Showing posts with label centennial. Show all posts
Showing posts with label centennial. Show all posts

18/08/25

Robert Rauschenberg’s New York Pictures from the Real World @ Museum of the City of New York

Robert Rauschenberg’s New York 
Pictures from the Real World 
Museum of the City of New York
September 13, 2025 – April 19, 2026

In celebration of the centennial of Robert Rauschenberg (1925–2008), and in partnership with the Robert Rauschenberg Foundation, the Museum of the City of New York (MCNY) presents Robert Rauschenberg’s New York: Pictures from the Real World, a major exhibition. This dynamic show explores Rauschenberg’s innovative integration of photography and found objects into his art, reflecting his deep engagement with “the real world” and his complex relationship with New York City.

Widely regarded as one of the most influential artists of postwar New York, Rauschenberg’s irreverent approach to art-making pushed the envelope for an entire generation, reshaping the art world in New York and around the world. At the heart of his practice was a desire to incorporate the tangible world around him into his art. Gathering materials and inspiration from his surroundings, he often brought found objects and images sourced or reproduced from magazines and newspapers into his paintings and sculptures. But Robert Rauschenberg was not merely a user of found imagery; he was also a photographer with a bold creative vision—an essential aspect of his artistic practice that is the focus of the exhibition.

The show is organized into three sections—Early Photographs, In + Out City Limits, and Photography in Painting—tracing the evolution of Rauschenberg’s photographic practice and its interplay with painting, sculpture, and assemblage. His earliest images are largely intimate portraits and experiments with formal elements such as framing, light and shadow, and flattening the picture plane.

The centerpiece of the exhibition is In + Out City Limits, a three-year (1979–81) photographic survey conducted across the United States—a project Rauschenberg had originally conceived decades earlier as a student at Black Mountain College in North Carolina. His New York photographs from this project reveal his fascination with the signs and symbols of human culture, even in the most humble or discarded remnants of the city. Together, these photographs emphasize his observational rigor and his constant effort to channel the fleeting, ineffable moments of life into his work—revealing a deep sensitivity to the social landscape.

In addition, the exhibition presents a selection of works created between 1963 and 1994 that combine Rauschenberg’s New York City photographs with images taken around the world, illustrating how he recontextualized his photographic imagery through his innovative creative process.
“By incorporating photographs and everyday objects into his artworks, Robert Rauschenberg placed the realities of life at the center of his art, blurring traditionally held boundaries between the two and compelling us to look more closely at the world around us,” said Sean Corcoran, Senior Curator of Prints and Photographs at MCNY. “Our exhibition will highlight Rauschenberg’s enduring relevance, as his work continues to resonate in an increasingly image-saturated world.”

“The Museum of the City of New York is thrilled to honor Robert Rauschenberg’s centennial,” added Stephanie Hill Wilchfort, Ronay Menschel Director and President of MCNY. “This exhibition not only underscores Rauschenberg’s profound impact on the art world but also celebrates his deep connection to New York City, which shaped much of his creative journey. We are grateful to the Robert Rauschenberg Foundation for its partnership and support, which makes this exploration of his transformative work possible.”

Courtney J. Martin, Executive Director of the Robert Rauschenberg Foundation, remarked, “We are honored to support the Museum of the City of New York’s thoughtful and timely exhibition. New York was not only a backdrop for Rauschenberg’s practice, it was also a catalyst for the ways that his objects would take shape for the entirety of his career. This exhibition reminds us how the city’s energy, texture, and unpredictability were central to his groundbreaking approach to artmaking.”
The exhibition is accompanied by a richly illustrated companion book, co-published by MCNY and Giles Ltd, featuring contributions from Sean Corcoran and Helen Hsu, Associate Curator for Research, Robert Rauschenberg Foundation.

About the Robert Rauschenberg Foundation

The Robert Rauschenberg Foundation builds on the legacy of artist Robert Rauschenberg, emphasizing his belief that artists can drive social change. Rauschenberg sought to act in the “gap” between art and life, valuing chance and collaboration across disciplines. As such, the Foundation celebrates new and even untested ways of thinking.






About Rauschenberg 100

Robert Rauschenberg’s (1925-2008) strong conviction that engagement with art can nurture people’s sensibilities as individuals, community members, and citizens was key to his ethos. The Centennial celebrations seek to allow audiences familiar with him and those encountering the artist for the first time to form fresh perspectives about his artwork. A year of global activities and exhibitions in honor of Rauschenberg’s Centennial reexamines the artist through a contemporary lens, highlighting his enduring influence on generations of artists and advocates for social progress. The Centennial’s activation of the artist’s legacy promotes cross-disciplinary explorations and creates opportunities for critical dialogue. 

For more information and continued updates on Centennial programming and news, visit rauschenberg100.org

MCNY - MUSEUM OF THE CITY OF NEW YORK

14/10/98

Aubrey Beardsley Centennial Exhibition, Princeton University Library

Aubrey Beardsley Centennial Exhibition
Princeton University Library
Through January 7, 1999

The Princeton University Library is currently commemorating the 100th anniversary of the death of the Aubrey Vincent Beardsley (1872-1898), the celebrated English artist and book illustrator, with an exhibition in the Leonard L. Milberg Gallery for the Graphic Arts, Harvey S. Firestone Memorial Library.

The exhibition draws on the Department of Rare Books and Special Collections’ unrivaled Beardsley holdings, including original drawings, posters, photographs, correspondence, literary manuscripts, illustrated books, memorabilia, and other materials. Most of these materials were donated to the Princeton University Library a half-century ago by A.E. (Albert Eugene) Gallatin (1881-1952), the American artist, art critic, art historian, and collector. Gallatin’s gift was supplemented by materials from the J. Harlin O’Connell Collection of the 1890s and by other gifts. With 125 original drawings, Princeton can boast the finest Beardsley collection in the world.

Aubrey Beardsley’s brilliant but controversial work was emblematic of the English fin-de-siecle. This most literary of artists was much influenced by the pre-Raphaelites, Japanese woodblock printmakers, and contemporary French writers. But he was more than the sum of influences, developing a unique artistic vision that was bold and original despite its eclecticism. Through his drawings and writings, he became the leading exponent of a British movement referred to by its detractors as "decadent," much as was Oscar Wilde in literature. 

While Aubrey Beardsley only lived to age 25 and is closely associated with the 1890s, he had a profound influence on visual arts and book illustration for decades. Among the nearly 100 items on exhibit are original drawings, first editions, and other materials pertaining to Beardsley’s contributions to Sir Thomas Mallory’s Le Morte Darthur (1893-94), Oscar Wilde’s Salome (1894), The Yellow Book (1894-95), The Savoy (1896-97), and The Lysistrata of Aristophanes (1896) and other illustrations published by Leonard Smithers. Also included are portraits of Aubrey Beardsley by such contemporary artists as Sir William Rothenstein and Max Beerbohm.

The exhibition is curated by Mark Samuels Lasner, author of Selective Checklist of the Published Work of Aubrey Beardsley (1995); and Don C. Skemer, Curator of Manuscripts.

PRINCETON UNIVERSITY