Showing posts with label Jussi Tiainen. Show all posts
Showing posts with label Jussi Tiainen. Show all posts

27/10/24

Kaarlo Stauffer @ Helsinki Contemporary - "Seikkailu" (Adventure) Exhibition

Kaarlo Stauffer: Seikkailu
Helsinki Contemporary
18 October - 17 November 2024

Kaarlo Stauffer
Seepra, 2023
Oil on canvas, 230 cm x 130 cm
Photo: Jussi Tiainen

Kaarlo Stauffer
Susi, 2024 
Oil on canvas, 180 cm x 150 cm
Photo: Jussi Tiainen

Kaarlo Stauffer
Laiva, 2024
Oil on canvas, 220 cm x 150 cm
Photo: Jussi Tiainen

Kaarlo Stauffer
Linna, 2023
Oil on canvas, 150 cm x 200 cm
Photo: Jussi Tiainen

Kaarlo Stauffer is known for his collage-like paintings based on old family photographs, but a new departure is evident in his exhibition Seikkailu (Adventure), which has seen him abandon family albums in favour of more reductive, intense palette and a newfound focus on the medium of painting as its own one-of-a-kind language of visual narration.

Collecting and recycling of source materials nevertheless remains an integral part of Kaarlo Stauffer’s artistic process. Among the sources for his latest exhibition are his own recently rediscovered childhood drawings. In his own words, Stauffer has always found it difficult to come up with “anything terribly exciting out of his head” – he finds it's easier to begin his process by collecting material and piecing together accumulated sources on his worktable.

Mysterious islands, caves, castles, seascapes and other familiar elements from classic adventure stories recur in many paintings in the Adventure exhibition. Also present are references to Romantic and Gothic art, as are allusions to literature and philosophy. Human figures no longer occupy a central place as prominently they did in his earlier work. Many of his new paintings unfold unassumingly as landscapes quietly beckoning the viewer on an adventure.

There is an element of mystery and lingering contemplativeness to Kaarlo Stauffer’s new paintings. They seem to question exactly what constitutes an adventure, and whether an adventure should always entail heroism and bravery. Traditionally, an adventure is an epic, sublime, and grand event, but even a smaller, simpler experience can elicit a tingling sense of adventure. All it takes is an irresistible sense of mystery, which might arise from an unusual encounter with an animal, the pale glow of the moon, or a dark forest – a strange or fascinating observation or inexplicable enigma that begs to be unravelled.

HELSINKI CONTEMPORARY
Bulevardi 10, 00120 Helsinki

27/10/23

Miikka Vaskola @ Helsinki Contemporary Gallery - "Infinite Numbers of Tomorrow" Exhibition

Miikka Vaskola
Infinite Numbers of Tomorrow
Helsinki Contemporary
27 October - 26 November 2023

Miikka Vaskola
MIIKKA VASKOLA
Monuments of the Unseen, 2023
Ink, iron oxide, charcoal, acrylic on canvas, 210 x 200 cm
Photo: Jussi Tiainen
Courtesy of Helsinki Contemporary

Miikka Vaskola
MIIKKA VASKOLA
Infinit Numbers of Tomorrow, 2023
Ink, charcoal and acrylic on canvas, 140 x 115 cm
Photo: Jussi Tiainen
Courtesy of Helsinki Contemporary
“After all, the thought of endless tomorrows stretching on forever is bewildering and yet also rather beautiful.” – Miikka Vaskola
MIIKKA VASKOLA’s approach to painting is similar to the way he perceives the passage of time: “Tomorrow isn’t just a certain day in the future, but an eternal canvas that is constantly being shaped by the paths we take and the choices we make today.” The abstract paintings and free-form sculptures featured in Infinite Numbers of Tomorrow came together gradually through an evolving series of repeated actions within the organic continuum of his process.   

Miikka Vaskola describes his method as a form of archaeology, a process of stratigraphic excavation into layers of time. By digging into familiar soil, he invariably discovers something new, deepening his understanding of his own process. Searching, combining and experimenting with new materials and techniques is another hallmark of his method. Through his sculptures and paintings, Miikka Vaskola seeks to unearth forms and expressions that challenge entrenched assumptions about what is natural and what is artificial.

Infinite Numbers of Tomorrow is built around a set of diptychs juxtaposing landscapes and maps. The paired images are conflated, yet without either being subordinated by the other. They are composed in such a way as to guide our gaze from the bottom to the top, from near to far, transforming the viewing experience into an event similar to reading a map. How we interpret what we see is determined by the imagined distance between ourselves and the object. Miikka Vaskola’s paintings have a well-nigh archaic quality – they seem to offer a glimpse of something ancient and eternal.

Miikka Vaskola
MIIKKA VASKOLA
Compass, 2023 
Ink, iron oxide, charcoal, acrylic on canvas, 210 x 170 cm
Photo: Jussi Tiainen
Courtesy of Helsinki Contemporary

Miikka Vaskola
MIIKKA VASKOLA
Haru, 2023
Ink, iron oxide, charcoal and acrylic on canvas, 200 x 200 cm
Photo: Jussi Tiainen
Courtesy of Helsinki Contemporary

The title of the diptych Haru (2023) refers to the outer archipelago, an out-of-the-way place that is dear to the artist. For Miikka Vaskola, paddling an unsteady kayak to the remote island and gazing across the waves towards the distant horizon is the perfect way of living in the moment and absorbing everything around him. A sea kayaker must read the waves tirelessly; as one paddles, the perspective keeps changing ceaselessly. “When you glide past 3,000-million-year-old cliffs, you find yourself thinking about prehistoric timespans that you cannot fathom, but which nevertheless exist.”

In his most recent paintings, natural formations and human traces on the landscape are blended together, as they are on a map. The gestures imprinted on the canvas recall the shapes of ice-age meltwater basins, dune fields, mountain ranges or rainswept cliffs. By toggling our perspective, we might see either an aerial view of forest topography or a map of the seabed. The paintings are accented by metallic shades of bronze and copper, as well as earthy ochre and terracotta, patinated and oxidized by the passage of time.

Miikka Vaskola
MIIKKA VASKOLA
Foundations IX, 2023
Plaster, wood and resin, 30 x 27 x 26 cm
Photo: Jussi Tiainen
Courtesy of Helsinki Contemporary

Miikka Vaskola
MIIKKA VASKOLA
Foundations II, 2023
Plaster, wood and resin, 30 x 25 x 16 cm
Photo: Jussi Tiainen
Courtesy of Helsinki Contemporary

Also featured in the exhibition are Miikka Vaskola’s “unearthings”, in which he employs his signature method of combining diverse materials. He collects different timber varieties from the forest and casts them in plaster and resin to create sculptural objects. 
“My sculptures were inspired by the achievements of modern geology and technology. The result is a grotesque hybrid of the natural and the synthetic.” – Miikka Vaskola
 
Miikka Vaskola
MIIKKA VASKOLA
Photograph Courtesy of Helsinki Contemporary

MIIKKA VASKOLA (b. 1975) is a Helsinki-based artist who graduated from the Finnish Academy of Fine Arts in 2008. He is known for paintings and sculptures that straddle the borderlands between the organic, natural and cultural worlds in both their form and choice of materials. Miikka Vaskola has presented his work in numerous solo and group exhibitions in Finland and abroad, most recently in the Handle with Care group exhibition at Turku Art Museum (2023), at Akureyri Art Museum in Iceland (2022), Norrtälje Konsthall in Sweden (2022), Berg Contemporary in Iceland (2019), as part of the Hydra School Projects on the Greek island of Hydra (2019) and at EMMA – Espoo Museum of Modern Art (2018). His previous solo exhibition at Helsinki Contemporary, Shore to Shore, was in autumn 2020. Miikka Vaskola’s work is found in numerous major private and public collections, including HAM Helsinki Art Museum, Turku Art Museum, the Museum of Contemporary Art Kiasma, EMMA - Espoo Museum of Modern Art, the Heino Collection and the Jenny and Antti Wihuri Foundation Collection. 

Helsinki Contemporary would like to express their thanks to the Arts Promotion Centre Finland (Taike) and the Swedish Cultural Foundation in Finland for supporting the artist’s work.

HELSINKI CONTEMPORARY
Bulevardi 10 - 00120 Helsinki

04/09/23

Maiju Salmenkivi @ Helsinki Contemporary - Building Pyramids - Miten pyramidit rakennetaan

Maiju Salmenkivi: Building Pyramids
Miten pyramidit rakennetaan
Helsinki Contemporary
15 September - 22 October 2023

Maiju Salmenkivi
MAIJU SALMENKIVI
Imperial Perspectives, 2023
Acrylic, oil and spray paint on canvas
120 x 90 cm
Photo: Jussi Tiainen
Courtesy Helsinki Contemporary

In Maiju Salmenkivi’s paintings, urban city silhouettes blend into nature and geometric gestures are combined with organic forms. The motifs’ scales in the Building Pyramids exhibition range from tiny cellular level to massive power plants, coal mountaintops, and architectural milestones. Salmenkivi has drawn inspiration from the similarities between the human body and architectural structures, the interweaving of minuscule elements, and the grandeur of pyramids.

Architecture, building interiors, and their relationship with the surrounding landscape have long intrigued Salmenkivi. The journey from factory buildings and coal heaps to pyramids unexpectedly emerged in the autumn of 2022. An excursion to the power plant in Hanasaari, Helsinki, proved pivotal, giving the exhibition its direction. The exhibition’s title in Finnish refers to sculptor Harry Kivijärvi’s book, Miten Pyramidit rakennettiin? (How Were the Pyramids Built?) (1990).

“To me, the Hanasaari power plant and coal heaps resemble the pyramids – hard to approach or enter, concealing secrets and treasures. They are products of the current civilisation, much like pyramids were in their time.” The construction of pyramids can also be seen as a metaphor for the artistic process; for Maiju Salmenkivi, painting is never straightforward, and it always includes a kind of mystery. The motifs often emerge from small observations and details that slowly begin to weave a narrative.

In Maiju Salmenkivi's new paintings, the transition of buildings from use to disuse and the changes occurring in the human body over a lifetime take center stage. Time and its finite nature are present in many ways. Carbon, the enabler of all life, acts as a unifying element in the exhibition – humans, too, are partly made of carbon compounds. An abstract painting titledCircle (2023) is linked with the bodily sensations of growing old, studying what happens to the body’s structures at the cellular level in the course of time. “I find images of cell structure captivatingly beautiful. Microscopic smallness and the entire universe are present at the same time.” 

The two-part piece Imperial Perspectives (2023) is based on demolished hotels from Salmenkivi’s previous gallery exhibition and Frank Lloyd Wright’s drawings of Tokyo’s Imperial Hotel, which was also designed by him. Themes converged during the exploration of the Hanasaari power plant. Salmenkivi found similarities between the factory monitors’ device diagrams and Wright’s drawings. “A power plant is a like a grand mausoleum, containing its own organism: pipes, stairs, lifts, and coal that sticks to hands from the walls.”

Alongside paintings on canvas, the exhibition features works on paper using charcoal, ink, spray paint, and chalk, inviting the viewer to take a closer look. Mountaintops and prismatically radiant forms emerge when scratched into oil pastel surfaces. The color palette is a blend of neutral tones and intensive hues characteristic of the artist. Painting serves as a map to another world, where natural forces surge, rivers flood, trees sway, and wind stirs the pools of color across the canvas.

Maiju Salmenkivi
MAIJU SALMENKIVI
Photograph courtesy Helsinki Contemporary

MAIJU SALMENKIVI (b. 1972), graduated from the Finnish Academy of Fine Arts in 2003, is a Helsinki-based visual artist known for her strong expressionist style and modern landscape paintings. Drawing inspiration from daily observations and global phenomena, Salmenkivi blends current events with her vibrant and intensely atmospheric artworks. Her colorful paintings engage in a captivating dialogue between urban environments and human figures, seamlessly merging fantasy and reality. Salmenkivi’s works have been on display in various solo and group exhibitions in Finland and abroad, including those at HAM Helsinki Art Museum (2022), Helsinki Contemporary’s Overlook exhibition (2020), Turku Art Museum (2019), and Landskrona Museum, Sweden (2017). Her works are represented in the collections of EMMA – Espoo Museum of Modern Art, Museum of Contemporary Art Kiasma, Saastamoinen Foundation, Amos Rex, HAM Helsinki Art Museum, Turku Art Museum, and the Jenny and Antti Wihuri Foundation. 

HELSINKI CONTEMPORARY
Bulevardi 10 - 00120 Helsinki

28/11/21

Hanna Hyy, Lasse Juuti, Tuuli Kerätär, Linda Roschier @ Helsinki Contemporary - Modern Love

Hanna Hyy, Lasse Juuti, Tuuli Kerätär, Linda Roschier
Modern Love
Helsinki Contemporary, Helsinki
26 November - 19 December, 2021

In place of a common theme the exhibition Modern Love at Helsinki Contemporary highlights the uniqueness of four different painters, providing a sample of the state of current contemporary painting right now.

Hanna Hyy
HANNA HYY
Tämänhetkinen tilanteesi / Your Current Situation, 2021
Watercolour and oil on sandwich board, 120 x 100 cm
© Hanna Hyy, Photo: Jussi Tiainen, Courtesy Helsinki Contemporary

The starting points for Hanna Hyy’s paintings are various models: toys, ornaments, and biological specimens. She begins her process by looking for objects, often finding them in flea markets, but occasionally also in rubbish skips, as with the biological specimens that have now been given space in her new works. After choosing an object or objects, Hyy constructs a still life, which she paints ‘from life’. The inanimate model for the painting is humanized into being a ‘substitute experiencer’, a figure with whom we can identify, and who appears as the painting’s actor or on whose viewpoint the work is based. Hyy’s paintings seek to raise issues and experiences that elude everyday language, and also coincident contradictions.

HANNA HYY (b. 1990 Helsinki), graduated from the Academy of Fine Arts, Helsinki, in 2019. She has had solo exhibitions, for instance, at Galleria Huuto and Kosminen in Helsinki, and appeared in group exhibitions in Finland and abroad, including the Charlottenborg Spring Exhibition. Hyy’s paintings are in several private collections and the Hämäläis-Osakunta (Tavastia Nation) collection. Thank you to the Arts Promotion Centre Finland for supporting the artist's work.

Lasse-juuti
LASSE JUUTI
Exhibition view: Modern Love
© Lasse Juuti, Photo: Jussi Tiainen, Courtesy Helsinki Contemporary

One of the starting points for Lasse Juuti’s works that combine painting, collage and object assemblages has been games and nest building. In the Modern Love exhibition we see two painting/sculpture hybrids on the floor, in the form language of one we find a car and in the other a trailer, transformed into a ping-pong court and a sarcophagus. Typical of Juuti’s works is, on the one hand, the key role played by the materials, but also the construction of disparate visual narratives. On this occasion, a series of paintings made on large plywood boards is linked via its materials to the floor-standing works, which converse with one another to tell a story. In the plywood boards leaning against the wall Juuti constructs a work using both painting and collage.

LASSE JUUTI (b. 1990 Tampere) has studied at the Academy of Fine Arts, Helsinki, and Tampere School of Art and Communication. He has had solo exhibitions at Monitoimitila O. in Helsinki, Titanik in Turku, and HAM Gallery in Helsinki. Most recently Juuti’s works were shown in the summer 2021 Porvoo Triennial. His works are represented in HAM’s and Kiasma’s collections. Thank you to the Arts Promotion Centre Finland and the Finnish Cultural Foundation (Uusimaa Regional Fund), for supporting the artist's work.

Tuuli Keratar
TUULI KERÄTÄR
Soft rubble, 2021
Oil on canvas, 154 x 150 cm
© Tuuli Kerätär, Photo: Jussi Tiainen, Courtesy Helsinki Contemporary

Tuuli Kerätär’s abstract paintings move forwards without prior planning, in a dialogue between forms and colours. The sketching and the partially erased layers become part of the works, creating the feeling of dense, layered space characteristic of Kerätär’s works. In her paintings she returns to memories of places where she has felt she could see behind the physical surroundings. Other paintings also act as stimuli for further works, and she has recently been particularly interested in Frans Marc. The motifs of Kerätär’s latest works are grids and squares, which allude to a space viewed through a digital screen. The glow seen through the grids becomes the central element in the works. At times, it illuminates the space like the warm California morning sun that ripens fruit. While, at other times, the glow is pale and cold, like looking into a stranger’s apartment from the outside, into an empty room filled with the light from a television.

TUULI KERÄTÄR (b. 1985 Turku) graduated from the Academy of Fine Arts, Helsinki, in 2019. She has had solo exhibitions, e.g., at the Exhibition Laboratory Project Room in Helsinki, and at Gumbostrand Konst & Form in Sipoo, and appeared in group exhibitions in Helsinki, Rovaniemi and Antwerp. Kerätär’s works are in the collections of the Academy of Fine Arts, Helsinki, Rovaniemi Art Museum and Oulu University Hospital.

Linda Roschier
LINDA ROSCHIER
Double barred green cross remedy, 2021
Oil on canvas, 41 x 33 cm
© Linda Roschier, Photo: Jussi Tiainen, Courtesy Helsinki Contemporary

Linda Roschier’s painting process begins organically. The elements are built up one step at a time, with the painting carrying it forwards. Sometimes, a work has its starting point in another work, and the motif is repeated, but resolved in a slightly different way. Sometimes, Roschier’s small paintings serve as laboratories for large works, in which she can try out compositions and motifs. Looking and seeing are recurrent themes in her working process, as are various natural phenomena. The paintings in Modern Love contain numerous elements, such as sea shells, pearls, the plant world, and emojis, which evoke various mental associations in the viewer. These works are powerfully rooted in our time, but Roschier also feels an affinity with esoteric pictorial traditions, and occasionally makes references to modernism and earlier practices.

LINDA ROSCHIER (b. 1979 Vantaa) graduated from the Academy of Fine Arts, Helsinki, in 2020. She has had solo exhibitions at Galleria Huuto and the Exhibition Laboratory Project Room in Helsinki, and at Gallery Vanha Kappalaisentalo in Porvoo. Roschier has also taken part in group exhibitions and her works have been acquired by the Finnish Art Society and private collectors. Thank you to the Arts Promotion Centre Finland and the Finnish Cultural Foundation (Uusimaa Regional Fund), for supporting the artist's work.

HELSINKI CONTEMPORARY
Bulevardi 10, 00120 Helsinki