Tyler Mitchell @ Gagosian, London

Tyler Mitchell

Gagosian, London

September 15 – October 3, 2025

Tyler Mitchell

Harlem Stoop, 2024

Gelatin silver print, in artist's frame

30 x 37 1/2 inches (76.2 x 95.3 cm)

Edition of 3 + 2 AP

© Tyler Mitchell

Courtesy Gagosian

Tyler Mitchell

The Dinner Party, 2024

Gelatin silver print, in artist's frame

30 5/8 x 48 1/2 x 1 1/2 inches (77.6 x 123 x 3.8 cm)

Edition of 3 + 2 AP

© Tyler Mitchell

Courtesy Gagosian

Gagosian presents an exhibition of photographs by Tyler Mitchell at its gallery in London’s historic Burlington Arcade. This marks the first public display of works from “Portrait of the Modern Dandy,” a visual essay developed for the catalogue of Superfine: Tailoring Black Style, the spring 2025 Costume Institute exhibition at the Metropolitan Museum of Art, New York. The installation at Burlington Arcade coincides with the launch of Mitchell’s first monograph with Aperture, Wish This Was Real, and features a curated selection of publications that inform and expand his practice.

 

Cover of the book Superfine: Tailoring Black Style 

(New York: Metropolitan Museum of Art, 2025)

Artwork © Tyler Mitchell

Courtesy the artist and Gagosian

Cover of the book Tyler Mitchell: Wish This Was Real 

(New York: Aperture, 2025)

Artwork © Tyler Mitchell

Courtesy the artist and Gagosian

Examining the historical and cultural significance of Black style from the eighteenth century through to contemporary expressions, Superfine focuses on the concept of dandyism through the lens of the African diaspora. The exhibited garments and Mitchell’s photographs together articulate how self-fashioning becomes a form of agency, distinction, and resistance.

Introducing this body of work, Tyler Mitchell notes:

In this visual essay, my aim was not only to depict visions of profound camaraderie, beauty, and joy—though that alone would have been a worthy pursuit—but to explore how Black individuals have appropriated and transformed classical European fashion into something uniquely our own. Featuring models in garments from Superfine: Tailoring Black Style alongside fabulously self-styled men in vintage or the wearer’s own attire, this project is a love letter to modern Black dandyism.

Tyler Mitchell

Untitled (Abdou Shirtless), 2024

Gelatin silver print, in artist's frame

20 x 14 5/8 inches (50.8 x 37 cm)

Edition of 3 + 2 AP

© Tyler Mitchell

Courtesy Gagosian

 

Tyler Mitchell

Untitled (Christian in Wales Bonner Cover), 2024

Archival pigment print, in artist's frame

45 x 34 1/2 inches (114.3 x 87.5 cm)

Edition of 3 + 2 AP

© Tyler Mitchell

Courtesy Gagosian

These portraits engage in a dialogue with traditions of historical studio and portrait photography, emphasizing the symbolic power of dress. Mitchell’s images reflect his ongoing interest in constructing scenes of elegance, kinship, and Black visual sovereignty.

On Saturday, September 20, from 3 to 6pm, Gagosian will host a book signing with the artist for both Wish This Was Real and the Superfine catalogue.

GAGOSIAN

28–29 Burlington Arcade, London W1J OQJ

gagosian.com

The New Black Vanguard: Photography between Art and Fashion @ Saatchi Gallery, London - Curated by Antwaun Sargent

The New Black Vanguard: 

Photography between Art and Fashion

Curated by Antwaun Sargent

Saatchi Gallery, London

28 October 2022 – 22 January 2023

TYLER MITCHELL

Untitled (Hijab Couture), New York, 2019

From The New Black Vanguard (Aperture, 2019)

© Tyler Mitchell

DANA SCRUGGS

Fire on the Beach, 2019

From The New Black Vanguard (Aperture, 2019)

© Dana Scruggs

JAMAL NXEDLANA

Johannesburg, 2019

From The New Black Vanguard (Aperture, 2019)

© Jamal Nxedlana

Saatchi Gallery presents The New Black Vanguard: Photography between Art and Fashion, a ground breaking exhibition featuring 15 international Black photographers contributing to a new vision of the Black figure and reframing representation in art and fashion. This exhibition is a celebration of Black creativity both in-front of and behind the camera. Featured works include Black stylists, models, make-up artists and creative directors who are bringing a radical new set of references and experiences to image making. This exhibition is organized by Aperture.

The New Black Vanguard is curated by American writer and critic Antwaun Sargent who explores a new aesthetic of Black portraiture while examining the cross-pollination between art, fashion, and culture in the making of images.

Antwaun Sargent adds, "This exhibition is an exploration of this generation's Black image makers who are bringing fresh perspective to photography. Image by image, they have created a loose global network around their art that powerfully centres identity, community and desire. The artists in this show profoundly reanimate the possibilities of contemporary photography."

Featured Photographers: Campbell Addy, Quil Lemons, Daniel Obasi, Arielle Bobb-Willis, Namsa Leuba, Ruth Ossai, Micaiah Carter, Renell Medrano, Adrienne Raquel, Awol Erizku, Tyler Mitchell, Dana Scruggs, Nadine Ijewere, Jamal Nxedlana, Stephen Tayo.

NADINE IJEWERE

Untitled, 2018

From The New Black Vanguard (Aperture, 2019)

© Nadine Ijewere, for Garage magazine

“The New Black Vanguard means a lot to me. It’s an important milestone in history where the work of young black artists have been curated beautifully and published in a book. It’s a dream for this show to be exhibited at the Saatchi Gallery in London. This represents progress and more boundaries being removed. London is my home, I still remember school trips to the Saatchi! Now we are here, together, telling our stories!”– Nadine Ijewere, Photographer

CAMPBELL ADDY

Adut Akech, 2019

From The New Black Vanguard (Aperture, 2019)

© Campbell Addy

“Many moons ago, as a newly graduated student, Antwaun Sargent came to me to talk about the experiences in the industry and what's needed. Speaking about the book he hopes to create - I implored him and said "if only I had seen a book like that when I was younger, a project of profound joy and happiness, that showcased Blackness in its variety in visual media. Maybe then it wouldn't have been such a struggle for me to just imagine myself as one of those artists." Now seeing what The New Black Vanguard has done, and it's evolution through many cities, brings me so much happiness. As I know there is a young creative from a similar background to that of the exhibiting artists that is going to feel seen and feel acknowledged. Who may also feel challenged to create work! So it brings me profound joy and immense pride, that it is also going to be in London – in the same city that Antwaun and I met to talk about said book – many, many years ago. This moment in itself feels incredibly full circle.” – Campbell Addy, Photographer

The New Black Vanguard presents artists whose vibrant portraits and conceptual images fuse the genres of art and fashion photography in ways that break down long-established boundaries. Their work has been widely presented in traditional lifestyle magazines, ad campaigns, and museums, as well as on thier individual social media channels; infusing the contemporary visual vocabulary around beauty and the body with new vitality and substance.

The images open up conversations around the representation of the Black body and Black lives as subject matter. Collectively, the works celebrate Black creativity. Seeking to challenge the idea that Blackness is homogenous, the works serve as a form of visual activism delivered by emerging talents who are creating photography in vastly different contexts — be it in New York or Johannesburg, Lagos or London. The results — often made in collaboration with Black stylists and fashion designers — present new perspectives on the medium of photography and the notions of race, beauty, gender and power.

This exhibition includes selected works from these ground breaking contemporary photographers, as well as a salon wall presentation of images created by other young Black photographers contributing to this movement. Vitrines of publications, past and present, contextualise these images and chart the history of inclusion, and exclusion, in the creation of the Black commercial image. The exhibition proposes a brilliantly re-envisioned future.

SAATCHI GALLERY

Duke of York's HQ, King's Rd, Chelsea, London SW3 4RY

www.saatchigallery.com