Showing posts with label annoucement. Show all posts
Showing posts with label annoucement. Show all posts

06/08/25

Lauren Quin @ Pace Gallery

Pace Gallery represents Lauren Quin

Lauren Quin Portrait Photograph
Portrait of Lauren Quin
Photograph by Lee Thompson

Lauren Quin Painting
Lauren Quin 
Lowing, 2024 
© Lauren Quin, courtesy Pace Gallery
Photo by Marten Elder

Pace announces its representation of the Los Angeles-based artist LAUREN QUIN, who is known for her expansive, vibrant abstractions in which she orchestrates layers of colors, patterns, and symbols to describe, deconstruct, and interrogate the entanglement of real and pictorial space. Quin’s repertoire of dynamic movements and noncompositional forms create pulsating networks of marks and countermarks, which churn and fluctuate between the concrete and the ephemeral. 

Often working at large scale, Lauren Quin constructs her paintings methodically from an arsenal of recurring gestures and techniques. Expressionistic brushstrokes are truncated by channels carved across a painting’s surface, creating sculpted fissures in images that Lauren Quin further disrupts through passages of monoprinted ink, which she weaves between layers of paint. Turbulent and engrossing, her works are as much excavated as they are made. Past and present mingle on the surfaces of her canvases, interrupting and distorting one another.

Drawing is an essential part of Quin’s process. Rather than a compositional map, drawing serves as a compass, a tool for orienteering. In her work, painting is revealed as a wilderness—the act of painting involves the risk of getting lost, of giving up the notion of fixity in space and language. Amidst this painterly derive, Lauren Quin deploys and re-deploys symbols from her ever-expanding archive of drawings, anchoring her process and linking one painting to the next.

The poetic substrate of Quin’s abstraction is temporality. In each work, Lauren Quin interrogates the unfolding of painterly time while also producing an altogether different kind of time. “You can span time inside a painting because when you look at it, you don’t read it left to right; you start to enter, circle, and travel,” Lauren Quin has said. “It takes a long time for a painting to unfold.”

Quin’s representation by Pace follows her New York solo debut in 2024 at 125 Newbury, a project space helmed by Pace Founder and Chairman Arne Glimcher. Entitled Lauren Quin: Logopanic, the exhibition was presented in two parts, bringing together a new body of work. In the 125 Newbury Free Press, Arne Glimcher wrote that Quin’s paintings “knocked me out by their power, intensity, and ravishing beauty … They were overwhelming, like storms harnessed at the moment of exquisite danger.”

Lauren Quin’s first solo exhibition with Pace will open in Los Angeles in February 2026. Her work will be featured prominently in the gallery’s booth at the upcoming edition of Frieze Seoul in September. 

Artist Lauren Quin
 
Born in Los Angeles in 1992, Lauren Quin received her MFA from the Yale School of Art and BFA from the School of the Art Institute of Chicago. In addition to her 2024 exhibition at 125 Newbury in New York, the artist has presented solo shows at the Pond Society in Shanghai and Blum & Poe in Los Angeles in recent years. In 2023, she mounted her first US museum exhibition, 'My Hellmouth', at the Nerman Museum of Art in Overland Park, Kansas.

Lauren Quin’s paintings are included in major museums collections internationally, including the Museum of Contemporary Art, Los Angeles; the Fine Arts Museums of San Francisco; the Hirshhorn Museum, Washington, D.C.; the High Museum of Art, Atlanta; the Pérez Art Museum and Institute of Contemporary Art, Miami; the Walker Art Center, Minneapolis; the Museum of Fine Arts, Boston; the Columbus Museum of Art, Ohio; and the Long Museum and Yuz Museum, Shanghai. 

PACE GALLERY

24/07/25

Nicole Lampl: Curator of American Art at The Westmoreland Museum of American Art, Greensburg, PA

Nicole Lampl Joins The Westmoreland Museum of American Art, in Greensburg, as Curator of American Art

The Westmoreland Museum of American Art announces the appointment of NICOLE LAMPL as Curator of American Art. With 16 years of experience across museums, galleries, academic institutions, and arts education, Lampl’s curatorial work is rooted in scholarly research, interdisciplinary thinking, and a deep commitment to public engagement. In this role, she will work to give voice to diverse perspectives and expand the traditional canon of American art through the presentation of innovative exhibitions and by guiding the Museum’s new art acquisitions.
“I am honored to join The Westmoreland and excited to collaborate with the team to shape a curatorial vision that makes art more inclusive, resonant, and engaging for diverse audiences,” said Nicole Lampl. “At the heart of this work is my commitment to creating meaningful audience-centered experiences and ensuring the Museum is welcoming and relevant to all.”
Nicole Lampl most recently served as the inaugural Director and Curator of the Reeves House Visual Arts Center in Atlanta, where she launched the visual arts program from the ground up—curating over 20 exhibitions and shaping the institution’s identity through strategic planning, community partnerships, and immersive programming. Her past exhibitions have explored intersections of art, science, identity, and social justice, and combined conceptual rigor with accessible storytelling. She has also held curatorial roles at the New Orleans Museum of Art and worked independently on a range of curatorial projects.

Her writing has been published in academic journals, and she has presented her work at conferences across the country. Nicole Lampl holds an MA in Art History from Tulane University and a BA with honors from UC Berkeley, where she double-majored in Art History and Studio Art. Her graduate research on Gustav Klimt was supported by a year-long fellowship at Freie Universität in Berlin.
“We’re excited to welcome Nicole to The Westmoreland in this lead curatorial role,” said Richard M. Scaife Director/CEO Silvia Filippini-Fantoni, PhD. “She brings a forward-thinking approach that aligns with our strategic initiatives to grow our audience, foster belonging, and deepen community engagement.”
THE WESTMORELAND MUSEUM OF AMERICAN ART
221 N Main Street, Greensburg, PA 15601

03/05/97

Canon PowerShot 350 Digital Camera

Canon PowerShot 350 Digital Camera

Canon is expanding its range of digital cameras with the introduction of the pocket sized PowerShot 350.

The camera has the necessary quality and functions required for web page designers and is ideal for use as a 'visual notebook' for users such as fashion designers, surveyors, estate agents, builders and engineers.

The PowerShot 350 is truly compact and lightweight. Measuring just 90mm(H) x 95mm(W) x 50mm (D), its footprint is just slightly larger than a PC disc, and with a weight of only 11 ounces, it can easily be transported in a small bag or pocket.

Main features of the camera include an optical resolution of 640 x 480 pixels, LCD screen for easy viewing, built-in flash, fixed focus capability and red-eye reduction facility.

The colour LCD screen serves as a viewfinder, allowing users to preview shots in full colour and, after capturing images, to display them with single or multi-image playback. The LCD features adjustable brightness control and viewing angle and also shows date/time stamp and battery indicator.

The PowerShot 350 (with 2MB CompactFlash) supports three levels of JPEG image compression - 47 images in economy mode, 24 in normal mode and 11 in fine mode. Its 3cm macro-focusing facility allows the user to take high quality pictures even close-up.

The camera can be powered by three standard AA batteries - ensuring easy access to a suitable power supply - or by using the rechargeable NiCd batteries supplied.

Images can be stored in the camera or transferred, using the cable supplied, to a PC or Mac. With Windows 95 they can be manipulated using the PhotoImpact software which is included together with Canon's

Time Tunnel image browser and Stitch (joins two photographic images together to form one panoramic view). For Mac users an Adobe Photoshop Plug-in module is provided.

The images can be output directly to a computer monitor with one, four or 16 images displayed at one time, on either the LCD display or PC screen. Printing is simple - just load the images onto a PC and output direct to a printer, or include them in word processor, presentation or DTP files For optimum quality, Canon recommends a PhotoRealism printer such as Canon's BJC-4200 or BJC-240.

A 2MB removable CompactFlash memory card, capable of storing up to 47 images, is supplied with the camera. This can be expanded up to 4MB (94 images) or 15 MB (352 images).

Fully interchangeable and easily portable, the CompactFlash memory cards can be read directly into a computer using a PC Card Reader - leaving the camera free for continued use.

CANON UK