Bela Kolarova Retrospective, Raven Row, London, 2013

Běla Kolářová
Raven Row, London
31 January - 7 April 2013

Raven Row, London, presents the first posthumous retrospective of the work of Czech artist Běla Kolářová (1923-2010). The show is both the first solo exhibition of the artist in the UK and the first major survey of her work outside the Czech Republic.

BELA KOLAROVA 

Alphabet of Things, 1964

Silver bromide photograph

13.8 x 18.8 cm

Courtesy of the Estate of Běla Kolářová

From her trademark ‘artificial negatives’, ‘pure light drawings’ and ‘derealised portraits’ to her assemblages and collages, Běla Kolářová pioneered an art based on intimate objects often associated with domesticity and the feminine. The works on display will span Kolářová’s career to include documentary photographs from the late fifties, camera-less experiments, ‘arranged’ photographs of objects and hair and assemblages from the sixties, as well as make-up drawings and assemblages from the seventies and eighties.

While rooted in the context of the Cold War and exile, Běla Kolářová’s practice is also closely linked to the life of her husband, the influential artist and poet Jiří Kolář, whose work overshadowed her own until its recent rediscovery. Despite the difficulties of exhibiting in her own country, she was able to develop a unique body of work, both formally and conceptually. As this exhibition will demonstrate, its legacy to the history of art – on both sides of the Iron Curtain – is anything but modest, unlike its materials and its author’s personality.

An accompanying catalogue published by Raven Row will include new essays by Prague-based writer and curator Karel Císař and Matthew S Witkovsky, Chair and Curator of the Department of Photography at the Art Institute of Chicago, as well as an edited conversation between Alice Motard and Czech art historian Marie Klimešová, who organised the most complete exhibition of the artist’s work to date at Olomouc Museum of Art in the Czech Republic in 2006.

The exhibition is curated by Marie Klimešová and Alice Motard.

BELA KOLAROVA (born 1923, Terezín, former Czechoslovakia, died 2010, Prague). In 1980, during the era of ‘Normalisation’, Běla Kolářová and her husband Jiří Kolář left Czechoslovakia and lived in Paris before moving back to Prague in 1999. Kolářová’s work can be found in a number of private and public collections, among which the National Gallery and the Museum of Decorative Arts in Prague, the Moravian Gallery in Brno, the Olomouc Museum of Art, and the Musée National d’Art Moderne in Paris. Since it was shown at documenta 12 in Kassel in 2007, her work has been included in group exhibitions in Vienna, Paris, London, Schwaz (Austria) and Cologne.

RAVEN ROW
56 Artillery Lane
London E1 7LS
Gallery's website: www.ravenrow.org

APG - Artist Placement Group 1966-1979, Raven Row, London

The Individual and the Organisation: Artist Placement Group 1966-1979
Raven Row, London
Through 16 December 2012

This is the first retrospective of the pioneering artists' organisation Artist Placement Group, or APG, conceived by Barbara Steveni in 1965 and established a year later by Steveni and John Latham along with Barry Flanagan, David Hall, Anna Ridley and Jeffrey Shaw, among others.

Between 1966 and the turn of the 1980s, APG negotiated approximately fifteen placements for artists lasting from a few weeks to several years; first within industries (often large corporations such as British Steel and ICI) and later within UK government departments such as the Department of Health and the Scottish Office. APG arranged that artists would work to an ‘open brief’, whereby their placements were not required to produce tangible results, but that the engagement itself could potentially benefit both host organisations as well as the artists in the long-term. Artists' work in proposing and carrying out placements is represented here in diverse ways, in films, photographs, texts and correspondence and sometimes in art objects.

APG was a milestone in Conceptual Art in Britain, reinventing the means of making and disseminating art, and anticipating many of the issues facing cultural workers today. It represented itself in a number of exhibitions and events, notably in the exhibition Art and Economics at the Hayward Gallery in 1971 with artistic interventions by Garth Evans, Barry Flanagan, John Latham and others. Emulating APG's emphasis on the discursive, the exhibition will host frequent public discussions relating to art and social organisation.

The exhibition is curated by Antony Hudek and Alex Sainsbury, in consultation with Barbara Steveni.


RAVEN ROW EXHIBITION PROGRAMME 2013
Běla Kolářová, 31 January - 7 April 2013
Padraig Timoney, 25 April - 16 June 2013
Iain Baxter& and Adam Chodzko, July 2013
Psychedelia Curated by Lars Bang Larsen, 26 September - 15 December 2013

Raven Row
56 Artillery Lane
London E1 7LS
Gallery's website: www.ravenrow.org