Showing posts with label Bernard Meninsky. Show all posts
Showing posts with label Bernard Meninsky. Show all posts

21/02/24

Still Life Exhibition @ The Hepworth Wakefield - "Still Lives"

Still Lives 
The Hepworth Wakefield 
1 March 2024 – January 2025

Bernard Meninsky
Bernard Meninsky 
Lilies, 1917

Rene Matić
Rene Matić 
Southbank Centre Dressing Room II, London, 2023 
Courtesy of The Artist and Arcadia Missa, London 
Photo: Nathan Vidler

Nicolaes van Verendael
Nicolaes van Verendael 
Still Life with a Lobster, 1678

The Hepworth Wakefield presents an exhibition focusing on the theme of still life. Still Lives will display more than 70 works by over 50 artists across two galleries, illustrating the enduring nature of the still life genre throughout different epochs in art history, including post-impressionism, British modernism, surrealism and contemporary art. The exhibition reflects upon the enduring inspiration artists have found in everyday objects, from an interest in colour and form, to a desire to capture their impermanence. While still life is traditionally associated with painting, the exhibition will feature works from a range of artistic mediums including sculpture, photography, ceramics, painting and works-on-paper.

Still Lives will display three of the oldest artworks in Wakefield’s art collection by renowned Dutch masters – Jacob Foppens van Es, Willem Ormea and Nicolaes van Verendael – that date back to the seventeenth century, highlighting the emergence of still life painting in the Netherlands. These will be presented in dialogue with contemporary artworks, proposing unlikely conversations.

Anthea Hamilton
Anthea Hamilton
Melon, 2017

Caroline Walker
Caroline Walker 
Noor, 3.30pm, Leyton, 2017 
© Caroline Walker. Courtesy the artist; 
Stephen Friedman Gallery, London; 
GRIMM Gallery and Ingleby Gallery, Edinburgh. 
Photo: Peter Mallet

Veronica Ryan
Veronica Ryan
 
Sweet Dreams are Made of These, 2021 
Photo: George Baggaley

Pivotal additions to Wakefield’s art collection during the initial decades of the twentieth century by artists such as Roger Fry, Ivon Hitchens, Frances Hodgkins, Anne Estelle Rice and Geer Van Velde will show how, through the deconstruction and distortion of familiar objects, these artists contributed to significant debates in modern art. Some works in the exhibition look beyond objects, exploring the idea of stillness within domestic settings. Artists such as Vanessa Bell, John Collier, Patrick Heron, Mabel Layng and Walter Sickert capture the silence and tranquillity inherent in interior spaces, while providing intimate glimpses into their environments. Still Lives will also include several recent artworks that have been generously donated to Wakefield’s art collection in the last year. Noor, 3:30pm, Leyton, 2017, a large-scale oil painting by Caroline Walker and three photographs from Rene Matić’s a girl for the living room, 2023 series will go on public display for the first time since their acquisition. Contemporary sculptures by Steve Claydon, Anthea Hamilton, Eva Rothschild and Veronica Ryan present incongruous arrangements of familiar objects, creating scenes that hover between the strangely ordinary and the extraordinary.
Marie-Charlotte Carrier, Curator at The Hepworth Wakefield said: ‘This thematic exhibition is timed to coincide with Wakefield’s ‘Our Year’ celebration of culture across the district throughout 2024. It showcases the breadth of Wakefield’s art collection, which was established a century ago in 1923 and continues to be developed by The Hepworth Wakefield today as a rich resource for Wakefield residents and visitors alike. While artists have been drawn to still life across the centuries, the genre has often been disregarded or considered less important in the history of art. Still Lives is a wonderful opportunity to show historic works that haven’t been displayed at The Hepworth Wakefield for a long time alongside new acquisitions that have joined the collection recently through the generosity of donors.’
THE HEPWORTH WAKEFIELD
Gallery Walk, Wakefield, West Yorkshire, WF1 5AW

19/10/00

Bernard Meninsky at University of Liverpool Art Gallery - A singular vision

Bernard Meninsky: A singular vision
University of Liverpool Art Gallery
19 October - 21 December 2000

Brilliant draughtsmanship and an exquisite sense of colour combine to create the 'singular vision' of BERNARD MENINSKY (1891 - 1950). Widely considered one of Britain's finest young artists in the 1920s, Meninsky's work has been gradually eclipsed since his untimely death in 1950. This exhibition is the first held in a public gallery for twenty years. The show brings together forty-five drawings, watercolours and oil paintings from his early family studies through to the late pastoral landscape and figure scenes of the 1940s.

'Minky', as he was known to friends, was a Jewish emigré brought to Liverpool as a baby from the Ukraine. He studied at Liverpool School of Art, in Paris, and at the Slade. After a brief but successful period as a war artist Bernard Meninsky achieved critical success in 1919-20 for an exhibition and book of mother and child studies. Over the next three decades he exhibited regularly, and was an elected member of the London Group and New English Art Club. Bernard Meninsky was a gifted teacher of drawing attracting students from London and abroad. In 1935 he designed the sets and costumes for the ballet 'David' produced by the Markova-Dolin company and in 1946 published an illustrated limited edition of Milton's 'Il Penseroso and L'Allegro'.

Tragically, Bernard Meninsky was afflicted by a highly self-critical and sensitive nature, resulting in periods of breakdown and ultimately his suicide in 1950. Driven by "uncertainties, mysteries and doubts" Meninsky was "indefatigable in extending the boundaries of his art". This exhibition, traces his development from the early, tender studies of friends and family, through sensitive and poetic landscapes of the twenties to the monumental and elegaic figure paintings of the 1930s and 40s.

The exhibition has been organised by the University of Liverpool in conjunction with the Contemporary Art Society. The show marks the generous bequest of the artist's estate by his widow, Nora Meninsky, to the CAS. The exhibition tours during 2001 to Leeds, Sheffield, London and Kingston-Upon-Thames. 

UNIVERSITY OF LIVERPOOL ART GALLERY
3 Abercromby Square, Liverpool L69 7WY
www.liv.ac.uk