a Lobster, 1678

The Hepworth Wakefield presents an exhibition focusing on the theme of still life. Still Lives will display more than 70 works by over 50 artists across two galleries, illustrating the enduring nature of the still life genre throughout different epochs in art history, including post-impressionism, British modernism, surrealism and contemporary art. The exhibition reflects upon the enduring inspiration artists have found in everyday objects, from an interest in colour and form, to a desire to capture their impermanence. While still life is traditionally associated with painting, the exhibition will feature works from a range of artistic mediums including sculpture, photography, ceramics, painting and works-on-paper.

Still Lives will display three of the oldest artworks in Wakefield’s art collection by renowned Dutch masters – Jacob Foppens van Es, Willem Ormea and Nicolaes van Verendael – that date back to the seventeenth century, highlighting the emergence of still life painting in the Netherlands. These will be presented in dialogue with contemporary artworks, proposing unlikely conversations.

Anthea Hamilton
Anthea Hamilton
Melon, 2017

Caroline Walker
Caroline Walker 
Noor, 3.30pm, Leyton, 2017 
© Caroline Walker. Courtesy the artist; 
Stephen Friedman Gallery, London; 
GRIMM Gallery and Ingleby Gallery, Edinburgh. 
Photo: Peter Mallet

Veronica Ryan
Veronica Ryan
 
Sweet Dreams are Made of These, 2021 
Photo: George Baggaley

Pivotal additions to Wakefield’s art collection during the initial decades of the twentieth century by artists such as Roger Fry, Ivon Hitchens, Frances Hodgkins, Anne Estelle Rice and Geer Van Velde will show how, through the deconstruction and distortion of familiar objects, these artists contributed to significant debates in modern art. Some works in the exhibition look beyond objects, exploring the idea of stillness within domestic settings. Artists such as Vanessa Bell, John Collier, Patrick Heron, Mabel Layng and Walter Sickert capture the silence and tranquillity inherent in interior spaces, while providing intimate glimpses into their environments. Still Lives will also include several recent artworks that have been generously donated to Wakefield’s art collection in the last year. Noor, 3:30pm, Leyton, 2017, a large-scale oil painting by Caroline Walker and three photographs from Rene Matić’s a girl for the living room, 2023 series will go on public display for the first time since their acquisition. Contemporary sculptures by Steve Claydon, Anthea Hamilton, Eva Rothschild and Veronica Ryan present incongruous arrangements of familiar objects, creating scenes that hover between the strangely ordinary and the extraordinary.
Marie-Charlotte Carrier, Curator at The Hepworth Wakefield said: ‘This thematic exhibition is timed to coincide with Wakefield’s ‘Our Year’ celebration of culture across the district throughout 2024. It showcases the breadth of Wakefield’s art collection, which was established a century ago in 1923 and continues to be developed by The Hepworth Wakefield today as a rich resource for Wakefield residents and visitors alike. While artists have been drawn to still life across the centuries, the genre has often been disregarded or considered less important in the history of art. Still Lives is a wonderful opportunity to show historic works that haven’t been displayed at The Hepworth Wakefield for a long time alongside new acquisitions that have joined the collection recently through the generosity of donors.’
THE HEPWORTH WAKEFIELD
Gallery Walk, Wakefield, West Yorkshire, WF1 5AW

02/01/24

Kim Lim @ The Hepworth Wakefield - "Space, Rhythm & Light" Exhibition

Kim Lim: Space, Rhythm & Light
The Hepworth Wakefield
25 November 2023 – 2 June 2024

The Hepworth Wakefield presents the first major museum exhibition of Kim Lim’s work since 1999, offering unparalleled insight into the artist’s life and work. Space, Rhythm & Light displays over 100 artworks created over four decades by Kim Lim, alongside extensive archive material, most of which has never been seen publicly before, to show the full breadth of Kim Lim’s work.

KIM LIM (1936-1997) was born in Singapore to Chinese parents. She travelled to the UK in 1954 to study art, first at Central Saint Martin’s School of Fine Art (1954 - 1956) where she was taught by Anthony Caro and Elizabeth Frink and then at the Slade School of Art (1956 - 1960). Kim Lim remained in Britain for the rest of her life, establishing a successful career that has since fallen from view; her work was acquired for museum collections across the globe and she had substantial exhibitions at Axiom Gallery, London, National Museum of Art, Singapore, and Tate Gallery, London. In recent years, Lim’s work has begun to feature more prominently in major group survey exhibitions and publications, bringing her important artistic legacy back into view in British post-war art histories.

Space, Rhythm & Light explores Kim Lim’s focused engagement with abstraction across a wide range of media and materials. Inspired by forms found in the natural world as well as those in global cultures, Lim’s distinct contribution to 20th-century British sculpture and printmaking has been widely overlooked compared to her contemporaries. On display are Kim Lim’s multipart wood and metal sculptures that defined her work between the 1950s and 1970s, as well as her later minimalist stone carvings made in the 1980s and 1990s. The exhibition pays special attention to Lim’s printmaking - a practice she felt was equally important as sculpting, but for which she is less well known. Prints and unique ‘paper cut’ works are displayed with corresponding sculptures to show how methods of carving were interconnected in Lim’s interdisciplinary exploration of nature, light and architecture. Also featured are selected maquettes, sketchbooks, audio recordings, and documentary photographs of Lim’s own personal library of research objects and her studio.

Kim Lim cited travel as one of the most important aspects of her art education and development, and visited Japan, Cambodia, Malaysia, China and India between the 1960s and 1980s to ‘see things in its place where it was meant to be, in the light that it was meant to be’. Rarely seen photographs taken by the artist documenting her travels in Asia with her husband, the artist William Turnbull, will highlight how Lim absorbed diverse cultural and historic references, as well as drawing on her own multicultural background, to develop her minimalist approach to abstraction.
Dr Abi Shapiro, Curator, said: ‘Space, Rhythm & Light is the most comprehensive exhibition of Kim Lim’s work to date. Lim’s contribution is often overlooked in histories of post-war British art, but here, in the context of the legacy of Barbara Hepworth at The Hepworth Wakefield, there couldn’t be a better time or place to showcase the quality and value of Lim’s work. I am very grateful to the Kim Lim Estate for their generosity in allowing us to share so much information which provide visitors with an in-depth understanding of how Lim developed her technical mastery of numerous materials as well as her own unique style and visual language.’
The Estate of Kim Lim commented on the exhibition: ‘We are delighted that UK audiences have the opportunity to encounter the breadth of Kim Lim’s artistic practice through this exhibition at The Hepworth Wakefield. Over the last few years, we have felt an incredibly positive response from the public sector in promoting Kim Lim’s work, and rebalancing many of the outmoded and limiting art historical narratives still in play. It seems fitting that Kim Lim’s first major UK museum show since 1999 should be hosted by an institution so closely associated with another artist, Barbara Hepworth, who challenged these very narratives through her practice and life.’

Kim Lim
Kim Lim: Space, Rhythm & Light 
Exhibition Catalogue
An illustrated book, published by Lund Humphries and supported by Paul Mellon Centre, accompanies the exhibition. It is the first monograph of the artist and  includes writings by a range of leading academics, artists and curators from across the globe, situating Kim Lim’s work more firmly within post-war British sculpture histories, as well as exploring reasons for her marginalisation in narratives since her death.
THE HEPWORTH WAKEFIELD
Gallery Walk, Wakefield, West Yorkshire WF1 5AW

14/02/18

Anthony McCall @ The Hepworth Wakefield - Solid Light Works

Anthony McCall: Solid Light Works
The Hepworth Wakefield 
16 February - 3 June 2018

Anthony McCall
Anthony McCall 
Face to Face (II) (2013) 
Installation view, Eye Film Museum, Amsterdam, 2014 
Photograph by Hans Wilschut

The Hepworth Wakefield presents a major survey of work by British born artist Anthony McCall (b.1946). Solid Light Works is the first UK exhibition of McCall’s work in over a decade and includes the UK premiere of three new ‘solid light’ installations. 

Anthony McCall
Anthony McCall 
Doubling Back (2003) 
Installation view, LAC, Lugano, 2015 
Photograph by Stefania Beretta 

Anthony McCall describes his practice as existing in the space where cinema, sculpture and drawing overlap. He is best known for his large-scale, immersive sculptural light installations that incorporate the visitor and invite them to become active participants in the work.

Anthony McCall said “I am thrilled to be showing in the UK and particularly in the David Chipperfield designed galleries at The Hepworth Wakefield. These carefully proportioned and gently angled spaces are unusually sympathetic to the work on display.”

Anthony McCall
Anthony McCall 
Five Minute Drawing, 1974/2007 
Installation view at the Musée de Rochechouart, 2007 
Photograph by Bruno Barlier

Anthony McCall
Anthony McCall 
Five Minute Drawing, 1974/2007 
Installation view at the Musée de Rochechouart, 2007 
Photograph by Bruno Barlier

The exhibition has been shaped closely with Anthony McCall and explores all facets of his work. It highlights how drawing has been an enduring and essential component of his practice. At the heart of the exhibition, two galleries are devoted to a survey of his graphic works. These rooms emphasize the importance of drawing for Anthony McCall, both as a way to imagine three-dimensional form and to explore temporal structure.

For Anthony McCall, the circle, the straight line, and the wave are the basic elements that underpin his practice and each solid light work is a variation of these drawn shapes, often concealing, revealing or traveling through one another. The exhibition will demonstrate Anthony McCall’s meticulous planning of how a drawn line or shape will behave when rendered as though it were a physical three-dimensional structure. The drawings and notebooks will also show how Anthony McCall’s current work remains in active dialogue with his earliest ideas.

Anthony McCall
Anthony McCall
Face to Face II (2013)
Installation maquette 
The Eye Museum, Amsterdam, 2014

Anthony McCall
Landscape for Fire II (1972) 
16mm film still

Many of the works on paper connect directly to the three solid light installations in the exhibition. Harnessing the full capabilities of digital projection, Anthony McCall’s new installations are minimal in means, using only projected light and a thin mist, yet they create physically powerful works that take on the appearance of sculptural forms in space. These works are in a permanent state of flux, moving slowly through precisely mapped sequences that advance and return in repeating cycles over the course of the day. Visitors are encouraged to engage with the planes and chambers created by the projections which, at their expanded scale, take on almost architectural qualities.

Anthony McCall
Anthony McCall 
Leaving (with Two-Minute Silence) (2006/8).
Pair of working drawings in a set of 24. 
Pencil on paper, each 28 cm x 35 cm

Anthony McCall
Anthony McCall 
Smoke Screen (2017) 
Gelatin silver print, 156 cm x 114 cm.

Anthony McCall began his career in the UK, making outdoor performances based on grids of small fires. Shortly after moving to New York in 1973, he produced his first solid light work, the 16mm film Line Describing a Cone. Anthony McCall went on to produce a number of variations of this piece where, as the projected form unfolded, or swept through the darkened spaces, ambient dust and cigarette smoke created the illusion of volume. These works were related to the Expanded Cinema and Structural Film explorations of the London Filmmakers Cooperative. Line Describing a Cone will be restaged and shown in full at The Hepworth Wakefield over a special weekend of activity during the exhibition.

Anthony McCall withdrew from his artistic practice at the end of the 1970s, establishing a successful graphic design studio that specialised in art publications. He reemerged in the 2000s, propelled by the development of the haze machine and of digital projection, that together enabled him to realise more ambitious concepts. Anthony McCall has attracted international recognition for his work, taking part in numerous important solo and group exhibitions at acclaimed institutions and his work is represented in collections worldwide.

THE HEPWORTH WAKEFIELD
Gallery Walk, Wakefield, West Yorkshire WF15AW
hepworthwakefield.org