Showing posts with label BRAFA 2025. Show all posts
Showing posts with label BRAFA 2025. Show all posts

29/11/24

Joana Vasconcelos @ BRAFA 2025, Brussels - Guest of Honour

Joana Vasconcelos: Guest of Honour 
BRAFA 2025, Brussels 
January 26 – February 2, 2025

Joana Vasconcelos 
© Lionel Balteiro | LaMousse 
Courtesy Atelier Joana Vasconcelos

Joana Vasconcelos 
Dream Curtain, 2023 
© Andre Nacli 
Courtesy Museu Oscar Niemeyer

Joana Vasconcelos is a Portuguese visual artist, born in 1971. Over the course of her 30-year career, she has made use of a wide variety of media. Although she has a preference for textiles, Joana Vasconcelos also works with cement, metal, ceramics, glass, and found objects. She is renowned for her monumental sculptures and immersive installations. Her ambition is to decontextualise everyday objects and revisit the concept of craft in the twenty-first century. Her humorous, ironic work examines the status of women, consumer society and collective identity.

Her international reputation was consolidated in 2005, at the first Venice Biennale curated by women, where she presented her piece The Bride, a classically shaped chandelier whose crystal pendants had been replaced by approximately 14,000 tampons.

Joana Vasconcelos was the youngest artist and the first woman to exhibit at the Château de Versailles in 2012. In 2018, she became the first Portuguese artist to have a solo show at the Guggenheim Museum in Bilbao. In 2023, she had the honour of exhibiting at the Uffizi Galleries and the Palazzo Pitti in Florence, alongside great masters such as Leonardo da Vinci, Michelangelo and Caravaggio.

At BRAFA 2025, she will be exhibiting two Valkyries, sculptures inspired by the female figures from Norse mythology who flew over the battlefields, bringing the bravest warriors back to life to join the deities in Valhalla. Made from textiles, they give full expression to the artist’s creativity, involving a variety of fabrics and trimmings. The result is a surprising combination of volumes, textures and colours. Made up of a central body, a head, a tail and several arms, many of the Valkyries combine traditional craftsmanship with more technological methods, such as the insertion of light to simulate vibration and breathing, which gives movement to the work.

BRAFA Art Fair
Brussels Expo – Halls 3 & 4 – Place de Belgique 1, 1020 Brussels

KIK- IRPA – Royal Institute for Cultural Heritage @ BRAFA 2025, Brussels

KIK- IRPA – Royal Institute for Cultural Heritage 
BRAFA 2025, Brussels 
January 26 – February 2, 2025

© KIK-IRPA, Brussels

© KIK-IRPA, Brussels

Since its founding in 1948, the Royal Institute for Cultural Heritage (KIK-IRPA) has played a pioneering role in the preservation of a wide variety of heritage objects, including paintings, wood and stone sculptures, tapestries, precious metals, glass and elements of architectural heritage. The building in Brussels that has housed KIK-IRPA since 1962 was the first in the world to be specially designed to encourage an interdisciplinary approach to conserving works of art, in which restorers, chemists, engineers, imaging specialists, photographers and art historians work together. Approximately 100 of its scientists are working on ambitious projects at both national and international levels.

KIK-IRPA is best known for its prestigious restorations, such as that of the Adoration of the Mystic Lamb by the Van Eyck brothers in the former baptistery of Ghent's Saint Bavo Cathedral. In its state-of-the-art laboratories, advanced tools such as 3D microscopy, macro-XRF, and radiocarbon dating provide crucial insights into the materials and techniques used by artists and craftsmen, helping to ensure the proper preservation of cultural treasures for future generations. Great importance is attached to rigorous documentation and art history research. For example, the Institute preserves Belgium’s collective visual memory in the BALaT online database, which contains over a million photographs of cultural objects, hundreds of thousands of which can be downloaded free of charge.

At BRAFA 2025, the Royal Institute for Cultural Heritage will be showcasing the many facets of its work, from art conservation and restoration to heritage management and scientific analysis, in a space next to the King Baudouin Foundation. Visitors are invited to discover how specialists analyse and document works of art, providing fascinating insights into their history and their crafting techniques. 

Workshops will be held every day at 2 p.m. and 5 p.m. for members of the public to learn about methods of conserving works of art and to explore the technologies that are currently in use. Experts will also share fascinating discoveries from their research, illustrating how scientific methods and modern technology are unlocking new dimensions for the understanding of historical works of art.

Workshops can only be booked via the
BRAFA website: www.brafa.art

From Sunday, January 26th to Sunday, February 2nd, 2025, from 11 a.m. to 7 p.m.
Brussels Expo – Halls 3 & 4 – Place de Belgique 1, 1020 Brussels

Royal Institute for Cultural Heritage – KIK- IRPA

BALaT online database