18/04/25
Fujifilm instax mini 41 - Appareil Photo Instantané
28/02/16
Fujifilm, 50 ans de présence en Europe
21/10/13
Fujifilm instax mini 90 Neo Classic
04/07/12
Impression grand format: Fujifilm Uvistar Pro8 - Drupa 2012
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Uvistar Pro8 présentée à la Drupa 2012 - Photo (c) Fujifilm |
21/09/10
Fujifilm FinePix X100 - Appareil photo compact hybride - Série X
12/01/10
Fujicolor Eterna-RDI Academy Award
FUJIFILM TO RECEIVE SCIENTIFIC AND ENGINEERING AWARD
FROM THE ACADEMY OF MOTION PICTURE ARTS AND SCIENCES
Award Given For Development Of World's First Film Stock
Specifically Designed To Produce High Picture Quality
From Digital Image Data
FUJIFILM Corporation has announced that the Academy of Motion Picture Arts and Sciences has selected FUJIFILM Corporation to receive an Academy Award® on February 20, 2010, in the Scientific and Engineering category.
The award is being given in recognition of the significant picture quality and workflow improvements made possible in the moviemaking process through the development of Fujicolor ETERNA-RDI, the first motion picture film in the world designed specifically for use in converting digital image data to negative film. The award is given in the name of FUJIFILM Corporation as well as in the names of Ryoji Nishimura, Masaaki Miki and Youichi Hosoya, the three Fujifilm engineers who designed and developed the product.
“Everyone at Fujifilm is proud of this achievement and proud to be recognized by the most prestigious institution in the motion picture industry. Best of all, we are gratified that our work has helped to answer an unmet industry need with a solution that will contribute to the enjoyment of motion pictures and to visual technology and cinema culture,” said Graeme Parcher, group vice president, FUJIFILM North American Motion Picture Division. “Most importantly, our sincere congratulations go to Ryoji, Masaaki, Youichi and the entire R&D and engineering team for their hard work and dedication in making this industry recognition possible and for receiving this high honor from the Academy.”
Today the use of digital technology in the making of motion pictures, especially in the editing and visual effects process, is widespread; yet the majority of movie theaters still present on silver halide film. To bridge this digital/analog gap the moviemaker must convert the digital master to intermediate film. However, since no intermediate film had been specially designed for this application there had been a large disparity in image quality between the digital master and the film reproduction, resulting in a strong industry demand for something better. In 2007, Fujifilm answered that demand, introducing ETERNA-RDI -- the first specialized film for digital recorder output that dramatically improved the image quality of film recording.
ETERNA-RDI offers a significant improvement over intermediate films not specifically designed for digital reproduction, producing fine detail and accurate color from digital image data. In order to achieve high picture image quality Mssrs. Nishimura, Miki and Hosoya developed two proprietary technologies, Super Nano Cubic Grain Technology and Super Efficient Light Control Technology, and worked to ensure that the technologies would complement and enhance each other. As a result ETERNA-RDI can faithfully reproduce even the most challenging high contrast images. This contributes to the printing of sharp, crisp images and makes it possible to achieve rich images that convey a strong sense of depth and dimension.
ETERNA-RDI Features
Great Image Blur Reduction: Laser-created high-detail digital images that could not be reproduced on intermediate film can be reproduced on ETERNA-RDI. Ordinarily, when the intensities of lines and text contrast strongly with those of their surroundings, thin lines become thinner and disappear, and fat lines are blurred. This makes the reproduction of details difficult. With ETERNA-RDI, even the highlighted areas of high-contrast images can be reproduced with very high similarity to the original image.
Faithful Tone and Color Reproduction: ETERNA-RDI widens the range of expressible densities. ETERNA-RDI reduces image irregularities even in highlighted areas, makes the expression of darker shadowed areas richer, and increases resolution. The combination of these factors leads to tone reproduction that conveys an intense sense of depth. Furthermore, while the reproduction of original colors at the edges of the color range was difficult in the past, ETERNA-RDI is capable of reproducing these colors faithfully.
Improved Lab Handling: In the post-production phase accurate reproduction in the film development process is the goal. It takes a few seconds to record a single frame; this means that for a single 2000-ft roll the time between when the film is exposed and when it is developed is 15 hours or more. When using conventional intermediate film, this long duration causes color discrepancies between the top frame and the last frame in long reels of film and requires additional lab hours to correct the discrepancies. The superior photographic stability of ETERNA-RDI maintains true color reproduction from the top to the last frame, thereby reducing lab workload.
29/07/09
Appareil photo numerique FinePix Z35

28/07/09
Compact numerique Fujifilm FinePix J30

27/07/09
Fujifilm FinePix Real 3D W1 Appareil Photo Numérique 3D


Appareil Photo Video et Cadre 3D Fujifilm
Nouveaute rentree 2009
Photos (c) Fujifilm France SAS, Tous droits réservés
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Compact numerique Fujifilm FinePix J27

26/05/09
Fujifilm XMF version 2.1
05/02/09
Fujifilm FinePix F200EXR Specifications
- Number of effective pixels [1] 12.0 million pixels
- CCD sensor: 1/1.6-in. Super CCD EXR
- Storage media: Internal memory (Approx. 48MB) / xD-Picture card TM (16MB - 2GB) / SD memory card / SDHC memory card [2]
- File format: Still image: JPEG (Exif Ver. 2.2 [3]) / Movie: AVI (Motion JPEG) with sound / Audio: WAVE format, Monaural sound(Design rule for Camera File system compliant / DPOF-compatible)
- Number of recorded pixels: Still image: L: 4:3 4,000 x 3,000 / L: 3:2 4,000 x 2,664 / L: 16:9 4,000 x 2,248 -- M: 4:3 2,816 x 2,112 / M: 3:2 2,816 x 1,864 / M: 16:9 2,816 x 1,584 --S: 4:3 2,048 x 1,536 / S: 3:2 2,048 x 1,360 / S: 16:9 1,920 x 1,080
- Lens: Fujinon 5x optical zoom lens, F3.3 (Wide) - F5.1 (Telephoto)
- Lens focal length: f=6.4 - 32.0mm, equivalent to 28 - 140mm on a 35mm camera
- Digital zoom: Approx. 4.4x
- Aperture: Wide: F3.3 / F9.0, Telephoto: F5.1 / F14.0
- Focus distance (from lens surface): Normal: Wide: Approx. 45cm / 1.5ft. to infinity --Telephoto: Approx. 80cm / 2.6ft. to infinity -- MacroWide: Approx. 5cm - 80cm / 0.2ft. - 2.6ft.Telephoto: Approx. 50cm - 1m / 1.6ft. - 3.3ft.
- Sensitivity: Auto / Auto(3200) / Auto(1600) / Auto(800) / Auto(400) / Equivalent to ISO 100 / 200 / 400 / 800 / 1600 / 3200 / 6400 / 12800 (Standard Output Sensitivity)* Number of recorded pixels: ISO6400: "M" or "S", ISO12800: "S"only
- Exposure control: TTL 256-zones metering
- Exposure mode: Programmed AE, Aperture Priority AE, Manual
- Shooting modes: Mode dial: Auto, EXR, Natural Light, Natural Light & with Flash, SP, P, M, Movie -- SP: Portrait, Portrait Enhancer, Landscape, Sport, Night, Fireworks, Night (Tripod), Sunset, Snow, Beach, Underwater, Museum, Party, Flower, Text
- Image Stabilization: CCD-shift type
- Shutter speed: (Auto mode) 1/4 sec. to 1/1500 sec., (All other modes) 8 sec. to 1/1500 sec.
- Continuous shooting: Top-3 (max. 1.4 frames/sec.) -- Top-12, High speed (max. 5 frames/sec., number of recorded pixels: "S" only) -- Final-3 (max. 1.4 frames/sec.) -- Final-12, High speed (max. 5 frames/sec., number of recorded pixels: "S" only) -- Long-period
- Focus: Auto focus (Area, Multi, Centre) / Continuous AF, AF assist illuminator available
- White balance: Automatic scene recognition -- Preset: Fine, Shade, Fluorescent light (Daylight), Fluorescent light (Warm white), Fluorescent light (Cool white), Incandescent light, Underwater lighting -- Custom
- Self-timer: Approx. 10sec. / 2sec. delay
- Flash: Auto flash / Effective range (ISO AUTO): Normal: Wide: Approx. 60cm - 4.3m / 2.0ft. - 14.1ft. -- Telephoto: Approx. 60cm - 2.8m / 2.0ft. - 9.2ft. -- Macro: Approx. 30cm - 80cm / 1.0ft. - 2.6ft. / Flash modes: Red-eye removal OFF: Auto, Forced Flash, Suppressed Flash, Slow Synchro.Red-eye removal ON: Red-eye Reduction Auto, Red-eye Reduction & Forced Flash, Suppressed Flash, Red-eye Reduction & Slow Synchro.
- LCD monitor: 3.0-inch, Approx. 230,000 dots, TFT color LCD monitor, Approx. 100% coverage
- Movie recording: 640 x 480 pixels / 320 x 240 pixels (30 frames/sec.) with monaural sound* Zoom function cannot be used during movie recording.
- Photography functions: EXR mode (EXR AUTO, RESOLUTION PRIORITY, HIGH ISO&LOW NOISE PRIORITY, D-RANGE PRIORITY), Film Simulation, Face Detection (with Auto red-eye removal), Power management, Framing guideline, Frame No. memory
- Playback functions: Face Detection (with Red-eye removal), Slideshow, Trimming, Multi-frame playback (with Micro Thumbnail), Sorting by date, Image rotate, Resize, Voice memo
- Video output: NTSC / PAL selectable
- HD output: Analog component/HDC-1 component video cable for digital camera
- Digital interface: USB 2.0 High-speed
- Power supply: NP-50 Li-ion battery (included) / CP-50 with AC power adapter AC-5VX (sold separately)
- Dimensions: 97.7(W) x 58.9(H) x 23.4(D)mm / 3.8(W) x 2.3(H) x 0.9(D)in. (excluding accessories and attachments)
- Weight: Approx. 175g/6.2oz. (excluding accessories, batteries and memory card)
04/02/09
Fujifilm FinePix F200EXR Compact Digital Camera

- High Resolution mode, which deploys all twelve million pixels, and is designed to offer the finest detail of intricate subjects when light is full and even;
- High Sensitivity and Low Noise mode, which caps two adjacent pixels together to produce 6 million large photodiodes, which are big enough to absorb light in the darkest of conditions, to produce low-light shots of extraordinary quality with minimal noise and grain; and
- Wide Dynamic Range mode, which captures different exposures with two sets of six million pixels, which, when combined, gives an excellent level of detail in highlights that would otherwise be lost.
- In EXR Mode, the photographer can choose which sensor setting is preferable for the subject to be photographed by choosing High Resolution Priority (HR) to maximise resolution, High ISO and Low Noise Priority (SN) for high quality low-light work or D-Range Priority (DR) for the best detail with contrasty subjects.
- Brand NEW Super CCD EXR 12 megapixel switchable sensor
- 5x (28-140mm) wide-angle optical zoom lens
- Dual Image Stabilisation
- 3" clear view LCD screen
- Ultra high sensitivity in low light (ISO 6400 at 6MP resolution & 12800 at 3MP resolution)
- Full manual controls (including aperture and shutter priority)
- EXR Auto (Portrait, Night, Macro, Landscape. Night portrait & Backlit portrait)
- Film Simulation mode (Provia/Standard, Velvia/Vivid, ASTIA/Soft, Black & White, Sepia)
- Full Photo HD output
- Available in Carbon Quartz
- Fujifilm A100 Compact Cameras [02.2009]
- Fufifilm A150 Compact Camera [02-2009]
- Kodak Easyshare M380 Digital Camera [01.2009]
- Kodak Z980 Digital Camera [01.2009]
- Compact Photo Samsung M310W [01.2009]
- Compact Photo Samsung ST50 [01.2009]
- Compact Photo Samsung WB500 [01.2009]
Fujifilm A100 & A150 Compact Cameras



- 10 Megapixels
- 3x optical zoom and 5.7 digital zoom – total zoom range of 17.1
- Face Detection technology with automatic red-eye removal
- ISO 1600 sensitivity
- Picture Stabilisation mode
- Movie Mode with sound
- Powered by two AA batteries
- 14 scene modes
- A150 – 3" LCD screen
- A100 – 2.7" LCD screen
- 21.7mm thin
26/10/08
Taskero Universe 2.0 with IntelliTrax 1.5
Fujifilm and X-Rite's partnership comes to fruition with immediate availability of Taskero Universe 2.0 with IntelliTrax 1.5
Fujifilm Graphic Systems and X-Rite have come together to bring the power of Taskero Universe 2.0 – a suite of performance analysis and monitoring tools – from the prepress area and into the pressroom. Available immediately, the powerful solution combines the strength of X-Rite's IntelliTrax 1.5 – the industry's fastest, automated color measurement system for press-side color control – with Taskero Universe's enterprise capabilities.
X-Rite's ultra-fast IntelliTrax automated color measurement system automatically scans the color bar of a typical press sheet in seconds and immediately sends the data to the Taskero Universe 2.0 web site for verification and analysis. The integration of the two technologies creates a much needed solution for the printing market that enables users to monitor hardware performance from prepress through to the pressroom, while getting real-time color measurement and aggregation of the entire press run, live on the web, at the user or management's fingertips.
09/09/08
Fujifilm FinePix f100fd
Le FinePix F100fd est en mesure d´enregistrer les détails des très hautes lumières et des ombres profondes sur des sujets très contrastés, lesquels sont généralement perdus par les boîtiers ordinaires. Disponible en mode Auto, Manuel ou Paysage, la plage dynamique étendue est particulièrement efficace via la focale grand-angle de 28 mm dont le champ très large permet de couvrir des scènes où se retrouvent de très hautes lumières et des ombres. Un exemple typique est celui d'un portrait en contre-jour derrière lequel resplendit en arrière plan un magnifique ciel bleu. Avec un boîtier numérique ordinaire, le ciel apparaît délavé lorsque la photo est exposée pour le sujet principal tandis que le FinePix F100fd restitue aussi bien les détails du sujet que ceux de l´arrière plan. Poursuivre l´élargissement de la dynamique des lumières enregistrables est une étape importante pour atteindre le but que s´est fixé Fujifilm : offrir via les technologies numériques une reproduction photographique de qualité cohérente avec l´héritage des films professionnels de la marque.
(2) Plus d´informations via un capteur 12 Mégapixels et une optique grand-angle Fujinon 28 mm.
Le FinePix F100fd propose un tout nouveau capteur Super CCD HR VIII associé au nouveau processeur RP III (Image Réelle III). Ils autorisent une extraordinaire résolution de 12 Mégapixels permettant à l´utilisateur de bénéficier d´images parfaitement claires et détaillées. Il disposera également des sensibilités, nettoyées de tout bruit électronique, de 3200 ISO à pleine résolution et 12800 ISO à la résolution de 3 Mégapixels pour des images claires, sans flou de bougé, dans des situations de très faible luminosité. Associé à cela, le tout dernier zoom optique X5 Fujinon, proposant une focale grand-angle de 28 mm, offre à l´utilisateur les voies de la photographie créative. Il devient possible via le grand-angle de photographier des groupes de personnes, des paysages de très grande étendue ainsi que des intérieurs dans des espaces réduits. La puissance du zoom optique lui permettra tout autant de prendre des images de sujets éloignés.
(3) La technologie de Détection des Visages version 3.0 (Face Detection 3.0) - Améliorations en vitesse et angles de détection.
La dernière version de la technologie de détection des visages innove sur sa vitesse et ses angles de détection. Les visages sont détectés en moins de 0,037 seconde, ce qui permet la poursuite de sujets en déplacement. L´angle de repérage des profils a été étendu à 360° couvrant l´ensemble des angles possibles de présentation d'un profil. Tout comme sur les précédentes versions, l'appareil peut repérer jusqu'à 10 visages et optimise sur eux la mise au point, l'exposition et la balance des blancs. La vitesse de « traitement des yeux rouges » a été conjointement augmentée. Dès qu'un « oeil rouge » apparaît sur un visage repéré dans une image enregistrée, il est automatiquement corrigé.
(4) La double stabilisation d'image. La stabilisation du CCD et la haute sensibilité agissent conjointement pour garantir une totale protection contre les flous de bougé. (5) Une consultation et une recherche facile des images enregistrées. La visualisation par micro vignettes permet l'affichage jusqu´à 100 photos simultanément et simplifie la recherche des images.
Une nouvelle couronne d'affichage facilite la recherche des micro-vignettes.
La vitesse ultra rapide d'affichage, 10 images par seconde, fluidifie le contrôle des images
(6) Autres caractéristiques.
Le nouveau design « Arc fin » offre tout à la fois élégance et facilité de prise en main. Elle réduit les risques de choc sur le boîtier. 16 modes scène sont proposés, incluant les modes « nuit », « fête » et « optimisation du portrait ». Le boîtier dispose d´un mode vidéo, en qualité VGA avec son, à 30 images par seconde. Le zoom, l´exposition automatique et l'autofocus sont actifs durant la séquence d'enregistrement.