Showing posts with label SCAD Museum of Art. Show all posts
Showing posts with label SCAD Museum of Art. Show all posts

22/09/24

Isabel Toledo @ SCAD Museum of Art, Savannah - "A Love Letter" Exhibition

Isabel Toledo: A Love Letter
SCAD Museum of Art, Savannah
August 14 – December 16, 2024

Honoring beloved Cuban-born, American fashion designer ISABEL TOLEDO, A Love Letter is a posthumous homage to the enduring resonance of her work, curated in close collaboration with her husband, artist and fashion illustrator Ruben Toledo. An innovative spirit, Isabel Toledo engineered shapes and patterns to cocoon the body, providing comfort, structure, and ease of movement. Her designs were guided by emotions, rather than concepts, which she translated into elegant, impeccably crafted garments — radical in their construction yet supremely wearable. For more than three decades, the Toledos intertwined their creative processes, acting as each other’s muse, advocate, confidant, and collaborator. The friction between Isabel Toledo’s impassioned functionalism and Ruben Toledo’s fantasy-prone humor was inspirational, pushing both to greater heights. A Love Letter features a selection of Isabel Toledo’s designs displaying her mastery of technique, fabric, shape, and color, complemented by new works by Ruben Toledo created exclusively for the exhibition and a short film highlighting Isabel Toledo’s practice and memorializing their unique relationship.

SCAD MUSEUM OF ART - SCAD MOA
Savannah College of Art and Design
601 Turner Blvd., Savannah, Georgia

17/09/24

Anthony Olubunmi Akinbola @ SCAD Museum of Art, Savannah - "Good Hair" Exhibition

Anthony Olubunmi Akinbola
Good Hair
SCAD Museum of Art, Savannah
August 23 – December 23, 2024

Nigerian-American artist ANTHONY OLUBUNMI AKINBOLA (b. 1991, Columbia, Mo.) presents recent works that repurpose everyday objects associated with Black hair to convey the intersection of commodities and their broader sociopolitical implications. In his most ambitious "Camouflage" painting to date, Anthony Olubunmi Akinbola stitches durags into a 48-foot-wide composition, invoking Modernist painting tropes while critically underscoring the ubiquity of gestural abstraction. The Price of Oil, an installation of pomade cans on retail shelving, signifies the dynamic history of Black hair within the American economy, where abundance paradoxically connotes the celebration yet sterile commercialization of culture. His newest sculpture Spinnin’ is a monument to barbershops — the earliest sites of Black commercial enterprises and civil rights organizing — recognizing their part in fostering Black political mobility and financial independence in an ever-resistant environment. Exemplifying Akinbola’s yearslong practice of mediating between sculpture and painting through material, "Good Hair" draws attention to the nuanced roles of everyday objects within Black life, individuation, and joy.

SCAD MUSEUM OF ART - SCAD MOA
Savannah College of Art and Design
601 Turner Blvd., Savannah, Georgia

15/09/24

Jiten Thukral & Sumir Tagra @ SCAD Museum of Art, Savannah - "Arboretum" Exhibition

Jiten Thukral & Sumir Tagra
Arboretum
SCAD Museum of Art, Savannah
July 31 – December 23, 2024

"If a tree falls in the Metaverse, does it make a noise?" Posing this question in their ongoing project Arboretum, artist collaborators JITEN THUKRAL (b. 1976, Jalandhar, Punjab, India) and SUMIR TAGRA (b. 1979, New Delhi, India) contemplate the intersection of the digital and natural worlds. The series was sparked by the global isolation of the Covid-19 pandemic and the subsequent escalation of virtual mediation between people and their physical world. Amassing a collection of digital images of flora in their immediate environment, the artists used select photos as the basis for hyperrealistic paintings on shaped canvases. The resulting works resist the instant gratification of digital technology, favoring hands-on, labor-intensive techniques that require months to complete. By incorporating analog representations of pixels and glitches, the artists remind the viewer of the inescapable intervention of data and algorithms that inform our daily choices and the ways we see and interpret the world.

SCAD MUSEUM OF ART - SCAD MOA
Savannah College of Art and Design
601 Turner Blvd., Savannah, Georgia

Olimpia Zagnoli @ SCAD Museum of Art, Savannah - "Multifaceted" Exhibition

Olimpia Zagnoli: Multifaceted
SCAD Museum of Art, Savannah
July 31 – December 23, 2024

Artist and designer OLIMPIA ZAGNOLI (b. 1984, Montecchio Emilia, Italy) is world-renowned for her iconic Pop-Deco illustrations that frequently appear in major magazines, books, merchandise, and advertisements. Zagnoli’s process begins in the sketchbook, where her drawings take inspiration from her everyday surroundings and happenstance encounters, sharpening into stylized shapes imbued with vibrant colors that enhance their communicative power. For her site-specific installation in the museum’s public-facing Jewel Box vitrines, Olimpia Zagnoli transposes her bold images from their two-dimensional format into large-scale sculptures with careful consideration of every line, angle, and hue. Olimpia Zagnoli populates each space with a portrait of an invented character enshrined in a layered composition that plays with the rules of the grid. Inviting passersby into her technicolor universe, she creates a trail of graphic vignettes along the museum’s façade, imparting the impact of image-making while celebrating the elasticity of our identities.

SCAD MUSEUM OF ART - SCAD MOA
Savannah College of Art and Design
601 Turner Blvd., Savannah, Georgia

01/03/24

Holly Hendry: Watermarks @ SCAD Museum of Art, Savannah

Holly HendryWatermarks 
SCAD Museum of Art, Savannah 
February 26 – June 24, 2024

Sculptor HOLLY HENDRY approaches the SCAD Museum of Art’s historic edifice as a porous network of passages and conduits. Framed within the glass vitrines on the building’s façade, the artist’s new diorama-like installations offer imagined cross-sections of the museum’s inner workings and infrastructure. Each work evokes looped industrial pipes, deflated mechanical gears, and strange anatomical forms to encourage reflection on the relationships between sculpture, the human body, and the built and natural environment.

In particular, Holly Hendry focuses on the theme of flowing water, referring both to the liquid movements found across Savannah’s aquatic landscape and to our human anatomy. Some of her caricature-like sculptures appear to be inundated by floods, while others undulate and tumble in wave-like formations or leak teardrop-shaped blown glass drips. The artworks’ titles also reiterate this intermingling of body and water, referencing lines from Ovid’s story of the water nymph Cyane, who dissolves in her own tears — an apt metaphor for the effects of the global climate crisis and rising sea levels. Hendry’s richly detailed creations give life to the hidden aspects of our surroundings — elements that might be concealed from our view yet nevertheless undergird our reality.

SCAD MUSEUM OF ART - SCAD MOA
Savannah College of Art and Design
601 Turner Blvd., Savannah, Georgia

29/02/24

Ivan Argote: The Burden of the Invisible @ SCAD Museum of Art, Savannah

Iván Argote 
The Burden of the Invisible 
SCAD Museum of Art, Savannah 
February 21 – July 29, 2024 

In The Burden of the Invisible, multidisciplinary artist IVAN ARGOTE presents critical yet playful works that challenge collective memories and the narrow, dominant histories commonly presented in public spaces. Through sculpture, film, painting, and photography, the artist reimagines historical monuments in Savannah and around the world, reflecting on their purpose and proposing alternate realities. Argote’s new installation Señores creates an uncanny scene, grouping archetypal statues in states of decay and overgrown with various plants. His film Levitate and recent series of concrete paintings also contend with monuments’ supposed permanence and their militaristic iconography, revealing how notions of power and domination are present within our history and daily lives. By representing real sites of commemoration, albeit fictitiously and satirically, Argote advocates for decentralized, constantly evolving public spaces that acknowledge other narratives.

SCAD MUSEUM OF ART - SCAD MOA
Savannah College of Art and Design
601 Turner Blvd., Savannah, Georgia

28/02/24

Awol Erizku @ SCAD Museum of Art, Savannah

Awol Erizku: X 
SCAD Museum of Art, Savannah 
February 26 – July 3, 2024

In his debut solo museum exhibition, AWOL ERIZKU focuses on pioneering American Muslim human rights activist El Hajj Malik El-Shabazz (Malcolm X) as a subject of personal inspiration and complex cultural significance. Awol Erizku views the historic figure as a metaphorical prism of faith, masculinity, transformation, and a vessel for truth. This ambitious exhibition is composed of new and recent works by Awol Erizku, including iconic photographs, sculptures, works on paper, a powerful film, and an installation of a rare historic manuscript. Together, they collectively convey the artist’s multidisciplinary practice and dynamic approach to a diverse range of media. Presented in the SCAD Museum of Art’s Walter and Linda Evans Center for African American Studies, the exhibition critiques the Eurocentric canon of art and history, with Malcolm X serving as a key figure connecting the U.S. and Africa. Awol Erizku posits his singular aesthetic as a means to link ancient mythology, diasporic tradition, and contemporary culture as an antidote to closed-mindedness — striving toward Malcolm X’s late-life universalism and dedication to the “overwhelming spirit of true brotherhood.”

SCAD MUSEUM OF ART - SCAD MOA 
Walter and Linda Evans Center for African American Studies
Savannah College of Art and Design
601 Turner Blvd., Savannah, Georgia

Cao Fei: At the Edge of Superhumanity @ SCAD Museum of Art, Savannah

Cao Fei
At the Edge of Superhumanity 
SCAD Museum of Art, Savannah 
February 26 – July 29, 2024

Since the early 2000s, SCAD deFINE ART honoree CAO FEI has produced forward-thinking work that acutely responds to and reflects on — in real time — shifts in our perception and experience of reality during periods of rapid globalization, urban development, and technological advancement. A pioneer of creating digital worlds, Cao Fei transforms two galleries at the SCAD Museum of Art into an immersive multimedia installation featuring live-action films, as well as virtual, augmented, and mixed-reality environments for visitors to explore. Blurring distinctions between the terrestrial and the cyber, the familiar and the futuristic, Cao Fei reveals how the spaces we inhabit shape our identities and social interactions, and ultimately redirect our search for meaning and purpose in life.

SCAD MUSEUM OF ART - SCAD MOA
Savannah College of Art and Design
601 Turner Blvd., Savannah, Georgia

17/05/15

Vivienne Westwood, Dress Up Story – 1990 Until Now, SCAD Museum of Art, Savannah, Georgia

Vivienne Westwood, Dress Up Story - 1990 Until Now
SCAD Museum of Art, Savannah, Georgia

May 19 - September 13, 2015


Ulla Nyeman
Sara Stockbridge and baby Maximilian
Photo courtesy of Ulla Nyeman.

The Savannah College of Art and Design (SCAD) presents a premiere exhibition honoring acclaimed fashion designer Dame VIVIENNE WESTWOOD, Dress Up Story – 1990 Until Now, curated by SCAD Trustee André Leon Talley.

Spanning from Dame Vivienne’s groundbreaking Spring/Summer ’91 collection Cut, Slash, and Pull through the current collections, Dress Up Story, the exhibition highlights more than 33 designs realized in collaboration with her creative partner and husband Andreas Kronthaler.

Dame Vivienne is known as a nonconformist, artist and an activist. The  exhibition features garments, accessories and fashion show footage that highlight her innovative pattern making, instinctual use of fabrics, and distinctive technique. The exhibition exalts a  masterful application of color and features the unique fabric patterns and materials that capture both fashion culture and British history.

Dame Vivienne’s work epitomizes the issues of its time, ranging from her participation in shaping the Punk movement in London, to her work as an activist for the environment. “My clothes are more subversive than they’ve ever been,” said Dame Vivienne. “In a world of conformity, they offer a real choice.” Her oeuvre remains a poignant representation of contemporary life, as she skillfully deconstructs and arranges symbolic cultural elements into new and surprising creative designs.

Curator of the exhibition Andre Leon Talley took inspiration from an eccentric British celebration, describing the exhibition as  “A post modern romp of a weekend party where the swells meet the activists, where the rogues go vogue, and the vogues go rogue."

Selections from the SCAD Museum of Art’s Earle W. Newton Collection of British and American Art paintings, hung salon style, create a backdrop for the revolutionary flair of the garments.  Dame Vivienne adds, “Our costumes are romantic and theatrical, inspired by history. We know the characters they belong to. Whoever chooses to wear them re-creates the clothes in her own image making them classics. She inhabits a parallel world – like this one but more ideal. Andreas and I have been designing for 25 years, living and working together. It’s our story. We always dress up.”

“The SCAD Museum of Art continues to deliver innovative and dynamic art experiences that inspire students and visitors of all ages,” said SCAD President and Founder Paula Wallace. “SCAD is honored to celebrate Dame Vivienne’s illustrious work.”

The exhibition offers a glimpse into the creative process of one of fashion’s most provocative minds, offering a cross-section of Westwood’s history and major fashion accomplishments from the last 25 years.

VIVIENNE WESTWOOD

Vivienne Westwood began designing in 1971 along with her then-partner Malcolm McLaren in London. At the time they used their shop at 430 Kings Road, London, to showcase their ideas and designs. With their changing ideas of fashion came the change of not only the name of the shop but also the décor. It was in 1976 when Westwood and McLaren defined the street culture of punk with Seditionaries.

By the end of the ‘70s, Vivienne Westwood was already considered a symbol of the British avant-garde. For Autumn/Winter 1981 she showed her first catwalk presentation at Olympia in London. Westwood then turned to traditional Savile Row tailoring techniques, using British fabrics and 17th and 18th century art for inspiration.

1989 was the year that Vivienne Westwood met Andreas Kronthaler, who would later become her husband and long-time design partner, as well as creative director of the brand. In 2004 the Victoria and Albert Museum hosted a Vivienne Westwood retrospective exhibition to celebrate her 34 years in fashion – the largest exhibition ever devoted to a living British fashion designer. In 2006, her contribution to British fashion was officially recognized when she was appointed Dame of the British Empire by Her Majesty, Queen Elizabeth II, and in 2007 was awarded the Outstanding Achievement in Fashion at the British Fashion Awards in London.

Vivienne Westwood is one of the last independent global fashion companies in the world. At times thought provoking, this brand is about more than producing clothes and accessories.

Vivienne Westwood continues to capture the imagination and raise awareness of environmental and human rights issues. With a design record spanning more than 40 years, Vivienne Westwood is now recognized as a global brand and Westwood herself as one of the most influential fashion designers, and activists, in the world today.

ANDRE LEON TALLEY

André Leon Talley has served as a mentor for SCAD fashion students for over two decades. With a master's degree in French studies, he forged a career in the world of high style. He has worked closely with some of the most celebrated names in fashion, Hollywood and the arts. Talley began his career assisting Diana Vreeland at the Metropolitan Museum of Art Costume Institute and later wrote for Interview Magazine and Women’s Wear Daily, before joining Vogue, where he served as creative director, editor-at-large and contributing editor for many years.

Oscar de la Renta: His Legendary World of Style was the fifth exhibition curated by Talley at the SCAD Museum of Art. Stephen Burrows: An American Master of Inventive Design (2014), Antonio Lopez and the World of Fashion Art (2013) followed the internationally acclaimed Little Black Dress (2012) and High Style (2011). Talley also curated Joaquin Sorolla and the Glory of Spanish Dress (2011), an exhibition of fine art and fashion at the Queen Sofia Spanish Institute in New York.

André Leon Talley was awarded an honorary doctorate from SCAD in 2008. He resides in New York and is an active member of the SCAD Board of Trustees.

SCAD Museum of Art
Savannah College of Art and Design
601 Turner Blvd. - Savannah, Georgia
www.scadmoa.org