Showing posts with label Accra. Show all posts
Showing posts with label Accra. Show all posts

15/04/23

Gabriel Choto @ ADA / Contemporary Art Gallery, Accra – Deep, Deep Down In The Belly Of The Earth

Gabriel Choto
Deep, Deep Down In The Belly Of The Earth
ADA / Contemporary Art Gallery, Accra
April 6 – May 28, 2023

Gabriel Tendai Choto
GABRIEL CHOTO
 
I Hope You Know, 2023
Oil on paper
© Gabriel Tendai Choto, 
courtesy of ADA / Contemporary Art Gallery
“Grief is just another form of love. The sense of sorrow and grief become the bricks I use to make a home within me, and love always opens a door in me, allowing the fresh air in and bringing with it a sense of hope. That emotion is what I try to capture in my work.”
- Gabriel Tendai Choto.

ADA contemporary art gallery presents Deep, Deep Down In The Belly Of The Earth, a solo exhibition by UK-based Zimbabwean artist, GABRIEL TENDAI CHOTO (b.1995).

Gabriel Choto presents large-scale wooden windows in oil on Somerset paper and delves into deeply personal narratives of grappling with grief and depression due to suppressed emotions shaped by trapped, constructed cultural norms where it is not socially acceptable for men to express their feelings.

The exhibition’s title is inspired by a song called Stimela by the renowned South African musician and composer, Hugh Masekela. The eleventh line of the song’s live introduction Deep, deep down in the belly of the earth, captures the political unrest in then apartheid South Africa and suggests grief, pain and empathy for struggling Black men, immigrants and labourers who were not encouraged to express moments of weakness outwardly. Connecting the dots within his own life and relating with the characters in the song, Gabriel Choto takes his viewers on a metaphoric journey of emotional transparency.

The expanse of space in each painting alludes to glimmers of hope amid long periods of suppressed emotions and the daily struggle with mental health. Gabriel Choto places himself as the subject in most of his compositions, unveiling difficult periods in his life. The surface of the oil paintings is imbued with semi-hyper-real elements, accentuating the strategic use of negative space, and soulful beiges take on a therapeutic hue, the perfect muted background to contain the catharsis of each character.

Deep, Deep Down In The Belly Of The Earth lays bare Gabriel Choto’s vulnerabilities. It builds up layers of aesthetic compositions as simple as the experience and as complex as the emotions he tries to evoke.

GABRIEL CHOTO

Gabriel Tendai Choto, born in 1995 in Harare, Zimbabwe and raised in Bradford, currently lives and works in West Yorkshire, England. After completing his Diploma in Art and Design at Leeds Arts University (formerly Leeds College of Art) in 2012, Choto gained a BAFA in Drawing from Camberwell College of Art (UAL) London in 2014. He has recently completed an MFA at Central St Martins in London, UK. Gabriel Choto has had solo exhibitions at FNB Art Joburg: GALLERyLABs (2020) and 'Kumba' at Anima Mundi Gallery, UK (2021). Selected group exhibitions to include Royal Academy of Arts, Summer Exhibition, London (2021), 1:54 Contemporary African Art Fair, Somerset House (2018), INTERSECTION, 2018 Tyburn Gallery London, FBA Futures, Mall Galleries, London, UK (2018); Flock, GX Gallery, London, UK (2017); Blxckout Revolution: The Exhibition at 198 Gallery in London (2017); BAME at the Hotel Elephant Gallery in London, UK (2016); and Long Live the New Flesh at Tower Gallery, London, UK (2015). In 2018, Gabriel Choto was selected for the Clyde & Co Art Award. And the winner of the Clifford Chance Printmaking Purchase Prize in 2019.

ADA / Contemporary Art Gallery
Villaggio Vista, North Airport Road, 
Airport Residential Area, Accra, Ghana

15/06/22

Derrick Ofosu Boateng @ ADA \ contemporary art gallery, Accra, Ghana - The Shades of Our Proverbs

Derrick Ofosu Boateng
The Shades of Our Proverbs
ADA \ contemporary art gallery, Accra, Ghana
8 June - 10 July, 2022

Derrick Ofosu Boateng
DERRICK OFOSU BOATENG
Self Portrait [Prayer purifies the soul, charity purifies
wealth, and the bath purifies the body] 2021
Courtesy Derrick Ofosu Boateng and ADA \ contemporary art gallery

Derrick Ofosu Boateng
DERRICK OFOSU BOATENG
Asafo Ntoma [One does not treat an important matter
as if it were a mere trifle] 2021
Courtesy Derrick Ofosu Boateng and ADA \ contemporary art gallery

DERRICK OFOSU BOATENG is a Ghanaian fine art photographer and practitioner, inspired by the rich and authentic traditional cultures of Africa and the continent’s contemporary practices. Through the use of visual iconography and poetry, he brings the teachings and proverbs of Ghana’s Akan tribe to life, revealing the positivity, strength and joys within his community.

The Shades of Our Proverbs is a body of work from 2021 – 2022 that unveils Boateng’s imaginary narratives through embedded proverbial sayings from the Akan tribe of Ghana. The bright-coloured pictographic images serve as a wonderful amalgamation of interpreting ancient rituals through a modern lens. Boateng wants his audiences to draw on indigenous knowledge in their critical understanding of the world around us. Asafo Ntoma: (One does not treat an important matter as if it were a mere trifle), for example, boarders on the universal ethics of taking matters seriously and acknowledging the superficial. The subject, draped in traditional Ghana kente cloth, playfully poses with his boxing gear, ready to take the world on.

The vibrant digital portraits, take the viewer on an exciting visual journey, bursting with life, feel-good mundane scenes, saturated colours, whimsical motifs and emotive metaphors.
I started this journey with passion and that passion is what has led me to perceive an extraordinary beauty. Nothing has changed with respect to the richness of African art, it is the bridge of understanding that is broken. Many see but do not understand the intensity of the messages that are being disseminated, look closely and witness visual proverbs.- Derrick Ofosu Boateng
The Shades of Our Proverbs is viewed as a vehicle for communicating Boateng’s visual proverbs as crafted from belief systems and behavior of groups and individuals within the society. Each subject or image is inspired by an Akan proverb, creating enhanced realities and interactive energies.

DERRICK OFOSU BOATENG

Derrick Ofosu Boateng is a fine art photographer and practitioner of an African Art movement that creates through the lens of Hue-ism. Inspired by the richness of African culture, Derrick Ofosu Boateng’s contemporary photography aims to influence the world’s perception of Africa and its art, often viewed through a limited lens in film and media. Through Derrick Ofosu Boateng’s art, he is inspired to represent the beauty in the meaning of color and visual poetry of everyday African culture, lifestyles and behaviors thereby “changing the perception on how the world views Africa.”

Though taken in Ghana, Derrick Ofosu Boateng believes that the intimate images he captures are a representation of life anywhere on the continent. "Photography has always made me happy, since I was a child, and now it means something important to me because it is the way I have to defend the idea that there is more to Africa than the negativity portrayal." In the global art industry, Africa is still underrepresented, and Derrick Ofosu Boateng strives to connect with an international audience through the reach of his social media platforms, art fairs and respected global galleries.

ADA \ contemporary art gallery
Villaggio Vista, North Airport Road
Airport Residential Area, Accra, Ghana

12/02/22

Samuel Olayombo @ ADA \ contemporary art gallery, Accra, Ghana - Unchained: The Cotton Candy Cowboys

Samuel Olayombo
Unchained: The Cotton Candy Cowboys
ADA \ contemporary art gallery, Accra, Ghana
February 10 – 20 March 2022

Samuel Olayombo
Samuel Olayombo in his studio 
Image courtesy Samuel Olayombo and ADA \ contemporary art gallery

Samuel Olayombo
Samuel Olayombo
Cherry Sheriff Django, 2022
84 x 60 inches
Image courtesy Samuel Olayombo and ADA \ contemporary art gallery

In Samuel Olayombo’s inaugural exhibition at ADA \ contemporary art gallery titled Unchained: The Cotton Candy Cowboys, Black figures are clothed in an array of rose-coloured clothing and Stetsons, which the artist presents to discuss masculinity and societal gender assertions and associations. The pink clothing and background serve as an emblem of softness, kindness, nurturance, and compassion; qualities that are often thought of as feminine.

The works throughout the show build on crossing the boundaries of traditional masculinity. In sharp contrast to the dark skin, the pink colour scheme accentuates the figures and imagines the notion of men in pink from a fresh perspective. The Black male figures affirm the stoic strength of the Western cowboy archetype and yet unveils the sweet, delicate, and dynamic nature of masculinity. Even though the artist’s figures appear to be posing and rigid, they seem carefree and light-hearted. Samuel Olayombo envisions his striking portraits as an effort to change representations of masculinity and shift ideas on what it means to be a man.

The dark palette-painted skin of Samuel Olayombo’s cowboys pays homage to the body scarification culture of the Ife, a Yoruba tribe of Nigeria. In an attempt to reaffirm and replicate a controversial cultural ritual of diverse root explanations and spiritual significance.

Unchained: The Cotton Candy Cowboys positions the Black cowboy in our visual purview and assert visibility, grounded in the significant history that has gone underrepresented. The rich legacy of Black cowboys in the American West, according to historical literature, accounted for up to an estimated 25 percent of workers in the range-cattle industry from the 1860s to 1880s. The exhibition focuses on the cowboy hero as a Black gallant figure and subverts the early image of the American cowboy into one that is dynamically intersectional. Samuel Olayombo’s robust manly subjects submerged in pink, foster freedom of expression, and translate into a staple of strength and confidence.

SAMUEL OLAYOMBO (born 1991) is a Nigerian artist who studied fine and applied arts at the University of Benin. A lover of texture, Samuel Olayombo works with oils, acrylics, charcoal, and pastels to create vibrant, dramatic, large-scale canvases of predominately male, non-gender normative portraits. Using a palette knife to convey intricate, 3-dimensional skin textures, Samuel Olayombo pays homage to classic artists such as Vincent Van Gough and Arja Valimaki in his work. His fascination with ’scarring’ prevalent in certain Yoruba cultures as well as toxic masculinity, macho male culture and constructs of sexuality, gender roles and gender equality are the key narratives Samuel Olayombo explores within his compositions.

ADA \ contemporary art gallery
Villaggio Vista, North Airport Road
Airport Residential Area, Accra, Ghana