Guy Du Toit @ Everard Read, Johannesburg - "Hare Necessities" Exhibition of Bronze Sculptures

Guy Du Toit: Hare Necessities

Everard Read, Johannesburg

August 14 – September 27, 2025

Everard Read presents Hare Necessities, a new body of work by celebrated South African sculptor Guy du Toit. In this latest collection of bronze sculptures, Du Toit’s long-eared companions return not just to delight but to reflect—on love, connection, solitude, and the rituals of everyday life.

The hare, under Du Toit’s subtle and humorous hand, has long served as a mirror for our humanity. Whether curled over in thought, slow-dancing under the stars, jogging with purpose, or simply sipping wine, each figure distils a moment of presence—anchored in bronze, yet light in spirit. These hares don’t simply move through the world, they inhabit it, fully.

Some embrace, others recline in silence, one checks its phone, and another gazes at the moon. What links them is not narrative but mood, a shared sense of introspection, tenderness, and quiet joy. In a time when attention is scarce and stillness rare, Guy Du Toit offers an invitation to notice the small gestures, the pauses between actions, the beauty in simply being.

The works echo the artist’s signature style — expressive, tactile, and full of character — while offering something new: an intimacy that feels both personal and universal. As always, Du Toit’s hares are not merely animals; they are surrogates, stand-ins, and story-holders, inviting us to see ourselves in them.

Hare Necessities continues Du Toit’s longstanding exploration of form, play, and the liminal spaces of life, presenting a cast of bronze characters who, in their stillness, speak volumes.

EVERARD READ JOHANNESBURG 

6 Jellicoe Avenue, Rosebank, Johannesburg, 2196

www.everard-read.co.za

Blessing Ngobeni @ Everard Read Gallery, Johannesburg - Skeletons at Work

Blessing Ngobeni: Skeletons at Work 

Everard Read Gallery, Johannesburg 

April 17 - May 21, 2021 

“I drive through my work’s open wounds, its scars, its moods, its behavior… to mend where it is broken…” Blessing Ngobeni – 2021.

Blessing Ngobeni’s paintings are immediately identifiable; Laden with collage and painted in bold colour, his characters perform dances of ecstasy and agony across endless swathes of canvas.

Skeletons at Work is a series of three triptychs which demonstrate a crystilisation of Blessing Ngobeni’s aesthetic. In his own words, it is a series that celebrates the “technique and language that I developed… to be able to create line drawing, reminiscent of Keith Haring, without losing my artistic language.”

Blessing Ngobeni often refers to the process of stripping away the layers embedded in his work, aesthetically and conceptually, and has coined the term “skeletonising”. The process of skeletonizing leaves only the bones, the structural framework within which Ngobeni operates. This process allows Ngobeni “to track the ups and downs of moments of self-expression without offending an individualised mentality”; the graphic and confrontational content found embedded in his collage instigates a reaction from the viewer, sometimes shock and fear, sometimes laughter.

The process of skeletonizing removes the prescriptive elements of the artwork and engenders a sense of vulnerability to his characters. Blessing Ngobeni feels that “by stripping off its flesh, so it reminds us who we are inside without the colour of skin, that is a dust to my vision.” In a society where our indentity politics are being intensively scrutinized, challenged and reimagined, Blessing Ngobeni presents us with his vision of skin dissolving into dust and ask us to think about what remains – when so much of our world has been constructed around our differences.

This exhibition coincides with the launch of Chaotic Pleasure, the first published monograph on Blessing Ngobeni. The book begins with Blessing Ngobeni winning the Standard Bank Young Artist Award 2020, for the Visual Arts, and documents the body of work created for the 2020 National Arts Festival, Chaotic Pleasure. The monograph then surveys the zeniths of Blessing Ngobeni’s artistic production, highlighting outstanding works from the artist’s archive, and contextualizes his position as one of contemporary African art’s greatest living artists.

EVERARD READ

2 & 6 Jellicoe Avenue, Rosebank, Johannesburg, 2196

www.everard-read.co.za

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