Showing posts with label Nicola Hicks. Show all posts
Showing posts with label Nicola Hicks. Show all posts

23/07/25

Summer Exhibition @ Flowers Gallery, London - "august (adj)"

august (adj)
Flowers Gallery, London
7 August – 30 August 2025

John Kirby Art
John Kirby 
In Another Country, 1998 
Oil on canvas, 92 x 71.5 cm
© John Kirby, courtesy of Flowers Gallery

Renny Tait Art
Renny Tait
 
London Pub - Blue Sky, 1997 
Oil on canvas, 122.5 x 163
© Renny Tait, courtesy of Flowers Gallery

Flowers Gallery presents august (adj), a group summer exhibition bringing together paintings and sculpture made between 1960 and 2005 by artists who have exhibited with the gallery over the past fifty years.

Featuring thirteen artists—Stephen Chambers RA, Bernard Cohen, Edward Dutkiewicz, Amanda Faulkner, Nicola Hicks, Derek Hirst, Lucy Jones, Michael Kidner RA, John Kirby, Tom Phillips RA, Jack Smith, Richard Smith, and Renny Tait—august (adj) is a vivid and wide-ranging presentation of colour, form, and feeling.

Jack Smith Art
Jack Smith 
Touching on Black, 1992 
Oil on canvas, 152.5 x 152.5 cm 
© Jack Smith, courtesy of Flowers Gallery

Through the dialogues formed between the artworks, the exhibition explores how artists visualise internal realities, whether emotional, psychological, or social. From Bernard Cohen’s painterly maps of thought to Amanda Faulkner’s layered expressions of identity, and from Jack Smith’s silent musical abstractions to Renny Tait’s dreamlike, geometric structures, each work gives form to the unseen.

Lucy Jones Art
Lucy Jones
 
The Boat, c.1989 
Oil on canvas, 175 x 213 cm 
© Lucy Jones, courtesy of Flowers Gallery

Stephen Chambers Art
Stephen Chambers
St. Just, 2005 
Oil on canvas, 40.5 x 35 cm 
© Stephen Chambers, courtesy of Flowers Gallery

Some artists take the self as subject, like Lucy Jones, whose bold colour and brushwork reflect how we see and are seen. John Kirby's quietly surreal figures explore the complexities of gender, religion, and sexuality, while Stephen Chambers’ curious cast of characters hover between worlds, playfully enigmatic yet psychologically charged.

Richard Smith Art
Richard Smith
Surface I, 2009 
Acrylic on canvas, 101.6 x 106.68 cm
© Richard Smith, courtesy of Flowers Gallery

Others, like Michael Kidner and Richard Smith, approach perception through structure and rhythm, using pattern, repetition, and scale to create sensory impact.

Nicola Hicks Art
Nicola Hicks
 
Maquette for Big Horse, 2002 
Bronze, 60 x 72 x 17 cm 
© Nicola Hicks, courtesy of Flowers Gallery

Sculptors Nicola Hicks and Edward Dutkiewicz bring two distinct approaches to form and feeling. la NicoHicks draws on the physicality and psychology of the animal world, creating vividly animated figures rendered in straw and plaster, and painstakingly cast into bronze. In contrast, Edward Dutkiewicz’s colourful, abstract shapes radiate joy and movement, underpinned by personal struggle.

Tom Phillips and Derek Hirst introduce ideas of place and memory through layered symbols and maps, Tom Phillips drawing from urban walks and daily life, Derek Hirst channelling global traditions and Native American art, as seen in Cherokee Paqueno, 1973.

august (adj) reflects on how we navigate the space between what is felt and what is seen, and how, across decades and practices, artists have found distinct and powerful ways to make those experiences visible.

FLOWERS GALLERY
21 Cork Street, London W1S 3LZ

01/11/21

Nicola Hicks @ Flowers Gallery, London - Dump Circus

Nicola Hicks: Dump Circus
Flowers Gallery, London
Through 18 December 2021

Nicola Hicks
Nicola Hicks
NOW, 2021
Charcoal on paper, 195 x 156 cm
© Nicola Hicks, courtesy of Flowers Gallery

Nicola Hicks
Nicola Hicks
Miniature Bear from Dump, 2019
Bronze, 24 x 17 x 20 cm
© Nicola Hicks, courtesy of Flowers Gallery

For the past four decades, British artist NICOLA HICKS’ practice has addressed the universal, and often darker aspects of humanity, using contemporary allegory to critique our social systems. 

Dump Circus is a large-scale installation imagining an urban wasteland where the natural world has been ravaged and suffocated by debris and greed. Within this scene, a cast of wild and domestic creatures have bested their ringmaster.

Upturning the anthropocentric perspective of the circus act, the animals appear to be adapting to the urban habitat on their own terms. Appropriating discarded human objects, and balancing precariously on pallets, a fridge and gigantic rubber tyres, their triumphant gestures amongst the remains of the city reflect both a horrifying account of human havoc on the planet and hopeful speculation on the irrepressible endurance of the natural world.

A series of works on paper, recalling the exuberant designs of circus posters, introduce the characters performing in the surrounding tableau. Their multi-layered construction communicates a sense of urgency, alongside defiant slogans calling for change in works such as Keep Up, Get Up, and the enigmatically playful, Now.

Nicola Hicks
Nicola Hicks
Spotlight Horse, 2021
Charcoal on paper, 240 x 203 cm
© Nicola Hicks, courtesy of Flowers Gallery

Nicola Hicks
Nicola Hicks
Keep Up, Get Up, 2020
Charcoal on paper, 281 x 267 cm
© Nicola Hicks, courtesy of Flowers Gallery

Nicola Hicks
Nicola Hicks
Keep Up, 2021
Charcoal on paper, 280 x 240 cm
© Nicola Hicks, courtesy of Flowers Gallery

NICOLA HICKS was born in London in 1960 and studied at Chelsea School of Art and the Royal College of Art. In 1995 Nicola Hicks was awarded an MBE for her contribution to the visual arts. Nicola Hicks’ sculpture and drawings have been exhibited in numerous international museums and galleries. Selected solo exhibitions include Sorry, Sorry Sarajevo, St Paul’s Cathedral, London; Sculpture by Nicola Hicks at the Yale Center for British Art, New Haven, United States; and her work was included in The Universal Addressability of Dumb Things, curated by Mark Leckey, as part of the Hayward Touring series at venues across the UK. Hicks has numerous works on public display including the Crouching Minotaur at Schoenthal Monastery, Switzerland and Muscle and Blood at 600 Lexington Avenue, New York. 

A major monograph Nicola Hicks: Keep Dark (Elephant) was published in 2017, with accompanying texts written by David Mamet, Candia McWilliam, Max Porter, Matilda Pye, Will Self and Patterson Sims.

FLOWERS GALLERY
82 Kingsland Road, London E2 8DP