'Program' en live streaming @ David Zwirner

Program, Première édition

Un nouvel événement en live streaming de David Zwirner 

10 juin 2021

KERRY JAMES MARSHALL

Black and part Black Birds in America 

(Red wing Blackbirds, Yellow Bellied Sapsucker, Scarlet Tanager), 2021 

© Kerry James Marshall, courtesy David Zwirner

Demain, 10 juin, David Zwirner lancera à l’échelle mondiale la première édition de Program, un nouvel événement en live streaming qui invitera directement les spectateurs dans les espaces des galeries David Zwirner à New York, Londres, Paris et Hong Kong. Présentant des installations d'œuvres d'artistes de la galerie dans chaque espace, cette série de visites et de discussions interactives, en direct et en vidéo, entre artistes, curators et passionnés du monde de l’art fera vivre en ligne l'énergie des événements en présence physique ou de celle des foires. Diffusés depuis les espaces des galeries de David Zwirner, il sera possible aux visiteurs d’écouter une présentation des œuvres exposées et de poser des questions en temps réel. Une journée de preview privée de Program a lieu aujourd'hui.

Program présente des œuvres nouvelles et inédites, aux côtés d'œuvres historiques. À New York sont présentées de nouvelles œuvres d’Harold Ancart, Carol Bove, Stan Douglas, Toba Khedoori, Yayoi Kusama, Neo Rauch, Dana Schutz, Jordan Wolfson et Lisa Yuskavage, ainsi que d’autres œuvres de Josef Albers, Francis Alÿs, Ruth Asawa, Raoul De Keyser, Roy DeCarava, Marlene Dumas, Barbara Kruger, Sherrie Levine, Joan Mitchell, Alice Neel et Franz West. À Londres, sont présentées des œuvres de Nate Lowman, Kerry James Marshall, Chris Ofili, Josh Smith et Franz West, et à Paris sont présentées des œuvres de Diane Arbus, Isa Genzken, Juan Muñoz, Oscar Murillo, Jason Rhoades, Thomas Ruff et Christopher Williams. À Hong Kong, ce sont des œuvres de Mamma Andersson, Raoul De Keyser, Yayoi Kusama, Wolfgang Tillmans et Luc Tuymans qui font l’objet d’une présentation.

Parmi les œuvres nouvelles et notables qui seront dévoilées dans le cadre de Program, citons une nouvelle peinture de Kerry James Marshall qui fait partie de la série en cours de l'artiste, Black and part Black Birds in America (photo ci-dessus). Cette peinture sera exposée à la galerie londonienne de David Zwirner. Les deux premières peintures de cette série ont été présentées sur le site Internet de David Zwirner en juillet 2020 dans le cadre de Studio: Kerry James Marshall.

Parallèlement à la programmation en direct, la présentation en ligne comprends des contenus narratifs permettant de contextualiser chaque œuvre d'art exposée. Le public peut également prendre rendez-vous pour voir les œuvres en personne dans les galeries de David Zwirner via davidzwirner.com.

"Au cours de l'année dernière, nous avons réalisé l'intérêt et l'engagement que nous pouvions susciter via notre propre site Internet, sans que cela soit associé à l’actualité d’une foire. C'est la raison pour laquelle nous avons créé Program, une nouvelle série d'événements qui parachève la saison artistique et concentre l'énergie et l'excitation associées au mois de juin, mais à l'échelle mondiale. Elle imitera les échanges et la découverte en personne que vous auriez pu vivre lors d'un vernissage ou d'une foire grâce à des sessions de diffusion en direct. Pour la présentation inaugurale de Program, nos artistes ont créé de nouvelles œuvres importantes qui seront vues pour la toute première fois, notamment la nouvelle peinture de Kerry James Marshall issue de sa série Black and part Black Birds in America" a déclaré David Zwirner.

L'identité graphique spécifique de Program a été spécialement conçue en étroite collaboration avec l'artiste Christopher Williams de la galerie David Zwirner, dont le travail se fonde sur des accumulations de circonstances, de références et de connotations et une exploration des structures passées du marché de l'art.

En décembre 2020, David Zwirner a lancé son premier événement en live streaming intitulé Miami NY, qui a rassemblé des milliers de participants sur le cours d’une même journée.

DAVID ZWIRNER

New York, London, Paris, Hong Kong

www.davidzwirner.com

Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas @ Seattle Art Museum

Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas
Seattle Art Museum
February 15 – May 13, 2018

MICKALENE THOMAS

Tamika sur une chaise longue avec Monet, 2012 

Rhinestones, acrylic, oil, and enamel on wood panel, 108 x 144 x 2 in. 

Sydney & Walda Besthoff, Courtesy of the artist and Lehmann Maupin, New York and Hong Kong 

© Mickalene Thomas

The Seattle Art Museum presents Figuring History: Robert Colescott, Kerry James Marshall, Mickalene Thomas, bringing together for the first time three leading American artists from three different generations whose work challenges a Western painting tradition that historically erases or misrepresents people of color. While each artist’s paintings are distinctive in style, subject matter, and the historic moments they reference, collectively they critique and redefine mainstream narratives of history and representation. At the heart of these artists’ portrayals are material and cultural histories centered on Black experiences and perspectives.

Organized by the Seattle Art Museum, the exhibition comprises 25 large-scale paintings on loan from institutions and collections across the country. It features a work from SAM’s collection—the recently acquired Les Demoiselles d'Alabama: Vestidas (1985) by Robert Colescott—as well as three paintings made by Mickalene Thomas specifically for the exhibition. She also presents a staged “living room” installation that visitors can interact with and sit in.

SEATTLE ART MUSEUM - SAM
1300 First Avenue, Seattle, WA 98101
seattleartmuseum.org

Kerry James Marshall, Baltimore Museum of Art - One True Thing, Meditations on Black Aesthetics

Kerry James Marshall: One True Thing, Meditations on Black Aesthetics
Baltimore Museum of Art
June 20 - September 5, 2004

The Baltimore Museum of Art presents a major exhibition of new work by nationally acclaimed artist Kerry James Marshall. Kerry James Marshall: One True Thing, Meditations on Black Aesthetics examines black history, identity, and cultural tradition through more than 40 works, including paintings, sculpture, photography, installation, and video. 

A painter, photographer, printmaker, and installation artist, Kerry James Marshall’s remarkable talent has earned him a coveted MacArthur Fellow “genius” award. Best known for large-scale paintings that reflect his engagement with social history, the civil rights movement, and his experiences as an African American, Marshall is represented in more than 30 public collections, including the Art Institute of Chicago, the Whitney Museum of American Art, San Francisco’s Museum of Modern Art, and The Baltimore Museum of Art.

“We are delighted to bring this highly regarded artist to Baltimore,” said BMA Director Doreen Bolger. “Kerry James Marshall is an important voice in the African-American community, and these are some of his most powerful works to date.”

Kerry James Marshall: One True Thing, Meditations on Black Aesthetics represents a new direction in Marshall’s work in which he opens a dialogue on the issue of black aesthetics, the practice of being an artist, the question of integration versus assimilation, and notions of race.

“You can’t be born in Birmingham, Alabama, in 1955, and grow up in South Central [Los Angeles] near the Black Panthers headquarters, and not feel like you’ve got some kind of social responsibility,” said Kerry James Marshall. “You can’t move to Watts in 1963 and not speak about it. That determined a lot of where my work was going to go.”

The term black aesthetics first emerged within the 1960s civil rights and Black Power movements as a way to raise awareness for black rights, foster black cultural pride, and develop strategies for African Americans to participate more actively in the mainstream of U.S. society. Throughout this exhibition, Kerry James Marshall has drawn upon the dense and unique layering of language, music, and art characteristic of black expression to infuse Western art-historical styles with the political and social realities of the African-American experience.

Examples of works in the exhibition include:

- Memento #5, a glittery 9- by 13-foot canvas commemorating heroes of the civil rights movement Martin Luther King Jr., John F. Kennedy, Malcolm X, and Robert Kennedy.

- 7 am Sunday Morning, a monumental 10- by 18-foot painting depicting a street scene on the South Side of Chicago interrupted by the prismatic glare of the sun.

- Garden Party, a four-minute DVD and corresponding painting that reinterprets Impressionist works like Renoir’s Luncheon of the Boating Party with African Americans, Asians, and Hispanics enjoying a backyard gathering.

- The Ladder of Success, an installation of colorful Plexiglass boxes each listing a traditional western virtue—including honesty and punctuality—and principles of the African-American celebration of Kwanzaa, such as creativity and faith.

- Africa Restored, a three-part work that presents the continent as a vast sculpture adorned with medallions that pay homage to Africa as a source of creative inspiration.

- Dailies, a continuation of the artist’s RYTHM MASTR comic series that pits an urban superhero against the Chicago Housing Authority using a combination of futuristic and traditional African accoutrements.

Kerry James Marshall was born in 1955 in Birmingham, Alabama, and raised in Los Angeles. He lives in Chicago where he has been a professor since 1993 at the School of Art and Design and the University of Illinois, Chicago. He received his BFA from the Otis Art Institute in Los Angeles in 1978 and an honorary doctorate in 1999. In 1997 Marshall was awarded the prestigious John D. and Catherine T. MacArthur Foundation Fellowship. Kerry James Marshall's work has been included in such group exhibitions as the 2003 Venice Biennale; the 1999/2000 Carnegie International; the 1997 Whitney Biennial at the Whitney Museum of American Art in New York; and documenta X in Kassel, Germany, in 1997. In 1998, Marshall's work was the subject of a major exhibition organized by the Renaissance Society at the University of Chicago that traveled to such venues as the Brooklyn Museum of Art in New York, San Francisco Museum of Modern Art, and the Institute for Contemporary Art in Boston. He was an artist-in-residence at the Studio Museum in Harlem in 1985. He recently completed a seven-week residency at The University of Texas at Austin.

In addition to his painting career, Kerry James Marshall has been the production designer for the films Daughters of the Dust and Praise House directed by Julie Dash, Sankofa directed by Haile Gerima, and Hendrix Project directed by Arthur Jafa. He is married to the actress Cheryl Lynn Bruce.

Kerry James Marshall will also curate an exhibition at Artscape, Baltimore’s premier arts festival. Kerry James Marshall will select six Baltimore-area artists from open submissions, and he will invite six artists from his hometown of Chicago to participate in Baltimore/Chicago Show, on display June 20–July 31 at the Decker Gallery in the Station Building at the Maryland Institute College of Art. The Artscape festival runs July 16-July 18.

Kerry James Marshall: One True Thing, Meditations on Black Aesthetics was organized by the Museum of Contemporary Art, Chicago, and curated by Elizabeth Smith, James W. Alsdorf Chief Curator, with Tricia Van Eck, Curatorial Coordinator. Major support for the exhibition is provided by the Harris Family Foundation in honor of Bette and Neison Harris. Additional support is provided by The Joyce Foundation, The Rockefeller Foundation, Peter Norton Family Foundation, The Boeing Company, and Loop Capital Markets.

In Baltimore, the exhibition is curated by Chris Gilbert, BMA Curator of Contemporary Art.

A 104-page full-color catalogue accompanies the exhibition. “Kerry James Marshall: One True Thing, Meditations on Black Aesthetics” is available.

The exhibition originated at the Museum of Contemporary Art, Chicago, and traveled to the Miami Art Museum before coming to the BMA. It will go on to the Studio Museum in Harlem (October 13, 2004-January 9, 2005) and the Birmingham Museum of Art in Alabama (February 3-April 24, 2005).

BALTIMORE MUSEUM OF ART
10 Art Museum Drive, Baltimore, MD 21218
www.artbma.org

Updated 13.07.2019