Showing posts with label german photographer. Show all posts
Showing posts with label german photographer. Show all posts

21/06/13

Candida Höfer at Galleria Borghese, Rome

Candida Höfer at Galleria Borghese
Galleria Borghese, Rome 
20 june - 15 september 2013

The Special Bureau for Artistic and Ethnoanthropological Historical Heritage and for Rome’s Museum Network presents the CANDIDA HOFER AT GALLERIA BORGHESE exhibition. 

The famous Galleria del Lanfranco hosts seven works by the great artist portraying the original reconstruction of the Borghese collection, which was restored to its origins during the I Borghese e l’Antico exhibition (December 2011 – April 2012, curated by Anna Coliva and Marina Minozzi for Galleria Borghese and by Jean-Luc Martinez and Marie Lou Fabréga-Dubert for the Louvre) which brought back to the Gallery the most important ancient art masterpieces that once belonged to the collection, mostly collected by Cardinal Scipione Borghese at the beginning of the Seventeenth century and currently making up the core of the Paris Louvre Museum antiques collection, following the sale imposed by Emperor Napoleon Bonaparte on his brother-in-law Camillo Borghese in 1807. 

Candida Höfer’s work therefore represents the only existing evidence of the collection in its original set-up, which will never be replicated again: some kind of miracle that will never repeat itself. The underlying concept of the exhibition is that out of the reconstruction of an art masterpiece such as the Galleria Borghese collection in its original makeup, another work of art was created. 

In that occasion Candida Höfer – known for her incomparable way of perceiving places and reproducing them through her camera – had therefore documented the mounting of the exhibition halls through the photos that are now in display in their original location, the Galleria itself. 

The exhibition curated by Mario Codognato, Anna Coliva and Marina Minozzi is an exceptional, unique event and will enable visitors to virtually walk through the halls of “The most beautiful villa in the world” - Antonio Canova’s definition - and experience the fascinating atmosphere generated by the exceptional return to their place of origin of the masterpieces of one of the most distinguished and prestigious archaeological collection of all times.

CANDIDA HOFER EXHIBITION
The seven large-size photos – roughly 180 x 200 centimeters – exhibited in the Lanfranco Hall, portray the Villa and reproduce the setting up of the seventeenth and eighteenth century, when sculptures belonging to the celebrated Borghese archaeological collection were still displayed in the Museum halls, in a charming sequence of images. 

Masterpieces such as The Three Graces and The Sleeping Hermaphroditus feature in Candida Hofer’s photos alonside masterpieces of modern sculpture, such as the The Rape of Proserpina by Gian Lorenzo Bernini and the famous Pauline Bonaparte as Venus Victrix by Antonio Canova.

However, the true protagonists of these pictures are not only these extraordinary sculptures but also the Galleria as a whole: its history, its furniture, its works: all these elements make Candida Höfer’s photographs unique and the exhibition a one-off opportunity.

Candida Hofer’s photos stir up emotions thanks to their historical background, their perspective and the brightness of the place itself, defining its original aspects and raising the images to an eternal, absolute dimension.

The exhibition has been organised by Galleria Borghese thanks to Telecom Italia’s support and with the cooperation of Arthemisia Group. The exhibition has also been sponsored by Borghi Italia – Art Division, Axa Art, Arte Assicurazioni srl, Parco dei Principi Grand Hotel and Spa.

THE ARTIST CANDIDA HOFFER
Candida Höfer features among the most relevant artists of German contemporary photography. She was born in Eberswalde, Germany, in 1944 and is a leading exponent of “the School of Dusseldorf”.  She started her artistic career in 1975 taking then part in several international exhibitions, such as Documenta in Kassel in 2002 and Biennale in Venice in 2003, where she exhibited her work in the German Pavillion. Her works feature in the collections of many international museums, such as Centre Pompidou in Paris, Centro de Arte Reina Sofia in Madrid, Kunsthalle in Hamburg, Museum of Modern Art (MOMA) in New York, Kunthalle in Basel. 

CANDIDA HOFER
Photo (c) Ralph Müller, Düsseldorf, 2011

Candida Höfer is renowned for her shots of public spaces, such as museums, libraries, archives, theatres, offices, banks, waiting rooms, underground stations and other culturally and socially crowded places which however stand out due to the total absence of human presence. As a matter of fact, it is a “non-presence” rather than an absence: the portrayed locations seem to be suspended, waiting, ready to welcome the human being, the real protagonist, enjoying those museums and frequenting those libraries.

Roma, Galleria Borghese
Piazzale Scipione Borghese 5
00197 Roma - Italy
www.galleriaborghese.beniculturali.it

02/08/11

Christian Gieraths' photos of Mumbay at Baukunst Galerie, Cologne


Photography exhibition : Christian Gieraths - Salaam Bombay, Baukunst Galerie, Cologne

This post presents the exhibition of photographs by the artist Christian Gieraths at Baukunst Galerie in Cologne. It give you informations about the recent work of the german photographer in India. You can also read above a short biography of Christian Gieraths.

CHRISTIAN GIERATHS
Christian Gieraths, R. R. Roy Marg, 2010
150 x 225 cm, pigment print on Epson matt on Diaplex/Dibond
from the series: Beautiful Hell - Mumbai
signed, dated and inscribed verso, edition of 4 (+ 1 A.P.)
© & Courtesy Christian Gieraths / Baukunst Galerie, Cologne, Germany

CHRISTIAN GIERATHS is a flaneur who is interested in the hustle and bustle of a society which develops itself in the pulse of technological progress and which, therefore, is in an ongoing condition of change. He is continuously searching for places where he can find these changes manifested in its historical, political or aesthetic forms. Sotchi, Havanna, Tokyo, Hollywood and Las Vegas have been previous settings of earlier series´ which show a similar picture language: They show deserted places, streets and interiors as well as facades. His focal point of the compositions is always identical. Hence, the viewpoint of the observer as well as the restricted image section remains Gieraths´ criteria for composition. His photographies are comprised by a certain silence that derives from his composition and reminds of film stills. Colour and atmosphere as well as the artist´s viewpoint are most significant. By depicting his compositions in a short span of time he enables the past to become present. Through dealing with these locations and its surroundings, as well as thoughtful observations of the sensual reality and the atmospheric moods, Christian Gieraths transforms his visual experience into photography.

In his latest series Beautiful Hell - Mumbai, Christian Gieraths was confronted with one of the most populated cities in the world. This experience lead him to an unavoidable change of his perspective. His photographies show new tendencies and they still remind of film sets and film stills. Unaware of his picture making, people are starting to become part of his compositions and the choice of his perspective frees. His primary concern to create a composition of colour and atmosphere remains. Gieraths´ photographies seem to remind of documentary in an objective way. But there are no traces of noise, chaos or smells of putridity and spices. Neither is there a vision of luxury or poverty that everyone who travels to India is confronted with. His works impress in an unspectacular and calm way and show a pictorial quality derives from his studies in the class of Prof. Ulrich Erben. It is the result of precise observation and sensible artistic aim that can only be reached through the medium of photography. 

Christian Gieraths was curious about the dream factory Bollywood which he considered a place of new symbolic importance and afflicted with myths for new stories. With a skilled eye of a painter he observes Mumbai known as Bombay until 1996. This city, which became independent in 1947, is shaped by modern buildings and historic architecture of the British colonial style. In Mumbai, nowadays a typical Indian city, Gieraths´ hunted for magic places such as cityscapes, urban corners, streets and buildings that were, or could be used as film sets. Besides exteriors there are sceneries such as foyers, corridors, cinemas, concert halls and projection rooms that become subjects of his compositions. The exhibition´s title Salaam Bombay derives from a film title of the 1980s which reflects Christian Gieraths´ interest in locations for the Hindi film industry, located in Mumbai.

CHRISTIAN GIERATHS - BIOGRAPHY

Christian Gieraths was born in Cologne in 1976. He studied history of art, cultural studies and philosophy before studying fine arts with Ulrich Erben at the Kunstakademie Münster from 1999 to 2005. In 2001 he began to study in the photography class of Thomas Ruff at the Kunstakademie Düsseldorf. In 2006 he completed his master year overseen by Daniel Buetti. In the same year he was awarded with the first prize of the GWK Subsidy Award of Fine Art by the Gesellschaft zur Förderung der Westfälischen Kulturarbeit and exhibited together with Andreas Gursky, Thomas Ruff, Jürgen Klauke and Boris Becker in the touring exhibition Fotokunst aus 60 Jahren. Kunst aus NRW. In 2008 a great solo exhibition followed by a catalogue release in the RWE Tower in Dortmund, and in 2010 Gieraths received a traveling grant of the Kunststiftung NRW for Mumbai, India. The photographer's latest works, produced in Mumbai, India, in 2010 have been made possible through this grant. The Fuhrwerkswaage, Cologne, showed Christian Gieraths´ works, in the exhibition Beautiful Hell - Mumbai from June 26th to July 17th, 2011.

Christian Gieraths' Exhibition dates: 30 June - 2 September 2011
Upcoming: Meta Isaeus-Berlin, Moon Dreams 

BAUKUNST GALERIE 
D - 50668 COLOGNE