Showing posts with label Scandinavian. Show all posts
Showing posts with label Scandinavian. Show all posts

09/11/25

Nordic noir @ British Museum, London - Works on paper from Edvard Munch to Mamma Andersson

Nordic noir: Works on paper from Edvard Munch to Mamma Andersson
British Museum, London
9 October 2025 – 22 March 2026

Mamma Andersson Art
Mamma Andersson
The Fallow Deer, 2016
Handprinted colour woodcut on rice paper
Reproduced by permission of the artist 
© The Trustees of the British Museum

Fatima Moallim Art
Fatima Moallim
Källa, 2021 
Marker pen, oil crayon and graphite
Reproduced by permission of the artist 
© The Trustees of the British Museum

Olafur Eliasson Art
Olafur Eliasson
Don't look to the horizon, 2024 
Watercolour and glacial ice
Courtesy of the artist and i8 Gallery, Reykjavik 
© The Trustees of the British Museum

The British Museum presents around 150 works from 100 different artists in an exhibition celebrating graphic works on paper from the Nordic region. 

Nordic noir: works on paper from Edvard Munch to Mamma Andersson is the culmination of a five-year programme dedicated to building the Museum's collection of post-war Nordic artwork. 
Jennifer Ramkalawon, Curator of Modern and Contemporary Nordic Graphic Art said: 'This project was a five-year voyage of discovery. These countries have so much creativity to offer with contemporary artists exploring themes of nature, the environment, identity and heritage. The artists in the show are well-known in their home countries, but this exhibition aims to showcase the incredible array of talent from the Nordic lands to a wider UK and international audience – many of them are on display for the first time.'  
John Savio Art
John Savio
Suopan (Lasso), c.1928-1934
Woodcut
© The Trustees of the British Museum

Henrik Finne Art
Henrik Finne
Fiskere, 1942 
Colour woodcut
Reproduced by permission of the artist's estate 
© The Trustees of the British Museum

Showcasing one of the best collections of Nordic art outside the region, the exhibition aims to provide a welcome and stimulating insight into the distinctive art originating there.  

Although Scandinavia is sometimes viewed by outsiders as a homogenous entity, the exhibition highlights individual characteristics and complexities within the various Nordic countries, as well as exploring universal and overarching themes. It also questions the definition of Nordic art and what it means to be a Nordic artist through work by artists who have immigrated to and emigrated from the region.

Edvard Munch, The Old Fisherman
Edvard Munch
The Old Fisherman, 1897 
Woodcut on Japan paper
© The Trustees of the British Museum

One of the most well-known artists to emerge from Scandinavia is expressionist Edvard Munch. Two of Munch's woodcut prints are featured at the beginning of the exhibition. Following a chronological narrative, it explores how the graphic arts flourished and evolved after his death in 1944. Prints and drawings from 1945 to the present day highlight how the region's artists continue to develop Munch's creative legacy of emotional intensity and artistic inventiveness. 

Lea Ignatius Art
Lea Ignatius
Soutaja, 1981 
Colour etching
Reproduced by permission of the artist's estate 
© The Trustees of the British Museum

Per Kirkeby Art
Per Kirkeby 
Untitled, 2016 
Monotype in green, yellow and black ink
Reproduced by permission of the artist's estate 
© The Trustees of the British Museum

Vanessa Baird Art
Vanessa Baird
My Mother, 2019 
Watercolour
Reproduced by permission of the artist 
© The Trustees of the British Museum

Key themes throughout the exhibition are nature and the vital urgency to preserve the environment of the fjords, mountains and forests unique to the region. The artworks on display also delve into the worlds of Norse myth, inner struggles with mental health, post-war angst and the threat of the Cold War, feminism and the rights of the Indigenous Sámi people. 

Yuichiro Sato  Art
Yuichiro Sato 
In the Air III, 2019 
Graphite, mineral pigment, acrylic paint
Reproduced by permission of the artist 
© The Trustees of the British Museum

John Korner Art
John Kørner
Understanding the Impact of Architecture 12, 2020
Colour lithograph
Reproduced by permission of the artist 
© The Trustees of the British Museum

Vibeke Slyngstad Art
Vibeke Slyngstad
Shuafat II, 2023
Watercolour
Reproduced by permission of the artist 
© The Trustees of the British Museum

The landmark collecting project, supported by a substantial grant from charitable organisation AKO Foundation, resulted in the acquisition by the British Museum of almost 400 works by artists from Denmark, Finland, Iceland, Norway and Sweden. It has added to the many Nordic prints purchased by the Museum in the 1990s. 

As well as Edvard Munch and Mamma Andersson, featured artists include Olafur Eliasson, John Savio, Vanessa Baird, Yuichiro Sato, Fatima Moallim, John Kørner and many more. 
Xerxes Mazda, Director of Collections said: 'It has been almost 30 years since the British Museum devoted a show to Nordic graphic art. Thanks to the generosity of AKO Foundation, we have been able to build one of the best collections of Nordic art outside the region, investing in and exploring how artists such as Mamma Andersson have developed the legacy of an artist like Edvard Munch. Nordic noir and the collecting strategy behind it showcases the British Museum's commitment to acquiring works for the nation, preserving the work of both up-and-coming and established artists for future generations.'
 
Jennifer Ramkalawon Nordic Noir
To coincide with the exhibition, a beautifully illustrated catalogue, Nordic noir: works on paper from Edvard Munch to Mamma Andersson, written by Jennifer Ramkalawon, was published by the British Museum Press in October 2025. Paperback, £35, ISBN 9780714136509
BRITISH MUSEUM, LONDON

28/04/25

Martin Wickström @ Galerie Forsblom - "Tänd dina eldar" Exhibition

Martin Wickström
Tänd dina eldar
Galerie Forsblom, Helsinki 
May 5 – June 1, 2025

Martin Wickström’s (b. 1957) art is situated at the intersection between past and present, private and collective. His kaleidoscopic imagery juxtaposes unexpected elements: arctic avens in timeless alpine scenery appear side by side with barrel fires in 1980s Harlem, and American Pop Art emblems are interspersed among wistful childhood memories of growing up in the safe arms of Sweden’s folkhemmet during the 1960s. Martin Wickström mixes disparate decades and geographies, intermixing images of the French Alps with scenes from the United States, Sweden and Kyoto. His paintings engage in close scrutiny of quotidian drama wherever it unfolds, whether in family dynamics or in the international political arena.

Martin Wickström combines a variety of elements in his work: documentary photography, everyday objects and emotional memories. He finds and highlights beauty in architecture and design. His paintings have a diary-like quality – they are like carefully assembled visual notebooks that reward the viewer with their depth and nuance. Their multidimensionality is also challenging; the non-linear narrative plays with various parallels and associations, hinting at a bigger picture behind everything. Wickström’s paintings are characterized by their photorealistic precision and rootedness in tangible reality, yet they also evoke the fleeting, fragmented nature of moments that have become obscured by unreliable memories.

Martin Wickström bases his paintings on photographs, collected images and digital experimentation with various combinations before he begins to paint. He draws inspiration from everyday life and personal experiences, from everything he sees, records and feels, and from everything that is happening around him in the world. His guiding motto is the text found on French road signs at the entrance of tunnels: “allumez vos feux,” or “turn on your lights,” which the artist poetically interprets as a call to action.

Martin Wickström studied at the Gerlesborg School of Fine Art and the Royal Swedish Academy of Fine Arts in Stockholm. He has exhibited widely around the world and his work is held in many prestigious collections, including Moderna Museet, EMMA – Espoo Museum of Modern Art and the art museums of Gothenburg, Skövde and Norrköping.

GALERIE FORSBLOM
Yrjönkatu 22, 00120 Helsinki

13/04/25

Peter Mohall @ Luce Gallery, Turin - "Landskap" Exhibition of Landscape Paintings

Peter Mohall: Landskap
Luce Gallery, Turin
March 21 – April 25, 2025

Luce Gallery presents Landskap, an exhibition of paintings by Swedish born, Norway based, painter PETER MOHALL. This is his fourth solo exhibition with the gallery.

As the Swedish lingual title implies, the exhibition thematic concern is with landscape painting. The coruscating landscapes of rural Scandinavian countryside captures the regional scenery, while the saturated imagery recalling the aesthetics of Post-impressionism, with embedded references to both regional painters like Helmer Osslund, Aleksi Gallen-Kallela and Willi Midelfart as well as idiomatic movements like Les Nabis, die Brücke, and Fauvism.

The specific material qualities of the traditional medium of choice, utilizing tempera grassa paint on jute canvas, along with a particular painting style, a sensitive brush handling and visual references, generates a distinct imagery that reveal a comprehension of the medium and it’s inherent art historical properties. Which is leading us to a tentative conclusion that the subject matter is subordinated by a conceptual inquiry into the medium.

The supporting evidence for this assumption comes in form of thick brush strokes sticked to the «window glass» of the illusionary window into the pictorial dimension. The brush strokes are «floating in the air» between us and the motif, causing our focus shift in and out between the pictorial dimension and the flat surface. The perceptual conflict destabilizes the narrative reading of the painting, leaving us with perceptual challenges searching for visual codes to decipher.

First thing we notice about the brush strokes are that they contain the colour index of the painting. Peter Mohall invites us into his artistic process by sharing the palette. A point of interest is the opportunity to study the change of optic values of a colour from isolation compared to inclusion within the context of surrounding colours in the motif.

An interesting insight about the process is that Peter Mohall has to calculate the numbers of colors to use in a painting in advance. Areas needs to be retained in order to properly attach the brush strokes directly onto the canvas. The brush strokes are often arranged as a grid, a note to the modernist method, or in alignment overlaying the motif.

Furthermore, the brush strokes are identical. Peter Mohall has developed a signature strategy utilizing cast brush strokes in an inquiry into a medium-specific investigation of the relationship between the painterly authentic and automation. First deployed in a formalistic setting on empty canvases, the cast brush strokes thematize the gesture alluding the fusion of two modernist strategies; the brush stroke as subject matter and repetition. Peter Mohall adapted the strategy using figuration as backdrops, innovating an imagery of complexity, multi-layered, with internal painterly discussions and perceptual challenges. A conflict between two image forms where traditional perception interacts with the implementation of modernist strategies.

PETER MOHALL (b. 1979, Löddeköpinge (SE), lives and works in Nesoddtangen (NO)) graduated from the Oslo National Academy of Fine Arts. He has exhibited throughout Europe, Asia and the United States, including solo shows with Luce Gallery, Turin, Nino Mier, Los Angeles, Koki Arts, Tokyo, Pablo’s Birthday, New York and QB Gallery Oslo. His work has been acquired by numerous collections such as Fondazione 107, Turin, Central Bank of Norway, Oslo; and JP Morgan Chase Collection among others, as well as public commissions in both Oslo and Drammen.

LUCE GALLERY
Largo Montebello, 40 - 10124 Torino