Showing posts with label AGO. Show all posts
Showing posts with label AGO. Show all posts

22/04/23

Keith Haring: Art is for Everybody @ The Broad, Los Angeles + Art Gallery of Ontario, Toronto + Walker Art Center, Minneapolis

Keith Haring: Art is for Everybody
The Broad, Los Angeles
May 27 – October 8, 2023

Keith Haring
KEITH HARING
Untitled, 1982 
Baked enamel on steel, 43 x 43 inches, 
The Eli and Edythe L. Broad Collection, Los Angeles
© Keith Haring Foundation

Keith Haring
KEITH HARING
Red Room, 1988
Acrylic on canvas, 96 x 179 in. (243.8 x 454.7 cm) 
The Broad Art Foundation 
© Keith Haring Foundation

The Broad presents a special exhibition Keith Haring: Art is for Everybody. Organized by The Broad, this show is the first ever museum exhibition in Los Angeles to present Keith Haring’s expansive body of work and will feature over 120 artworks and archival materials. Known for his use of vibrant color, energetic linework and iconic characters like the barking dog and the radiant baby, Keith Haring’s work continues to dissolve barriers between art and life and spread joy, all while being rooted in the creative spirit and mission of his subway drawings and renowned public murals: art is for everybody.

Following its debut in Los Angeles, Keith Haring: Art Is for Everybody will travel to the Art Gallery of Ontario, in Toronto, from November 11, 2023 to March 17, 2024, and then to the Walker Art Center, in Minneapolis, from April 27 to September 8, 2024.

Born in 1958 in Reading, Pennsylvania, Keith Haring moved to New York City in 1978 to study art. He quickly became a staple within the downtown New York arts community with the likes of artists Jean-Michel Basquiat, Kenny Scharf and Andy Warhol. Keith Haring’s output in the coming decade can be understood in the spirit of the countercultural and nightlife scenes of the 1980s, often organizing exhibitions at the Club 57 nightclub and other alternative venues. This sensibility is palpable in his subway drawings–of which he created over 5,000 throughout his career–where his visionary use of line could be experimented with in quick movements, available to the wide public who took the New York subway. Eli and Edythe Broad, who first began to collect contemporary art deeply in the 1980s, were drawn to the social and political nature of Keith Haring’s work early on, first entering the collection in 1982. Forty years later his legacy continues to garner international acclaim and recognition.
“Keith Haring’s global influence and enduring impact are profound, and The Broad is thrilled to bring our audience in Los Angeles this sweeping exhibition of his work,” said Joanne Heyler, Founding Director of The Broad. “It is our distinct pleasure to share a deep and varied representation of his emblematic visual language and to highlight the prolific ways he spoke through his art and activism about social issues while celebrating joy, solidarity, community and hope.”
Keith Haring: Art is for Everybody explores both his artistic practice and life, with much of the source material for the exhibition coming from his personal journals. Works presented span from the late-1970s when he was a student at the School of Visual Arts in New York up until 1988, just two years before the artist died from AIDS-related illness at the age of 31. Keith Haring’s participation in nuclear disarmament and anti-Apartheid movements are featured prominently in the show, as well as works that take on complex issues that remain crucial today from environmentalism, capitalism, and the proliferation of new technologies to religion, sexuality, and race. In the last gallery, significant works from the late 1980s is accompanied by framed posters illustrating the artist’s activism within the HIV/AIDS crisis. 

The exhibition is accompanied by a monograph catalog published by the museum in collaboration with DelMonico Books and features essays by The Broad’s Curator and Exhibitions Manager Sarah Loyer, Kimberly Drew and Tom Finkelpearl; a roundtable conversation with Patti Astor, Kenny Scharf, and Kermit Oswald; and reflections by George Condo, Ann Magnuson, Bill T Jones, Julia Gruen and Gil Vazquez.
“Keith Haring’s belief that art should be accessible to all is central to the exhibition and integral to The Broad’s mission,” said Sarah Loyer, Curator and Exhibitions Manager. “With this exhibition, our audience will have the opportunity to dive deep into Haring’s work, both as an artist and as an innovator who completely shifted the landscape of contemporary art to this day.”
Divided into ten galleries in total, the expansive exhibition will feature the breadth of mediums Keith Haring worked within, including video, sculpture, drawing, painting, and graphic works, as well as representations from the artist’s enormous output of public projects, from the subway drawings to his public murals. Major works held in the Broad collection such as Untitled, 1984 and Red Room, 1988 will be on view in addition to key loans from many institutional and private collections, including art, ephemera and documentation provided by the Keith Haring Foundation in New York, established by the artist in 1989. The show features immersive elements, such as a gallery lit by blacklight soundtracked by playlists created by the artist himself. Additionally, the Shop at The Broad will be transformed, taking inspiration from Keith Haring’s artistic retail space The Pop Shop, which first opened in 1986 in the SoHo neighborhood of New York. Much like its original format, The Broad uses this component of the exhibition to make Keith Haring’s line accessible to the widest possible audience.
“Much like the work of Keith Haring, his idea that Art Is for Everybody is as profound in its simplicity as it is in its complexity. We invite everyone to The Broad museum for a closer look at why his practice, activism, courage, and accessibility continue to resonate, perhaps now more than ever,” said Gil Vazquez, Executive Director of the Keith Haring Foundation.
Additionally on view for free in The Broad’s third-floor galleries throughout the exhibition will be works by contemporaries of Keith Haring including Jean-Michel Basquiat, George Condo, Jenny Holzer, Kenny Scharf, and Andy Warhol, among others.

THE BROAD
221 S. Grand Avenue, Los Angeles, CA 90012

22/11/02

Art Gallery Ontario Transformation - A Vision for the Future

Art Gallery of Ontario Transformation Project

The Art Gallery of Ontario (AGO) has announced the details of a transformation project that includes an unprecedented donation of art and funding by Kenneth Thomson, and a physical redesign and expansion led by Frank Gehry. Groundbreaking is set for early 2005, and the project will be complete in 2007.

"The greatest museums transform themselves into imaginative centres that reflect and enhance the world that surrounds them. Our vision is for the Art Gallery of Ontario to become such a place; a place that creates that moment when art and people meet, when conversations happen about the special role that art plays in our lives," said AGO Director and CEO Matthew Teitelbaum in describing his vision for the future at the announcement event in Toronto.

Earlier this year, the Government of Canada and the Government of Ontario committed financial support for the project. "The federal government is supporting this major initiative by the AGO in recognition of the impact it will have in improving the quality of life for our citizens. We applaud Mr. Thomson for his magnificent gift to the people of Canada and the leadership of the AGO for creating and now enhancing an extraordinary home for art," said The Honourable David Collenette, Federal Minister of Transport, who is also responsible for the Greater Toronto Area.

"The Thomson donation of funding and works of art is unparalleled in the history of Canadian philanthropy," said The Honourable David H. Tsubouchi, Ontario Minister of Culture. "The current expansion plans to provide exhibit space for this outstanding collection will further position the Art Gallery of Ontario as a dynamic, world-class art museum with international presence and attraction."

Famous Rubens among collection filled with masterpieces

"The Art Gallery of Ontario has always held a special place in my heart, and I am confident that it represents the best opportunity to share my passion for art with the people of this city, Ontario, Canada, and the world," said Kenneth Thomson, a leading art collector and businessman.

Ken Thomson has made history with a donation that includes:

- The extraordinary Thomson Collection of nearly 2,000 works of art, the greatest in private hands in Canada. It includes masterpieces by such renowned Canadian artists as Paul Kane, Tom Thomson, Cornelius Krieghoff, and Lawren Harris, and a stunning collection of rare European art objects dating from the middle ages to the mid-nineteenth century that is among the finest in the world.
- The headline-making Massacre of the Innocents by Peter Paul Rubens, acquired by the Thomsons earlier this year for $117 million, the highest price ever paid for an old master painting.
- Two major Canadian masterpieces acquired by Mr. Thomson in recent years: Lake Superior III by Lawren Harris, and Scene in the Northwest by Paul Kane.
- $50 million in capital funding for the museum's building expansion on Dundas Street West in Toronto, plus an additional commitment of $20 million in endowment funding, thus helping to assure the AGO's continued success in the future.

First major Gehry project in Canada will be just steps from childhood home

"The Art Gallery of Ontario is where I first experienced art as a child and it was Grange Park where I played, so this project means a great deal to me. The building we envision will connect the city and its people to great art and art experiences," said world-renowned architect Frank Gehry, who is now based in California, at the announcement event.

Mr. Gehry's team is already well underway in the process of analyzing the AGO's current space and its needs for the future. In the months and years to come, the AGO will involve the community in Mr. Gehry's unique design approach and the transformation of the museum through lectures, open houses and other special events.

Renowned and admired the world over, Mr. Gehry's other landmark projects include the Guggenheim Museum Bilbao, Spain and the Vitra Design Museum in Weil-am-Rhein, Germany. In addition to the AGO, Mr. Gehry is currently building the Walt Disney Concert Hall in Los Angeles, and designing the Museum of Biodiversity in Panama City.

Formula for success

The AGO's transformation project is unique in its partnership approach. The acumen of Kenneth Thomson, creativity of Frank Gehry, vision of Matthew Teitelbaum and leadership of the AGO's Board of Trustees are just the beginning.

"We are encouraged that the Thomsons and both the federal and provincial governments are taking an active role in transforming the Art Gallery of Ontario for the future. This project is an example of how individuals, organizations and governments can work together to implement a shared vision. I am hopeful that others will join us in this vision," said A. Charles Baillie, President of the AGO Board.

Combined with the Thomson funding donation, the AGO has already secured a substantial portion of the building project cost, estimated at $178 million. Key partners in the project include the Government of Canada through Industry Canada and the Government of Ontario through SuperBuild, which have each pledged $24 million toward the AGO's expansion. The AGO is also grateful for the contribution of McKinsey & Company, who provided strategic counsel in developing a blueprint for success.

One of world's leading art museums continues to grow

"We will transform our building to welcome people with open arms, and to open them to new experiences while guiding them through a great and inspiring building with ease. We intend to literally transform the AGO with the addition of new galleries for art, new meeting places for our visitors, and improved and expanded amenities throughout our building," said Matthew Teitelbaum. As part of the transformation project, the AGO will be enlarged by 75,000 square feet, an expansion that will increase the viewing space for art by more than 40 per cent.

Economic highlights of the project, based on economic impact studies by PricewaterhouseCoopers, include:

- More than 2,000 person years of projected construction work, including about 245 permanent jobs.
- A one-time contribution to the Ontario economy of about $100 million dollars, and a projected annual boost of close to $13 million in tourism and operations dollars.
- All levels of government will realize one-time taxes from construction of $54 million, and $3.8 million annually thereafter.

The AGO's collection comprises more than 36,000 works representing 1,000 years of European, Canadian, modern, Inuit and contemporary art. This important collection, along with the Gallery's preeminence in art education and expertise in the conservation of art, makes the AGO one of Canada's most significant public resources for the advancement of the visual arts.

AGO - ART GALLERY OF ONTARIO
317 Dundas Street West, Toronto, ON M5T 1G4
www.ago.net

16/06/96

J.J. Tissot, Art Gallery of Ontario, Toronto - Prints from the Gotlieb Collection

J.J. Tissot
Prints from the Gotlieb Collection
Art Gallery of Ontario, Toronto
June 20 - October 20, 1996

The Art Gallery of Ontario presents a selection of exquisite prints and paintings by French artist Jacques-Joseph Tissot (1836-1902). J.J. Tissot: Prints from the Gotlieb Collection celebrates the recent donation of the most comprehensive, privately owned Tissot print collection in the world. This exhibition marks the first time these works will be officially shown since they were donated to the Gallery by Allan Gotlieb, former ambassador to the United States, and his wife Sondra, in 1994-95.

Compiled over a 35-year period, the collection contains approximately 150 hand-touched trial proofs, multiple states, inked variations and unique impressions on vellum, Japanese and handmade papers, and is one of the most important gifts of prints ever made to a Canadian institution. The Gotliebs donated ninety percent of their world-renowned collection and ten percent was purchased by the Marvin Gelber Fund.

"Sondra and I are delighted that the exquisite works of an artist who has been an inspiration and joy to us for decades will be on view in this dramatic exhibition, and may now be studied by visitors to the AGO for years to come," said Allan Gotlieb.

J.J. Tissot: Prints from the Gotlieb Collection, which toured the U.S., Britain, Ireland and Holland in 1991 under the aegis of Art Services International, will be enhanced at the AGO by six paintings, four of which are on loan from the Montreal Museum of Fine Arts, the Albright-Knox Gallery, the Beaverbrook Art Gallery and an anonymous lender. The exhibition will also be available for viewing on the Gallery's Web site at http://www.AGO.on.ca, continuing to make AGO exhibitions available to a wider audience. 
"We are honoured that Allan and Sondra Gotlieb chose to give their marvellous collection to the Art Gallery of Ontario," said Gallery Director Maxwell Anderson, "and we are deeply grateful to both the Marvin Gelber Fund and The Tecolote Foundation for their assistance."
Born and trained in France, Jacques-Joseph Tissot fled to London in 1871 to escape political reprisal in the wake of the Franco-Prussian War. A friend of James McNeill Whistler, Edgar Degas and Edouard Manet, Tissot was one of the most successful artists of the late 19th century. Blending French realist and impressionist elements, he imbued Victorian subjects with continental sophistication. Tissot was also a leading figure in the etching revival of the 1860s, wielding his etching needle with a firm hand to create strong contrasts of black and white. He and his fellow artist friends were followers of the realist Gustave Courbet, finding inspiration in subjects from everyday life.

Tissot's prints, even more so than his sumptuous paintings, frequently incorporate the underlying psychodramas focusing on the social status of women and the dynamics of the relationships between the sexes. His enigmatic visual narratives invite the viewer's interpretation.

J.J. Tissot: Prints from the Gotlieb Collection will be displayed in two galleries, one designed to evoke the feeling of Tissot's London garden and the other to evoke London and Paris interiors of the 1870s and 1880s. The Victorian period is further suggested by the inclusion of 19th-century clothing and accessories, on loan from the Textile Department of the Royal Ontario Museum.

The exhibition is curated by Dr. Katharine Lochnan, the AGO's senior curator of prints and drawings. 
"Tissot made a very significant contribution to the art of the 19th century," said Katharine Lochnan. "His work is not only very beautiful, it is a source of information about the visual appearance and social mores of Victorian London and the Paris of the Third Republic. It is especially appropriate that the AGO is mounting this stellar exhibition, since 30 years ago the AGO launched the Tissot revival with a pioneering exhibition. Those who like the work of Manet, Degas and Whistler will find much to admire in Tissot."
A version of this exhibition will tour to selected galleries in Ontario.

AGO - ART GALLERY OF ONTARIO
317 Dundas Street West, Toronto, Ontario
www.ago.on.ca