Showing posts with label Paolo Roversi. Show all posts
Showing posts with label Paolo Roversi. Show all posts

07/07/25

Paolo Roversi @ Pace Gallery, NYC - "Along the Way" Focused Retrospective Exhibition (early 1990s - present)

Paolo Roversi: Along the Way
Pace Gallery, New York 
September 12 – October 25, 2025

Paolo Roversi, Natalia
Paolo Roversi 
Natalia, Paris, 2003
© Paolo Roversi, courtesy Pace Gallery

Pace presents an exhibition of work by photographer PAOLO ROVERSI at its 508 West 25th Street gallery in New York. Opening on September 12, during New York Fashion Week, and running through October 25, this focused retrospective will feature works produced by Paolo Roversi between the early 1990s and the present, highlighting the artist’s relationships with his many collaborators in the fashion industry.

Roversi’s upcoming exhibition with Pace in New York—his first solo show with the gallery since 2019—will present an overview of his storied career through a selection of photographs created over the past 35 years.“Every portrait is a meeting, an exchange, a mutual intimate confession,” Paolo Roversi has said of his work. The show will shed light on Roversi’s legacy as the artist behind some of the most iconic fashion images of our time.

Drawing inspiration from the work of August Sander, Robert Frank, and Diane Arbus, Paolo Roversi developed a distinctive style that is deeply influenced by the Byzantine architecture and rich cultural history of his birthplace, Ravenna, Italy. “Paolo's photography is timeless,” Sylvie Lécallier, curator Roversi’s 2024 exhibition at the Palais Galliera in Paris, said in an interview last year. “It is detached from the spirit of the times, from the ephemeral trends of fashion. It is located both at the heart of fashion and at the edge.”

Made with Polaroid film and mostly taken in his Parisian studio, Roversi's dreamlike, enigmatic images are imbued with a classical sensibility. His studio, he has said, “is a place for the chance, the dream, the imaginary to prevail. I give these forces as much space as I can.”

In addition to his collaborators in the fashion world, Polo Roversi has recently joined forces with his friend and fellow artist Sheila Hicks. For these works, which will figure in Pace’s exhibition, no discussion is had between the two artists regarding a direction for the final work, each knowing and respecting the other’s practice.

Born in Ravenna, Italy in 1947, Paolo Roversi discovered his passion for photography during a 1964 family holiday in Spain— upon his return from the trip, he built a darkroom in the basement of his home. He began his career in 1970, taking photojournalism assignments from the Associated Press. In 1973, at the invitation of photographer and ELLE art director Peter Knapp, Paolo Roversi moved to Paris, where he has lived and worked ever since. After a nine-month period assisting British photographer Lawrence Sackmann, whom he cites as an influential teacher, Paolo Roversi started shooting independently with small commissions for ELLE and the band Depeche Mode, gaining wider recognition with a Dior beauty campaign in 1980 and ultimately forging his reputation as one of the industry's leading photographers by the mid- 1980s. As model Guinevere van Seenus, who has worked with Roversi for nearly three decades, has said, “Having your portrait taken is more than just looking at the camera, [Paolo] creates the space for the person to [emerge]."

Today, Paolo Roversi’s work can be found in museum collections around the world, including the Museum of Modern Art in New York; the Getty Museum in Los Angeles; and the National Portrait Gallery in London. He has had major exhibitions around the world—in recent years, at the Museo d'Arte della città di Ravenna, Palazzo Reale in Milan, the Palais Galliera in Paris, the Multimedia Art Museum in Moscow, and Dallas Contemporary in Texas—and has published numerous books, including Paolo Roversi: Palais Galliera (2024), Lettres sur la lumière, with philosopher Emanuele Coccia (Gallimard, 2024), Des Oiseaux (Éditions Xavier Barral, 2023), Paolo Roversi – Studio Luce (Museo d'Arte della città di Ravenna, 2020), Natalia (Stromboli, 2018), and Nudi (Stromboli, 1999).

PACE NEW YORK
508 West 25th Street, New York City

17/12/17

Paolo Roversi @ Fondazione Sozzani, Milan

Paolo Roversi: Incontri
Fondazione Sozzani, Milan
Through February 11, 2018

As a complement to the large exhibition at the Palazzo Reale in Milan, PAOLO ROVERSI’s exhibition “Incontri” at the Fondazione Sozzani highlights the strictly painterly structure of his photographs.

Beyond any specific model or subject, Paolo Roversi’s artistry lives in composition and geometry. He possesses an abstract approach to reality. Since the early 80s, his photographs have met the demands of a constant formal rigor which lends them an astonishingly timeless character, in contradiction to the tastes and customs of fashion. His familiarity with the history of art, and with Italian painting in particular, allows him to make photographs in the manner of a painter. He often works in series on a single theme or model, as if he sought to capture every last one of its formal possibilities.

For the present exhibition, Paolo Roversi has brought his photographs together in twos and threes: diptychs and triptychs. This technique, never systematically employed by him until now, affords the viewer an unprecedented vision of these works, as it gives them a monumental dimension. Composing a painting in several parts confers greater importance upon a subject through a proliferation of readings, as in Renaissance painting, which made extensive use of this technique. In this exhibition, Paolo Roversi’s photography appears more serene, more mastered, than ever before.

Among the thirty diptychs and triptychs created especially for this exhibition – on the basis of photographs which are among his most important works – this selection also exhibits, for the first time, a set of mutual portraits made in 2001 in Nova Scotia with the great American photographer Robert Frank.

PAOLO ROVERSI

Paolo Roversi (Ravenna, 1947) began working as a photojournalist for The Associated Press in the 1970s. In November 1973, at the suggestion of Peter Knapp, creative director of the magazine Elle, he moved to Paris where he worked as a photojournalist for the Huppert Agency.

In 1974, he became assistant to British photographer Laurence Sackman. After leaving Sackman's studio, Roversi began taking pictures for Elle and Dépêche Mode. His first major photographic commission was published in Marie Claire, and in 1980 when he signed the Christian Dior campaign.

In 1980, Paolo Roversi started using Polaroid 20x24cm film and collaborating with leading fashion magazines around the world: Elle, Marie Claire, Harper's Bazaar and Vogue. In those years he starts shooting the fashion campaigns for some of the most important fashion names: Yohji Yamamoto, Azzedine Alaïa, Comme des Garçons, Christian Dior, Yves Saint Laurent, Hermès, Giorgio Armani and Valentino.


In 1996, he won the Trophée de la Mode Paris and in 2001 and he was awarded the China Fashion Award. In 2000, he exhibited in Milan at Galleria Carla Sozzani; in 2002, in New York at the Pace/MacGill Gallery; in 2006, in Japan at Yokohama Red Brick Warehouse Number 1; in 2008, at the Rencontres Internationales de la Photographie d'Arles; and in 2009, at the Camera Work Galerie in Berlin; in 2017 in Milan at Palazzo Reale and at Fondazione Sozzani.

Paolo Roversi published several monographic books including two books focused on portraits: “Angeli” in 1994 and “Al Moukalla” in 1995 for Camera Oscura and many monographies such as "Una Donna", Carla Sozzani Editore, 1989; "Nudi", Editions Stromboli, 1999; "Libretto", Editions Stromboli, 2000; "Studio", Steidlangin, 2005; "Secrets", Editions Stromboli, 2013; “Dior Images”, Rizzoli International, 2018.

Curated by Alessia Glaviano

Fondazione Sozzani
Galleria Carla Sozzani
Corso Como 10 – 20154 Milano, Italia