Showing posts with label Keith Haring. Show all posts
Showing posts with label Keith Haring. Show all posts

06/08/25

Keith Haring: Radiant Vision @ CMA - Columbia Museum of Art

Keith Haring: Radiant Vision
Columbia Museum of Art
September 27, 2025 - February 15, 2026

Keith Haring Portrait Photograph
Keith Haring at work in studio 
Photograph © 1982 Allan Tannenbaum / sohoblues.com

The Columbia Museum of Art (CMA) presents major exhibition Keith Haring: Radiant Vision. Most recently on view at the Pop Art Museum, Seattle, this internationally touring exhibition celebrates the life and work of iconic artist Keith Haring.
“Keith Haring’s art was a pop-culture spark ¬— fast, fearless, and drawn from the concrete heartbeat of New York,” says CMA Executive Director Della Watkins. “With Radiant Vision, the Columbia Museum of Art offers audiences a powerful and playful tribute to Haring’s enduring belief that art belongs to everyone.”
Born in Reading, Pennsylvania, KEITH HARING (1958–1990) emerged as a shooting star of the legendary New York art scene in the 1980s. His signature images include dancing figures, a “radiant baby,” a barking dog, a flying saucer, hearts, and figures with televisions for heads. He became friends with fellow artists Kenny Scharf and Jean-Michel Basquiat and grew interested in the color graffiti art of the city’s streets. Haring met Andy Warhol at a gallery exhibition in 1983, and Warhol became Haring’s mentor, friend, and the theme of several of his pieces, including “Andy Mouse.”

In the early ’80s, Keith Haring found a highly effective medium that allowed him to communicate his work with a wider audience — he created chalk drawings on the unused advertising panels in New York City subway stations. These drawings represented a unique conflation of studio practice and public art, cartoons, and graffiti. They became familiar to commuters, who would often stop to engage with the artist. He also attracted the attention of city authorities, who arrested him for vandalism on numerous occasions.

Keith Haring was openly gay and socially conscious, and his murals often reflected his position on social issues. He sought to raise awareness of AIDS, fought against the proliferation of drugs, and advocated for the end of Apartheid. Haring’s oeuvre, from street art to gallery shows, the Pop Shop, and commercial work, is deeply rooted in and reflective of the concept of “art for the people.”

His simply drawn figures were soon to be found on watches and cars, T-shirts and shopping bags, turning Keith Haring into one of the best-known artists of his generation. Radiant Vision is a collection that features over 250 original works including drawings on paper, lithographs, silkscreens, posters, and other items that illustrate the entire span of Haring’s heartbreakingly short but incredibly prolific career.

The exhibition also includes the work of LAII (Angel Ortiz, b. 1967), an artist known for his collaborations with Keith Haring. LAII’s career took off in 1980 when Haring, fresh from the Pennsylvania suburbs, encountered his “Little Angel” tag on a New York street and sought him out.

The regional debut of Keith Haring: Radiant Vision will be celebrated with an early evening preview party on Friday, September 26, as well as a playful daytime program on Saturday, September 27.

Single Source Traveling Exhibition provided by PAN Art Connections.

COLUMBIA MUSEUM OF ART - CMA
1515 Main Street, Columbia, SC 29201

23/02/25

Tous Léger ! Avec Niki de Saint Phalle, Yves Klein, Martial Raysse, Keith Haring… @ Musée du Luxembourg, Paris

Tous Léger !  Avec Niki de Saint Phalle, Yves Klein, Martial Raysse, Keith Haring…
Musée du Luxembourg, Paris
19 mars au 20 juillet 2025

© Affiche GrandPalaisRmn, Paris, 2025

Keith Haring
Untitled (n° 2557), 1986
Acrylique et huile sur toile
240 x 240 cm
Musée d’Art Moderne et d’Art Contemporain, Nice
© Ville de Nice 
© Keith Haring Foundation, 2025

Gilbert & George
Flower Worship 
© Ville de Nice - Muriel Anssens 
© Gilbert & George, 2025

Imaginée essentiellement à partir des collections du musée national Fernand Léger, Biot et de celles du Musée d’Art Moderne et d’Art contemporain de Nice (MAMAC), l’exposition fait dialoguer les oeuvres de Fernand Léger (1881-1955), pionnier de l’art moderne avec plus d’une trentaine d’oeuvres d’artistes issus des avant-gardes européennes et américaines des années 1960 à nos jours.

Le parcours de l’exposition est l’opportunité de mettre notamment en avant le lien historique et artistique fort existant entre l’oeuvre de Fernand Léger et la génération qui lui a immédiatement succédé : celle des Nouveaux Réalistes. Lancé en 1960 par le critique d’art Pierre Restany, le mouvement des Nouveaux Réalistes réunit des artistes tels que Arman (1928-2005), César (1921-1998), Raymond Hains (1926-2005), Yves Klein (1928-1962), Martial Raysse (1936), Daniel Spoerri (1930), Niki de Saint Phalle (1930-2002). Ces artistes s’emparent des objets du quotidien de la société de consommation et de l’esthétique de la rue. Leur démarche ne vise pas la représentation du réél mais son appropriation poétique.

Si le rapport à l’objet occupe une place centrale, l’exposition aborde également d’autres thématiques dont la représentation de la société de loisirs, de l’art dans l’espace public et de la construction d’un art accessible à tous en lien avec son temps ou encore, celle des processus créatifs et de la large place accordée au travail collectif. Fervent admirateur de l’oeuvre de Fernand Léger, Restany, présent avec Raymond Hains lors de l’inauguration du musée Fernand Léger, Biot en mai 1960, aurait baptisé ce mouvement artistique en hommage au peintre qui a utilisé cette formule à de nombreuses reprises.

En effet, Fernand Léger a, dès les années 1920, défini sa démarche artistique comme un « Nouveau Réalisme », « une terrible invention à faire du vrai […] dont les conséquences peuvent être incalculables. »

D’autres périodes, d’autres mouvements, y compris à l’échelle internationale, comme le Pop Art américain avec Robert Indiana, Roy Lichtenstein, May Wilson, mais aussi des artistes qui émergent dans les années 1970 et 1980 comme Gilbert & George à Londres et Keith Haring à New York dont les oeuvres sont représentées dans les collections du MAMAC, sont déployés au coeur du parcours en interaction avec l’oeuvre de Fernand Léger. Si le positionnement de Fernand Léger comme précurseur du Pop Art a déjà été évoqué dans plusieurs expositions, notamment dans le cadre du cycle des Vis-à-vis. Fernand Léger et ses amis, proposé au musée national Fernand Léger, Biot, le rapport avec la scène artistique française des années 1960, notamment avec le groupe des Nouveaux Réalistes, est en revanche inédit. Ainsi, au-delà du dialogue fécond qui peut exister entre les formes et les idées, cette exposition vise à illustrer, encore une fois, la modernité, la pluridisciplinarité et la portée visionnaire de l’oeuvre de Fernand Léger.

Liste des artistes

Marcel Alocco
1937, Nice (France) – vit et travaille à Nice (France)

Karel Appel
1921, Amsterdam (Pays-Bas) – 2006, Zurich (Suisse)

ARMAN (Armand Fernandez, dit)
1928, Nice (France) – 2005, New York (États-Unis)

BEN (Benjamin Vautier, dit)
1935, Naples (Italie) – 2024, Nice (France)

César (César Baldaccini, dit)
1921, Marseille (France) – 1998, Paris (France)

Christo & Jeanne Claude
Christo Javacheff, 1935, Gabrovo (Bulgarie) – 2020, New York (États-Unis)
Jeanne-Claude, 1935, Casablanca (Maroc) – 2009, New York (États-Unis)

Gilbert & George
Gilbert, 1943, San Martino (Italie)
George, 1942, Plymouth (Angleterre)
Vivent et travaillent à Londres (Angleterre)

Raymond Hains
1926, Saint-Brieuc (France) - 2005, Paris (France)

Keith Haring
1958, Kunztown (États-Unis) – 1990, New York (États-Unis)

Robert Indiana
1928, New Castle (États-Unis) – 2018, Vinalhaven (États-Unis)

Alain Jacquet
1939, Neuilly-sur-Seine (France) – 2008, New York (États-Unis)

Yves Klein
1928, Nice (France) – 1962, Paris (France)

Fernand Léger
1881, Argentan (France) – 1955, Gif-sur-Yvette (France)

Roy Lichtenstein
1923, New York (États-Unis) – 1997, New York (États-Unis)

Martial Raysse
1936, Golfe-Juan (France) – vit et travaille à Issigeac (France)

Larry Rivers
1923, New York (États-Unis) – 2002, Southampton (États-Unis)

Niki de Saint Phalle
1930, Neuilly-sur-Seine (France) – 2002, San Diego (États-Unis)

Daniel Spoerri
1930, Galati (Royaume de Roumanie) – 2024, Vienne (Autriche)

Jacques Villeglé (Jacques Mahé de La Villeglé, dit)
1926, Quimper (France) – 2022, Paris (France)

May Wilson
1905, Baltimore (États-Unis) – 1986, New York (États-Unis)


Tous Léger !  Avec Niki de Saint Phalle, 
Yves Klein, Martial Raysse, Keith Haring…
Couverture du catalogue de l’exposition 
© GrandPalaisRmnÉditions, Paris, 2025
Publication GrandPalaisRmnÉditions, 2025
Broché, 24 x 28 cm, 39 € - 200 pages - 150 illustrations

Direction d’ouvrage : 
Anne Dopffer, Julie Guttierez et Rébecca François
Auteures : 
Ariane Coulondre, Sophie Cras, Lisa Diop, 
Rébecca François, Julie Guttierez

En librairie le 19 mars 2025
En vente dès parution dans toutes les librairies et sur :

Exposition co-organisée par le GrandPalaisRmn, les musées nationaux du XXe siècle des Alpes-Maritimes et le musée d’Art moderne et d’Art contemporain (MAMAC), Nice.

L’exposition a été présentée au musée national Fernand Léger, Biot sous le titre Léger et les Nouveaux Réalismes du 15 juin 2024 au 16 février 2025.

Commissaire générale
Anne Dopffer
Directrice des musées nationaux du XXe siècle des Alpes-Maritimes

Commissaires
Julie Guttierez
Conservatrice en chef du patrimoine
Musée national Fernand Léger, Biot
Rébecca François
Attachée de conservation du patrimoine
Musée d’Art Moderne et d’Art Contemporain de Nice (MAMAC)

Musée du Luxembourg
19 rue de Vaugirard, 75006 Paris

02/06/24

Phillips' Editions, Photographs & Design Hong Kong Auction - Highlights

Editions, Photographs, and Design Auction  
Phillips Hong Kong  
Auction: 14 June 2024
Exhibition: 5 - 14 June 2024

Keith Haring
Keith Haring
Dog (L. pp. 48-49), 1986-87 
Estimate: HK$500,000 - 700,000/ US$64,100-89,700
Photo courtesy of Phillips

Andy Warhol
Andy Warhol
Shoes (F. & S. II.257), 1980
Estimate: HK$500,000 - 700,000/ US$64,100-89,700
Photo courtesy of Phillips

Damien Hirst
Damien Hirst
The Virtues (H9), 2021 
Estimate: HK$600,000-800,000/ US$76,900-103,000
Photo courtesy of Phillips

Phillips presents a new cross-category auction, Editions, Photographs, and Design, which will take place live in Hong Kong on 14 June. The inaugural sale will feature over 100 lots, ranging from an extensive selection of Editions by sought-after artists alongside emerging names; stand-out works by some of the world’s most celebrated visual artists and photographers, including the Asia auction debut of Steven Klein’s unique Polaroid works; and a diverse array of Design works spanning the 20th and 21st Centuries, including works from notable makers such as Thomas Heatherwick, Sofu Teshigahara, Studio Drift, among others. Ahead of the auction, the sale will be on view at Phillips’ Asia headquarters in Hong Kong’s West Kowloon Cultural District from 5 to14 June.
Nick Wilson, Head of Editions, Photographs and Design, Phillips Asia, said, “Phillips has a strong track record of selling these categories in our global auctions, we are excited to present them together in a dedicated sale, allowing us to not only meet buyer demand for broader collecting opportunities but also to formally offer sales across the full spectrum of Phillips' categories in Asia for the first time. As a good place to start for collecting fine art, Editions (prints and multiples) are typically more affordable than unique paintings and sculpture, but usually require highly complicated techniques with a master printer to create an edition. Photographs is also one of the more accessible types of work to add to an art collection. The most appealing attraction behind photography collecting is that it’s an approachable medium that people can immediately relate to whether it be a landscape, cityscape, portrait,or any other theme they gravitate to. Iconic Photographs and Editions by some of the world’s most sought-after artists continue to increase in popularity around the world. Our Design category has been very well received by collectors in Asia, in which the Design session featured in the 20th Century & Contemporary Art & Design Day Sale in Hong Kong from 2016 to 2022 always achieved a high sell through rate. We are delighted to present such a strong selection of works by a wide range of creators in the inaugural sale this summer and look forward to welcoming everyone through our galleries when the exhibition opens to the public on 5 June.”
HIGHLIGHTS FROM EDITIONS

Leading the Editions section is Keith Haring’s 'Dog' (L. pp. 48-49) from 1986-87, featuring his celebrated barking dog motif which originated in the artist’s New York subway drawings of the early 1980s. Another standout highlight by Pop Art pioneers is Andy Warhol’s iconic Shoes (F. & S. II.257), from 1980 with diamond dust, which epitomizes his fascination with glamour and celebrity. Also on offer is Damien Hirst’s complete set of The Virtues (H9), which is inspired by Bushidō, the Japanese samurai code of ethics.

Yoshitomo Nara
Yoshitomo Nara
Walk On (M. & S. E-2010-012), 2010
Estimate: HK$300,000-500,000/ US$38,500-64,100
Photo courtesy of Phillips

Yayoi Kusama
Yayoi Kusama
Pumpkin (White Y) (K. 150), 1992
Estimate: HK$300,000 - 500,000/ US$38,500-64,100
Photo courtesy of Phillips

Jonas Wood
Jonas Wood
Fish Pot; Matisse Pot 4; and Snoopy Pot, 2019-2020
Estimate: HK$400,000-600,000/ US$51,300-76,900
Photo courtesy of Phillips

Further sale highlights include Yoshitomo Nara’s Walk On (M. & S. E-2010-012), a Ukiyo-e woodcut which depicts Nara’s iconic little girl with almond shaped eyes and a menacing smile set in a hard straight line. Yayoi Kusama’s Pumpkin (White Y) (K. 150) brings together three of Kusama’s most recognisable motifs: a pumpkin, dots, and infinity nets. Additional works on offer include Jonas Wood’s Fish Pot; Matisse Pot 4; and Snoopy Pot. Jonas Wood’s incorporation of ceramic vessels into his body of work stems from his collaborative working relationship with his wife, the ceramic artist Shio Kusaka.

HIGHLIGHTS FROM PHOTOGRAPHS

Phillips is pleased to present ULTIMATE STEVEN KLEIN for the Photographs section. Steven Klein is one of the most innovative and provocative artists in photography and film. A highly sought-after figure, he has landed coveted covers of magazines such as Vogue and W with his riveting body of work being featured globally and has shot high-profile advertising campaigns for the likes of Alexander McQueen, Tom Ford and Dior. This exclusive curation of 18 unique Polaroids from the celebrated photographer’s archive was personally chosen by Steven Klein and marks the first time his works are being offered in Asia. Showcasing Klein’s distinctive approach to photography as a means of storytelling, this exceptional grouping offers a window into the intimate relationship between photographer and subject. Taken between 1999 and 2015, the Polaroids feature striking portraits of icons in fashion, music, and film, including Angelina Jolie, Brad Pitt, Britney Spears, David Bowie, Madonna, Kate Moss, Naomi Campbell and Claudia Schiffer, among others.

Steven Klein
Steven Klein
Kate Moss, New York City, 8 May 2003 
Estimate: HK$50,000-70,000/ US$6,400-9,000
Photo courtesy of Phillips

Steven Klein
Steven Klein 
Justin Bieber, Los Angeles, 4 June 2015 
Estimate: HK$20,000-30,000/ US$2,600-3,800
Photo courtesy of Phillips

Steven Klein
Steven Klein 
Madonna, Los Angeles from Confessions 
on a Dance Floor, 11 August 2005 
Estimate: HK$50,000-70,000/ US$6,400-9,000
Photo courtesy of Phillips

Other notable highlights include Francis Giacobetti’s 1988 Zebra #17, which demonstrates the artist’s unorthodox approach to technique, light and shadow and expresses the full beauty of the human body. Moreover, a print from Tim Parchikov’s Burning News, shows a person clutching a burning newspaper in the snow, which explores how humans react when the flow of information reaches a critical point.

Francis Giacobetti
Francis Giacobetti
Zebra #17, 1988
Estimate: HK$150,000 – 200,000/ US$19,200-25,600
Photo courtesy of Phillips

Tim Parchikov
Tim Parchikov
Burning News, 2011
Estimate: HK$100,000 – 150,000/ US$12,800- 19,200
Photo courtesy of Phillips

HIGHLIGHTS FROM DESIGN 

The Design section will showcase a diverse range of works spanning the 20th and 21st Centuries, led by Sofu Teshigahara’s Six-panel folding screen. With forms and lines inspired by the dynamism of nature, the present work immediately strikes for its calligraphic, gestural and sculptural brushstrokes, reminiscent of traditional Chinese landscape as well as calligraphy. Further highlights include a seating structure made from a single piece of aluminium titled “Extrusion” bench by the multi-award-winning British architect Thomas Heatherwick, who designed Hong Kong’s Pacific Place; Studio Drift’s 'Fragile Future 3.12' explores the unexpected connection between nature and technology, and Alvar Aalto’s Early “Paimio” armchair, model no 41, whose work brought a refreshing breath of humanism to modern design.

Sofu Teshigahara
Sofu Teshigahara
Six-panel folding screen, circa 1970
Estimate: HK$250,000 – 350,000/ US$32,100-44,900
Photo courtesy of Phillips

Thomas Heatherwick
Thomas Heatherwick
‘Extrusion’ bench, 2011
Estimate: HK$250,000 – 350,000/ US$32,100-44,900
Photo courtesy of Phillips

Studio Drift
Studio Drift
'Fragile Future 3.12', 2017
Estimate: HK$150,000 – 250,000/ US$19,200-32,100
Photo courtesy of Phillips

Alvar Aalto
Alvar Aalto
Early ‘Paimio’ armchair, model no 41, circa 1933
Estimate: HK$80,000 – 120,000/ US$10,300-15,400
Photo courtesy of Phillips

PHILLIPS' Editions, Photographs and Design Hong Kong Auction 
Auction: 14 June 2024, 2pm HKT
Public Exhibition: 5 - 14 June, 11am – 7pm HKT
Location: G/F, WKCDA Tower, West Kowloon Cultural District, No. 8 Austin Road West, Kowloon, Hong Kong

PHILLIPS

30/04/24

Andy Warhol & Keith Haring Exhibition @ Museum Brandhorst, Munich - "Andy Warhol & Keith Haring. Party of Life"

Andy Warhol & Keith Haring 
Party of Life
Museum Brandhorst, Munich
28 June 2024 - 26 January 2025

Andy Warhol & Keith Haring. Party of Life
Museum Brandhorst
28 June 2024 - 26 January 2025
Design: Parat.cc

Nan Goldin: Photograph of Keith Haring & Andy Warhol
Nan Goldin 
Keith Haring & Andy Warhol at Palladium, 1985
© Nan Goldin, Courtesy Nan Goldin, New York

Andy Warhol & Keith Haring
Andy Warhol and Keith Haring
, Undated
Polaroid, 10.8 x 8.35 cm
© Collection: Keith Haring Foundation, New York, NY

They were pop stars, social butterflies and (self-)marketing geniuses: Andy Warhol and Keith Haring were not only two of the most famous artists of the second half of the 20th century. They also revolutionized established ideas about art and its distribution. Andy Warhol’s pop paintings and Keith Haring’s dancing figures are part of our collective visual memory and are still omnipresent to this day in the areas of advertising, fashion, music and film. Despite the large age gap and their different styles, the two artists were friends and companions. In New York's art and clubbing scene, they met and influenced each other—and many others besides.

With “Andy Warhol & Keith Haring. Party of Life,” Museum Brandhorst presents the world’s first comprehensive institutional exhibition dedicated to the two artists. The title of the show is borrowed from the motto of Keith Haring’s birthday celebrations: “Party of Life” tells of the cosmos of the 1980s, of MTV, discos, voguing, hip-hop, New Wave and graffiti. Within this context, the exhibition traces the two artists’ friendship. It reveals parallels in their artistic identity, their openness to cooperations and community projects, and their inclusive attitude: Art and its messages should reach as many people as possible.

Keith Haring, Andy Mouse
Keith Haring
Andy Mouse, 1985
Acrylic and oil on canvas, 122,4 x 122,4 cm
Rogath Family Collection, courtesy of Prince & Wooster
© The Keith Haring Foundation

The exhibition shows over 120 works by Andy Warhol and Keith Haring, collaborations between the two as well as works realized together with artists, performers, authors or music and fashion icons of the time. Alongside key works, it focuses on film and photography, archival material as well as posters, records and everyday objects designed by the artists. “Party of Life” will open up new perspectives on both artists at Museum Brandhorst, which houses the largest Andy Warhol collection outside the United States with more than 120 works, as well as a growing body of Keith Haring works.

Curated by Franziska Linhardt in collaboration with Arthur Fink

MUSEUM BRANDHORST
Theresienstrasse 35A, 80333 München

24/04/23

Keith Haring Exhibition @ Akron Art Museum - Against All Odds

Keith Haring: Against All Odds
Akron Art Museum
April 15 - September 24, 2023

Keith Haring
KEITH HARING
Untitled, 1982
Acrylic on vinyl tarpaulin
180 x 180 in. (4750 x 4570 cm)
Collection of the Rubell Museum
Keith Haring artwork copyright © Keith Haring Foundation

Keith Haring
KEITH HARING
Untitled, 1984
Ink on leather
35 x 42 in. (89 x 106.7 cm)
Collection of the Rubell Museum
Keith Haring artwork copyright © Keith Haring Foundation

KEITH HARING (Collaboration with LA II)
KEITH HARING (Collaboration with LA II) 
Untitled, 1982
 Acrylic and ink on fiberboard
 Collection of the Rubell Museum. 
Keith Haring artwork copyright © Keith Haring Foundation

The Akron Art Museum presents Keith Haring: Against All Odds. Organized by the Rubell Museum and the Akron Art Museum, this show provides a sweeping overview of the height of Keith Haring’s career and includes more than 110 original objects made between 1981 and 1990. The Rubell Museum holds one of the largest private Keith Haring collections in the world. Many of the works that are on view at the Akron Art Museum were acquired by the Rubell Museum shortly after Keith Haring created them and around the same time as they were first presented publicly. 

Keith Haring’s career in art took off through chalk drawings in New York City subway stations and, during the 1980s, exploded into paintings, drawings, large-scale murals, fashion, and pop culture. The artist channeled his newfound popularity and his signature style of bold and energetic outlines into expressions of love and positivity. He also used his art to make political statements against war, environmental destruction, racism, and more, and to advocate for gay rights and AIDS awareness. 

“The exhibition [...]  highlights Haring’s commitments to art and politics, as well as his relationships with artistic peers like Jean-Michel Basquiat and Andy Warhol. We are looking forward to sharing Keith Haring’s work, his ideas, and his personality with our visitors,” said Jeff Katzin, Ph.D., Curator for the Akron Art Museum.   

In 1986, Keith Haring opened his Pop Shop in New York City’s SoHo neighborhood selling shirts, posters, and other items to break down barriers between fine art and broad audiences. While many artists shy away from commercial enterprises, Haring was committed to making his art more accessible. The Museum have an area that has been hand-painted by local artist Ron Copeland in the style of Keith Haring’s Pop Shop, providing an exciting, immersive environment for reflection, education, and programs. 

Keith Haring’s monumental painting of two figures dancing around a heart and his Statue of Liberty sculpture created with Angel Ortiz will be on view through May 14. After their limited time at the Akron Art Museum, they will head to the West Coast to join a traveling exhibition. These two works were part of Keith Haring’s debut exhibition at the Tony Shafrazi Gallery in New York City in 1982. This was his first show at a commercial gallery, and the success of the exhibition cemented his place in the world of fine art.  Two additional works, courtesy of the Keith Haring Foundation, will be on view starting May 16.    

“We are honored to be showcasing Keith Haring’s work on a grand scale here in Akron. His unique imagery is immediately recognizable around the globe, even for those who are not familiar with his story,” remarked Executive Director and CEO Jon Fiume. 

AKRON ART MUSEUM - AAM 
1 South High Street, Akron, OH 44308

22/04/23

Keith Haring: Art is for Everybody @ The Broad, Los Angeles + Art Gallery of Ontario, Toronto + Walker Art Center, Minneapolis

Keith Haring: Art is for Everybody
The Broad, Los Angeles
May 27 – October 8, 2023

Keith Haring
KEITH HARING
Untitled, 1982 
Baked enamel on steel, 43 x 43 inches, 
The Eli and Edythe L. Broad Collection, Los Angeles
© Keith Haring Foundation

Keith Haring
KEITH HARING
Red Room, 1988
Acrylic on canvas, 96 x 179 in. (243.8 x 454.7 cm) 
The Broad Art Foundation 
© Keith Haring Foundation

The Broad presents a special exhibition Keith Haring: Art is for Everybody. Organized by The Broad, this show is the first ever museum exhibition in Los Angeles to present Keith Haring’s expansive body of work and will feature over 120 artworks and archival materials. Known for his use of vibrant color, energetic linework and iconic characters like the barking dog and the radiant baby, Keith Haring’s work continues to dissolve barriers between art and life and spread joy, all while being rooted in the creative spirit and mission of his subway drawings and renowned public murals: art is for everybody.

Following its debut in Los Angeles, Keith Haring: Art Is for Everybody will travel to the Art Gallery of Ontario, in Toronto, from November 11, 2023 to March 17, 2024, and then to the Walker Art Center, in Minneapolis, from April 27 to September 8, 2024.

Born in 1958 in Reading, Pennsylvania, Keith Haring moved to New York City in 1978 to study art. He quickly became a staple within the downtown New York arts community with the likes of artists Jean-Michel Basquiat, Kenny Scharf and Andy Warhol. Keith Haring’s output in the coming decade can be understood in the spirit of the countercultural and nightlife scenes of the 1980s, often organizing exhibitions at the Club 57 nightclub and other alternative venues. This sensibility is palpable in his subway drawings–of which he created over 5,000 throughout his career–where his visionary use of line could be experimented with in quick movements, available to the wide public who took the New York subway. Eli and Edythe Broad, who first began to collect contemporary art deeply in the 1980s, were drawn to the social and political nature of Keith Haring’s work early on, first entering the collection in 1982. Forty years later his legacy continues to garner international acclaim and recognition.
“Keith Haring’s global influence and enduring impact are profound, and The Broad is thrilled to bring our audience in Los Angeles this sweeping exhibition of his work,” said Joanne Heyler, Founding Director of The Broad. “It is our distinct pleasure to share a deep and varied representation of his emblematic visual language and to highlight the prolific ways he spoke through his art and activism about social issues while celebrating joy, solidarity, community and hope.”
Keith Haring: Art is for Everybody explores both his artistic practice and life, with much of the source material for the exhibition coming from his personal journals. Works presented span from the late-1970s when he was a student at the School of Visual Arts in New York up until 1988, just two years before the artist died from AIDS-related illness at the age of 31. Keith Haring’s participation in nuclear disarmament and anti-Apartheid movements are featured prominently in the show, as well as works that take on complex issues that remain crucial today from environmentalism, capitalism, and the proliferation of new technologies to religion, sexuality, and race. In the last gallery, significant works from the late 1980s is accompanied by framed posters illustrating the artist’s activism within the HIV/AIDS crisis. 

The exhibition is accompanied by a monograph catalog published by the museum in collaboration with DelMonico Books and features essays by The Broad’s Curator and Exhibitions Manager Sarah Loyer, Kimberly Drew and Tom Finkelpearl; a roundtable conversation with Patti Astor, Kenny Scharf, and Kermit Oswald; and reflections by George Condo, Ann Magnuson, Bill T Jones, Julia Gruen and Gil Vazquez.
“Keith Haring’s belief that art should be accessible to all is central to the exhibition and integral to The Broad’s mission,” said Sarah Loyer, Curator and Exhibitions Manager. “With this exhibition, our audience will have the opportunity to dive deep into Haring’s work, both as an artist and as an innovator who completely shifted the landscape of contemporary art to this day.”
Divided into ten galleries in total, the expansive exhibition will feature the breadth of mediums Keith Haring worked within, including video, sculpture, drawing, painting, and graphic works, as well as representations from the artist’s enormous output of public projects, from the subway drawings to his public murals. Major works held in the Broad collection such as Untitled, 1984 and Red Room, 1988 will be on view in addition to key loans from many institutional and private collections, including art, ephemera and documentation provided by the Keith Haring Foundation in New York, established by the artist in 1989. The show features immersive elements, such as a gallery lit by blacklight soundtracked by playlists created by the artist himself. Additionally, the Shop at The Broad will be transformed, taking inspiration from Keith Haring’s artistic retail space The Pop Shop, which first opened in 1986 in the SoHo neighborhood of New York. Much like its original format, The Broad uses this component of the exhibition to make Keith Haring’s line accessible to the widest possible audience.
“Much like the work of Keith Haring, his idea that Art Is for Everybody is as profound in its simplicity as it is in its complexity. We invite everyone to The Broad museum for a closer look at why his practice, activism, courage, and accessibility continue to resonate, perhaps now more than ever,” said Gil Vazquez, Executive Director of the Keith Haring Foundation.
Additionally on view for free in The Broad’s third-floor galleries throughout the exhibition will be works by contemporaries of Keith Haring including Jean-Michel Basquiat, George Condo, Jenny Holzer, Kenny Scharf, and Andy Warhol, among others.

THE BROAD
221 S. Grand Avenue, Los Angeles, CA 90012

10/09/22

Mostly New: Selections from the NYU Art Collection @ Grey Art Gallery, New York University

Mostly New: Selections from the NYU Art Collection
Grey Art Gallery, New York University
Through December 17, 2022

Kenji Nakahashi
Kenji Nakahashi
Time – (A) c. 1980; printed 1985
Gelatin silver print, 11 x 14 in. 
Grey Art Gallery, NYU Art Collection
Anonymous gift, 2021.4.5
Courtesy of the Grey Art Gallery

The Grey Art Gallery at New York University presents Mostly New: Selections from the NYU Art Collection, the museum’s first exhibition since it closed in March 2020 due to the COVID-19 pandemic. The exhibition presents a compelling sampling of the New York University Art Collection, with more than 90 artworks by nearly 60 artists. Curated by the Grey Art Gallery’s Lynn Gumpert and Michèle Wong, the show features recent acquisitions of modern and contemporary art from the Middle East by artists such as Farah Al Qasimi, Shahpour Pouyan, and Parviz Tanavoli and spotlights photography, with works by Harry Callahan, Peter Hujar, and Kenji Nakahashi, among others. Mostly New also debuts a selection of works from the Grey’s newly acquired Cottrell-Lovett Collection, donated by longtime art patrons, social activists, and downtown Manhattan residents Dr. James Cottrell and Mr. Joseph Lovett. Included are paintings and prints by Downtown New York artists such as Donald Baechler, Deborah Kass, and Glenn Ligon. Established in 1958—and stewarded by the Grey Art Gallery since the museum’s opening in 1975—the New York University Art Collection now comprises over 6,000 objects. Following such exhibitions as New York Cool: Painting and Sculpture from the NYU Art Collection (2008), Inventing Downtown: Artist-Run Galleries in New York City, 1952–1965 (2017), and, most recently, Modernisms: Iranian, Turkish, and Indian Highlights from NYU’s Abby Weed Grey Collection (2019), Mostly New offers visitors the opportunity to view never-seen and rarely displayed gems from a landmark academic art collection.
“While the Grey has been closed to the public, our staff has continued to care for and build the NYU Art Collection,” notes Lynn Gumpert, director of the Grey Art Gallery. “As the museum undergoes a major period of transition—thanks to the transformative gift from Joe Lovett and Jim Cottrell—Mostly New offers a fitting opportunity to refocus on the Grey’s core identity as a collecting institution.” Michèle Wong, the Grey’s Associate Director and Head of Collections and Exhibitions, adds, “As a longtime Grey staff member, I relish seeing both newer and older collection works together and on view— and reminding both the university community and our other audiences that the Grey provides a home for art and dialogue on NYU’s campus.” 
Keith Haring
Keith Haring
Bill T. Jones, 1984
Color offset lithograph, 35 x 23 in.
Grey Art Gallery, NYU Art Collection
Gift of Denise Green, 2016.9.2
Courtesy of the Grey Art Gallery

Donald Baechler
Donald Baechler
The Lucky Ring, 2008
Silkscreen on paper, 19 x 14 in. 
Grey Art Gallery, NYU Art Collection 
Gift of Cottrell-Lovett Collection, 2021.5.3
Courtesy of the Grey Art Gallery

Exhibition Overview

Mostly New highlights one of the NYU Art Collection’s strongest components—modern American art from the 1940s to the present, particularly paintings and prints by artists who lived and worked in the rich cultural landscape of downtown New York City. Figurative works by luminaries like Keith Haring and Andy Warhol introduce viewers to other influential figures of the downtown arts scene in the 1980s, such as dancers Bill T. Jones and Jock Soto. Work by artist Donald Baechler, who emerged in the ’80s as part of the East Village creative community alongside the likes of Warhol and Haring, reveals the artist’s interest in formal issues of line, shape, and color. Likewise, Brooklyn-based artist Deborah Kass explores pop culture as it intersects with art history. A late painting by Grace Hartigan, an influential member of the New York School, shows how the artist blended her signature Abstract Expressionist sensibility with a renewed interest in the figure. Influenced by 1960s counterculture and life in her native California, work by Mary Heilmann presents an upbeat, eccentric view of geometric abstraction. While Glenn Ligon is best known for works comprising stenciled fragments of famous texts, a 2004 print presents a more abstract exploration of issues of identity and the Black experience. A rare portrait by photographer Adam Fuss commemorates art patrons Dr. James Cottrell and Joseph Lovett, who maintain vital friendships with artists whose work they collect.

The NYU Art Collection also boasts significant photography holdings. Brooklyn-born photographer Emil Cadoo, who eventually moved to Paris in hopes of escaping racism in the United States, combined images of human and botanical subjects with textured overlays that expressed the subject’s inner psyche. Photojournalist and Lower Manhattan resident Danny Lyon turned his camera toward large-scale demolition projects going on in the neighborhood in the late 1960s. Harry Callahan’s experimental prints represent an important juncture in the history of photography when the creative capacities of the camera were explored. Cindy Sherman assumes a variety of guises for her self-portraits, appropriating characters from well-known stories as well as art history. Like Sherman, drag performance artist and actor Ethyl Eichelberger donned the identities of influential historical figures, as seen in photos by Peter Hujar, a chronicler of downtown New York’s creative vanguard and queer communities during the 1970s and ’80s. Work by Japanese-born New York transplant Kenji Nakahashi reveals the abstract imagery in everyday settings, like city subway stations. Miwa Yanagi applies a more socially conscious eye to the world around her—her series Elevator Girls investigates gender norms for Japanese women in the late 1990s.

Farah Al Qasimi
Farah Al Qasimi
Living Room Vape, 2017
Archival inkjet print, 26 1/4 x 35 in. 
Grey Art Gallery, NYU Art Collection
Gift of Sultan Sooud Al Qassemi 
on behalf of Barjeel Art Foundation, 2018.1
Courtesy of the Grey Art Gallery

In line with the principles of the museum’s founder, Abby Weed Grey, the Grey Art Gallery also ­­­collects modern and contemporary art from the Middle East. Mostly New particularly highlights work by artists from Iran, where Mrs. Grey traveled eight times in the 1960s and ’70s. Parviz Tanavoli is one of Iran’s foremost sculptors and, through his close friendship with Abby Grey, helped shape the museum’s remarkable holdings. Like his sculptures, Tanavoli’s works on paper utilize motifs from Persian culture, including symbols of folklore and mysticism and objects found in bazaars. A 1965 work by Marcos Grigorian—a pioneering Iranian artist and professor at the University of Tehran—reflects the artist’s preoccupation with earth and mud as artistic medium­, recalling the Iranian desert. Informed by Persian miniature painting, work by Tehran-born artist Shiva Ahmadi features mythical creatures and enthroned figures characterized by ornate patterns, rich textures, and vivid hues. Shahpour Pouyan’s reinterpretation of traditional Persian miniature painting is absent of all figures, drawing attention instead to the landscape and domestic settings. Having moved away from her native Iran as a young child, Samira Abbassy uses her work as a means of exploring her relationship to Iranian culture and broader issues of identity. A photograph by the Emirati-born artist Farah Al Qasimi—donated by the founder of the Sharjah-based Barjeel Art Foundation, who collaborated with the Grey on Taking Shape: Abstraction from the Arab World, 1950s–1980s (2020)—offers viewers a playful glimpse into life in the Persian Gulf.

Mostly New: Selections from the NYU Art Collection is organized by the Grey Art Gallery, New York University, and curated by Lynn Gumpert and Michèle Wong. Generous support is provided by the Grey’s Director’s Circle, Inter/National Council, and Friends; and the Abby Weed Grey Trust.


GREY ART GALLERY, NEW YORK UNIVERSITY 
100 Washington Square East, New York, NY 10003

28/04/13

Exposition Keith Haring, Paris, MAM, Musée d'Art Moderne de la Ville de Paris et au CentQuatre


Keith Haring, The Political Line
Musée d'Art Moderne de la Ville de Paris
CentQuatre, Paris
19 avril - 18 août 2013

Keith Haring
Portrait de Keith Haring par Philippe Bonan
Juin 1989 © Photographe : Philippe Bonan

Avec près de 250 oeuvres réalisées sur toile, sur bâche ou dans le métro, l'exposition KEITH HARING, THE POLITICAL LINE, la Ligne politique, au Musée d'Art Moderne de la Ville de Paris, est l’une des plus importantes jamais réalisées sur cet artiste new-yorkais, icone du Pop Art qui a largement contribué à la reconnaissance du Street Art.

Keith Haring
KEITH HARING, The Political Line
Musée d'Art Moderne de la Ville de Paris, affiche de l'exposition, courtesy du musée
Oeuvre : Keith Haring, Untitled, 1982
Collection de Sheikha Salama bint Hamdan Al Nahyan, Abou Dabi. Emirats Arabes Unis
Peinture vinylique sur bâche vinyle, 365,7 x 375,9 cm
© Keith Haring Foundation

Né en 1958 à Reading en Pennsylvanie, exposé dès 1978 alors qu'il n'a que 20 ans, Keith Haring est l'un des artistes américains les plus marquant du dernier quart du 20e siècle. C'est aussi l'un des plus connu et des plus appréciés du grand public. Posters, lithographies, cartes postales, design et autres produits dérivés, une partie de son oeuvre a été largement diffusée. C'est qu'elle présente un caractère ludique avec un côté enfantin. Mais les apparences sont en partie trompeuses : Keith Haring rend ainsi l'art accessible à tous mais il est aussi un intellectuel engagé, à la pensée subtile. Lorsque sa craie vient animée les fonds noirs des panneaux publicitaires vierges du métro new-yorkais, au début des années 1980, c'est dans l'histoire de l'art qu'il inscrit ses dessins. 

Keith Haring
KEITH HARING
Untitled, 1980
Collection Keith Haring Foundation
Encre sur carton ; 121,9 x 230,2 cm
© Keith Haring Foundation
Keith Haring
KEITH HARING
Untitled, 1982
Courtesy Keith Haring Foundation et Gladstone Gallery, New York et Bruxelles
Encre sumi sur papier ; 271,8 x 406,4 cm
© Keith Haring Foundation


Keith Haring fut l’un des artistes les plus célébrés de son époque, et aujourd’hui encore tout le monde connaît son style  incomparable et son répertoire de signes emblématiques. Il a été exposé avec Andy Warhol, Jean-Michel Basquiat, Roy Lichtenstein, Robert Rauschenberg, Jenny Holzer et Daniel Buren dans le monde entier.

Keith Haring
KEITH HARING
A Pile of Crowns for Jean-Michel Basquiat, 1988
Collection Keith Haring Foundation
Acrylique sur toile 304,8 x 304,8 cm
© Keith Haring Foundation


A l'image de Jean-Michel Basquiat, Keith Haring n'a eu qu'une courte période, celle des années 1980, pour réaliser son Oeuvre, des Subway Drawings du début des années 1980 aux oeuvres publiques monumentales de 1989, en passant, entre autre, par la Documenta 7 de Cassel en 1982, la Biennale de Venise en 1984. Entre les deux dates, l'activité artistique de Keith Haring a été intense, mélant expositions, art urbain. Ses réalisations de street art, dans la rue, le métro et autres lieux publics étant marqués par sa volonté de rendre l'art accessible à tous : Keith Haring a souvent répété que tout le monde à le droit à l'art. Son langage visuel est largement lié à cette philosophie de l'artiste dans la mesure où ce langage est accessible. 

En utilisant délibérément la rue et les espaces publics pour s’adresser au plus grand nombre, il n’a cessé de lutter contre le racisme, le capitalisme et toutes sortes d’injustice et de violence, notamment l’Apartheid en Afrique du sud, la menace de guerre atomique, la destruction de l’environnement, l’homophobie et l’épidémie du sida dont il sera victime. Le parcours de l’exposition rend compte de ses prises de position critiques. 

Keith Haring
KEITH HARING
Reagan Ready to Kill, 1980
Collection Keith Haring Foundation
Collage de coupures de journaux et ruban adhésif sur papier ; 21,6 x 27,9 cm
© Keith Haring Foundation


L'exposition Keith Haring, The Political Line, au Musée d'Art Moderne de la Ville de Paris, comme son nom l'indique met l'accent sur la dimension politique et sociale de l'oeuvre de ce grand artiste engagé. Les messages et les idées politiques qu’il a véhiculés ne constituent pas seulement une part de son héritage, mais ont considérablement influencé les artistes et la société. Ses subway drawings, ses peintures, ses dessins et sculptures, étaient porteurs de messages de justice sociale, de liberté individuelle et de changement. Icône du Pop art, artiste subversif et militant, Keith Haring a multiplié les engagements tout au long de sa vie : très jeune, il était animé par une envie de transformer le monde. 

Keith Haring
KEITH HARING 
Untitled, 1988 
Collection Keith Haring Foundation 
Acrylique sur toile ; 304,8 cm de diamètre 
© Keith Haring Foundation 


Les Dix Commandements de Keith Haring au CENTQUATRE
Dix panneaux d'une hauteur de plus de 7 mètres et de 5 mètres de largeur chacun (769,6 x 502,9 cm) compose cette oeuvre de Keith Haring. Réalisée en décembre 1985, l'enfant prodige de l'art urbain y propose sa représentation des Dix commandements.  C'est à voir au CENTQUATRE à Paris dans le 19e arrondissement (5, rue Curial). Cet espace d'art expose également d'autres oeuvres grand formats, peintures et sculptures, de l'artiste américain décédé en 1990. Une vingtaine d'oeuvres sont exposées en parallèle à l'exposition au Musée d'Art Moderne de la Ville de Paris. Le visiteur peut pénétrer dans Le Pop Shop, boutique réalisée par Keith Haring, dans un container à Tokyo en 1988.

Keith Haring aimait Paris. Il a notamment réalisé des oeuvres dans le métro parisien et son engagement en faveur des enfants victimes de la maladie l'a amené à réalisé en 1987 un mur peint à l'hôpital Necker à Paris.

Keith Haring
KEITH HARING
Untitled, 1982
Collection particulière
Peinture vinylique sur bâche vinyle ; 304,8 x 304,8 cm
© Keith Haring Foundation


Keith Haring, The Political Line : Catalogue de l’exposition au Musée d'Art Moderne de la Ville de Paris
Richement illustré, le catalogue reflète les différentes problématiques soulevées par l’exposition : l’art dans l’espace public, l’oppression de l’état et des mass media, la position de l’individu au sein de l’espace social etc. Il comporte des essais confiés à des spécialistes de l’oeuvre de Keith Haring que sont Dieter Buchhart, Odile Burluraux, Robert Farris Thompson, Julian Myers, Peter Pakesch, ainsi que deux entretiens avec Julia Gruen et Tony Shafrazi, son galeriste, et une chronologie développée.

Commissaires de l'exposition : Dieter Buchhart et Odile Burluraux
Directeur du Musée d’Art moderne de la Ville de Paris (www.mam.paris.fr) : Fabrice Hergott 
Directeur du CENTQUATRE (www.104.fr) : José-Manuel Gonçalvès
L'exposition Keith Haring, The Political Line a été réalisée en partenariat avec la Keith Haring Foundation, fondation a but non lucratif crée par Keith Haring lui-même en 1989 

Horaires d’ouverture
Mardi au dimanche de 10h à 18h (fermeture des caisses à 17h15)
Nocturne le jeudi de 18h à 22h (seulement les expositions) (fermeture des caisses à 21h15)
Fermeture le lundi et les jours fériés