Mary Heilmann: Starry Night @ Dia Beacon, NY - Dia Art Foundation

Mary Heilmann: Starry Night 

Dia Beacon, NY

September 30, 2023 – October 13, 2025

Mary Heilmann: Starry Night is the first dedicated presentation of the artist’s Starry Night series (1967–1971) since its debut at Paley and Lowe Gallery in New York in 1971.

“Dia’s engagement with Mary Heilmann began in 2017 with an exhibition of new work at Dia Bridgehampton. I am delighted that we are now displaying this important early work, which highlights the breadth of her artistic production,” said Jessica Morgan, Dia’s Nathalie de Gunzburg Director.

Over a more than 50-year career, Mary Heilmann has primarily explored color and form in a signature abstract painting style, taking an inventive, spontaneous approach to the analytical geometries of Minimalism. Though best known for her vibrant paintings, Heilmann’s formative years as an artist were anchored in process-oriented sculptural work. The monochromatic paintings and objects that comprise the series of celestial works are among the first Mary Heilmann made after moving to New York and declaring painting as her primary medium, marking a transitional yet pivotal moment in her artistic career.

The full breadth of the series is represented in this exhibition, which includes black-stained stretched and unstretched canvases referencing astronomical constellations. Her decision to leave several works unstretched and “tacked to the wall, kind of like anti-form objects” speaks to her interest in responding to her contemporaries—Postminimal and Conceptual artists of the late 1960s—and straddling the line between painting and sculpture. A group of these canvases was bound into a large, children’s book–like work known as The Book of Night (1970), also on view. The Book of Night transforms these paintings into a three-dimensional object, blurring the boundaries between media and providing a tactile interaction with the cosmos. Objects made of clay or bamboo coated in flock (a type of textured fiber) lean, protrude, and hang high from the wall, complementing these canvases and bringing the artist’s constructed galaxy into the space of the viewer. Through these works, Heilmann engages with formal, conceptual, and cosmological notions of light and dark, evoking constellations using cut-outs, glitter, lead foil, and other ad hoc material strategies. 

“This exhibition offers a fascinating glimpse into Heilmann’s early practice, which rebuffs the sensibilities of peers such as Donald Judd and Robert Morris, while at the same time drawing from common areas of interest: the grid, the monochrome, and anti-form. The Starry Night series hasn’t been seen by the public in such depth in over 50 years, making this a remarkable opportunity to expand our understanding of Heilmann’s extraordinary career,” said Jordan Carter, curator and co–department head.

About Mary Heilmann

Mary Heilmann was born in San Francisco in 1940. She received a BA in literature from the University of California, Santa Barbara, in 1962, and an MA in ceramics and sculpture from the University of California, Berkeley, in 1967. Following graduate school, Heilmann moved to New York where the work and writing of artists such as Donald Judd, Robert Morris, and Robert Smithson encouraged her transition from sculpture to painting. Since then, Heilmann’s approach to painting has developed from geometric shapes to abstract forms referring to personal memory and elements derived from popular culture. Her work has been shown throughout the United States and Europe, including exhibitions at Kunstmuseum Bonn (2013), Whitney Museum of American Art, New York (2015), and Whitechapel Gallery, London (2016). From 2007 to 2009, the retrospective Mary Heilmann: To Be Someone traveled from the Orange County Museum of Art, Newport Beach, California, to the Contemporary Arts Museum Houston; Wexner Center for the Arts, Columbus, Ohio; and New Museum of Contemporary Art, New York. Heilmann lives in Bridgehampton, New York, and New York City. 

Mary Heilmann: Starry Night is curated by Jordan Carter, curator and co–department head, with Emily Markert, curatorial assistant.

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Dia Beacon

3 Beekman Street, Beacon, New York 12508

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Jordan Carter Curator Dia Art Foundation

Jordan Carter

Curator at Dia Art Foundation

Dia Art Foundation announced (September 21, 2021) the appointment of JORDAN CARTER to the position of Curator. With a specialization in Fluxus and global Conceptual art of the 1960s and ’70s, Jordan Carter will play a key role in Dia’s commissions, exhibitions, acquisitions, and public programming across its eleven sites. Jordan Carter comes to Dia from the Art Institute of Chicago, where he held the position of Associate Curator of Modern and Contemporary Art. He will begin his new role in December 2021.

“Jordan Carter brings with him broad expertise in the period of art history that sits at the core of Dia’s collection. His curatorial interests also offer a vital expansion of this period and its enduring influence on contemporary art, that will be key to Dia’s programming in the coming years. We are elated to welcome Jordan to the Dia team,” said Jessica Morgan, Dia’s Nathalie de Gunzburg director.

“I am thrilled to join Dia Art Foundation and to collaborate on a program that honors the institution’s history while advancing its role as a vibrant and essential hub of radical hospitality—hosting artists, publics, and risk in ways that let the outside in,” said Jordan Carter. “I look forward to contributing to Dia’s mission of championing and expanding the histories and legacies of Minimal and Conceptual art of the 1960s and ’70s, and engaging living artists in sustained and meaningful ways that extend these stakes and dialogues into the twenty-first century.”

CURATOR JORDAN CARTER

Jordan Carter comes to Dia following a tenure of over four years at the Art Institute of Chicago, where most recently he held the position of Associate Curator of Modern and Contemporary Art. In his time at the Art Institute of Chicago, Jordan Carter curated and co-curated numerous exhibitions including Mounira Al Solh: I strongly believe in our right to be frivolous (2018); Ellen Gallagher: Are We Obsidian? (2018–19); Benjamin Patterson: When Elephants Fight, It Is the Frogs That Suffer—A Sonic Graffiti (2019); and Richard Hunt: Scholar’s Rock or Stone of Hope or Love of Bronze (2020–21). Jordan Carter is co-organizing upcoming exhibitions at the Art Institute of Chicago of the work of stanley brouwn and Shahryar Nashat. Jordan Carter is also co-curator of the exhibition Ray Johnson c/o, forthcoming at the Art Institute of Chicago. This exhibition marks the first major institutional presentation of the artist’s work since Ray Johnson: Correspondences, a 1999 retrospective at the Whitney Museum of American Art, organized by Donna De Salvo, currently Senior Adjunct Curator at Dia.

From 2015–17, Jordan Carter was a Curatorial Fellow at the Walker Art Center. Prior to his time at the Walker, he was the twelve-month Fluxus Collection Intern at the Museum of Modern Art (MoMA), New York, where he researched, catalogued, and organized displays of MoMA’s Fluxus collection. Jordan Carter has also held curatorial and research positions at the Studio Museum in Harlem and Centre Pompidou in Paris. He holds a BA from Brown University, Providence, Rhode Island, and an MA from the Courtauld Institute of Art, London, where he focused on Fluxus and global Conceptual art.

DIA ART FOUNDATION

www.diaart.org