Showing posts with label posters. Show all posts
Showing posts with label posters. Show all posts

10/10/25

Richard Prince: Posters Exhibition @ Galerie Max Hetzler, Marfa, Texas

Richard Prince: Posters
Galerie Max Hetzler, Marfa, Texas
Through 7 December 2025

Richard Prince Poster
Richard Prince 
Untitled, 2016 
Courtesy of Richard Prince Studio

Hetzler presents Posters, a solo exhibition of works by Richard Prince, for the gallery’s annual presentation in Marfa, Texas, through December 7, 2025.

One of the foremost representatives of appropriation art, Richard Prince has been recontextualising images and ideas from mass media, advertising and entertainment since the 1970s. Often based on products of everyday American culture, his practice is one of ‘post-production’, which reworks cultural phenomena and their attributes to rewrite received narratives and our understanding of history.

The present exhibition brings together a large body of Richard Prince’s Poster works on canvas and on paper, created between 2014 and 2024. The large canvases show reproductions of advertisements for mail-order posters, as were often found at the back of magazines in the second half of the 20th century. Hugely popular at the time, these printed images represent touchstones of early counter-cultural magazines, which are among Richard Prince’s long-term interests. The motifs of political slogans and far-out art in the form of cheap posters are singled out and chosen by the artist. They find their origins in the hippie head-shop culture of the late ’60s, which also encompassed magazines, music and comedy records. Taped-off and blocked-out from the pages where they were listed, the images have been blown up so that the resulting works are far larger than the original posters.

In their seemingly arbitrary selection, the poster images combine anti-war slogans, reproductions of Modern art, graphic-design interpretations of nude couples, and pictures of cats in sometimes humorously disparate compilations. The revolutionary attitude of the late ’60s student protests is juxtaposed against the self-indulgence of hippie culture in this side-by-side illustration of popular visual language.

If cultural attitudes are transported through everyday imagery, then  Richard Prince makes them transparent by applying the focus of his artistic practice to these source materials. Method and implication are translated into different contexts and, with his meticulous attention to detail, the artist decodes the communication of contemporary visual language and the ideas which are concealed within it.

Artist Richard Prince

Richard Prince (b. 1949, Panama Canal Zone) lives and works in Upstate New York. Prince’s work has been the subject of numerous solo exhibitions in international institutions, including Georgia Museum of Art, Athens (2024); Louisiana Museum of Art, Humblebaek; The Karpidas Collection (both 2022–2023); Museum for Modern Art, Weserburg (2021); Museum of Contemporary Art Detroit (2019–2020); Museo de Arte Latinoamericano de Buenos Aires Malba; Espace Louis Vuitton, Beijing; Astrup Fearnley Museet, Oslo (all 2018); Los Angeles County Museum of Art (2017–2018); Kunsthaus Bregenz (2014); Picasso Museum, Malaga (2012); Le Consortium, Dijon (2011); Serpentine Gallery, London; Walker Art Center, Minneapolis (both 2008); Guggenheim Museum, New York (2007–2008); Kunsthalle Zürich (2002); Museum für Gegenwartskunst, Basel (2001); and MAK, Vienna (2000), among others. The artist participated in the Venice Biennale in 2007 and 2003, as well as the Whitney Biennial in 2004, 1997, 1987 and 1985.

Works by Richard Prince are in the collections of international museums including the Art Institute of Chicago; Astrup Fearnley Museet, Oslo; The Broad, Los Angeles; Centre Pompidou, Paris; Fondation Louis Vuitton, Paris; Institute of Contemporary Arts, Boston; Kunstmuseum Basel; Los Angeles County Museum of Art; The Metropolitan Museum of Art, New York; Modern Art Museum of Fort Worth; Museum of Contemporary Art, Chicago; Museum of Contemporary Art, Los Angeles; The Museum of Modern Art, New York; Palazzo Grassi, Pinault Collection, Venice; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Tate, London; Victoria and Albert Museum, London; and Whitney Museum of American Art, New York, among others.

GALERIE MAX HETZLER
1976 Antelope Hills Road, Marfa, Texas

Richard Prince: Posters
Galerie Max Hetzler, Marfa, Texas, 17 May – 7 December 2025

23/02/25

Exhibition "beyond now. Editions" @ Kestner Gesellschaft, Hanover

beyond now. Editions
Kestner Gesellschaft, Hanover
December 7, 2024 - March 2, 2025

Artists:
Mathieu Kleyebe Abonnenc, Franz Ackermann, Rebecca Ackroyd, Nevin Aladağ, Lewis Baltz, Monika Baer, Thomas Bayrle, Bernhard und Anna Blume, Erik Bulatov, André Butzer, Katinka Bock, Armin Boehm, Cecily Brown, Fernando Bryce, Helen Cammock, Marc Camille Chaimowicz, Jake & Dinos Chapman, Louisa Clement, Ceal Floyer, FAMED, Rochelle Feinstein, Peter Fischli & David Weiss, FORT, Nan Goldin, Guerilla Girls, Gotthard Graubner, Diango Hernández, Camille Henrot, Roger Hiorns, Gary Hume, Bethan Huws, Monilola Olayemi Ilupeju, Olav Christopher Jenssen, Anna K.E., Alex Katz, Hassan Khan, Joachim Koester, Marlena Kudlicka, Rezi van Lankveld, Jochen Lempert, Kris Martin, Jakob Mattner, Rita McBride, Henri Michaux, Sarah Morris, Chris Ofili, Lucila Pacheco Dehne, Peter Piller, Joanna Piotrowska, Paula Rego, Michael Sailstorfer, Susanne Sachsse & Xiu Xiu, Vittorio Santoro, Yehudit Sasportas, Dana Schutz, Bettina Scholz, Marinella Senatore, Santiago Sierra, Roman Signer, Simon Starling, Florian Süssmayr, Sophie Taeuber-Arp, Hann Trier, The Institute of Queer Ecology, Tim Ulrichs, Ursula (Schultze-Bluhm), Ella Walker, Phoebe Washburn, Paloma Varga Weisz, James Welling, Christopher Williams, Samson Young, Heimo Zobernig, Thomas Zipp.

With beyond now. Editions, the Kestner Gesellschaft reflects on its exhibition history and the connection between artistic production and institutional work. This special exhibition includes both current and rediscovered limited-edition works, combining them with a series of related exhibition posters. A visual timeline traces the historical context of the works, their thematic connections to contemporary events, and their significance for the programmatic development of the Kestner Gesellschaft. Past and present intertwine in a vibrant dialogue that offers impetuses for future perspectives and makes the relationships between art, institutions, and society tangible.

The posters and limited-edition works refer to the diverse thematic exhibitions and projects that address societal and artistic questions of recent years: Tenderness (2022) focused on sensitivity and vulnerability, Anabasis (2023) explored movement and return, and Between Past and Future (2024) addresses Hannah Arendt’s thoughts on social responsibility and memory.

Since its founding in 1916, the Kestner Gesellschaft has collaborated closely with artists to release limited editions several times a year. These works form an essential part of its activities and significantly contribute to the accessibility, promotion, and visibility of contemporary art. beyond now. Editions not only offers the opportunity to explore the history of the institution’s exhibitions and limited-edition works but also to purchase these works.

In addition to historical works, the exhibition presents two new limited-edition works: Paloma Varga Weisz displays bronze sculptures from her series Wild People (2024), inspired by mythical and archetypal figures. And Monilola Olayemi Ilupeju presents her handmade book BloodLetter (2024), which interweaves personal stories in poems, essays and journal entries.

Environmental issues are an important concern for the Kestner Gesellschaft. The exhibition was designed for sustainability by using only existing interior equipment. This concept reflects a responsible approach to resource management and underscores the institution’s endeavor to address current challenges not only thematically but also practically.

Curator: Alexander Wilmschen

KESTNER GASELLSCHAFT
Goseriede 11, 30159 Hannover