Showing posts with label design exhibition. Show all posts
Showing posts with label design exhibition. Show all posts

12/01/18

2018 Interior Design Show - IDS18 - Toronto

2018 Interior Design Show - IDS
Metro Toronto Convention Center
January 18 - 21, 2018




Since opening its doors in 1999, the Interior Design Show (IDS18) has become a design authority showcasing the latest design trends and innovations from Canada and internationally. Combining hundreds of exhibitors, a line-up of international speakers and a full schedule of expert-lead seminars, IDS18 doesn’t follow the trends – it premiers them. As the show prepares to celebrate its 20th anniversary this January 18-20, 2018, IDS18 has compiled the trends that are shaping the industry in the year to come. From floor tiles to ceiling fixtures, 2018 promises to be a year of leading-edge innovation. 

“As we enter our milestone 20th year, we are paying homage to Canada’s past and the culture that has shaped IDS for the past two decades,” Karen Kang, National Director, IDS Canada. “This year’s theme, Future Forward, will look ahead with predictions on how design will change how we live.”


Modern and contemporary furniture living area created 
by Quebec furniture company Huppé 
Crédit photo : Huppé

Canada by Design
IDS18 is celebrating Canadian designers in a big way. The show will explore the commonalities that could define what Canadian design is: a sensibility that favours restraint over excess, an appreciation of a rationalist and minimalist approach, and a respect for function, materials, and craftsmanship. This year Canadian work will be highlighted by many native design companies. Trends from modern day living, handcrafted hardwood and affordable home furnishings will all be on display.


Dining chair by Bonaldo, 
available at Suite 22 Interiors 
Crédit photo : Bonaldo


The Ultimate Kitchen
As the old saying goes, “the kitchen is the heart of the home.” In thinking about the future of this space, IDS18 will focus on the innovation, high tech appliances and quality finishes found. New materials and textures will add that extra slick finish the kitchens of the future.


Caesarstone’s Cloudburst Concrete provides 
a quartz quality concrete look 
Crédit photo : Caesarstone

Refined Ruggedness
Hard surfaces with a harsher mixed stone look will be the go-to-trend for homeowners looking to make a statement. Expect to see unconventional materials, such as concrete, take over everything from flooring to countertops. 

Light it Up
Lighting continues to shine at IDS18! Designers from all corners of the globe are debuting fresh interpretations and innovative ideas to bring more than just light to a room.


Lambert & Fils’ IDS debut will dazzle with innovative feature lighting 
Crédit photo : Lambert & Fils

ANONY, winner of last year’s best studio north collection returns to IDS 
Crédit photo : ANONY

Curves
The new shape trending this year is modern curves which add soft lines to contemporary spaces. Exhibitors will showcase distinctive artistic shapes, detail craftsmanship and inspiring ideas for living spaces.

Modern Wood
Gone are the days of live edge. This year’s wood pieces are sophisticated and sleek – a true testament to the relationship between 2018 craftsmanship and contemporary design.


Kastella has mastered the art of utilizing wood for a modern finish
Crédit photo : Kastella


Statement Details
Like statement jewelry pieces in fashion, jewelry inspired details are popping up in the home. Lighting, furnishings, tiles and hardware are all taking on geometric cut-outs and peeks of metal detailing. 

For more information: toronto.interiordesignshow.com

11/02/14

Designs of the year 2014, London Design Museum

Designs of the Year 2014 
Design Museum, London 
Nomination announced - Exhibition from 26 March to 25 August 2014 

Kate Moss’s favourite app, a floating school in a Nigerian lagoon, friendly lamp posts, virtual mountain rescue teams, a recoiling mudguard for the discerning cyclist - just some of the 76 nominations for Designs of the Year 2014, announced yesterday.

Designs of the Year gathers together a year of cutting-edge innovation and original talent; showcasing the very best in global Architecture, Digital, Fashion, Furniture, Graphic, Product and Transport design.

2014’s nominees include international design stars such as Zaha Hadid, John Pawson, Stephen Jones, David Chipperfield and Miuccia Prada, alongside crowd-funded start ups and student projects. All of the nominated designs go on display at the Design Museum, in an exhibition open from 26 March to 25 August 2014. A distinguished panel of experts chose a winner from each category and one overall winner, to be announced later in the year.

Designs of the Year pits the ingeniously amusing against the admirably innovative. The Dumb Ways To Die app features cute characters who meet increasingly grisly ends, accompanied by an insanely catchy tune; while the PEEK Portable Eye Examination Kit harnesses smartphone technology to revolutionise eye care in developing countries.

The broad reach of the competition allows for an overview of emerging trends and common themes from across different design disciplines. This year the ubiquity of the smartphone is particularly apparent, as is the disruptive effect of crowd-funding sites such as Kickstarter. More than ever, designers are seeking to blur boundaries between the digital and physical worlds with new ideas like the calendar made of Lego that syncs with your computer/phone diary and the fire alarm that texts to let you know that everything’s ok.

After the success of its first outing in 2013, the Visitor Vote will return, allowing visitors to the Design Museum to pick their favourite design from the exhibition. New for 2014 is the Social Vote which sees two nominations fight it out each day through the exhibition’s online Social Vote platform. Broadcast to over one million of the Design Museum’s Twitter and Facebook followers, the Social Vote allows people from all over the world to participate in Designs of the Year 2014.

The gaming app that outlives its player, the mobile phone you can build yourself, the bottle caps that turn into building blocks – someday the other museums will be showing this stuff. #designsoftheyear

DESIGN MUSEUM 
Shad Thames, LONDON, SE1 2YD
www.designmuseum.org

01/12/13

In the making, Design Museum, London. An exhibition curated by Barber & Osgerby

IN THE MAKING
An exhibition curated by Barber & Osgerby 
Design Museum, London 
22 January - 4 May 2014

This exhibition, curated for the Design Museum by Edward Barber and Jay Osgerby, captures over twenty objects mid-manufacture, putting the aesthetic of the unfinished centre stage. Varying from the £2 coin to a cricket bat, a surprising range of objects have been chosen by British designers Edward Barber and Jay Osgerby, founders of the design studio Barber & Osgerby, to be exhibited in an unfinished state, celebrating the intriguing beauty of the production process. 

Edward Barber and Jay Osgerby
© Photo by Alisa Connan 

The objects have been selected because they each have an unexpected quality about them in those moments, hours or days before they assume their final, recognisable form. These points in the making process capture a peculiar and unconventional slice of time in the production of everyday objects such as tennis balls, banknotes and even diamonds.

The show gives a glimpse of the designers’ ongoing dialogue with manufacturing that is so distinctive to their practice. Throughout their careers, Edward and Jay have had a technical curiosity and fascination with the making process. The way in which things are created has had a profound influence on them and continually inspires their work.

Thonet Chair in production
© Thonet GmbH / Photo Mirko Krizanovic 

Edward Barber and Jay Osgerby comment ‘We have always been fascinated by the making process as it is an integral part of our work. We have curated an exhibition that will provide a platform to capture and reveal a frozen moment in the manufacturing process and unveils an everyday object in its unfinished state. Often the object is as beautiful, if not more so, than the finished product!' 

Torch in production
© Photo by Lee Mawdsley

These partially made objects give an insight into the design thinking that has driven this duo to such acclaimed success, including designing the London 2012 Olympic Torch, which went on to be awarded the Design Museum’s Design of the Year 2012. Their multidisciplinary approach challenges the boundaries of industrial design, architecture and art.

DESIGN MUSEUM, LONDON 
www.designmuseum.org

04/07/13

Contemporary Jewelry & Design, High, Atlanta, 2013-2014

Bangles to Benches: Contemporary Jewelry and Design - Campana Brothers, Ron Arad, Zaha Hadid, Marcel Wanders and Other Renowned Designers at High Museum of Art, Atlanta 
October 8, 2013 - June 8, 2014

The High Museum of Art, Atlanta, Georgia (USA) will broaden visitors’ ideas of jewelry as wearable sculpture with Bangles to Benches: Contemporary Jewelry and Design, on view October 8, 2013 through June 8, 2014.

Ranging from mass-produced to one-of-a-kind works and from hand-crafted to digitally fabricated pieces, this exhibition focuses on the scale, range and creative dexterity found in many contemporary designers’ repertoires today. Innovative contemporary jewelry will be paired with other design objects—from chairs to climbing walls—created by the same designers.

This exhibition will celebrate the accomplishments of key designers currently in the High’s permanent collection, including Ron Arad, Fernando and Humberto Campana, Héctor Esrawe, Johanna Grawunder, Zaha Hadid, Joris Laarman, Marc Newson, Ettore Sottsass, Jr. and Marcel Wanders. The show will also highlight many of the High’s recent acquisitions by these designers and will demonstrate the range of contemporary design.

Examples of notable pairings in the exhibition include the modular "Bone Structures" necklace (composed of 18 leather pieces attachable by magnets) by Fernando and Humberto Campana alongside their vibrant 2010 "Sushi" sofa and the gold-plated clown "Nose" necklace by Marcel Wanders, displayed with his 2006 prototype "Crochet" chair made of hand-crocheted fiber and epoxy resin.

“Over the last seven years, we have grown our collection of works by these designers to reinforce and explore ideas of production, material, intent and form,” said Sarah Schleuning, curator of decorative arts and design at the High. “By showcasing wearable designs by these artists alongside their works in other mediums, we’ll celebrate the breadth of the influence of these artists and also show how their works have come to shape the High’s permanent collection.”

Other notable works in the exhibition include: Ron Arad’s "Blo-Void I" rocker and "Hot Ingo" earrings; Zaha Hadid’s "Glace" series with Atelier Swarovski and "Tea and Coffee Towers"; Joris Laarman’s "Credit" brooch and "Ivy" climbing wall; and Marc Newson’s "Orgone 1" bracelet and "Embryo chair".

HIGH MUSEUM OF ART, ATLANTA, GA
Museum's website: www.high.org

29/04/13

Designers Stefan Sagmeister & Jessica Walsh, The Jewish Museum, New York, USA


First Exhibition by Designers Stefan Sagmeister and Jessica Walsh: Six Things: Sagmeister & Walsh
The Jewish Museum, New York, USA
Through August 4, 2013

Designers Stefan Sagmeister and Jessica Walsh
Sagmeister & Walsh 
Stills from If I Don’t Ask, 2013 
HD video, 2min., 12 secs. 
In collaboration with Santiago Carrasquilla 
© Sagmeister & Walsh

The designers Stefan Sagmeister and Jessica Walsh are known for their experimental typography and striking visual imagery. Six Things: Sagmeister & Walsh, on view at The Jewish Museum since March 15 through August 4, 2013, marks the first exhibition of their newly minted design firm Sagmeister & Walsh. For the last ten years, Sagmeister has researched the nature of happiness, asking, “Is it possible to train my mind in the same way I can train my body?” In five short films and a sculpture, the studio investigates six things, culled from Sagmeister's diary, that he believes have increased his personal happiness such as: “Now Is Better” and “If I Don’t Ask I Won’t Get.” In addition, intrigued by a recent nationwide survey in which Jews reported the highest levels of well-being of all religious groups, Sagmeister & Walsh are placing a text in the gallery that connects this scientific data to his personal exploration of happiness.

Before this partnership, Stefan Sagmeister was already taking an unusual approach to design. He has created signature album covers for Lou Reed, Talking Heads, the Rolling Stones, and OK Go, and others, and executed indelible ad campaigns for major companies such as HBO and Levi’s. In an iconic 1999 poster for the American Institute of Graphic Arts (AIGA), he incised type into the skin of his naked torso like a tattoo. At the contemporary art gallery Deitch Projects in 2008 he stacked 10,000 bananas against a wall. Unripe green bananas among the yellow ones spelled out the rallying sentence, “Self-confidence produces fine results.” The legibility of the text fluctuated as the fruit turned from green to yellow to black over the course of the exhibition. 

To stimulate his own creativity Sagmeister has gone on regular sabbaticals since 2000, traveling and investigating ideas. Over the last decade he has delved into the nature of happiness. Inspired by the psychologist Jonathan Haidt, whose research connects spiritual wisdom with modern science, Stefan Sagmeister developed an intensive regimen of meditation, cognitive therapy, and mood-altering drugs as an experiment in self-discovery. From this emerged a forthcoming documentary entitled The Happy Film and from that The Happy Show, a traveling exhibition and its accompanying publications, organized by the Institute of Contemporary Art, Philadelphia. 

Six Things is a continuation of this project on happiness, in which Jessica Walsh has been an integral partner. In five compelling short videos and a sound-activated sculpture, Sagmeister & Walsh examines six things culled from Sagmeister’s diary that he believes have increased his personal happiness: 

If I Don’t Ask I Won’t Get 
Keeping a Diary Supports Personal Development 
Be More Flexible 
It Is Pretty Much Impossible to Please Everyone 
Now Is Better 
Feel Others Feel 

Sugar cubes, bubbles, and water balloons are just some of the materials used to spell out the phrases. The ambiguous connections between the six epigrams and the objects of which they are composed are left for visitors to decipher, a provocative game based in the pleasure of looking. 

A text in the Six Things exhibition gallery connects this scientific data to the personal exploration of happiness. It notes: “According to a recent nationwide survey, Jewish Americans report higher levels of happiness than all other major faith groups in the country. This finding is based on more than 676,000 interviews conducted in 2010-2011 for the Gallup-Healthways Well-Being Index. Within each faith surveyed, very religious members are happier than their nonreligious counterparts. For example, observant Jews are generally happier than secular Jews. But a higher proportion of practicing members does not predict greater well-being for the faith. Interestingly, though Jews are among the least religious faith groups in America, with only 16.9% identifying themselves as very religious and 53.5% as secular, they still appear to be the happiest. The Well-Being Index does not definitively say that religious observance leads to greater happiness. It does note that belief in a higher power, prayer, acts of charity, and neighborly love can promote a sense of belonging; alleviate stress and depression; and lead to a positive outlook on life.”

Six Things: Sagmeister & Walsh has been organized by Rebecca Shaykin, Leon Levy Curatorial Assistant at The Jewish Museum. 

STEFAN SAGMEISTER & JESSICA WALSHS are the principals of Sagmeister & Walsh, a New York-based design firm. They have been engaged to create a new graphic identity for The Jewish Museum. 

STEFAN SAGMEISTER  born in Bregenz, Austria, in 1962, established the design firm Sagmeister Inc. in New York in 1993. He is the recipient of many awards, including two Grammy awards for his packaging designs, the Lucky Strike Designer Award, and an award from the Cooper-Hewitt National Design Museum. 

Born in 1986 in New York, JESSICA WALSHS  a multidisciplinary designer, has worked at Pentagram Design and Print magazine and counts The New York Times, AIGA, EDP, Computer Arts, and I.D. magazine among her clients. She was named Computer Arts' Top Rising Star in Design in 2009 and an Art Director’s Club Young Gun in 2010, as well as Print’s New Visual Artist for 2011.

Exhibition Related Program: On Thursday, May 2 at 6:30pm, Stefan Sagmeister will talk about his recent projects including the exhibition, Six Things: Sagmeister & Walsh.

Among other exhibition on view at The Jewish Museum in New York is the project: As it were … So to speak. A Museum Collection in Dialogue with Barbara Bloom, Through August 4, 2013.

Support: This exhibition is made possible by the Irma L. and Abram S. Croll Charitable Trust. Additional support is provided by StampStampede.org. 

The Jewish Museum, New York, USA
Museum website: www.thejewishmuseum.org

20/11/12

Product Design Days 2012, Chennai, India & I Design Awards 2012-2013

PDD - Product Design Days 2012 & I Design Awards 2012-2013Chennai Convention Centre, India
22 & 23 November 2012



I Design Award Icon


PRODUCT DESIGN DAYS 2012 in India is a platform created for indian small and medium business (SMB) to interact and forge business relationship with design service providers. PDD 2012 is an avenue for SMBs to get an insight on the advantages of integrating design in their businesses, thereby empowering them to compete in the global market. The conference attempts to educate them in the processes and modalities of design development and design management. It is an arena where small & medium business houses can educate themselves with the intricacies and nuances of incorporating product design as a part of their manufacturing process, including how to approach and brief a design firm and plan the early stages of the product design development. Apart from the conference and exhibition, Product Design Days 2012 provides end to end design solutions for SMBs covering the entire spectrum of the product design portfolio.

CHENNAI’S PRODUCT DESIGN DAYS 2012 HIGHLIGHTS
- Interesting Product and industrial design event in India
- Over 600 Pre-registered delegates from the Indian manufacturing industry
- 15 National and International speakers,
- 25 Design firms and allied industries exhibiting
- 16 International award-winning products on display,
- Design gallery with over 200 international award winning designs
- Daily conferences featuring eminent national and international speakers
- An exhibition showcasing Indian and International design firms and allied industries


I DESIGN AWARDS 2012-2013 WINNERS

The successful first edition of the I Design Awards has declared 39 winners from over 300 submissions selected by jury panel.

Packaging Design: Nikhil Autade - Hardik Gandhi for Godrej Consumer Products Ltd
Lighting Design: Sudhanwa Chavan - Abhijit Bansod for Bpl Technovision Pvt Ltd, Bangalore - Bambooed India for Bambooed
Electronic Equipment Design: Mohit Yadav - Rishabh Bhardwaj - Manojkumar A G for Lumium Innovations (2 products design awarded) - Chandrashekhar Nadgouda for Trane
Electrical Household Devices Design: Sanbid Golui for Designlipi Projects Private Ltd - Sharanya Nair - Sharma Vipul - Chandrashekhar Nadgouda for Trane - Shilpa Marathe
Home and Office Equipment Design: Uttam Banerjee
Public and Outdoor Products Design: Himanshu Goyal
Home Furniture Design: Parin Sanghvi - Hardik Gandhi for Designgandhi
Decorative Items and Culinaryware Design: Vidhi Goel for Tupperware Brands, Slabs - Swati Gakkher For Arttdinox for Arttdinox
Office Furniture Design: Rahul Deshpande for Wipro Ltd-Wipro Furniture Business - Anindya Dasgupta, also for Wipro Furniture Business
Personal Products and Accessories Design: Ankit Vyas for Wellcrow Photogears Pvt. Ltd
Medical Equipment and Devices Design: Sharanya Nair - Malav Sanghvi - Nikhil Autade - Manojkumar A G for Lumium Innovations
Transportation and Mobility Design: Tilak Deepak Roy for Tdr Groups - Riten Gojiya - Susovan Mazumder - Riten Gojiya - Sarwar Sayeed - Raunaq Babbar - Riten Gojiya
Building Components and Sanitaryware Design: Manojna Bellur
Capital Goods Design: Kunal Ghate for Forbes Marshall Pvt. Ltd
Prosumer Products and Tools Design: Desmania Design Pvt. Ltd for Cst
Recreational Products Design: Sarang Kusale

Here are some pictures of awarded products design. All photos and images of this post are courtesy of the designers, brands/clients, I Design Award & Unitech Exhibitions Private Limited, Chennai.

Plug-in Camera Case by Ankit Vyas
I Design Award Winner in Personal Products and Accessories Design Category, 2012-2013

Camera Case, Design ANKIT VYAS Plug-in Camera and Lenses Case Design by ANKIT VYAS

Plug-in Camera Case, Design ANKIT VYAS Plug-in Camera and Lenses Case Design by ANKIT VYAS

Ankit Vyas, the project leader of the awarded design Plug-in says “Plug-in is the safest camera/lens case available so far. It is the only soft case which can withstand load up to 100 kg and protects equipment against severe jerks and drops from up to 1 m. This is why with Plug-in, taking care of your DSLR is not a hassle anymore. In addition, due to its slim shape any type of existing bag can be used as a camera bag with Plug-in fitted in. Using the removable strap your Plug-in is also a standalone camera bag which can be carried in two different ways. Its waist bag configuration has a unique usage as a protective lens changer for professional photographers.”

camera_case_wellcrow_photogears Plug-in Camera and Lenses Case Design by ANKIT VYAS

This photographic case was previously exhibited in Gujarat Photo Video Trade Fair in August-September, 2012. It was made by Wellcrow Photogears Pvt. Ltd, a start-up by two photography enthusiasts: Ankit Vyas and Shaival Desai.

Munch Cafe Chair by Rahul Deshpande
I Design Award Winner in Office Furniture Design Category, 2012-2013

Munch Cafe Chair Design by  Rahul DeshpandeMunch Cafe Chair Design by RAHUL DESHPANDE

rahul_deshpande_chair_design Munch Cafe Chair Design by RAHUL DESHPANDE

Rahul Deshpande, the project leader of the winning design Munch explains “Most uniquness of the design is its form which helps in 1. keeping/hanging the tiffinbag/handbag/purse temporarily on the nothc in the back rest, making user feel relaxed while eating & 2. the nothches give a firm grip (essentially with both hands) ensuring the housekeeping is handling the chair easily wihtout any stress on their back. It aslo gives a stackable solution. The mat laminate finish not only gives vibrant colours but also provides a comfortable seating grip & also makes the chair maintainence friendly & hygninic.”

Connect retractable tandem bicycle by Susovan Mazumder
I Design Award Winner in Transportation and Mobility Design Category, 2012-2013
susovan_mazumder_design Connect Bicycle Design by SUSOVAN MAZUMDER

susovan_mazumder_design_bicycleConnect Bicycle Design by SUSOVAN MAZUMDER

Susovan Mazumder, the designer of the awarded project Connect demonstrates “Connect is a retractable tandem bicycle which can be ridden solo as well as by two riders. It uses a retractable frame with integrated shaft dive system for engaging and disengaging the secondary pedal to the drive system. it uses simplistic design approach matched with contemporary colors to give a feel of a futuristic and fun city bicycle.”

Numnum a Playful Spoon For Child (2-5 Years Old) by Sarang Kusale
I Design Award Winner in Recreational Products Design Category, 2012-2013

sarang_kusale_design Numnum Design by SARANG KUSALE

sarang_kusale_designer Numnum Design by SARANG KUSALE

Sarang Kusale, the designer of the awarded design Numnum explains “Children of age two to five years like to play always. This element of playfulness can be effectively used to make a monotonous task enjoyable. This spoon encourage the child to eat with his/her own hands, the multiform nature of spoon provides flexibility and encourage to play and eat. To hold the spoon the child can use power grip position, and it will improve the motor movement skills. The perceived multi-form and multi-hold nature of spoons boosts the imagination of child and he/she will think loud and tell different stories. ”


Product Design Days 2012 and I Design Awards 2012-2013 are organised by Chennai based Unitech Exhibitions Pvt. Ltd. and managed by Geo & Nobi Events and Exhibitions Pvt Ltd. "This event will help expedite the process of Indian SMBs venturing into Research, Product engineering and Design rather than business houses blindly copying successful product ideas," said Augustine Kurian, MD, Geo & Nobi Events and Exhibitions Pvt. Ltd. "We have consciously kept this event as a "no-frills" Manufacturer/Designer meet rather than a forum to discuss Design at a very intellectual level," he added. Unni Tharakan, MD, Unitech Exhibitions Pvt. Ltd. said, "The concept of design as a marketing tool will excite the Indian SMBs and is sure to set the ball rolling for indigenous and innovative products meeting international standards."

Established in August 2001, Unitech Exhibitions Private Limited (UEPL) specialises in trade fairs for businesses in niche industrial segments. UEPL has handled trade shows such as Analysis India, EEWAC, Hotel & Restaurant Tech, Bottled Water India, Post Harvest, Business Park, Roof India, Hand Tools & Fastener Expo and third party events like PU Tech 2005 to 2011, Weld India 2005 to 2011.

Unitech Exhibitions Private Limited -UEPL
338, 1st Main Road, Nehru Nagar Indl Estate, OMR, Chennai 600096, INDIA
Product Design Days' Website: http://productdesigndays.com
I Design Awards' Website: www.idesignawards.in

Chennai Convention Centre is located at Chennai Trade Centre, Nandambakkam, Chennai - India

13/04/12

Art and Design of Contemporary Jewellery at the National Gallery of Victoria, Australia - NGV International, St Kilda

Unexpected Pleasures: The Art and Design of Contemporary Jewellery
National Gallery of Victoria, Melbourne 

21 April - 26 August 2012

The exhibition explores the essential meanings of jewellery, bypassing traditional perceptions and instead tracing the radical experiments of contemporary jewellers who have challenged the conventions of jewellery design.

The exhibition is curated through a number of themes:  Worn Out – celebrating the experience of wearing jewellery; Linking Links – looking at the ways in which ‘meaning’ and narratives are invested and expressed through sub-themes such as Social Expressions and Creative Systems, and; A Fine Line – offering insight into the origins of contemporary jewellery today, highlighting key instigators of the Contemporary Jewellery Movement that started in the late 1970s.

Among the exhibited artists is the Danish artist Camilla Prasch.


Camilla Prasch
MEGA 2009
red dyed snap fasteness, nylon thread, silicone discs
31 x 11 cm
Collection of the artist
© Camilla Prasch
Photo : Dorte Krogh

Each theme within the exhibition provides an outline of current thinking and offers a unique view on how people use and interact with objects, through which design and production processes come to light. Photography in this context becomes a vital instrument for expressing the ‘wearability’ and the performative aspects of jewellery, and a selection of photographic works are also included in the exhibition.

New techniques and experimentation continue to question the relevance of preciousness, highlighting the shifting values from material worth to the personal associations that jewellery holds. The exhibition celebrates jewellery from the point of view of both the maker and the wearer. It considers the pleasures of wearing jewellery and the many meanings associated with jewellery which are at times unpredictable and, in turn, unexpected.

Unexpected Pleasures displays over 200 works by important Australian and international contemporary jewellers who have pushed conceptual and material boundaries within their practices.

Gerard Vaughan, Director, NGV said: “This is a remarkable and exciting exhibition, brilliantly installed in the Gallery’s newly redeveloped Contemporary Exhibitions space at NGV International.”

This Design Museum, London touring exhibition is curated by Guest Curator and Melbourne jeweller Susan Cohn, and is complemented by a selection of NGV Collection works and private loans.

National Gallery of Victoria
NGV International

180 St Kilda Road
Museum's website: www.ngv.vic.gov.au

29/10/11

Tokujin Yoshioka: Waterfall, SCAF Sydney – A major exhibition on view in Australia

Tokujin Yoshioka: Waterfall
Sherman Contemporary Art Foundation  SCAF, Sydney,
Through 17 December, 2011

TOKUJIN YOSHIOKA: Waterfall is a major solo exhibition developed by Sherman Contemporary Art Foundation (SCAF). This exhibition is exclusive to Sydney. Waterfall explores the work of endlessly inventive Japanese artist Tokujin Yoshioka. Known for the simplicity and ingenuity of his concepts and holistic approach to design, Tokujin Yoshioka’s interdisciplinary practice has garnered him much attention since founding his eponymous studio in Tokyo in 2000. Tokujin Yoshioka experiments with a sophisticated play of materials and shapes using his art as a means of communicating something fascinating, surprising, joyful and unexpected. SCAF has invited Tokujin to create an extraordinary installation, transforming the gallery space and giving Australian audiences the opportunity to view the work of this influential contemporary artist.

Tokujin Yoshioka TOKUJIN YOSHIOKA
Waterfall, 2005
Courtesy and © Tokujin Yoshioka. Courtesy of SCAF, Sydney.

Born in Japan in 1967, Tokujin Yoshioka’s professional career is rooted in the fruitful collaboration with Shiro Kuramata and Issey Miyake. The ten-year association with the renowned fashion designer has produced numerous important projects including Issey Miyake Making Things at the Fondation Cartier pour l’Art Contemporain, Paris (1998). Tokujin Yoshioka has collaborated with various companies inside and outside Japan including Hermès, BMW, Toyota and Swarovski. His works are held in permanent collections such as the Museum of Modern Art, New York and the Victoria and Albert Museum, London.

Recent exhibitions include Sensing Nature, Mori Art Museum, Tokyo (2010), and Glasstress 2011, a collateral event of the 54th Venice Biennale. He also directed Second Nature at 21_21 DESIGN SIGHT (2008). Water blocks, optical glass benches designed by Tokujin Yoshioka in 2002, have been permanently installed at the Musée d’Orsay, Paris, in the Impressionist gallery where masterpieces of Cézanne, Degas, Manet, Monet, Renoir are displayed (Orsay museum reopened after renovation on October 20, 2011). This is the artist’s first visit to Australia.

Book Cover An exhibition catalogue is published on the occasion of Japanese designer Tokujin Yoshioka’s inaugural Australian exhibition at Sherman Contemporary Art Foundation. Authors: Gene Sherman, AM, Chair and Executive Director of SCAF - Dolla S. Merrillees, General Manager,  Artistic & Educational Programmes, SCAF - Mami Kataoka, Chief curator, Mori Art Museum, Tokyo, and International Associate Curator, Hayward Gallery, London. Published by Sherman Contemporary Art Foundation, 2011, 96 pages, 220 x 155 mm, full colour, hardback with dust jacket.

Tokujin Yoshioka: Waterfall is supported by Japan Foundation, SPACE Furniture and Nelson Meers Foundation.

Sherman Contemporary Art Foundation
Sydney NSW 2021 Australia
www.sherman-scaf.org.au 

Tokujin Yoshioka website: www.tokujin.com

17/07/11

This is Design in London Design Museum upcoming exhibition

THIS IS DESIGN 
Design Museum, London 
24 August 2011 - 22 January 2012 

Résumé en Français : voir plus bas :)

MOULTON BIKE, circa 1960 
Photo Courtesy Design Museum, London

This is Design is a celebration of the London Design Museum’s Collection, which examines the impact of design on the modern world, whilst also exploring the consequences of design and how it shapes our lives and contemporary culture. 

The Collection has been in storage for over five years and during this period it has been catalogued, conserved and documented. The Collection contains pieces ranging from early items of mass manufacture through to cutting edge contemporary design and includes furniture, fashion, transport, products, ceramics and graphics

CANDLESTICK TELEPHONE, circa 1920 
Photo Courtesy Design Museum, London

Design can help us absorb and adapt to change and make positive use of a modern world which could otherwise be confusing. By using themes such as Identity, Manufacturing Innovations, the Digital Revolution and Lifecycle the exhibition will look at how design provides a visual language to help use the objects around us.

Prototypes, drawings, couture samples, models, first editions and finished industrial objects will be on display demonstrating the design process and subsequent influence of design on the contemporary culture. The exhibition will also explore ‘quiet’ design, demonstrating how design surrounds us and how whether accidental or subtle, design plays a role in shaping the way we live and enables us to understand the world around us.

ANGELPOISE LAMP TYPE 1927
DESIGNED IN 1934 
Photo courtesy Design Museum, London

Highlights from the collection including the Anglepoise lamp, the original Mini and the Moulton bicycle will be displayed alongside large scale architectural models to include Sir Norman Foster’s HSBC Bank headquarters in Hong Kong, couture garments and street furniture, UK road signs and traffic lights will also be on display. 

Supplemented by loans and gifts, and celebrating new acquisitions to the collection, the exhibition also looks at the changing role of collecting design and future developments of the Design Museum Collection as it prepares to move to a new home at the former Commonwealth Institute. The new museum will provide dedicated gallery space to display the collection and celebrate the importance of design through a permanent display.

Curator: Alex Newson 

MARGARET CALVERT & JOCK KINNEAR 
ROAD SIGNAGE, 1965 
Photo courtesy Design Museum, London

Résumé en français : This is Design au Musée du Design à Londres est une exposition à venir qui débutera à la fin de l'été, le 24 août 2011 et sera visible jusqu'au 22 janvier 2012. Cette exposition présente une importante sélection du design anglais, d'hier à aujourd'hui, avec un large panel des différents types de pièces conservées. Cela inclut des objets décoratifs, des dessins ou croquis de designers, des vêtements typiques de la mode anglaise, des objets plus simples de la vie quotidienne, issus de la production de masse, aussi bien pour la maison ou le bureau que des équipements urbains ou des maquettes d'architectures. Bref, un très large éventail et en même temps un condensé du style britannique au travers de son design ancien, vintage, au design le plus contemporain. L'exposition a lieu alors que le Musée du Design de Londres va déménager dans l'ancien Institut du Commonwealth. Les pièces de la collection exposées sont présentées autour d'une problématique logiquement assez large étant donné leur diversité. Une problématique qui grosso modo tourne autour de la question du lien, de l'interaction, entre design, culture et mode de vie. Est ainsi à la fois abordé d'une part  l'impact du design sur le style de vie et d'autre part, en quoi le design est sous influence des évolutions culturelles mais aussi de l'économie et de l'évolution des outils de production. Une présentation thématique aussi, avec, par exemple les thèmes de l'identité, la spécificité culturelle, l'innovation dans le processus de production, la révolution numérique, le cycle de vie d'un produit... Alex Newson est le commissaire de cette exposition.

DESIGN MUSEUM, SHAD THAMES, LONDON SE1 2YD
Website: www.designmuseum.org

26/04/11

Design with the Other 90%: Cities by Cooper-Hewitt, US National Design Museum, at the UN, NYC

Design with the Other 90%: Cities 
Cooper-Hewitt, National Design Museum, NYC 
Off-Site Exhibition at the United Nations, NYC 
October 15, 2011 - January 9, 2012 

Design with the Other 90%: Cities
Courtesy Cooper-Hewitt, National Design Museum

DESIGN WITH THE OTHER 90%: CITIES the second in a series of themed exhibitions by Cooper-Hewitt that demonstrate how design can address the world's most critical issues, opens Oct. 15 at the United Nations and runs through Jan. 9, 2012. Organized by Cynthia E. Smith, the museum's curator of socially responsible design, the exhibition will feature more than 60 projects from 22 countries around the globe. Admission to the exhibition will be free of charge.

The museum's main facility, housed in the Carnegie Mansion, will be under renovation, beginning in fall 2011.

The exhibition will explore design solutions to the challenges created by rapid urban growth in informal settlements, commonly referred to as slums. Close to 1 billion people live in informal settlements, and that population is projected to swell to 2 billion people by 2030. This accelerated urban expansion will take place primarily in developing and emerging economies in an increasingly climate-challenged world. Projects and products at every scale will be included, with a focus on designs that are informed by end users: alternative housing design, methods and materials; low-cost clean water; accessible education initiatives; sanitation and solid-waste management; transportation solutions; innovative systems and infrastructure; and urban design and planning.

"Cooper-Hewitt is delighted to present this free exhibition at the United Nations, where visitors from all over the world will be able to see how design can address the most critical issues in developing and emerging countries," said Bill Moggridge, director of the museum.

DESIGN WITH THE OTHER 90%: CITIES is divided into six themes: Exchange, Visibility, Adapt, Include, Livelihood and Access. To orient the visitor, compelling information will be presented in the form of maps, comparative statistics and a video and sound installation organized by urban videographer Cassim Shepard.

Exchange

Increasingly, local and regional authorities cannot keep up with the unprecedented growth of informal settlements or slums. This section of the exhibition showcases innovative solutions that have emerged as the informal and formal cities exchange design knowledge to meet this demand.

Among the projects on view are community-generated solutions by Shack/Slum Dwellers International that build the capacity of poor urban communities by addressing secure land tenure, housing, basic amenities and livelihood through community-to-community exchanges throughout Africa, Asia and Latin America; the Urbanism Manual for Precarious Settlements, designed and produced for use in Buenos Aires, Argentina, which provides a free "how-to" urban design manual for newly arriving settlers; and the Incremental Housing project in Iquique, Chile, and Monterrey, Mexico, which produces half-finished houses that are completed by the residents and contain only the essentials of a built home—bathroom, kitchen, structure and roof—in order to stretch resources further to meet the rapidly growing demand for housing.

Other projects in this section explore building methods, materials and manufacturing, including a full-scale shelter installation representing an alternative gabions construction method used in Mexico City, in which mesh and wire containers are filled on-site with locally available materials. This low-cost, flexible system can easily adapt to accommodate a range of needs. Also on view will be a plastic formwork kit to produce cast-in-place mortar structures using mostly indigenous materials, in order to quickly, efficiently and cost-effectively produce homes.

Visibility

The projects on view in this section increase awareness of the scope and scale of the conditions in informal settlements, which are often invisible and do not show up on official maps or on census roles.

Highlights of the included projects are the Praça Cantao Favela Painting project in Santa Marta, Rio de Janeiro, where artists engaged community members to paint the building exteriors in their neighborhood, calling international media attention to their need for improvement; and the open-source mapping project Map Kibera in Nairobi, Kenya, which engages local youth to map the settlement in order to locate and number the hundreds of thousands of people living there and document the lack of basic services of the informal settlement.

Adapt

Designers and architects are collaborating with communities to create design solutions that respond to the local terrain, urban or climate conditions of the region.

Featured works on view in this section include the Integral Urban Project in the neighborhood of San Rafael-Barrio Unido in Caracas, Venezuela, which upgraded the extremely vertical settlement with an improved network of stairs that integrate drainage, sewage and clean water infrastructure; and the Floating Community Lifeboats in Bangladesh, which provide space for solar-powered schools, libraries, clinics and community centers in response to rising waters and extreme density.

Include

There is a growing urban divide in many of the world's cities. The "include" section features design solutions that seek to include those who had been marginalized by the established city—the poor, women, youth and entire communities.

Among the featured projects are the Jiko ya jamii (Community Cooker), a large-scale oven that uses trash as fuel to power a communal cooking facility in Kibera, Nairobi; the city of Diadema, Brazil, where the mayor worked directly with the informal communities through participatory planning and budgeting to reurbanize the settlements, including widening and paving what were once narrow streets, cooperatively building social housing, establishing a new system of land tenure and providing quality health care to all residents; and Kaputei Town in Kenya, developed by Jamii Bora Trust, a micro-finance organization started by 50 street beggar families who saved enough money to found the Trust in 1999. Jamii Bora members receive loans to start small businesses and save enough to purchase a house in the town, where social amenities, facilities and open spaces are maintained by neighborhood management associations.

Livelihood

Informal communities often form as people from rural areas migrate to urban centers in search of jobs and better lives. The projects in this section create work opportunities, such as Spaza-de-Move-on in Durban, South Africa, a portable, durable device that provides dignity and convenience to informal street vendors; M-PESA, a mobile money transfer service that enables urban migrants in Kenya to send money back to their villages via a mobile device; and in Bangalore, India Babajob.com, a social-networking service, connects impoverished job seekers with employers through chains of personal connections, replicating the process by which Indians hire in real life.

Access

Informal settlements lack access to basic services. The largest section of the exhibition includes design solutions to improve access to water, sanitation, food security, electricity, health, transportation and education.

Projects on view include the SONO Water Filter from Bangladesh, a low-cost, reliable and user-friendly household system to remove arsenic from drinking water through a series of buckets filled with locally available materials that act as natural filters; the BioCentres in Nairobi are complexes that feature toilets and washrooms accessible to the disabled, with free child only toilets, water kiosks selling affordable clean water and ancillary rooms for community and livelihood activities on the upper floors; Garden-in-a-sack in Kibera, Nairobi made from inexpensive, available materials to maximize the small amount of space available in the settlement for micro-agriculture; the Bicycle Phone Charger, a simple device made from bicycle and radio parts that is attached to a bicycle to generate enough power to charge a cell phone; the Shasthya Shebika (Health Volunteer) Kit, a portable pharmacy kit for health volunteers throughout informal communities in Dhaka, Bangladesh; the Guangzhou Bus Rapid Transit system in Guangzhou, China, services nearly 1 million riders per day and the cost is 10 times less expensive than the metro; and the Digital Drum in Kampala, Uganda, a solar-powered information access point made from two durable, low-cost oil drums welded together, rugged keyboards, solar panels and low-power tablets.

Exhibition Materials

A site-specific installation in the lobby of the United Nations Visitors Centre will be designed by Moorhead + Moorhead, a New York-based architecture and design firm.

"Cities" will be accompanied by an online open-network database, which will extend the exhibition beyond the physical space. Developed in collaboration with the museum's curatorial, communications and education staff, the database will compile vital design resources for developing and emerging economies; connect numerous stakeholders in the field of socially responsible design and engage a wider local and international audience in developing solutions for those living in poverty. The database will begin with 100 projects from both the "Design for the Other 90%" and "Design with the Other 90%: Cities" exhibitions, and invite user-generated content, in order to track a multitude of projects throughout the world and their global impact.

A fully illustrated catalog will accompany the exhibition, featuring essays by Somsook Boonyabancha of the Asian Coalition for Housing Rights, Edgar Pieterse of the African Centre for Cities and Christian Werthmann from Harvard's Graduate School of Design. Also included in the catalog will be interviews conducted by Smith with Jockin Arputham of Shack/Slum Dwellers International and Sheela Patel of SPARC, Juliana Rotich of Ushahidi, Rob Small and Christina Kaba of Abalimi Bezekhaya, Gabriela Sorda from the Architecture, Design and Urbanism Department at the University of Buenos Aires and Sharad Sapra of UNICEF.

About the Series

DESIGN WITH THE OTHER 90%: CITIES is the second in a series of themed exhibitions that demonstrate how design can be a dynamic force in transforming, and in many cases, saving lives. The first exhibition in 2007, DESIGN WITH THE OTHER 90% focused on design solutions that address the most basic needs for 90% of the world's population not traditionally served by professional designers.

About the Renovation of the Carnegie Mansion

Cooper-Hewitt's redesign focuses on adapting a 20th-century historic house to meet the needs of a 21st-century museum. Through reprogramming portions of the mansion on Fifth Avenue and 91st Street and the adjacent townhouses on 90th Street, the project will increase the museum's total exhibition space by 60 percent, from approximately 10,000 square feet to approximately 16,000 square feet. The project's design architect is Gluckman Mayner Architects. Beyer Blinder Belle Architects & Planners LLP serves as the executive architect. The renovated facility is scheduled to reopen in 2013.

Cooper-Hewitt, National Design Museum is devoted exclusively to historic and contemporary design. Founded in 1897 by Amy, Eleanor and Sarah Hewitt—granddaughters of industrialist Peter Cooper—as part of the Cooper Union for the Advancement of Science and Art, the museum has been a branch of the Smithsonian since 1967. Website: www.cooperhewitt.org

The United Nations' Visitors Centre is located on First Avenue at 46th Street and is open to the public from 9 a.m. to 5:30 p.m. daily. Public transit routes include the Lexington Avenue 4, 5 and 6 subways to Grand Central Terminal and the M15, M27, M42 or M104 buses. Admission to the exhibition at the United Nations is free of charge. The United Nations is fully accessible.

DESIGN WITH THE OTHER 90%: CITIES is made possible by the Rockefeller Foundation. "The Rockefeller Foundation is proud to support Cooper-Hewitt in their presentation of this innovative exhibition. These unique projects illustrate how the world is using design to build resilience for the poor and vulnerable in cities and ultimately help advance growth with equity," said Benjamin de la Pena, associate director of the Rockefeller Foundation.

Additional support is provided by Procter & Gamble, Deutsche Bank and the Smithsonian Institution's Research Opportunity Fund.

06/01/11

Designer Wim Crouwel retrospective. London Design Museum celebrates the prolific career of the Dutch graphic designer

Exhibition: Wim Crouwel
A Graphic Odyssey
Design Museum, London
30 March - 3 July 2011


The DESIGN MUSEUM in London celebrates the prolific career of the Dutch graphic designer WIM CROUWEL in this his FIRST UK RETROSPECTIVE.

WIM CROUWEL
New Alphabet, 1967
© Wim Crouwel - Courtesy Design Museum, London 
Regarded as one of the leading designers of the twentieth century, WIM CROUWEL embraced a new modernity to produce TYPOGRAPHIC DESIGNS that captured the essence of the emerging computer and space age of the early 1960s.




 
  
WIM CROUWEL
Exhibition Poster Architect Gerrit Rietvel,

Stedlijk Museum, Amsterdam 
Museum Boymans Beuningen, 1959
© Wim Crouwel - Courtesy Design Museum, London  
This exhibition, spanning over 60 years, will cover Crouwel’s rigorous design approach and key moments in his career including his work for design practice ‘Total Design’, the identity for the Stedelijk Museum, Amsterdam, as well as his iconic poster, print, typography and lesser known exhibition design. The exhibition will also highlight Crouwel’s rigorous design approach exploring his innovative use of grid-based layouts and typographic systems to produce consistently striking asymmetric visuals.

 
WIM CROUWEL BIOGRAPHY

          
WIM CROUWEL
Leger Exhibition Poster, Van Abbe Museum,

Quadrat-Print, Dejong & Co, 1957
© Wim Crouwel - Courtesy Design Museum, London
Born in 1928, Wim Crouwel studied fine art in Groningen before moving to Amsterdam in the early 1950s where he initially worked for an exhibition design company. Heavily influenced by architecture, Crouwel’s sense of spatial awareness and identity led to commissions for cultural institutions, most notably in 1956 for the Van Abbe Museum in Eindhoven. Commissions for the Stedelijk Museum in Amsterdam followed leading to Crouwel taking sole responsibility for the museum’s identity, posters and catalogues.


 
WIM CROUWEL
Beelden in het heden (Sculptures Today),

Exhibition Poster, 1959
© Wim Crouwel - Courtesy Design Museum, London
  
Whilst at the Stedelijk, Crouwel developed his unique grid system which acted as a museum template for its graphic identity, an approach which realised a visual consistency for the museum and in doing so defined a turning point for the world of graphic design.

The dawn of the space age and computer technology throughout the 60s encouraged new approaches and possibilities for typeface design. Embracing the mood of modernity, Crouwel designed a radical ‘NEW ALPHABET’ TYPEFACE, especially for the use in emerging computer systems. The ‘New Alphabet’ designed in 1967 appeared almost alien, a cipher script of vertical and horizontal lines. This Illegible font challenged the design establishment and provoked debate, a debate which Crouwel was happy to engage and openly admitted to placing visual aesthetics above function.

WIM CROUWEL
Exhibition Catalogue, Jackson Polock, 

Stedelijk Museum, Amsterdam, 1980
© Wim Crouwel - Courtesy Design Museum, London 
The ‘New Alphabet’ was redrawn by Brett Wickens and Peter Saville for the Joy Division album, ‘Substance’ in the late 80s and then digitized and made available for use in 1997 by The Foundry. Crouwel designed a number of other fonts including Gridnik, an appropriate reference to his use of grid systems and Mr. Gridnik became Crouwel’s endearing nickname.



 

 

WIM CROUWEL
Exhibition Poster, De Stijl,
Stedelijk Museum, Amsterdam, 1983
© Wim Crouwel - Courtesy Design Museum, London  
In 1963 Crouwel founded the multi-disciplinary design agency TOTAL DESIGN creating the identity for numerous Dutch companies. Together with the founding partners, Crouwel shaped the visual landscape of the Netherlands throughout the 60’s and 70’s, working for clients such as IBM, and typeface commissions for Olivetti. In the 1970s Crouwel was part of a team of four designers who designed the Dutch Pavilion for the Osaka World Fair. Crouwel also designed numerous postal stamps for the Dutch post office and a controversial redesign of the telephone book using only lowercase letters.
 
Original sketches, posters, catalogues and archive photography will be on display alongside films and audio commentary. In addition to celebrating Crouwel’s career this exhibition will also explore his legacy and influence on contemporary graphic design with commentary from leading industry figures including PETER SAVILLE and STEFAN SAGMEISTER. In addition six designers will take inspiration from Crouwel’s career to produce a series of limited edition prints, a unique Wim Crouwel inspired wallpaper will also be sold exclusively in the Design Museum Shop.

Exhibition guest curated by TONY BROOK, Creative Director, Spin.

This exhibition at the Design Museum is upported by The Mondriaan Foundation

DESIGN MUSEUM
Shad Thames
LONDON SE1 2YD - UK