Showing posts with label Czech Republic. Show all posts
Showing posts with label Czech Republic. Show all posts

10/08/25

David Lynch Exhibition in Prague @ DOX Centre for Contemporary Art - "Up in Flames"

David Lynch: Up in Flames
DOX Centre for Contemporary Art, Prague
Through 8 February 2026

David Lynch Photo by Karel Cudlin
David Lynch in Prague, 1996 
Photo by Karel Cudlin 
© 400 ASA

David Lynch Art
David Lynch 
Man Laughing, 2013 
DOX, Up In Flames Exhibition
© The David Lynch Estate, Courtesy Item éditions, Paris

Karel Cudlin
David Lynch 
Playing with Fire, 2015 
DOX, Up In Flames Exhibition
© The David Lynch Estate, Courtesy Item éditions, Paris

The DOX Centre for Contemporary Art in Prague, the Czech Republic’s largest institution dedicated to contemporary art, presents the exhibition event of the year in its main hall: artistic work of American master of cinema DAVID LYNCH.

The project, on which DOX is collaborating with the David Lynch Estate, Pace Gallery, and Item éditions, is curated by Otto M. Urban. David Lynch: Up in Flames is the first presentation of Lynch’s art in the Czech Republic.

In the main spaces of DOX over four hundred works of art are on display – from drawings, photographs, lithographs, woodcuts, and watercolours to short experimental and animated films created by the director. The works span all of Lynch’s creative periods, from his early days in the late 1960s all the way to 2024.
“I consider it a small miracle that we are finally opening the exhibition. Without the enthusiastic cooperation of everyone involved, we could not have pulled off a project like this. Unfortunately, David Lynch, who oversaw the preparations for the exhibition from the very beginning, will not see the final result. Nevertheless, I hope that he would be satisfied with the exhibition, which I see as a tribute to a great artist and a great man,” says Otto M. Urban, the curator of the exhibition.
David Lynch Art
David Lynch
View into the exhibition Up in Flames, DOX, Prague
Photo Jan Slavik © DOX 

David Lynch Art
David Lynch
View into the exhibition Up in Flames, DOX, Prague
Photo Jan Slavik © DOX 

David Lynch Art
David Lynch
View into the exhibition Up in Flames, DOX, Prague
Photo Jan Slavik © DOX 

Deliberations regarding the project gradually developed over many years, and an important condition for its realisation was establishing direct contact with the artist himself. The first serious discussions about a David Lynch exhibition at DOX took place in the spring of 2024, when the David Lynch Studio (now the David Lynch Estate) and Pace Gallery joined the project. Patrice Forest of Item éditions in Paris was instrumental in facilitating this connection.

However, the preparations were unexpectedly interrupted by the news of David Lynch’s sudden passing on 16 January.
“David and I spoke about this show the day before he passed. He loved the images he’d seen of DOX and was looking forward to seeing his art in that space. He had confidence in Otto, and he was excited to share his work with the people of Prague. When he died, it seemed like the world stopped turning,” says Michael T. Barile from the David Lynch Estate.
David Lynch Art
David Lynch 
My House is on Fire - Modern Device, 2013
DOX, Up In Flames Exhibition
© The David Lynch Estate, Courtesy Item éditions, Paris

David Lynch Art
David Lynch
View into the exhibition Up in Flames, DOX, Prague
Photo Jan Slavik © DOX

David Lynch Art
David Lynch
View into the exhibition Up in Flames, DOX, Prague
Photo Jan Slavik © DOX

David Lynch Art
David Lynch
View into the exhibition Up in Flames, DOX, Prague
Photo Jan Slavik © DOX

David Lynch - Works on paper

The main axis of the exhibition consists of works on paper, which Lynch considered to be autonomous artworks in their own right. He said that drawing helped him to capture ideas that he could later develop into films, paintings, or objects.

David Lynch studied painting at the Pennsylvania Academy of the Fine Arts. It was there that he had a vision of a moving painting, and in 1967 this vision became the basis for his first film, Six Men Getting Sick (Six Times). Lynch drew throughout his career, and in his artistic work he was fascinated by all manner of different materials and surfaces.

A major part of the exhibition consists of works on loan directly from the David Lynch Estate in Los Angeles, but the project also includes a number of works (lithographs and photographs) which he created at Item éditions in Paris.

David Lynch Art
David Lynch 
Small Stories, 2014
DOX, Up In Flames Exhibition
© The David Lynch Estate, Courtesy Item éditions, Paris

David Lynch Art
David Lynch 
Small Stories, 2014
DOX, Up In Flames Exhibition
© The David Lynch Estate, Courtesy Item éditions, Paris

David Lynch Art
David Lynch
View into the exhibition Up in Flames, DOX, Prague
Photo Jan Slavik © DOX

Artist David Lynch

David Lynch (1946–2025) had a prolific nearly six-decade-long career, which spanned an extensive range of artmaking, including painting, drawing, photography, printmaking, sculpture, music, and film.

He wrote and directed critically acclaimed films such as Eraserhead (1977), The Elephant Man (1980), Blue Velvet (1986), Lost Highway (1997), Mulholland Drive (2001), Inland Empire (2006), and the television series Twin Peaks (1990–91) and Twin Peaks: The Return (2017). While studying painting at the School of the Museum of Fine Arts in Boston and the Pennsylvania Academy of the Fine Arts in Philadelphia in the late 1960s, David Lynch envisioned his first “moving painting”, a multidimensional composition beneath a moving projection titled Six Men Getting Sick (Six Times) (1967). This multimedia work marked Lynch’s first foray into video and filmmaking. His remarkable career touched on subjects of the organic body and industrial sites in various states of decay, describing a deeper human experience both beyond and within the everyday. Often depicting scenes with an eye towards surrealism and mystery, Lynch’s work balanced on the porous divide between the body and the world it inhabits.

Lynch’s work has been the subject of numerous exhibitions. Retrospectives of his work include The Air Is on Fire: 40 years of Paintings, Photographs, Drawings, Experimental Films, and Sound Creations at Fondation Cartier in Paris (2007), which then travelled to La Triennale di Milano (2008), the Ekaterina Cultural Foundation in Moscow (2009), and Gammel Strand in Copenhagen (2011); Between Two Worlds at QAGOMA in Brisbane, Australia (2015); Silence and Dynamism at the Centre of Contemporary Art in Toruń, Poland (2017–18); and Someone Is in My House at the Bonnefanten in Maastricht, Netherlands (2018–19). In 2014, a survey of Lynch’s work entitled The Unified Field was presented at the Pennsylvania Academy of the Fine Arts, where the artist previously studied painting.

David Lynch: Up in Flames - Organisational Team

The exhibition Up in Flames is curated by Otto M. Urban. The organisational team consists of Leoš Válka, Michaela Šilpochová, Jan Slavík, and Anna Bárová from DOX, Anna Skarbek and Michael T. Barile from the David Lynch Estate, and Genevieve Day from Pace Gallery.

Michael T. Barile and Anna Skarbek from the David Lynch Estate and Patrice Forest from Item éditions in Paris made significant contributions to the exhibition. Michael T. Barile, Anna Skarbek, and Patrice Forest were the guests of honour at the exhibition’s opening ceremony. The graphic design of the exhibition and the accompanying catalogue was entrusted to Robert V. Novák. The music was arranged by Marcel Bárta.

Authors of the exhibition David Lynch: Up in Flames

Curator Otto M. Urban
Curator Otto M. Urban
DOX, Exhibition David Lynch, Up in Flames 
Photo Jan Slavík © DOX

Otto M. Urban – Head curator of the DOX Centre for Contemporary Art in Prague, where he has prepared numerous exhibitions, including his latest project, David Lynch: Up in Flames. Since the early 1990s O tto M.Urban has focused on Czech and international art from the turn of the twentieth century, especially symbolism and decadence, as well as contemporary art.

Michael T. Barile
Michael T. Barile
DOX, Exhibition David Lynch, Up in Flames 
Photo Jan Slavík © DOX

Michael T. Barile – Executive assistant to David Lynch and employee at Asymmetrical Productions from 2008 to 2025. Michael T. Barile is an American film producer and writer who worked on several of Lynch’s projects, including Twin Peaks: The Return (2017), Twin Peaks: Missing Pieces (2014), and What Did Jack Do? (2017) as well as numerous other commercials, music videos, and short films. He currently works for the David Lynch Estate.

Anna Skarbek
Anna Skarbek
DOX, Exhibition David Lynch, Up in Flames 
Photo Tomáš Cindr © DOX

Anna Skarbek – An American visual artist and educator who began working with David Lynch as assistant art director on his 2006 film INLAND EMPIRE. She subsequently worked with him on commercials, music videos, and experimental films, and she built and maintains the database that inventories all of Lynch’s artworks. Anna Skarbek has organised fifteen international museum exhibitions of Lynch’s work, overseen forty gallery exhibitions, and co-edited twelve accompanying exhibition catalogues.

Patrice Forest
Patrice Forest
DOX, Exhibition David Lynch, Up in Flames 
Photo Tomáš Cindr © DOX

Patrice Forest – A close friend of David Lynch and director of the Item éditions lithographic studio in Paris. In 2007 Patrice Forest initiated David Lynch into the secrets of lithography during the time that Lynch was creating nearly three hundred works in the studio. Item éditions is the oldest lithographic studio in Paris, with presses used in the past by Picasso, Matisse, and Giacometti, to name just a few. The exhibition includes not only a large set of lithographs from Lynch’s production at Item éditions but also two photographic series of gelatin silver prints on Baryta paper titled Small Stories.

DOX Centre for Contemporary Art
Poupětova 1, Prague 7

David Lynch: Up in Flames
DOX Centre for Contemporary Art, Prague, 19 june - 8 February 2026

12/03/25

5th Art Book Triennial Martin 2025 @ Olomouc Museum of Art + After in Wrocław, Bratislava and Budapest - Artists and Artworks Highlights

5th Art Book Triennial Martin
Olomouc Museum of Art
27 February - 25 May 2025

After in Wrocław, Bratislava and Budapest

Martin Derner - Artist Book
Martin Derner
Schillers sammtliche Werke / 
Schiller‘s Complete Works, 2024
Kižní papír, rámované / Book paper, framed, 2024

Monika Aleksandrowicz - Artist Book
Monika Aleksandrowicz 
Fuzzy Sets – Palindrome, 2019/2024 
Tisk na plexisklo / Print on plexiglass

Maciej Jabłoński - Artist Book
Maciej Jabłoński
Contribution to the Talk of Freedom, 2023
Vlastní technika, knižní objekt / 
Own technique, book object

Maciej Linttner - Artist Book
Maciej Linttner 
Florenckie przenikania / Florentine Permeability, 2010–2024
Kombinovaná technika / Mixed media

Zuzana Šebelová  - Artist Book
Zuzana Šebelová 
Over Your Heads the Trees Will Grow, 2024
Papír, karton / Paper, cardboard

The author’s book as an important art form will be presented by the Olomouc Museum of Art in an exhibition that will have its premiere at the end of 2024 in Martin, Slovakia, at the 5th Triennial of the Art of the Book, co-organised by institutions from Olomouc, Wrocław, Bratislava and Budapest. Until 25 May 2025, visitors can see works by artists from the Central European region who bring a new perspective on the book as a medium and push the boundaries of visual art.
“Authors’ books are a unique combination and consonance of artistic, craft or technical disciplines with a personal creative language,” explains exhibition curator Gina Renotière.
The Olomouc Museum of Art has been involved in the regular international presentation of authors’ books at the Turčianska Gallery in Martina since the very beginning in 2015. The current fifth edition is an opportunity for artists to experiment with the spatial composition of the elements of the work and their incorporation into the installation in order to intensify the overall visual experience. The shape and visual variety of the exhibits is represented by a plethora of atypically created and invented jigsaw puzzles, loosely arranged leaf blocks, as well as spatial objects inspired by books by eighty artists from Slovakia, Hungary, Poland and the Czech Republic.


Lajos Sejben - Artist Book
Lajos Sejben 
„Remakes“ of World Literature (White Silence), 2023
Kombinovaná technika / Mixed media 

Ilona Simon - Artist Book
Ilona Simon
 
Instant Illusion, 2021–2023
Kombinovaná technika / Mixed media

Dóra Matyus - Artist Book
Dóra Matyus
Phonebook, 2023
Digitální kresba, průhledné fólie, ochranná skla na displej, magnety / 
Digital drawing, transparent foils, screen protector glasses, magnets

It probably comes as no surprise that paper remains the primary medium used to create an author’s book, but this is not a dogma. The exhibition features works made of wood, textile, metal, glass, plastic, silicone or concrete and their combinations. There are books as objects, books-installations, new media books but also books conceived in a performative or process approach.
“An important line in the concept of the Book Art Triennial is the integrated so-called touch library, in which the visitor and the reader in one person can leaf through book artifacts. This part of the show is addressed primarily to children, with the intention of contributing to the cultivation and shaping of their reading tastes,” adds Gina Renotière.
Zbigniew Sałaj - Artist Book
Zbigniew Sałaj
Drewutnia / Woodshed, 2010–2024
Tištěný papír, vlastní technika / Printed paper, own technique 

Xénia Hoffmeisterová - Artist Book
Xénia Hoffmeisterová
Záznamy / Entries, 2023
Kombinovaná technika / Mixed media 

After the Olomouc presentation, the project will move to the Book Art Museum in Łódź, Poland, and then to the Miskolc Gallery in Hungary.

ARTIST’S BOOKS AT THE OLOMOUC ART MUSEUM

The Olomouc Museum of Art owns one of the most important collections of artists’ books in the institutions of the former Czechoslovakia. An important impulse for its creation was an extraordinary acquisition in the second half of the 1990s, when, thanks to the cooperation with the Brno theoretician Jiří Valoch, the preparation of the exhibition “Between Tradition and Experiment” (1997) succeeded in concentrating on two dozen author’s books, mostly from the 1960s. Ladislav Daněk was the initiator of the establishment of a separate collection in 2000 and became its first curator.

The collection consists of a collection of works from the second half of the 20th century with an overlap to the present and was first presented at the exhibition “Leafing through Modern Book Culture in the Collections of the Olomouc Museum of Art” in 2009. 

CURATORS: Gina Renotière, Jarmila Kováčová
MAIN ORGANIZER: Turčianska Gallery in Martin
CO-ORGANISERS: Museum of Art Olomouc, Akademia Sztuk Pięknych im. Eugeniusz Geppert in Wrocław, Academy of Fine Arts in Bratislava, Magyar Műveszkonyvalkotok Tarsasaga (Society of Hungarian Art Book 

Also on view at Olomouc Museum of Art:

OLOMOUC MUSEUM OF ART
MUO - MUZEUM UMĚNÍ OLOMOUC
Denisova 47, 771 11, Olomouc 

06/03/25

Zdenek Sykora @ Galerie Zdenek Sklenar, Prague - "Colour Gardens" Exhibition

Zdeněk SýkoraColour Gardens
Galerie Zdeněk Sklenář, Prague
Through 12 April 2025

The exhibition Colour Gardens recalls one of the significant stages of the artistic development of the painter ZDENEK SYKORA (1920–2011) who is primarily know as the author of structures and lines. Galerie Zdeněk Sklenář is exhibiting the painter‘ cycle Gardens which includes the collection of artworks from 1959–1961. The paintings illustrate the artist’s transition from a realistic depiction of nature towards abstract compositions which later evolved into structures. According to Pavel Kappel, an art historian, this rather short period of three years forms “a fundamental turning point in Sýkora’s artwork”. Henri Matisse whom he got to know when visiting the Hermitage Museum in Saint Petersburg in 1959 affected the artist’s shift towards Fauvist painting. In the catalogue, which was published on the occasion of Zdeněk Sýkora’s 90th anniversary, Pavel Kappel observes: “We call the direct outcome of the Matisse’s lesson, the series of coloured paintings, the Gardens on the basis of the prevailing motif, even if we can include some paintings which he had begun before the crucial trip... or even paintings with a different motif altogether – Tree, Autumn Forest...” 

The author of the exhibition, Lenka Sýkorová, the wife and collaborator of the artist, who is the closest to Zdeněk Sýkora’s artwork, selected more than thirty artworks for the exhibition in Galerie Zdeněk Sklenář. Besides paintings from private collections, there are some on loan from Galerie Benedikta Rejta in Louny, National Gallery in Prague and two of them were loaned by a private collector in Munich. At the exhibition, of which architect is Josef Pleskot, there are artworks the artist considered crucial such as Black Garden (1958), Garden (1959), Autumn Forest (1960), two paintings called Blue Garden (1959 and 1960), Garden (with a Square) (1960), Garden/Composition (1961). 

Lenka Sýkorová emphasises that the paintings from the Gardens cycle represent the culmination of Sýkora’s landscape work from the 1950s and that they are the proof of his colourist talent and at the same time, they form the confirmation of his further heading towards abstraction and the condition for finding his own way. 

GALERIE ZDENEK SKLENAR - PRAGUE
Schönkirch Palace - Mikulandská 7, Prague 1 – New Town

Zdeněk Sýkora – Colour Gardens
Galerie Zdeněk Sklenář, Prague 
4 February - 12 April 2025

Milan Dobes @ Olomouc Museum of Art - "A Celebration of Colour, Light and Movement" Exhibition - About the Artist + Artworks

Milan Dobeš 
A Celebration of Colour, Light and Movement
Olomouc Museum of Art
March 20 - September 7, 2025

Milan Dobes Artwork
Milan Dobeš 
Target, 1960
Vertical Lights, h 67 x w 51 cm
© Svetlik Art Foundation

Milan Dobes Artwork
Milan Dobeš 
 
Waves, 1960
Painting matt oil, sololite, 125 x 186 cm
© Svetlik Art Foundation

A retrospective exhibition of Milan Dobeš (*1929), a pioneer of global kinetic and constructivist art, will be presented by the Olomouc Museum of Art (Czechia). Visitors will gain a deep insight into the life and work of this artist, who exhibited alongside art icons such as Warhol, Vasarely, Anuszkiewicz, and many others. Through his creations, Dobeš transcended the borders of former Czechoslovakia and became a respected figure within the global avant-garde movement.

The path to becoming an internationally recognized artist was not easy for the native of Přerov (Czechia), who spent most of his ninety-five years life in Slovakia. While studying at the Academy of Fine Arts in Bratislava, Slovakia (1951–1956), he faced challenges due to his "capitalist background" and was only able to continue his studies with the support of Professor Ján Mudroch. A pivotal moment and turning point in his career came with his three-month stay in France, which he was able to undertake by means of a sham marriage application. During this time, he came into contact with modern art while earning a living by painting street scenes.

Milan Dobes Artwork
Milan Dobeš 
Optical Relief – Triptych, 1964
Vertical Lights, h 67 x w 51 cm
© Závodný Gallery

Milan Dobes Artwork
Milan Dobeš 
Optical Relief, Untitled, 1964
Metal, mixed media. H 55,5 x W 43,5 cm
© Závodný Gallery

Milan Dobes Artwork
Milan Dobeš 
 
Pulsing Rhythm, 1965 
Glass, metal, electric motor, 61 x 77 x 297 cm
© Svetlik Art Foundation

Milan Dobes Artwork
Milan Dobeš 
Movement of Light in Space IV, 1968
Metal, electric motor, bulb, 78x 40x195 cm
© Svetlik Art Foundation

MILAN DOBES: FROM WENCESLAS SQUARE TO INTERNATIONAL FAME

In 1966, he received an invitation to exhibit at the House of Czechoslovak-Soviet Friendship in Prague, a bastion of socialist realism, which paradoxically became his breakthrough into the world of art. The exhibition of light and kinetic objects in the attractive space at Wenceslas Square, originally planned as a "protest action," attracted 56,000 visitors. It also caught the attention of prominent international theorists, including Frank Popper and Udo Kultermann, who recognized Dobeš as a key figure in kinetic art and op art. Frank Popper subsequently invited Dobeš to the Kunst–Licht–Kunst exhibition in Eindhoven, the first post-war exhibition of its kind in the world.

After that, Dobeš's works travelled to prestigious world exhibitions – Documenta 4 in Kassel (1968), EXPO '70 in Osaka, and the Biennale in Montevideo in 1969, where he received the First Prize for kinetic sculpture. Alongside Victor Vasarely, Andy Warhol, Edward Kienholz, and Martial Rayss, he was invited to Helsinki for the Ars 69 exhibition, which showcased sixty of the best contemporary artists from around the world. “I don't know how I got there, but I was there,” Milan Dobeš recalled nearly half a century later for a documentary film by the Olomouc Museum of Art. “And you know, it didn't strike me at the time at all. I thought I belonged there. In retrospect, I admire myself for I got there,” Milan Dobeš laughs as he reflects on those memories. His position among the key figures of global constructivism was affirmed in 2013 by his participation in the prestigious exhibition “Dynamo. A Century of Light and Movement in Art 1913-2013” at the Grand Palais in Paris, which recapped a century of kinetic art. From former Czechoslovakia, only František Kupka and Milan Dobeš were selected for this exhibition.

One of the highlights of Dobeš's career was his collaboration in 1971 with the American Wind Symphony Orchestra in the USA, where he contributed to the creation of a monumental light-kinetic object synchronized with the music of prominent composers such as Krzysztof Penderecki and Toshiro Mayuzumi.

Milan Dobes Artwork
Milan Dobeš 
Movement of Structure V, 1986
© Olomouc Museum of Art

Milan Dobes Artwork
Milan Dobeš 
 
Untitled, 1991
© Olomouc Museum of Art

Milan Dobes Artwork
Milan Dobeš 
The Great Rotation I, 1992
© Olomouc Museum of Art


MILAN DOBES: LIGHT, MOVEMENT, AND RHYTHM – A UNIQUE AESTHETIC

Milan Dobeš is like an equilibrist working with light and movement, he is the creator of precise op art graphics as well as extensive spatial kinetic objects. He is a refined illusionist and a colourful minimalist, whose rational approach results in works that astonishingly evoke emotional responses. Through his creations, he transforms the reality of space, drawing the viewers in with pulsating works that transport them to other worlds.

Among approximately 180 works, eighteen are by other significant global figures of constructivism and kineticism, allowing viewers to compare Dobeš's work with leading representatives in this field of visual art. “This is a unique opportunity to discover the work of an artist whose creations continue to resonate with both experts and the general public,” says curator Gina Renotière. “The exhibition was made possible due to the welcoming approach to loans from not only major state galleries but also private institutions and collectors,” explains Gina Renotière, noting that the exhibition will also feature objects and graphics from Dobeš's generous donation to the collection of the Olomouc Museum of Art.

Curators: Gina Renotière, Ivan Jančár

OLOMOUC MUSEUM OF ART
MUZEUM UMĚNÍ OLOMOUC
Denisova 47, 771 11, Olomouc 

21/09/23

Art Brut in Poland @ Olomouc Museum of Art - Harbours of Unease - Exhibition + Catalogue

Harbours of Unease. Art Brut in Poland
Olomouc Museum of Art
19 October 2023 - 25 February 2024

Ryszard Kosek
Ryszard Kosek
Woman, 1980s–1990s
Toothpaste, hardboard, 56 x 32 cm
Andrzej Kwasiborski’s collection, Płock

Dionizy Purta
Dionizy Purta 
Dog, 1993
Wood, polychromy, 27 x 25 x 13 cm
Leszek Macak’s collection, Kraków

Maria Wnęk
Maria Wnęk 
St. Veronica Wiping The Lord’s Face, N/A,
Oil, paper, 60 x 43 cm 
Silesian Museum, Katowice 

Edmund Monsiel
Edmund Monsiel 
For the Worshipping of the Madonna of Częstochowa by Believers,1960 
Pencil, paper, 42.7 x 51 cm, 
Leszek Macak’s collection, Kraków

A motionless human face with a moustache and hundreds of watching eyes filling every millimetre of the paper. You can feel the tension, the fear, the anxiety, the eyes are everywhere, watching you until it gives you chills. The pencil drawings of Edmund Monsiel (1897-1962), who hid from the Nazis in the attic of his brother's house in Poland during World War II, depict one theme almost obsessively endlessly. The author eventually became completely isolated, suffering from autism and hallucinations.

This story also illustrates what art brut is - the art of untrained artists growing out of their inner tension, the urge to express themselves. Often these are people with mental issues or living marginalized. Olomouc Museum of Art will present their art at the exhibition Harbours of Unease. Art Brut in Poland. "Raw or crude art - art brut - differs from folk art, which is often linked to craftsmanship, or naive art that captures and often or idealises the surrounding world. Art brut artists draw from their inner self, they have their own inner universe whose vision they transfer into sculptures and paintings," explains the curator Šárka Belšíková. "They don't create for presentation, but out of an inner pressure for their own sake."

Julian Stręk
Julian Stręk 
Polish Kings’ Gallery, 1990s 
Wood, polychromy, 115 x 98 x 39 cm 
Leszek Macak’s collection, Kraków

Krzysztof Grodzicki
Krzysztof Grodzicki 
Adam’s Creation, 2015
Wood, polychrome, 78 x 60 x 15 cm 
Leszek Macak’s collection, Kraków

Stanisław Zagajewski
Stanisław Zagajewski 
An Animal, 1989
Fired clay, 29.5 x 43 x 27 cm 
Andrzej Kwasiborski’s collection, Płock

For the first time ever in the Czech Republic, the Olomouc Museum of Art presents a comprehensive exhibition of Polish art brut. On view are around 200 paintings, drawings and three-dimensional objects by thirty artists from the first half of the 20th century to the present day.

In Poland, as in Czechoslovakia in the 1970s, interest in art brut was triggered by a wave of private collecting and survey. "Of particular note is the collection of the Krakow lawyer Lezsek Macak, from which a large part of our exhibition comes. Leszek Macak not only collected the works, but also took care of them and materially helped the creators of art brut, people on the margins, socially disqualified, yet with great creative potential," says Anežka Šimková, co-author of the exhibition. A new generation of collectors and theoreticians has emerged in 1990s who are striving to bring art brut closer to a wider audience and present this phenomenon abroad.

Thanks to these collectors, art brut is gradually becoming part of the world's leading collections and exhibitions. "A groundbreaking event was the inclusion of a selection of works by representatives of art brut and imaginative art from around the world in the main exhibition 55. Venice Biennale in 2013, where the work of the Czech artist Anna Zemánková shone. Another important world event was the inclusion of the gift of the collection of art brut collector Bruno Dechamp in the Centre Georges Pompidou's collection in 2021. The Paris museum has set a separate space for it in the permanent exhibition of modern and contemporary art, where Czech artists Adéla Ducháčová, Vlasta Kodríková, Slávka Lelková and others are also represented," Šimková lists. "Centre Pompidou has set out to make professional research on art brut one of its special long-term projects."

Adam Dembiński
Adam Dembiński
Two Women and a Man, 1980s 
Markers, paper, 29.5 x 41.8 cm
Leszek Macak’s collection, Kraków

Roman Rutkowski
Roman Rutkowski 
no title, 2006
Crayon, paper, 100 x 70 cm 
Andrzej Kwasiborski’s collection, Płock

Genowefa Magiera
Genowefa Magiera
no title, 2013 
Ferment, cardboard, 79 x 108 cm 
Andrzej Kwasiborski’s collection, Płock

Justyna Matysiak
Justyna Matysiak 
Pilgrimage, 2006 
Markers, paper, 23.8 x 30 cm 
Lue Lu / Brut Now Foundation, Poznań

HARBOURS OF UNEASE. ART BRUT IN POLAND - PUBLICATION
The exhibition is also accompanied by the first ever major entry of the topic in the Czech Republic, the Czech-English publication Harbours of Unease. Art Brut in Poland including rich pictorial accompaniment and expert studies. The curators of the exhibition - Šárka Belšíková and Anežka Šimková - map the history of art brut in the Polish environment. Polish theoretician Grażyna Borowik contributes to the understanding of the activities of the centres associated with psychiatric care, Małgorzata Szaefer opens up the issue of the current status of art brut in Poland. Barbora Kundračíková writes about the authenticity of art in relation to art brut. The book designed by Petr Šmalec, with two hundred pictures in it, includes a comprehensive catalogue of medallions of the artists accompanied by examples of their works. As a bonus, there is a chronology highlighting important art brut events in Poland and around the world.

CURATORS: Šárka Belšíková, Anežka Šimková

OLOMOUC MUSEUM OF ART
MUZEUM UMĚNÍ OLOMOUC
státní příspěvková organizace
Denisova 47, 771 11, Olomouc