Showing posts with label Lucy Jones. Show all posts
Showing posts with label Lucy Jones. Show all posts

23/07/25

Summer Exhibition @ Flowers Gallery, London - "august (adj)"

august (adj)
Flowers Gallery, London
7 August – 30 August 2025

John Kirby Art
John Kirby 
In Another Country, 1998 
Oil on canvas, 92 x 71.5 cm
© John Kirby, courtesy of Flowers Gallery

Renny Tait Art
Renny Tait
 
London Pub - Blue Sky, 1997 
Oil on canvas, 122.5 x 163
© Renny Tait, courtesy of Flowers Gallery

Flowers Gallery presents august (adj), a group summer exhibition bringing together paintings and sculpture made between 1960 and 2005 by artists who have exhibited with the gallery over the past fifty years.

Featuring thirteen artists—Stephen Chambers RA, Bernard Cohen, Edward Dutkiewicz, Amanda Faulkner, Nicola Hicks, Derek Hirst, Lucy Jones, Michael Kidner RA, John Kirby, Tom Phillips RA, Jack Smith, Richard Smith, and Renny Tait—august (adj) is a vivid and wide-ranging presentation of colour, form, and feeling.

Jack Smith Art
Jack Smith 
Touching on Black, 1992 
Oil on canvas, 152.5 x 152.5 cm 
© Jack Smith, courtesy of Flowers Gallery

Through the dialogues formed between the artworks, the exhibition explores how artists visualise internal realities, whether emotional, psychological, or social. From Bernard Cohen’s painterly maps of thought to Amanda Faulkner’s layered expressions of identity, and from Jack Smith’s silent musical abstractions to Renny Tait’s dreamlike, geometric structures, each work gives form to the unseen.

Lucy Jones Art
Lucy Jones
 
The Boat, c.1989 
Oil on canvas, 175 x 213 cm 
© Lucy Jones, courtesy of Flowers Gallery

Stephen Chambers Art
Stephen Chambers
St. Just, 2005 
Oil on canvas, 40.5 x 35 cm 
© Stephen Chambers, courtesy of Flowers Gallery

Some artists take the self as subject, like Lucy Jones, whose bold colour and brushwork reflect how we see and are seen. John Kirby's quietly surreal figures explore the complexities of gender, religion, and sexuality, while Stephen Chambers’ curious cast of characters hover between worlds, playfully enigmatic yet psychologically charged.

Richard Smith Art
Richard Smith
Surface I, 2009 
Acrylic on canvas, 101.6 x 106.68 cm
© Richard Smith, courtesy of Flowers Gallery

Others, like Michael Kidner and Richard Smith, approach perception through structure and rhythm, using pattern, repetition, and scale to create sensory impact.

Nicola Hicks Art
Nicola Hicks
 
Maquette for Big Horse, 2002 
Bronze, 60 x 72 x 17 cm 
© Nicola Hicks, courtesy of Flowers Gallery

Sculptors Nicola Hicks and Edward Dutkiewicz bring two distinct approaches to form and feeling. la NicoHicks draws on the physicality and psychology of the animal world, creating vividly animated figures rendered in straw and plaster, and painstakingly cast into bronze. In contrast, Edward Dutkiewicz’s colourful, abstract shapes radiate joy and movement, underpinned by personal struggle.

Tom Phillips and Derek Hirst introduce ideas of place and memory through layered symbols and maps, Tom Phillips drawing from urban walks and daily life, Derek Hirst channelling global traditions and Native American art, as seen in Cherokee Paqueno, 1973.

august (adj) reflects on how we navigate the space between what is felt and what is seen, and how, across decades and practices, artists have found distinct and powerful ways to make those experiences visible.

FLOWERS GALLERY
21 Cork Street, London W1S 3LZ

16/06/19

Lucy Jones @ Flowers Gallery, London - Landscape and Inscape

Lucy Jones: Landscape and Inscape
Flowers Gallery, London
Through 6 July 2019

Lucy Jones
LUCY JONES
Too Much Yellow, 2018
Oil on canvas, 160 x 200 cm
© Lucy Jones, courtesy of Flowers Gallery, London and New York

Flowers Gallery presents an exhibition of new paintings by LUCY JONES, including a portrait of artist Grayson Perry, commissioned by the Attenborough Arts Centre (University of Leicester) which will be displayed for the first time. The exhibition coincides with a new book Awkward Beauty published by Elephant.

British artist Lucy Jones is renowned for her raw, wild landscapes and distinctively provocative self-portraits, characterised by expressive brushwork and bold use of vibrant colour. Balancing an intricate rendering of line and space in her landscapes with the powerful simplicity of her portraits, Lucy Jones’s paintings conduct a journey through both interior landscapes and the external world beyond.

In this exhibition, the densely chromatic and vigorously wrought vistas of Too Much Yellow and Fields in the Pink depict the atmospheric landscape of the Shropshire hills. Fluctuating between sizzling heat and ice cool tones, Lucy Jones’ startling palette of variegated blues, vermillion, rapeseed yellow, lavender purple, maroon and scarlet reveals the expressive intensity of sensation in the landscape.

Lucy Jones
LUCY JONES
Fields in the Pink, 2018
Oil on canvas, 120 x 150 cm
© Lucy Jones, courtesy of Flowers Gallery, London and New York

Lucy Jones
LUCY JONES
With a Handicap Like Yours..., 2018
Oil on canvas, 180 x 100 cm
© Lucy Jones, courtesy of Flowers Gallery, London and New York

In her self-portraits, (for example With a Handicap Like Yours...) Lucy Jones’s revealing and defiant portrayal of her own body addresses ideas of femininity, aging and disability. Both personal and political, they address both the fragility and strength of the body, and society’s way of viewing difference in others. In recent years, Lucy Jones has also turned her attention to creating portraits of other people, working with male subjects close to her. According to writer Charlotte Jansen, Lucy Jones “constantly overturns traditional ideas about masculinity in her portraits of men”, arguing that “...no contemporary painter has shown men as both emotionally and physically weak and vulnerable, capturing moments of sadness, suffering, instability - the qualities that subtly and naturally make their way into [her] paintings.” Writer and Art Critic Philip Vann has described Lucy Jones’s transformative vision of humanity as showing “the inextricable dignity and vulnerability of other people, friends, loved ones and the artist herself - explored with a rare, expansive clarity, vibrancy and originality”.

Lucy Jones has been commissioned to create a portrait of Grayson Perry for the Attenborough Arts Centre, Leicester. The completed painting is on view for the first time in this exhibition. To celebrate the Attenborough Arts Centre’s patrons Lucy Jones was selected in 2017 by the University of Leicester to be the first artist invited to undertake a portrait, selecting Grayson Perry as her subject. Further to this exhibition will be a comprehensive retrospective of the art of Lucy Jones in all three gallery spaces at the Attenborough Arts Centre, Lucy Jones: Awkward Beauty from Saturday 27 July – Sunday 6th October 2019.

Lucy Jones, Awkward Beauty
LUCY JONES, Awkward Beauty
© and courtesy of Lucy Jones and Elephant

A new book, Awkward Beauty is the first publication to draw together both her portraits and landscape paintings produced over the past twenty-five years, tracing the evolution of a distinctively vibrant painterly language used to describe the world, herself and others. Illustrated with over 100 colour plates, the book demonstrates Lucy Jones’s broad emotional range, with insightful essays by Charlotte Jansen, Tom Shakespeare and Philip Vann. Published on May 2919 by Elephant, distributed internationally by Laurence King Publishing.

ABOUT LUCY JONES
Lucy Jones studied at Camberwell School of Art, followed by the Royal College of Art, where she won a Rome scholarship in 1982. Born in London, she now lives in Ludlow, Shropshire. Her work has featured in group presentations at Cartwright Hall Gallery, Bradford Museum, Bradford; Whitechapel Gallery, London; National Portrait Gallery, London; Scottish National Portrait Gallery, Edinburgh; Compton Verney, Warwickshire; Usher Gallery, Lincoln; and Chelsea Art Gallery, Palo Alto, California; with solo exhibitions including Looking Out, Looking In, Kings Place, London; and Lucy Jones, Chelsea Arts Club, London. Following her first London solo exhibition, two of her paintings were purchased by the Metropolitan Museum of Art, New York. Her work also features in the collections of the Arts Council, London; Clifford Chance, London; Deutsche Bank AG, London; Government Art Collection, London; and Nordstern Collection, Cologne, among others.

FLOWERS GALLERY
21 Cork Street, London W1S 3LZ
www.flowersgallery.com