Showing posts with label vintage photographs. Show all posts
Showing posts with label vintage photographs. Show all posts

22/05/11

Ancienne Photo : Portrait, Argentine, 1911

Anciennes photographies : Portrait, Argentine, circa 1911 
Vintage photograph from Argentina, c. 1911


La photographie montée sur carton dont les photos ci-dessous présentent les détails 

Comme j'ai déjà eu l'occasion de le faire sur ce blog, je vous présente ici une ancienne photographie de ma collection. Il s'agit du portrait d'un homme dont le nom est inscrit en manuscrit au dos de la photo mais que je ne parviens pas à "déchiffrée". Cet homme l'a envoyé à un ami en 1911 (manuscrit au verso - la photo peut être antérieure). Cette photo n'a pas vraiment de valeur en soi mais c'est une belle photo réalisée en studio par un photographe P. Ferrari (ou Jerrari ?), de Vera, ville située dans la province de Santa Fe, en Argentine. Etant donné que pas mal de photos anciennes sont aujourd'hui mises en ligne sur internet, j'ai tenté de trouver des infos sur le photographe ou d'autres photos prises par lui. Mais je n'ai rien trouvé (j'ai bien sûr regardé sur les sites argentins). Il faut dire que le nom ne facilite pas les recherches ;) La photographie est montée sur carton avec un ornement en relief couleur argenté.

Détail du portrait

Signature du photographe

Adresse du photographe

Blason de Vera (à vérifier)

Ornement en relief. Treifle à quatre feuilles ?

Détail du col de la chemise avec le noeud que porte l'homme
Je sais qu'il s'agit d'un noeud courant mais je n'en connais pas le nom : merci de laisser l'info en commentaire pour compléter :)

(c) 2011 Wanafoto Blogzine

08/12/10

Actress Lillian Gish Retrospective at MoMA, NYC

Lillian Gish 
MoMA, New York
The Roy and Niuta Titus Theaters
Through December 13, 2010


LILLIAN GISH in True Heart Susie. 1919. USA. 
Directed by D. W. Griffith (*). 
Courtesy of The Museum of Modern Art.


American film actress LILLIAN GISH (1893 - 1993) enjoyed a seventy-five-year career with roles in over one hundred films—about half of which are included in the Museum's collection—including such landmark works as her debut film, An Unseen Enemy, a Biograph short made in 1912 by D. W. Griffith; and her last silent picture, The Wind (1928). Though she is frequently characterized as a waifish portrait of fragility, Gish’s characters in films such as Way Down East (1920), Orphans of the Storm (1922), The Scarlet Letter (1926), and The Night of the Hunter (1955) embodied female resilience in the face of abandonment, persecution, and mortal peril. This retrospective, drawn entirely from the Museum’s collection, presents a rare opportunity to examine the breadth of Gish’s career and represents MoMA's early and steadfast dedication to collecting seminal works of film history

Organized by Jenny He, Curatorial Assistant, Department of Film.

This exhibition is presented in conjunction with MoMA’s publication of Modern Women: Women Artists at The Museum of Modern Art.

(*) TRUE HEART SUSIE, 1919. USA. Directed by D. W. Griffith. Screenplay by Marian Fremont. With Lillian Gish, Robert Harron. The epitome of the "plain and simple girl", Susie (Lillian Gish) sells her beloved cow Daisy to secretly pay the college tuition of William (Robert Harron), the oblivious love of her life, who goes on to marry someone else. Although undertones of the martyr figure reverberate throughout many of her roles, this overt portrayal of sacrifice, one of her more restrained and naturalistic performances, highlights Gish’s peerless ability to communicate longing. Silent, with musical accompaniment by Stuart Oderman. 68 min. T2.

MoMA
www.moma.org
11-16/-12-12-2010

25/11/10

Japan’ Photography 1860-1910. An ineffable perfection, Villa Ciani, Lugano - Curated by Museo delle Culture (Castagnola)

Ineffable Perfection. Japan’s Photography. 1860-1910
Curated by Museo delle Culture (Castagnola)

Villa Ciani, Lugano
Through February 27, 2011

Photo by KUSAKABE KIMBEI, 1880

KUSAKABE KIMBEI
Woman washing her hair, 1880 ca.
Photo Courtesy of the Museo delle Culture, Castagnola

Villa Ciani plays host to Ineffable Perfection. Japan’s Photography Between 1860 and 1910. This is the largest temporary exhibition of its kind ever to be realised, worldwide. The themed path, the fruit of research carried out by the the team of the Museo delle Culture in Castagnola beginning in 2007, takes its audience on a journey of discovery into Japan's traditional image.

Photo by OGAWA KAZUMASA, 1890

OGAWA KAZUMASA 
Craftsman who makes traditional Japanese sandals (geta), 1890 ca. 
Photo Courtesy of the Museo delle Culture, Castagnola   

Step by step, the visitor is introduced to a more mature vision of the encounter between Japan and the West. The principle themes focus on the representation of the landscape and nature as 'educated' by culture, the importance of photographic media in the definition of Japan's image, the taste for the exotic and the deep relationship between photography and the ukiyo-e  prints. The exhibition offers a profound analysis of the works and styles of the main Japanese and European photographers who were active in the period and features a surprising exploration of the historical and anthropological dynamics of 'travel to the East' and the 'aesthetic of the souvenir'. 

Photo by KUSAKABE KIMBEI (Studio), 1880

KUSAKABE KIMBEI (Studio)
Young woman reading in bed, 1880 ca.
Photo Courtesy of the Museo delle Culture, Castagnola

The photographic  albums displayed show finely lacquered and engraved covers which are, in themselves, an artistic genre of great interest. The exhibition path itself shows a particularly charming scenographic arrangement, which produces the sensation of walking through a Japanese garden. 

Photo by RAIMUND VON STILLFRIED-RATENITZ, 1872

RAIMUND VON STILLFRIED-RATENITZ
Sumo wrestlers and referee, 1872
Photo Courtesy of the Museo delle Culture, Castagnola

The exhibition is completed by the presence of some fifty artworks and refined objects of material culture from prestigious private collections. Among these, magnificent samurai armour from the Fifteenth Century, a group of precious sculptures of religious character, a  highly refined selection of men’s and women’s clothes and a range of sixteen extraordinary Nō theatre-masks.

Villa Ciani
Parco Ciani, CH - 6900 Lugano

Ineffabile Perfezione. La fotografia del Giappone. 1860-1910.
October 23, 2010 - February 27, 2011

www.ineffabileperfezione.com

01/10/09

Edward Steichen, Photos Exhibition at WCMA, Williamstown

The Williams College Museum of Art (WCMA) presents two exhibitions highlighting different periods from the photographic career of Edward Steichen. In High Fashion, the Condé Nast Years, 1923–1937 is the first comprehensive presentation of Steichen work made for the fashion and glamour industry. Episodes from a Life in Photography surveys Edward Steichen’s photography throughout his career. A special celebration marking the opening of these two exhibitions will take place on June 5 at 6:00 pm. Gallery talks will be given at 6:00 pm. This is a free public event and all are invited to attend.

Edward Steichen: In High Fashion, the Condé Nast Years, 1923–1937 presents over 180 photographs that Steichen made while working as Chief Photographer for two of Condé Nast’s best known magazines: Vogue and Vanity Fair. Steichen photographed models wearing fashion from some of the most famous designers of the period including Worth, Poiret, Chanel, and Schiaparelli. He also created portraits of the most prominent figures in literature, journalism, dance, sport, politics, theatre, and film for Vanity Fair, including Greta Garbo, Winston Churchill, Marlene Dietrich, George Gershwin, Frank Lloyd Wright, Amelia Earhart, and Walt Disney. Between the two World Wars, Steichen revolutionized fashion photography while becoming known as “the most famous portrait photographer in the world.” In High Fashion opens at WCMA on May 30 and runs through September 13, 2009, after which it will travel to the Art Gallery of Ontario. A 288-page catalogue accompanies this exhibition.

Edward Steichen: Episodes from a Life in Photography features photographs from throughout Steichen’s prolific career, presenting many different aspects and themes. It also highlights some of the technical and artistic issues that Edward Steichen explored in his printing methods. Episodes depicts Steichen’s transition from pictorialist to modernist photography, which is epitomized by his fashion and glamour photography. Episodes presents 90 photographs and includes multiple copies of certain prints to demonstrate Edward Steichen’s interest in a variety of technological processes. Since June 6 to November 8, 2009.

We are unbelievably fortunate to have this bounty of Edward Steichen material on view—almost 300 vintage prints,” notes exhibition curator John Stomberg. “These works are rarely seen. We will also be showing all of the original, extraordinarily fine gelatin silver prints (still in their original mounts) that Steichen created for a 1936 illustrated edition of Henry David Thoreau’s Walden. Together these two shows demonstrate the dynamism of American modernism and Steichen’s critical role in its development.”

In High Fashion, the North American exhibition, was organized by the Foundation for the Exhibition of Photography, Minneapolis, the Musée de L'Elysée, Lausanne, Switzerland, and the International Center of Photography, New York in collaboration with Williams College Museum of Art, Williamstown, Mass.

It was curated by William A. Ewing, Director, Musée de l´Elysée; Todd Brandow, Executive Director, Foundation for the Exhibition of Photography; Nathalie Herschdorfer, Curator, Musée de l’Elysée; and Carol Squiers, Curator, International Center of Photography.

Episodes from a Life in Photography was organized by John Stomberg, Deputy Director/Chief Curator and Lecturer in Art at WCMA, with assistance by Veronika Totos, Williams College Graduate Program in the History of Art, Class of 2009.

Williams College Museum of Art, 15 Lawrence Hall Drive, Ste 2 Williamstown, MA 01267
The Williams College Museum of Art is open Tuesday through Saturday, from 10 a.m. to 5 p.m., and on Sunday from 1 to 5 p.m. Admission is free and the museum is wheelchair accessible.

01/03/09

Photos anciennes - Vintage photos

(c) Famille Martin - Collection privée
Tous droits réservés - All rights reserved
(c) Famille Martin - Collection privée Tous droits réservés - All rights reserved
(c) Famille Martin - Collection privée Tous droits réservés - All rights reserved
(c) Famille Martin - Collection privée
Tous droits réservés - All rights reserved
(c) Famille Martin - Collection privée
Tous droits réservés - All rights reserved
(c) Famille Martin - Collection privée
Tous droits réservés - All rights reserved

17/01/09

Photos anciennes - Vintage Photographs online gallery

Voici quelques photographies anciennes de ma collection. Elles doivent dater des environs du début du XXe siècle, à un moment où la photographie n'était plus uniquement accessible à une minorité mais se démocratisait. Ce fut l'époque de la multiplication des photos au format carte de visite. Cette démocratisation de la possibilité de se faire tirer le portrait découlait évidemment des progrès réalisés tant au niveau des appareils que des films, de la chimie, des supports d'impression et des procédés de tirages des épreuves. Toutes les évolutions contribuaient à pouvoir réaliser des clichés à moindre coût. C'est d'ailleurs pour cette raison qu'il est aujourd'hui possible de se constituer une "collection" sans que cela revienne cher. 

Here is a little online gallery of vintage photographs from my collection. 
Circa beginning of the XXth century.



(c) Collection Gautier Willaume


(c) Collection Gautier Willaume 



(c) Collection Gautier Willaume 


(c) Collection Gautier Willaume


(c) Collection Gautier Willaume

(c) Collection Gautier Willaume 


15/01/09

Anciennes Photos Vintages pictures

(c) Famille Martin - Collection privée Tous droits réservés - All rights reserved
(c) Famille Martin - Collection privée
Tous droits réservés - All rights reserved
(c) Famille Martin - Collection privée
Tous droits réservés - All rights reserved
(c) Famille Martin - Collection privée
Tous droits réservés - All rights reserved
(c) Famille Martin - Collection privée Tous droits réservés - All rights reserved
(c) Famille Martin - Collection privée
Tous droits réservés - All rights reserved

Photos anciennes - Vintage Photographs

(c) Famille Martin - Collection privée
Tous droits réservés - All rights reserved
(c) Famille Martin - Collection privée Tous droits réservés - All rights reserved
(c) Famille Martin - Collection privée Tous droits réservés - All rights reserved (c) Famille Martin - Collection privée Tous droits réservés - All rights reserved (c) Famille Martin - Collection privée Tous droits réservés - All rights reserved
(c) Famille Martin - Collection privée Tous droits réservés - All rights reserved